Journal of Film Preservation
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Hybrid Variations on a Documentary Theme
Hybrid variations on a documentary theme Robert Stam1 1 É professor transdisciplinar da Universidade de Nova York. Autor de diversos livros sobre cinema e literatura, cinema e estudos culturais, incluindo Brazilian cinema, Reflexivity in film and literature, Subversive pleasure, Tropical multiculturalism, Film theory: an introduction, Literature through film e François Truffaut and friends. Formado pela Universidade da Califórnia, Berkeley, também frequentou a Universidade de Paris III. Lecionou na Tunísia, na França e no Brasil (USP, UFF, UFMG) E-mail: [email protected] revista brasileira de estudos de cinema e audiovisual | julho-dezembro 2013 Resumo ano 2 número 4 Embora muitas vezes encarado como pólos opostos, o documentário e a ficção são, na verdade, teórica e praticamente entrelaçados, assim como a história e a ficção, também convencionalmente definidos como opostos, são simbioticamente ligados. O historiador Hayden White argumentou em seu livro Metahistory que a distinção mito/ história é arbitrária e uma invenção recente. No que diz respeito ao cinema, bem como à escrita, White apontou que pouco importa se o mundo que é transmitido para o leitor/espectador é concebido para ser real ou imaginário, a forma de dar sentido discursivo a ele através do tropos e da montagem do enredo é idêntica (WHITE, 1973). Neste artigo, examinaremos as maneiras que a hibridação entre documentário e ficção tem sido mobilizada como radical recurso estético. Palavras-chave Documentário, ficção, hibridização, sentido discursivo. Abstract Although often assumed to be polar opposites, documentary and fiction are in fact theoretically and practically intermeshed, just as history and fiction, also conventually seen as opposites, are symbiotically connected. -
A/V Material Resources Webinars, Videos Connecting to Collections
A/V Material Resources Webinars, Videos Connecting to Collections – Caring for Audiovisual material https://www.connectingtocollections.org/av/ CCAHA – A Race Against Time: Preserving AV Media https://ccaha.org/sites/default/files/attachments/2018- 07/A%20Race%20Against%20Time%20Summary.pdf ALCTS – Moving Image Preservation 101 https://www.youtube.com/watch?v=rb77uztb_IU Leaflets / Quick Reference Library of Congress https://www.loc.gov/preservation/care/record.html https://www.loc.gov/preservation/about/faqs/audio.html Video Format Id Guide Sarah Stauderman & Paul Messier https://cool.culturalheritage.org/videopreservation/vid_id/ Texas Commission on the Arts- Videotape Identification and Assessment Guide https://www.arts.texas.gov/wp-content/uploads/2012/04/video.pdf Film Care https://filmcare.org/ mini Disc http://www.minidisc.org/index.php In depth reference NEDCC - Fundamentals of AV Preservation Texbook https://www.nedcc.org/fundamentals-of-av-preservation-textbook/chapter1-care-and- handling-of-audiovisual-collections National Film and Sound Archive of Australia https://www.nfsa.gov.au/preservation/guide/handbook Washington State Film Preservation Manual https://www.lib.washington.edu/specialcollections/collections/film-preservation-manual/ National Film Preservation Foundation – guide to film preservation https://www.filmpreservation.org/preservation-basics/the-film-preservation-guide http://www.folkstreams.net/vafp/guide.php The State of Recorded Sound Preservation in the United States http://www.clir.org/wp-content/uploads/sites/6/pub148.pdf -
International Preservation Issues Number Seven International Preservation Issues Number Seven
PROCEEDINGS OF THE INTERNATIONAL SYMPOSIUM THE 3-D’SOFPRESERVATION DISATERS, DISPLAYS, DIGITIZATION ACTES DU SYMPOSIUM INTERNATIONAL LA CONSERVATION EN TROIS DIMENSIONS CATASTROPHES, EXPOSITIONS, NUMÉRISATION Organisé par la Bibliothèque nationale de France avec la collaboration de l’IFLA Paris, 8-10 mars 2006 Ed. revised and updated by / Ed. revue et corrigée par Corine Koch, IFLA-PAC International Preservation Issues Number Seven International Preservation Issues Number Seven International Preservation Issues (IPI) is an IFLA-PAC (Preservation and Conservation) series that intends to complement PAC’s newsletter, International Preservation News (IPN) with reports on major preservation issues. IFLA-PAC Bibliothèque nationale de France Quai François-Mauriac 75706 Paris cedex 13 France Tél : + 33 (0) 1 53 79 59 70 Fax : + 33 (0) 1 53 79 59 80 e-mail: [email protected] IFLA-PAC Director e-mail: [email protected] Programme Officer ISBN-10 2-912 743-05-2 ISBN-13 978-2-912 743-05-3 ISSN 1562-305X Published 2006 by the International Federation of Library Associations and Institutions (IFLA) Core Activity on Preservation and Conservation (PAC). ∞ This publication is printed on permanent paper which meets the requirements of ISO standard: ISO 9706:1994 – Information and Documentation – Paper for Documents – Requirements for Permanence. © Copyright 2006 by IFLA-PAC. No part of this publication may be reproduced or transcribed in any form without permission of the publishers. Request for reproduction for non-commercial purposes, including -
