DOCSLIB.ORG

Panis Angelicus Composer: Palestrina, Giovanni Pierluigi Da Arranger: Stella, Simone Copyright: Copyright © 2021 - Simone Stella, SS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Panis Angelicus Composer: Palestrina, Giovanni Pierluigi Da Arranger: Stella, Simone Copyright: Copyright © 2021 - Simone Stella, SS - Simone Stella Arranger, Composer, Interpreter, Publisher, Teacher Italia About the artist Raised in Florence (Italy), today Simone Stella is considered one of the most respected performers of ancient music on the harpsichord and organ thanks to his impressive discography. After studying piano with Marco Vavolo and Rosanita Racugno, organ with Mariella Mochi and Alessandro Albenga in Florence and harpsichord with Francesco Cera in Rome, and attending masterclasses held by Ton Koopman, Matteo Imbruno and Luigi Ferdinando Tagliavini, in 2008 Gustav Leonhardt awarded him the First Prize in the 1 st International Organ Competition Agati-Tronci in Pistoia. Stella started a brilliant soloist career that brought him performing in many important festivals throughout Europe, USA and Brazil, where he has also helded seminars and masterclasses on the baroque repertoire for organ and harpsichord. His monumental soloist discographic production, rewarded by the international review (Musica, Diapason, Fanfare, Klassik, BBC Music Magazine among others), includes the complete... (more online) Artist page : https://www.free-scores.com/Download-PDF-Sheet-Music-simonestellamusic.htm About the piece Title: Panis Angelicus Composer: Palestrina, Giovanni Pierluigi da Arranger: Stella, Simone Copyright: Copyright © 2021 - Simone Stella, SS. Annunziata, Firenze - Italy Publisher: SS. Annunziata Instrumentation: Keyboard (piano, harpsichord or organ) Style: Renaissance - Simone Stella on free-scores.com • share your interpretation • comment • contact the artist First added the : 2021-07-05 Last update : 2021-07-05 07:18:34 Panis Angelicus del Palestrina intavolato per strumento a tastiera da Simone Stella Giovanni Pierluigi da Palestrina (Keyboard arr. by Simone Stella) œ œ % β ∑ Ó ˙ œ œ œœœœœ œ œ ˙ j > œ œ. œ œ œ œ œ. œ β ˙ œ œ œ œ œ œ œ œ œ % œ J ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ % œ ˙ œ œ œ œ œ œ œ œ ˙ j ? œ œ œ œ œ œ œ œ œ œ. œ % ˙ œ œ œ œ œ œ œ ˙ œ œ œ ˙œ œ œ œ œ œ œ Œ j œ œ œ. œ Œ œ œ œ œ œ œ œ œ œ % œ œ œ œ œ ˙ œ œ ˙ œ œ Œ . J Ó Œ j ? œ œ œ œ œ ˙ ˙ œ œ. œ œ˙. œ ˙ œ J Œ ˙ œ œœ œ œ œ ˙ œ % œ b˙ œ nœ œ ˙ œ Œ œ œ œ œ œ œ œ ˙ Ó Ó Œ j ? œ œ œ œ ˙œ œœœœœ œ. œ œ œ œ œ œ œ œ œœœœœœœœ ˙ œ œ œ œ . œ Copyright © 2021 Simone Stella, SS. Annunziata, Firenze - Italy 2 œ œ ˙. œ œ œ ˙ % ˙ ˙ œ œ ˙ œ œ œ œ œ œ œ œ ˙ Ó ? Ó Ó Ó w ˙ œ ˙ ˙ Ó Ó Œ œ œ œ ˙ % œ. œ œœœœœ œ ˙ ˙ œœœœœ œ œ œ œ œ œ œ œœœœœœ ˙ J œ œ j Œ Ó ? œ œ œ. œ œœœœœ œ œ œ œ œ ˙ ˙œœœœœœœœ œ. œ ˙ œ J Ó Ó Œ ˙ w ˙ ˙ % œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ Ó Œ Œ ? œ œ #œ œ œ œœœœœœ ˙ ˙œ #œ œ #˙œ œ œ œ œ œ œ ˙ œ œ ˙ œ œ œ œ œ œ œ œ ˙ j Ó œ bœ œ bœ. œ œ œ % Œ œ œ œ . j J œ bœ œ œ. œ ˙ Œ J j j ? Œ œ bœ œ. œ œ œ bœ œ œ. œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ . J . J % œ œ œ œ œ ˙ Ó Œ œœœœœœœ œ œ œ œ œ œ ˙ œ œ œ œ #œ œ œ œ œ #œ œ ˙ œ œ ? œœœœœœ œ œ œ œ œœ œœœœœ œ œ œ ˙ ˙ œ Œ œ œœœ œ œ ˙ ˙ œ . J Ó Copyright © 2021 Simone Stella, SS. Annunziata, Firenze - Italy 3 j ˙ œ œ œ œ œ œ œ. œ œ % ˙ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ . J œ j œ j œ œ œ œ œ œ œ ? ˙ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ . ˙ œ #œ ˙œ œ œ œ œ . J Ó œ œ œ œ #œ œ œ œ œ œ % . j œ œ œ œ œ œ œ œ œ œ œ œ œ. œ ˙ Œ J j œ œ œ œ ? œ œ œ. œ ˙ Œ œ œ œ œ œ œ #œ œ #œ œ œ nœ œ œ œ ˙ œ œ œ œ œ œ J Œ Ó œ œ œ œ œ œ œ œ œ œ œœœœœœ œ ˙ œ Œ œ œ œ œ œ œ œ œ œ % œ œ ˙ œ ˙ œ œ œ œ ˙ ˙ œ œ œ œ œ ? #œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ ˙ œ œ œ œ j œ œ œ œ. œ œ % ˙œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ . J œ j œ j œ œ œ œ œ œ œ ? œ œ œ œ œ œ œ. œ œ œ œ . ˙. œ J œ œ œ œ % œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ w œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ w ? œ œ ˙ w w œ ˙ w w Copyright © 2021 Simone Stella, SS. Annunziata, Firenze - Italy.
Load more

Recommended publications
  • Chorale Prélude "Gelobet Seist Du, Jesu Christ"
    Simone Stella Arranger, Composer, Interpreter, Publisher, Teacher Italia, Firenze About the artist Born in Florence (Italy) in 1981, Simone Stella studied piano at the Conservatory ?L. Cherubini? of Florence with Rosanita Racugno, and perfected his piano studies with Marco Vavolo. After studying organ in Florence with Mariella Mochi and Alessandro Albenga, harpsichord in Rome with Francesco Cera, and organ improvisation in Cremona with Fausto Caporali and Stefano Rattini, he has attended many courses and seminars held by internationally acclaimed artists, including Ton Koopman, Matteo Imbruno, Luigi Ferdinando Tagliavini, Luca Scandali, Giancarlo Parodi, Stefano Innocenti, Klemens Schnorr, Ludger Lohmann, Michel Bouvard, Monika Henking, Guy Bovet. He won the 2nd and 3rd ?A. Esposito? Youth Organ Competition held in Lucca (2004-05) and then the 1st ?Agati-Tronci? International Organ Competition held in Pistoia (2008). Simone Stella plays, especially as a soloist, in Italy, Spain, Germany, the Netherlands and Denmark. His repertoire includes harpsichord and organ music from every historical era up to and including the present day. Particularly interesting is his live performance (2009-10) of the complete organ works by Dieterich Buxtehude in the historical Orsanmichele Church in Florence, where he was titular organist. He is an active composer of inst... (more online) Personal web: http://www.simonestella.it About the piece Title: Chorale Prelude "Gelobet seist du, Jesu Christ" Composer: Stella, Simone Licence: Creative Commons Attribution-Non
