Is Getting a Residence Permit Realistic? Expat Exodus? Stalin's
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One Day When Women Can Demand Anything
MARCH | 2007 | issue # 03 www.passportmagazine.ru Paradigm Shift for doing buSiness in russia iStanbul through russian eyeS one day when women can demand anything contents. Publisher’s Letter 2 reaL esTaTe wine & dine The bottom Line New international dimension Thomas Koessler 36-37 Foreign Passport holders to Moscow’s leading residential realtor 26 A Very Special 8th of March Recipe should read this! 4 for the Ladies 38 Editor’s Choice 6 Novikov’s latest creation stimulates What’s On in Moscow in February 8-9 palate 39 Moscow Museums and Galleries 10 Kids ‘n’ Culture 11 Venues 11 Cover sTory Serviced Apartments grow in number and variety as an alternative to Moscow Hotels 28-29 feaTure Asian Fusion Match 40-43 Asian Fusion 44 CommuniTy Toys for Nostalgia 50 One day when women Postcard from Belarus 50 can demand anything 12-15 Mac vs PC (Or Soar with the Eagles) 51 business Community listing 52 Leaders & Changes 16 Distribution list 53 Paradigm Shift for doing business ouT & abouT in Russia 17-19 Forum to highlight Russia-Singapore business ties 20 From the primordial religion of the great arT hisTory mother to sacred contemporary The silver age of russian art in the oriental art 30-31 pre-soviet period 21 Fighting Fit 32 TraveL performing arT Johnnie Walker Black Label Black Ball 54 Dancing the night away 54 CERBA & Russo-British joint meeting 55 IWC Evening of Excellence raises cash for charity 55 The LasT word Istanbul through russian eyes 22-25 80 Years Young 34-35 Eric Kraus 56 PASSPORT | MARCH | 2007 | issue # 03 .letter from the -
Meat: a Novel
University of New Hampshire University of New Hampshire Scholars' Repository Faculty Publications 2019 Meat: A Novel Sergey Belyaev Boris Pilnyak Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/faculty_pubs Recommended Citation Belyaev, Sergey; Pilnyak, Boris; and LeBlanc, Ronald D., "Meat: A Novel" (2019). Faculty Publications. 650. https://scholars.unh.edu/faculty_pubs/650 This Book is brought to you for free and open access by University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Faculty Publications by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Sergey Belyaev and Boris Pilnyak Meat: A Novel Translated by Ronald D. LeBlanc Table of Contents Acknowledgments . III Note on Translation & Transliteration . IV Meat: A Novel: Text and Context . V Meat: A Novel: Part I . 1 Meat: A Novel: Part II . 56 Meat: A Novel: Part III . 98 Memorandum from the Authors . 157 II Acknowledgments I wish to thank the several friends and colleagues who provided me with assistance, advice, and support during the course of my work on this translation project, especially those who helped me to identify some of the exotic culinary items that are mentioned in the opening section of Part I. They include Lynn Visson, Darra Goldstein, Joyce Toomre, and Viktor Konstantinovich Lanchikov. Valuable translation help with tricky grammatical constructions and idiomatic expressions was provided by Dwight and Liya Roesch, both while they were in Moscow serving as interpreters for the State Department and since their return stateside. -
Boris Pasternak - Poems
Classic Poetry Series Boris Pasternak - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Boris Pasternak(10 February 1890 - 30 May 1960) Boris Leonidovich Pasternak was a Russian language poet, novelist, and literary translator. In his native Russia, Pasternak's anthology My Sister Life, is one of the most influential collections ever published in the Russian language. Furthermore, Pasternak's theatrical translations of Goethe, Schiller, Pedro Calderón de la Barca, and William Shakespeare remain deeply popular with Russian audiences. Outside Russia, Pasternak is best known for authoring Doctor Zhivago, a novel which spans the last years of Czarist Russia and the earliest days of the