1562-1621) Ballo Del Granduca Dieterich Buxtehude (1637-1707

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Jan Pieterszoon Sweelinck (1562-1621) Ballo del Granduca Dieterich Buxtehude (1637-1707) Preludio Fuga e Ciaccona in Do maggiore BuxWV 137 Georg Böhm (1661-1733) Vater unser im Himmelreich Johann Gottfried Walther (1684-1748) Concerto 'del Signor Vivaldi' in si minore (Allegro, Adagio, Allegro) Johann Caspar Ferdinand Fischer (1656-1746) Ciaccona dalla Suite 'Euterpe' Johann Sebastian Bach (1685-1750) Sinfonia dalla Cantata n. 29 'Wir danket dir Gott' Aria dalla Suite orchestrale n. 2 Preludio e Fuga in Re maggiore BWV 532 Wolfgang Amadeus Mozart (1756-1791) Fantasia in fa minore K. 608 Simone Stella (Firenze, 1981) dopo gli studi di organo con Mariella Mochi e Alessandro Albenga, di clavicembalo con Francesco Cera e corsi di perfezionamento con Ton Koopman, Luigi Ferdinando Tagliavini e Matteo Imbruno, ha intrapreso un brillante carriera concertistica che lo ha portato ad esibirsi principalmente come solista in Italia, Spagna, Paesi Bassi, USA e Brasile, dove ha anche tenuto masterclasses di perfezionamento come docente. Ha inciso per la casa discografica olandese Brilliant Classics le opere complete per clavicembalo e organo di Dietrich Buxtehude, Georg Böhm, Johann Adam Reincken e Johann Gottfried Walther, oltre all'opera com- pleta di Jean Philippe Rameau e a opere per strumento a tastiera di Luigi Cherubini, Georg Frideric Handel e Johann Sebastian Bach per le etichette OnClassical e Amadeus Rainbow. Attualmente è impegnato nella re- gistrazione integrale delle opere tastieristiche di Johann Jacob Froberger e Johann Pachelbel per Brilliant Classics. La sua monumentale attività discografica gli ha valso entusiastici riconoscimenti dalla critica inter- nazionale (Musica, Diapason, Klassik.com, BBC Music Magazine tra gli altri) che lo ha unanimemente ac- creditato come uno dei più interessanti interpreti di musica barocca del nuovo millennio. Come compositore ha pubblicato sue opere per l'editore Armelin. Terziario dell'Ordine dei Servi di Santa Maria, Simone Stella è il titolare degli storici organi della Basilica della SS. Annunziata in Firenze. .

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Chorale Prélude "Gelobet Seist Du, Jesu Christ"
Simone Stella Arranger, Composer, Interpreter, Publisher, Teacher Italia, Firenze About the artist Born in Florence (Italy) in 1981, Simone Stella studied piano at the Conservatory ?L. Cherubini? of Florence with Rosanita Racugno, and perfected his piano studies with Marco Vavolo. After studying organ in Florence with Mariella Mochi and Alessandro Albenga, harpsichord in Rome with Francesco Cera, and organ improvisation in Cremona with Fausto Caporali and Stefano Rattini, he has attended many courses and seminars held by internationally acclaimed artists, including Ton Koopman, Matteo Imbruno, Luigi Ferdinando Tagliavini, Luca Scandali, Giancarlo Parodi, Stefano Innocenti, Klemens Schnorr, Ludger Lohmann, Michel Bouvard, Monika Henking, Guy Bovet. He won the 2nd and 3rd ?A. Esposito? Youth Organ Competition held in Lucca (2004-05) and then the 1st ?Agati-Tronci? International Organ Competition held in Pistoia (2008). Simone Stella plays, especially as a soloist, in Italy, Spain, Germany, the Netherlands and Denmark. His repertoire includes harpsichord and organ music from every historical era up to and including the present day. Particularly interesting is his live performance (2009-10) of the complete organ works by Dieterich Buxtehude in the historical Orsanmichele Church in Florence, where he was titular organist. He is an active composer of inst... (more online) Personal web: http://www.simonestella.it About the piece Title: Chorale Prelude "Gelobet seist du, Jesu Christ" Composer: Stella, Simone Licence: Creative Commons Attribution-Non
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Dietrich Buxtehude Préludes, Chorals, Passacaille… Mp3, Flac, Wma