    [Show full text]
  • Dietrich Buxtehude Préludes, Chorals, Passacaille… Mp3, Flac, Wma
    Dietrich Buxtehude Préludes, Chorals, Passacaille… mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Préludes, Chorals, Passacaille… Country: France Released: 1984 Style: Baroque MP3 version RAR size: 1233 mb FLAC version RAR size: 1154 mb WMA version RAR size: 1176 mb Rating: 4.8 Votes: 291 Other Formats: FLAC XM MOD MMF WMA MP2 ASF Tracklist A1 Praeludium En Ut Majeur, BuxWV 137 5:02 A2 Choral, BuxWV 197 2:23 A3 Choral, BuxWV 223 5:58 A4 Choral, BuxWV 3:30 A5 Tocata En Ré Mineur, BuxWV 155 6:44 B1 Praeludium En Sol Mineur, BuxWV 149 6:36 B2 Choral, BuxWV 199 3:31 B3 Passacaglia En Ré Mineur, BuxWV 161 5:19 B4 Choral, BuxWV 190 2:40 B5 Choral, BuxWV 183 3:23 B6 Praeludium En Ré Majoeur, BuxWV 139 5:13 Credits Composed By – Dieterich Buxtehude Edited By – Ysabelle Van Wersch-Cot Liner Notes [English Translation] – Nicholas Powell Liner Notes [German Translation] – Ingrid Trautmann Organ [Haerpfer-erman , Sainte Chapelle, Châteu Des Ducs De Savoie, Chambéry], Liner Notes – Marie-Claire Alain Photography – Studio Mollard Recording Supervisor, Engineer [Sound] – Yolanta Skura Notes The distributor's Catalog# is printed on a sticker pasted over the label's Catalog# on the back cover. The backcover's tracklist featured subtitles to the following tracks: A1 > (Prélude, fugue, Chaconne) A2 > "In dulci jubilo" A3 > "Wie schön leuchtet der Morgenstern" A4 > "Ach Herr, mich armen Sünder" B2 > "Komm, Heiliger Geist, Herre Gott" B4 > "Gott der Vater wohn uns bei" B5 > "Durch Adams Fall ist ganz verderbt" Barcode and Other Identifiers
    [Show full text]
  • Buxtehude Complete Harpsichord Music Mp3, Flac, Wma
    Buxtehude Complete Harpsichord Music mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Complete Harpsichord Music Country: Netherlands Released: 2012 Style: Baroque MP3 version RAR size: 1626 mb FLAC version RAR size: 1394 mb WMA version RAR size: 1349 mb Rating: 4.7 Votes: 916 Other Formats: MP3 ASF ADX MP2 MP4 WMA AU Tracklist Volume 1 Aria 'Rofilis' In D Minor BuxWV248 1-1 Variatio 1 - Variatio 3 2:12 Suite In G BuxWV240 1-2 I. Allemande 2:27 1-3 II. Courante 2:07 1-4 III. Sarabande 1:43 1-5 IV. Gigue 1:02 Suite In E Minor BuxWV237 1-6 I. Allemande 3:01 1-7 II. Courante 1:36 1-8 III. Sarabande I 2:48 1-9 IV. Sarabande II 1:50 1-10 V. Gigue 1:38 - 1-11 Courante In D Minor BuxWV Anh.6 1:41 Suite In D Minor BuxWV234 1-12 I. Allemande 2:40 1-13 II. Double 2:26 1-14 III. Courante 2:52 1-15 IV. Double 1:31 1-16 V. Sarabande I 2:25 1-17 VI. Sarabande II 1:54 Suite In D BuxWV232 1-18 I. Allemande 2:16 1-19 II. Courante 1:44 Auf Meinen Lieben Gott In E Minor BuxWV179 1-20 I. Allemande 0:55 1-21 II. Double 0:57 1-22 III. Corrente 0:42 1-23 IV. Sarabande 1:25 1-24 V. Gigue 0:45 Suite In C BuxWV230 1-25 I. Allemande 2:21 1-26 II. Courante 1:52 1-27 III.