Soviet Union. Banned in the USSR, Doctor Zhivago was smuggled to Milan and published in 1957. Pasternak was awarded the Nobel Prize for Literature the following year, an event which both humiliated and enraged the Communist Party of the Soviet Union. In the midst of a massive campaign against him by both the KGB and the Union of Soviet Writers, Pasternak reluctantly agreed to decline the Prize. In his resignation letter to the Nobel Committee, Pasternak stated the reaction of the Soviet State was the only reason for his decision. By the time of his death from lung cancer in 1960, the campaign against Pasternak had severely damaged the international credibility of the U.S.S.R. He remains a major figure in Russian literature to this day. Furthermore, tactics pioneered by Pasternak were later continued, expanded, and refined by Aleksandr Solzhenitsyn and other Soviet dissidents. <b>Early Life</b> Pasternak was born in Moscow on 10 February, (Gregorian), 1890 (Julian 29 January) into a wealthy Russian Jewish family which had been received into the Russian Orthodox Church. -
Palacio De Bellas Artes
INSTITUTO NACIONAL DE BELLAS ARTES DANZA SECRETARÍA DE CULTURA María Cristina García Cepeda Secretaria Saúl Juárez Vega Subsecretario de Desarrollo Cultural Jorge Gutiérrez Vázquez Subsecretario de Diversidad Cultural y Fomento a la Lectura Francisco Cornejo Rodríguez Oficial Mayor INSTITUTO NACIONAL DE BELLAS ARTES Lidia Camacho Camacho Directora general Roberto Vázquez Díaz Subdirector general Silvia Carreño y Figueras Gerente del Palacio de Bellas Artes Cuauhtémoc Nájera Ruiz Coordinador Nacional de Danza Roberto Perea Cortés Director de Difusión y Relaciones Públicas Foto: Carlos Quezada PALACIO DE BELLAS ARTES GALA ELISA Y AMIGOS 2017 PROGRAMA Diamantes Pas de deux del ballet Joyas Coreografía: George Balanchine Música: Piotr Ilich Chaikovski Ballet Bolshói Intérpretes: Evgenia Obraztsova y Semyon Chudin Onegin Pas des deux. 1.° acto Coreografía: John Cranko Música: Piotr Ilich Chaikovski Staatsballett Berlin Intérpretes: Elisa Carrillo y Mikhail Kaniskin El cascanueces Pas de deux Coreógrafo: Lev Ivanov / Marius Petipa Música: Piotr Ilich Chaikovski New York City Ballet Intérpretes: Ashley Bouder y Joseph Gatti Simple Things Pas de deux Coreografía: Radu Poklitaru Música: Chavela Vargas Staatsballett Ucrania Intérpretes: Ekaterina Kukhar y Alexander Stoianov La danza del venado Coreografía: Amalia Hernández Música: Yaqui (D.P.) Ballet Folklórico de México de Amalia Hernández Intérpretes: Fausto - venado y Tonatiuh, Yair - pascolas El corsario Pas de deux Coreografía: Marius Petipa Música: Adolph Adam Ballet de Múnich / Ballet Mariinski -
Soviet Political Memoirs: a Study in Politics and Literature
SOVIET POLITICAL MEMOIRS: A STUDY IN POLITICS AND LITERATURE by ZOI LAKKAS B.A. HONS, The University of Western Ontario, 1990 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June 1992 Zoi Lakkas, 1992 _________________ in presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department. or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. V Department of The University of British &‘olumbia Vancouver, Canada Date 1L4( /1 1q2 DE-6 (2/88) ii ABS TRACT A growing number of Soviet political memoirs have emerged from the former Soviet Union. The main aim of the meinoirists is to give their interpretation of the past. Despite the personal insight that these works provide on Soviet history, Western academics have not studied them in any detail. The principal aim of this paper is to prove Soviet political memoir’s importance as a research tool. The tight link between politics and literature characterizes the nature of Soviet political memoir. All forms of Soviet literature had to reform their brand of writing as the Kremlin’s policies changed from Stalin’s ruthless reign to Gorbachev’s period of openness. -
JOMOPS Journal of Modernism and Postmodernism Studies (The Official Journal of Modernism and Postmodernism Studies Network)