Dietrich Buxtehude Préludes, Chorals, Passacaille… mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Préludes, Chorals, Passacaille… Country: France Released: 1984 Style: Baroque MP3 version RAR size: 1233 mb FLAC version RAR size: 1154 mb WMA version RAR size: 1176 mb Rating: 4.8 Votes: 291 Other Formats: FLAC XM MOD MMF WMA MP2 ASF Tracklist A1 Praeludium En Ut Majeur, BuxWV 137 5:02 A2 Choral, BuxWV 197 2:23 A3 Choral, BuxWV 223 5:58 A4 Choral, BuxWV 3:30 A5 Tocata En Ré Mineur, BuxWV 155 6:44 B1 Praeludium En Sol Mineur, BuxWV 149 6:36 B2 Choral, BuxWV 199 3:31 B3 Passacaglia En Ré Mineur, BuxWV 161 5:19 B4 Choral, BuxWV 190 2:40 B5 Choral, BuxWV 183 3:23 B6 Praeludium En Ré Majoeur, BuxWV 139 5:13 Credits Composed By – Dieterich Buxtehude Edited By – Ysabelle Van Wersch-Cot Liner Notes [English Translation] – Nicholas Powell Liner Notes [German Translation] – Ingrid Trautmann Organ [Haerpfer-erman , Sainte Chapelle, Châteu Des Ducs De Savoie, Chambéry], Liner Notes – Marie-Claire Alain Photography – Studio Mollard Recording Supervisor, Engineer [Sound] – Yolanta Skura Notes The distributor's Catalog# is printed on a sticker pasted over the label's Catalog# on the back cover. The backcover's tracklist featured subtitles to the following tracks: A1 > (Prélude, fugue, Chaconne) A2 > "In dulci jubilo" A3 > "Wie schön leuchtet der Morgenstern" A4 > "Ach Herr, mich armen Sünder" B2 > "Komm, Heiliger Geist, Herre Gott" B4 > "Gott der Vater wohn uns bei" B5 > "Durch Adams Fall ist ganz verderbt" Barcode and Other Identifiers
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Buxtehude Complete Harpsichord Music mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Complete Harpsichord Music Country: Netherlands Released: 2012 Style: Baroque MP3 version RAR size: 1626 mb FLAC version RAR size: 1394 mb WMA version RAR size: 1349 mb Rating: 4.7 Votes: 916 Other Formats: MP3 ASF ADX MP2 MP4 WMA AU Tracklist Volume 1 Aria 'Rofilis' In D Minor BuxWV248 1-1 Variatio 1 - Variatio 3 2:12 Suite In G BuxWV240 1-2 I. Allemande 2:27 1-3 II. Courante 2:07 1-4 III. Sarabande 1:43 1-5 IV. Gigue 1:02 Suite In E Minor BuxWV237 1-6 I. Allemande 3:01 1-7 II. Courante 1:36 1-8 III. Sarabande I 2:48 1-9 IV. Sarabande II 1:50 1-10 V. Gigue 1:38 - 1-11 Courante In D Minor BuxWV Anh.6 1:41 Suite In D Minor BuxWV234 1-12 I. Allemande 2:40 1-13 II. Double 2:26 1-14 III. Courante 2:52 1-15 IV. Double 1:31 1-16 V. Sarabande I 2:25 1-17 VI. Sarabande II 1:54 Suite In D BuxWV232 1-18 I. Allemande 2:16 1-19 II. Courante 1:44 Auf Meinen Lieben Gott In E Minor BuxWV179 1-20 I. Allemande 0:55 1-21 II. Double 0:57 1-22 III. Corrente 0:42 1-23 IV. Sarabande 1:25 1-24 V. Gigue 0:45 Suite In C BuxWV230 1-25 I. Allemande 2:21 1-26 II. Courante 1:52 1-27 III.
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal College of Music Research Online Journal of the Royal College of Organists , Volume 10 (December 2016), pp. 5–27. Searching fantasy: Froberger’s fantasias and ricercars four centuries on1 Terence Charlston ‘Obscure, profound it was, and nebulous’ 2 It is more than a little surprising, given Johann Jacob Froberger’s significance in the written history of music, how little of his music is regularly played or known today. Traditionally he is viewed as the most important German seventeenth-century keyboard composer, pre-eminent alongside Frescobaldi and Sweelinck, the ‘Father’ of the Baroque keyboard suite. He was celebrated in his own day and his reputation and works were considered important enough to be researched and preserved by following generations. Today the physical notes of his music are readily available in facsimile and modern ‘complete’ editions (see Table 1) and the identification of several new sources of his music since the 1960s, one of which is an autograph with 13 otherwise unknown pieces, have generated renewed interest and discussion.3 Nonetheless, Froberger’s music is still represented in concert and recording only by the same handful of more ‘popular’ pieces which have graced recital programmes and teaching curricula for at least the last 70 years. These few pieces, chosen for their exceptional rather than their representative qualities, leave the majority of his music in peripheral limbo. The exclusion of the less Terence Charlston, ‘Searching fantasy: Froberger’s fantasias and ricercars four centuries on’ © Terence Charlston, 2016.
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Onclassical | Follow Us: Fb | Tw Track-List Jean-Philippe Rameau, a Life to the Heights of Parnassus
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