    [Show full text]
  • Froberger's Fantasias and Ricercars Four Centuries On1 Terence
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal College of Music Research Online Journal of the Royal College of Organists , Volume 10 (December 2016), pp. 5–27. Searching fantasy: Froberger’s fantasias and ricercars four centuries on1 Terence Charlston ‘Obscure, profound it was, and nebulous’ 2 It is more than a little surprising, given Johann Jacob Froberger’s significance in the written history of music, how little of his music is regularly played or known today. Traditionally he is viewed as the most important German seventeenth-century keyboard composer, pre-eminent alongside Frescobaldi and Sweelinck, the ‘Father’ of the Baroque keyboard suite. He was celebrated in his own day and his reputation and works were considered important enough to be researched and preserved by following generations. Today the physical notes of his music are readily available in facsimile and modern ‘complete’ editions (see Table 1) and the identification of several new sources of his music since the 1960s, one of which is an autograph with 13 otherwise unknown pieces, have generated renewed interest and discussion.3 Nonetheless, Froberger’s music is still represented in concert and recording only by the same handful of more ‘popular’ pieces which have graced recital programmes and teaching curricula for at least the last 70 years. These few pieces, chosen for their exceptional rather than their representative qualities, leave the majority of his music in peripheral limbo. The exclusion of the less Terence Charlston, ‘Searching fantasy: Froberger’s fantasias and ricercars four centuries on’ © Terence Charlston, 2016.
    [Show full text]
  • Onclassical | Follow Us: Fb | Tw Track-List Jean-Philippe Rameau, a Life to the Heights of Parnassus
    Jean-Philippe Rameau Complete Harpsichord Works ______ Simone Stella Jean-Philippe Rameau (1683-1764) was one of the most important French composers and music theorists of the Baroque era. He was successor of Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin. Rameau's music is characterised by the exceptional technical knowledge of a composer who wanted above all to be renowned as a theorist of the art. Nevertheless, it is not solely addressed to the intelligence, and Rameau himself claimed, "I try to conceal art with art." Along with François Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. There are several recordings of Rameau's complete harpsichord works. The new version by young Florentine organist and harpsichordist Simone Stella adds an interesting element to the international discography. The recording, available in HD 88.2/24, has been captured using two Sennheiser small diaphram microphones and Prism Sound pres/converters. Simone Stella is one of the leading harpsichordists and organists of Italy, his earlier recordings of the complete keyboard works of Buxtehude received uniform praise in the international press: “Thoroughly imaginative and engaging” (Fanfare), “Convincing and surprisingly” (Klassic.com).” Cat. No.: OC130BSET Barcode: 634065037031 OnClassical | Follow us: fb | tw Track-list Jean-Philippe Rameau, a life to the heights of Parnassus Disc 1 (76'33'') Disc 2 (77'57'') Rameau's early years are particularly obscure. He was probably born on 25 September 1683 in Dijon, and baptised the same day.
    [Show full text]
  • 5028421954882.Pdf
    Federico Maria Sardelli b.1963 Troisième Suite de Pièces pour 13. Le Brin d'herbe (Sarabande legère) le Clavecin (2016) in G minor Avec simplicité et un peu vif 2’13 1. La Lunatique Très vite 4’08 14. Gigue Gracieusement 1’46 2. Le Labyrinthe d’amour 15. Chaconne en Rondeau Avec une grande tendresse, Fièrement 7’01 mais sans lenteur 4’19 3. L’Étonnement Viste 3’07 Première Suite de Pièces pour le 4. La Timide Peu vivement, Clavecin, intitulé “Les Caractères” avec hésitation 2’29 (1990) in D minor 5. Le Talon Rouge, 16. Le misantrophe Prelude 2’08 Gracieusement, et pas vite 2’55 17. La méfiante Allemande 4’07 6. Le Plaintif Légerement 3’14 18. L’ambitiéuse Courante 2’31 7. Le Papillon à la bougie Vite 2’27 19. La flatteuse Sarabande 3’38 8. La Colère Très Vite 3’07 20. L’impatient Très Vite & agité 2’29 9. Tambourin I & II 3’07 21. Le jaloux Tendrement 3’45 22. L’ingénue Rondeau Deuxième Suite pour le Clavecin avec simplicité 2’49 (2006) in D minor 23. L’importune Gigue 1’33 10. Allemande I Noblement 4’25 11. Allemande II Très vivement, 24. Chaconne composé à la mémoire et les demi-croches égales 2’09 immortelle de l’incomparable 12. Courante à l'Italienne Légerement, Mr. De Lully in G 5’33 et les demi-croches égales 1’49 Simone Stella harpsichord Harpsichord made by Jim Hall in Amsterdam, 2005, after Henri Hemsch Sardelli, or 21st century somersaults with a spirit as subtle as Salvatore Sciarrino.