JOMOPS Journal of Modernism and Postmodernism Studies Year: 2020 Volume: 1 Issue: 2 (December) dergi.modernizm.org Year: 2020 Volume: 1 Issue: 2 (December) e-ISSN : 2757-6213 DOI : 10.47333/modernizm.2020265978 JOMOPS Journal of Modernism and Postmodernism Studies (The official journal of Modernism and Postmodernism Studies Network) Owner and Publisher, on behalf of the Network Assist. Prof. Dr. Murat Kadiroglu Editor-in-Chief Murat Kadiroglu, Kocaeli University Editors Ġsmail Serdar Altaç, NevĢehir HacıbektaĢ Veli University Mehmet Burak Büyüktopçu, Kafkas University AyĢegül Demir, Munzur University Language Editors (English) Elçin Parçaoğlu, Kocaeli University Ömer Faruk Peksöz, Kocaeli University Graphic Design Eyup Turan ġahan Contact Murat Kadiroğlu Kocaeli University, Department of English Language and Literature, Ġzmit/Kocaeli, Turkey E-mail: [email protected]; [email protected] WhatsApp: +90 505 958 21 25 Journal of Modernism and Postmodernism Studies (JOMOPS) is an international scientific and double-blind peer-reviewed open access e-journal published by the Modernism and Postmodernism Studies Network. It is devoted to original research on modernism and postmodernism particularly in the areas of Literature, Philosophy, Sociology, Fine Arts and related areas. JOMOPS is published biannually in July and December. The authors of the studies submitted to the journal must have an academic title or be a student enrolled in a Doctorate / Master's program and have an ORCID ID. Studies that are not associated with the purpose, focus and scope of the journal are not published. The opinions in the articles published belong to the authors only and do not reflect those of Journal of Modernism and Postmodernism Studies. -
Spatial Evolution of a Museum Building: a Case of the State Historical Museum
SPATIAL EVOLUTION OF A MUSEUM BUILDING: A CASE OF THE STATE HISTORICAL MUSEUM Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Anna Mikhailova MA School of Museum Studies University of Leicester September 2017 Abstract Spatial Evolution of a Museum Building: A Case of the State Historical Museum in Moscow Anna Mikhailova This thesis contributes to the modern understanding of museum architecture, by exploring the relationship between a museum as an organisation and its physical form of the museum building. By choosing the spatial transformations at the State Historical Museum in Moscow as a case study, it introduces Russian museum practices into international museological context. The thesis analyses the planning and construction stages, as well as two major renovations that took place in significantly different political contexts: Imperial Russia, the Soviet Union and the modern democratic Federation. Applying a micro historical approach and a facility management lens offers an insight into the complexity of the processes that shape the physical space: its sensitivity to internal and external agencies and multiple contexts, such as the urban built environment; the political climate and the economy; museum trends; and the professional community. The building itself, once completed or at earlier stages, becomes another actor in the equation. An in-depth analysis of the events in question reveals the elaborate nature of the production of space, and demonstrates the importance of professional communication and interpersonal relationships that can impact the institution, both positively and adversely. The attitudes to the Museum, demonstrated by different governments over the years, offer an insight into how a central location can be viewed as a bigger asset than the institution itself and discourage it from independence, both organisationally and spatially. -
The Space Challenge and Soviet Science Fiction