    [Show full text]
  • Cover for Mastered for Itunes
    Dietrich Buxtehude COMPLETE HARPSICHORD WORKS Simone Stella Cat. No.: OC130SET4 Barcode: 720189873140 Dieterich Buxtehude (c. 1637/39-1707) was a Danish- German organist and composer of the Baroque period. His organ works represent a central part of the standard organ repertoire and are frequently performed at recitals and in church services. He composed in a wide variety of vocal and instrumental idioms, and his style strongly infuenced many composers, including Johann Sebastian Bach. Today, Buxtehude is considered one of the most important composers in Germany of the mid- Baroque. "There's no question that Stella has the proper Buxtehude style, which is to play with irregular meter and with the parts of both hands slightly out-of-synch much of the time, which creates a weird tension[...]." - Fanfare ___ Simone Stella is a pluri-awarded young organist and harpsichordist. He is acclaimed by the international critic worldwide for his monumental editions of Dietrich Buxtehude, George Boehm, Adam Reincken, Johann Gottfried Walther works. OnClassical | Follow us: fb | tw v Track-list 18 Suite in g minor, BuxWV 241 - I. Allemande 02:37:57 19 Suite in g minor, BuxWV 241 - II. Courante 01:20:23 Disc 1 20 Suite in g minor, BuxWV 241 - III. Sarabande 01:54:16 21 Suite in g minor, BuxWV 241 - IV. Gigue 01:16:69 1 Aria Roflis in d minor, BuxWV 248 02:09:44 22 Suite in C, BuxWV 226 - I. Allemande 02:47:18 2 Suite in G, BuxWV 240 - I. Allemande 02:27:57 23 Suite in C, BuxWV 226 - II.
    [Show full text]
  • Ie Ro Omenic
    ie�ro �omenic� Complete Sonatas for Harpsichord Alessandro Simonetto �ara�ie� Pietro Domenico Paradies 1707-1791 Pietro Domenico Paradisi (1707-1791) is something of a shadowy figure in the history Complete Sonatas for Harpsichord | Sonate di Gravicembalo of music. Little is known about him and lexicographers have had trouble, it seems, even getting his name right: contemporary sources give his name as Paradies, though Sonata No.1 in G Sonata No.12 in C never Paradisi, suggesting the latter to be a more modern adaptation. His occasional 1. I. Allegro 4’12 13. I. Allegro 7’17 use of the epithet ‘Napolitano’ after his name suggests he was born in or in the 2. II. Vivace 3’25 14. II. Giga. Presto 3’29 vicinity of Naples. He was most probably a pupil of Nicola Porpora (1686-1768) and began composing primarily for the theatre. In 1746 he moved to London where he Sonata No.10 in D Sonata No.4 in C minor established himself as a teacher of the harpsichord and voice where both the German 3. I. Vivace 5’51 15. I. Andante 3’50 operatic soprano, Gertrud Elisabeth Mara (1749-1823) and possibly Thomas Linley 4. II. Toccata. Andante 3’05 16. II. Minuetto. (Moderato) 2’24 the elder (1733-1795), the English bass, pursued their studies with him. Today, his reputation rests on a collection of twelve harpsichord sonatas, presented Sonata No.5 in F Sonata No.2 in B flat here on the harpsichord. This collection appeared in 1754 when it was issued by the 5.
    [Show full text]
  • 500 Years of Organ Music
    500 YEARS OF ORGAN MUSIC ORGAN SPECIFICATIONS (for complete track list, see page 38) CD1 track 1–8 Fabio Antonio Falcone at the organ of the Church of San Giuseppe, Montevecchio di Pergola Organ probably dating back to the middle of the XVII century by unknown artist, placed in the choir loft above the main door entrance by wooden case leaning against the back wall and harnessing a 30 cm (12’’) niche deep integrated into the masonry. The prospectus consists of three arches of which the main one is at the center. The 21 pipes are divided into three groups of seven barrels each from note Sol1 of register Principal 8’. The three arches are delimited by four pilasters at the base of which are four aviaries with com-mand register to throttle and air supplies that depart from each fan. The keyboard has 45 keys with a range of C1-C5 with short octave. The fronts and the natural keys are covered in box-wood, the sharps are in walnut painted black. The pedal is the type « a leggio » , spruce, 9 pedals constantly united to the keyboard. The two wedge bellows are placed at the side of the case and can be operated manually or with electric fan. The registers are driven by handcuffs horizontal movement, to the left of the keyboard in the following order: Main Eighth (8’) first 4 wood, 5-27 in front Octave Sn 25 % Flute in VIII first 4 transmitted by the Eighth, cylindrical Flute in XII cylindrical , Sn 25% XV without refrains XIX with refrains to F#39 XXII with refrains to C#34 XXVI with refrains to F#27 and 39 Accessories: n .
    [Show full text]
  • Late Spring 2021 Mixed Genre
    All Prices Good PAID Mixed-Genre through 8/31/21 Permit # 79 PRSRT STD PRSRT U.S. Postage Aberdeen, SD Late Spring 2021 Del Canto Gitano: Music of Ancient Andalusia World Music beginning on page 26 1/800/222/6872 HBDirect.com Seaboard Lane, Suite B-100 113 Franklin, TN 37067 www.hbdirect.com Hymns of Kassianí New Classical Releases see page 3 Robert Finley: Turn Out the Stars: Sharecropper’s Son Music of Bill Evans Blues Music Jazz New Releases see page 46 beginning on page 38 Love Music. HBDirect Mixed-Genre Catalog Late Spring 2021 HBDirect is pleased to present our Late Spring Mixed-Genre catalog – bringing you the widest selection of classical, Brahms: Clarinet Sonatas Op. 120 NEW jazz, folk, blues, band music, musicals, oldies, videos, and for this issue, an expanded collection of the best in world Julian Bliss and James Baillieu present Johannes Brahms’ Clarinet Sonatas, music! Call to place your order at 800 222 6872, mail it to us, or search for your selection on HBDirect.com. Op. 120 and an arrangement of his 4 Ernste Gesänge, Op.121 arranged by Bliss. These late works were inspired by the great clarinetist Richard Muhlfeld, For our customers who order regularly from HBDirect’s Classics & Jazz catalog, there’s much to choose from in this principal clarinet of the Meiningen Court Orchestra, without whom we would catalog as well – including brand new classical releases, a wide array of Ondine sale titles, and two pages devoted to not have had this clarinet repertoire. Julian Bliss is one of the world’s finest the works of Shakespeare.