Corso di Laurea magistrale ( ordinamento ex D.M. 270/2004 ) in Relazioni Internazionali Comparate – International Relations Tesi di Laurea The space challenge and Soviet science fiction Relatore Ch.mo Prof. Duccio Basosi Correlatore Ch.ma Prof. Donatella Possamai Laureanda Serena Zanin Matricola 835564 Anno Accademico 2011 / 2012 TABLE OF CONTENTS ABSTRACT ……………………………………………………………………...1 INTRODUCTION …………………………………………………...…………..7 CHAPTER I The science fiction in the Soviet bloc: the case of Stanislaw Lem’s “Solaris”…………………….…………………………………....…………...…16 CHAPTER II The space race era from the Soviet bloc side …………..….........37 CHAPTER III The enthusiasm for the cosmos and Soviet propaganda ……………….. …………………………...……...………………………………..73 FINAL CONSIDERATIONS ……………...………………………………...101 APPENDIX ........……………………………………………………..……..…106 REFERENCES …..……………………………………………………………113 ACKNOWLEDGEMENTS …………………………………………………..118 ABSTRACT La studiosa Julia Richers sottolinea come le ricerche sulla storia dell’esplorazione spaziale sovietica abbiano tre principali direzioni. La prima riguarda la storia politica della Guerra Fredda che considera la conquista dello spazio e lo sviluppo di potenti missili come parte di una più grande competizione tra gli USA e l’URSS. La seconda esamina in particolar modo lo sviluppo scientifico e tecnologico a partire dagli anni Ottanta, ossia da quando l’abolizione della censura ha permesso l’apertura al pubblico di molti archivi storici e la rivelazione di importanti informazioni. La terza include la propaganda sovietica e la fantascienza come parte fondamentale della storia culturale e sociale sia dell’URSS che della Russia post-rivoluzione. Il presente lavoro analizza la storia dell’esplorazione spaziale sovietica e, partendo dalle sue origini (fine XIX° secolo), prende in considerazione i principali successi che portarono al lancio del primo satellite artificiale nel 1957 e il primo uomo sulla luna nel 1961. -
The Russian Legitimation Formula - 1991-2000
THE RUSSIAN LEGITIMATION FORMULA - 1991-2000 Carolina Vendil The Government Department LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE Thesis submitted for PhD degree Supervisor: Professor Dominic Lieven Advisor: Professor Rodney Barker - 1 - UMI Number: U174000 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U174000 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Ti-f£$£ IP ^6^771 Abstract The Russian legitimation formula contains the arguments the Russian leadership advanced to promote its state-building project between 1991 and 2000. The period of investigation coincides with Yeltsin’s presidency. The focus is on how the legitimation rhetoric was adjusted both to changing circumstances over time and to three main audiences: the Russian domestic population, the Russian domestic elites and the international community. In order to analyse the contents of the legitimation formula a framework was developed which divided the different arguments used by the Russian leadership into six main categories (democratic, national, charismatic, eudaemonic, external and negative arguments). The material selected for analysis had to relate to basic features of statehood. -
He Who Has Not Been to Moscow Has Not Seen Beauty
STRATEGIES FOR BUSINESS IN MOSCOW He who has not been to Moscow has not seen beauty A PROPOS “To Moscow, to Moscow, to Moscow!” Like a mantra, However, the majority of people who live abroad know this phrase is repeated by the sisters in Anton nothing about this. Old habits, as they say, die hard. Chekhov’s famous play “Three Sisters.” The play is Many foreigners still think that the sun never rises about three young women dreaming of escaping their in Moscow, that the city is always cold and that it boring small town and coming to the capital. Although snows year round. Not to mention the rumors of bears the play was written in 1900, people from all over roaming the streets at night. Disappointing as it may Russia, as well as people from CIS countries, still want be, these myths are still around. to move to Moscow. Of course, we are partially responsible for this – we Moscow has always been a magnet. At least this is the tell the world very little about ourselves. We need to way things have played out historically – all the best spend more resources on attracting tourists to Moscow things could be found in the capital: shops, libraries, by letting them know how convenient and comfortable clinics, schools, universities, theatres. At one point, the city has become. According to official statistics, coming to Moscow from Siberia was like taking a trip to over 5 million foreigners visited Moscow last year. This a foreign country. is obviously a small number – about 15 million tourists visit places like London and Paris every year. -