    [Show full text]
  • Brochure-Organo 2016.Indd
    CANTANTIBUS ORGANIS Pieve di San Silvestro a Barberino di Mugello 1 Estate 2016 Era il lontano 1980 quando, non ancora in seminario, venni a Barberino di Mugello e incontrai mons. Giuliano Catani, per preparare una scheda dell’or- gano della Pieve. Mi chiese questo favore mons. Luigi Sessa poiché si cerca- va di preparare le schede descrittive degli organi della Diocesi di Firenze in vista di un censimento degli stessi strumenti. Non avrei mai pensato che nei trentacinque anni seguenti sarei succeduto a don Giuliano prima al Sacro Cuore a Firenze e poi qui a San Silvestro a Bar- berino. Al mio arrivo, dopo aver acceso l’organo, mi sono reso conto che avrebbe avuto bisogno di una buona ristrutturazione. Insieme al Mo. Umberto Cerini, discepolo che ha ormai abbondantemente superato il maestro, abbiamo cercato un organaro che potesse preparare un preventivo per il lavoro all’organo. Ottenuto il preventivo bisognava trovare i fondi per la realizzazione del lavoro. Parlando con l’amico Roberto Marcori, in forza dell’amicizia spirituale e umana che ci lega da tanti anni ormai, egli si è reso immediatamente dispo- nibile ad aiutarci per far tornare l’organo a lodare nuovamente il Signore ac- compagnando la preghiera della comunità cristiana. Nel ringraziarlo dell’aiuto, ho proposto di dedicare il progetto alla memoria della sua mamma: la cara mamma Ada che ho avuto la gioia di conoscere personalmente durante il mio servizio pastorale al Sacro Cuore e della quale ho apprezzato la nobiltà d’animo, la sensibile tenerezza materna e la profon- da fede cattolica. A seguito di questi importanti lavori di manutenzione dell’organo, e visto il successo ottenuto dai concerti di inaugurazione, siamo ora alla prima edi- zione del ciclo di concerti “Cantantibus Organis” con la quale è nostra inten- zione valorizzare l’organo in un’attività artistica variegata.
    [Show full text]
  • Portada 2010.Indd
    XXIX {del 17 de septiembre al 3 de octubre} JORNADAS H U E S C A Z A R A G O Z A INTERNACIONALES TERUEL DE organo´ ORGANIZA: PATROCINAN: JAVIER ARTIGAS PINA MICHELE BENUZZI ELENA BERTUZZI JÖRG BÖETTICHER LUIS PEDRO BRÁVIZ JUAN ANTONIO COMPÉS ROSA Mª DELGADO ANTONIO ESTEIREIRO LUIS ANTONIO GONZÁLEZ MARÍN JOSÉ LUIS GONZÁLEZ URIOL JESÚS GONZALO EDUARDO GREGORIO LA OROPÉNDOLA FELIPE LÓPEZ SILVIA MÁRQUEZ VIRGINIA PATERSON SONIA PUEYO SASKIA ROURES JUAN SAN MARTÍN ANA ISABEL SERRANO SIMONE STELLA CALENDARIO CALENDARIO 17 18 19 21 01 02 03 Septiembre Septiembre Septiembre Septiembre Octubre Octubre Octubre viernes sábado domingo martes viernes sábado domingo ZARAGOZA ZARAGOZA TERUEL ZARAGOZA ZARAGOZA ZARAGOZA ZARAGOZA ZARAGOZA Elena Silvia Felipe Felipe Jesús Antonio Jörg Simone José Luis Juan San Bertuzzi Márquez López López Gonzalo Esteireiro Böetticher Stella González Martín & Michele Iglesia Iglesia Iglesia Iglesia (portugal) (alemania) (italia) Uriol Iglesia Benuzzi Parroquial de San Gil, Parroquial Parroquial Catedral Colegiata Iglesia Iglesia Parroquial (italia) de Used Zaragoza de Belmonte de Brea Basílica de Sta. María de Parroquial Parroquial de Zuera Patio 19:00 h. 20:30 h. de San José de Aragón Ntra. Señora los Sagrados de La Almunia de Biel 19:45 h. de la 12:00 h. 18:00 h. del Pilar, Corporales, 19:30 h. 12:00 h. Infanta, La Elena Zaragoza Daroca Luis Pedro Ibercaja, Oropéndola Bertuzzi Ana Isabel 20:00 h. 19:30 h. Sonia Pueyo Rosa Mª Bráviz Zaragoza Iglesia & Michele HUESCA Serrano & Juan A. Delgado Iglesia 20:00 h. Parroquial Benuzzi & Virginia Simone Compés Iglesia Parroquial de Alhama (italia) Javier Paterson Stella Iglesia Parroquial de Mallén de Aragón Iglesia Artigas Iglesia (italia) Parroquial de Ricla 20:30 h.
    [Show full text]