The World Knows Latvia By… Latvia: Smart and Stylish
FACT SHEET ON LATVIA Nations have long understood that their greatest treasure is their people. Latvia is an exceptional example of how great people and great ideas are born in relatively small countries. The World Knows Latvia By… Latvia: Smart and Stylish Over the centuries, Latvia’s geopolitical situation has been shaped by its strategic Baltic Sea location, at the crossroads of trade and conflicting power interests. The dynamic forces that forged Latvia’s turbulent history have produced a unique set of values, traits, and characteristics in its people, and have led to their recognition around the world. This is just a brief look at the achievements and contributions of some of the world’s most famous artists, musicians, athletes, scientists, designers, and scientists whose lives originated or where influenced by Latvia. Also notable are those exhibiting a characteristically Latvian attribute – a passion for exploration, innovation, and adventure. Culture Mezzo-soprano Elīna Garanča (1976) appearances at the Royal Opera House Covent Garden, the Metropolitan Opera Endowed with a magnificent mezzo-soprano in New York, Wiener Staatsoper, and Deutsche Staatsoper. He also makes regular voice, Elīna Garanča became a finalist in the 2001 appearances at such summer festivals as Lucerne Festival, BBC Proms and Berliner BBC’s Cardiff Singer of the World Competition and Festspiele. soon after made her solo recording debut. In 2005 Garanča signed an exclusive contract with Deutsche Composer Ēriks Ešenvalds (1977) Grammophon. Currently a soloist at the Vienna Opera, Ēriks Ešenvals is one of the most popular she has appeared at the world’s major opera houses and beloved Latvian composers of the new and concert venues and established herself as one of generation. -
Kirov Ballet & Orchestra of the Mariinsky Theatre
Cal Performances Presents Tuesday, October 14–Sunday, October 19, 2008 Zellerbach Hall Kirov Ballet & Orchestra of the Mariinsky Theatre (St. Petersburg, Russia) Valery Gergiev, Artistic & General Director The Company Diana Vishneva, Irma Nioradze, Viktoria Tereshkina Alina Somova, Yulia Kasenkova, Tatiana Tkachenko Andrian Fadeev, Leonid Sarafanov, Yevgeny Ivanchenko, Anton Korsakov Elena Bazhenova, Olga Akmatova, Daria Vasnetsova, Evgenia Berdichevskaya, Vera Garbuz, Tatiana Gorunova, Grigorieva Daria, Natalia Dzevulskaya, Nadezhda Demakova, Evgenia Emelianova, Darina Zarubskaya, Lidia Karpukhina, Anastassia Kiru, Maria Lebedeva, Valeria Martynyuk, Mariana Pavlova, Daria Pavlova, Irina Prokofieva, Oksana Skoryk, Yulia Smirnova, Diana Smirnova, Yana Selina, Alisa Sokolova, Ksenia Tagunova, Yana Tikhonova, Lira Khuslamova, Elena Chmil, Maria Chugay, Elizaveta Cheprasova, Maria Shirinkina, Elena Yushkovskaya Vladimir Ponomarev, Mikhail Berdichevsky, Stanislav Burov, Andrey Ermakov, Boris Zhurilov, Konstantin Zverev, Karen Ioanessian, Alexander Klimov, Sergey Kononenko, Valery Konkov, Soslan Kulaev, Maxim Lynda, Anatoly Marchenko, Nikolay Naumov, Alexander Neff, Sergey Popov, Dmitry Pykhachev, Sergey Salikov, Egor Safin, Andrey Solovyov, Philip Stepin, Denis Firsov, Maxim Khrebtov, Dmitry Sharapov, Vasily Sherbakov, Alexey Timofeev, Kamil Yangurazov Kirov Ballet of the Mariinsky Theatre U.S. Management: Ardani Artists Management, Inc. Sergei Danilian, President & CEO Made possible, in part, by The Bernard Osher Foundation, in honor of Robert