Came the Dawn : Memories of a Film Pioneer
ICIL M. HEPWORTH a film pioneer The Dawn comes to Flicker Alley Still a familiar figure in Wardour Street, Mr. Cecil Hepworth is a pioneer of British Cinema. In his autobiography he has a fascinating story to tell. They were simpler, sunnier days. Hepworth began in the 'showmanship' period in the late 'nineties, carrying his forty-second films to lecture-halls all over the country, where frenzied audiences demanded their repetition many times at a sitting. From the 'fairground' period he helped nurse the cinema to the time of the great Hepworth Company at its Walton-on- Thames studios. To those studios came famous stage actors, men of mark in many fields, anxious to try the new medium. In those studios many 'stars' of yesterday made world-wide reputations: Alma Taylor, Chrissie White, Gerald Ames, Ronald Colman, Violet Hopson, Stewart Rome, names remembered with deep affection four decades later. From Walton-on-Thames films were dispatched in quantity to the world, even to the United States before the Hollywood era. Conditions, if not primitive, were rudi- mentary in the earlier days; the grandiose notions of the industry today were un- dreamt of; and, most marvellous of all, leading actors and actresses played for as little as half a guinea a day (including fares), and were not averse to doing sorting, filing and running errands in their spare time. [ please turn to back flap MANY 16s ILLUSTRATIONS NET bih'iij II. .niij 37417 NilesBlvd §£g A 510-494-1411 Fremont CA 94536 www.nilesfilmnniseum.org Scanned from the collections of Niles Essanay Silent Film Museum Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from Jeff Joseph GAME THE DAWN CECIL M. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
2006 Thelma Todd Celebration
Slapstick Magazine Presents 2006 Thelma Todd Celebration July 27 - July 30 Manchester, New Hampshire Join us as we celebrate the centenary of Thelma Todd, the Merrimack Valley’s queen of comedy Film Program As we draw nearer to the event, additional titles are likely to become available. Accordingly, the roster below may see some minor changes. There is ample free parking at UNH. THURSDAY, July 27th Fay Tincher - Ethel’s Roof Party UNH Hall, Commercial Street, Manchester Mabel Normand - A Muddy Romance (All titles in 16mm except where noted) Alice Howell - One Wet Night Wanda Wiley - Flying Wheels AM Edna Marian - Uncle Tom’s Gal 9:00 Morning Cartoon Hour 1 Gale Henry - Soup to Nuts Rare silent/sound cartoons Mary Ann Jackson - Smith’s Candy Shop 10:00 Charley Chase Silents (fragment) What Women Did for Me Anita Garvin/Marion Byron - A Pair of Tights Hello Baby ZaSu Pitts/Thelma Todd - One Track Minds Mama Behave (also features Spanky McFarland) A Ten Minute Egg 11:00 Larry Semon Shorts 9:30 Shaskeen Irish Pub, 909 Elm Street (directly across Titles TBA till from City Hall) 12:00 LUNCH (1 hour) close Silent and sound shorts featuring: Laurel and Hardy PM W.C. Fields 1:00 ZaSu Pitts - Thelma Todd Shorts Buster Keaton The Pajama Party The Three Stooges Seal Skins Asleep in the Feet 2:00 Snub Pollard and Jimmy Parrott FRIDAY, July 28th Sold at Auction (Pollard) UNH Hall, Commercial Street, Manchester Fully Insured (Pollard) (All titles in 16mm except where noted) Pardon Me (Pollard) AM Between Meals (Parrott) 9:00 Morning Cartoon Hour 2 -
Inhaltsverzeichnis
Das Bundesratslexikon 5 Inhaltsverzeichnis 7 Vorwort und Dank Hinweise zur Benützung des Lexikons 17 Der schweizerische Bundesrat auf dem langen Weg zur Konkordanzdemokratie Einführung von Urs Altermatt Porträts der Bundesrätinnen und Bundesräte 30 1848 – 1874 Jonas Furrer 31 – Ulrich Ochsenbein 38 – Henri Druey 44 – Josef Munzinger 51ª– Stefano Franscini 57 – Friedrich Frey-Herosé 63 – Wilhelm Matthias Nä£ 69 – Jakob Stämpfli 74 – Constant Fornerod 81 – Josef Martin Knüsel 88 – Giovanni Battista Pioda 93 – Jakob Dubs 99 – Carl Schenk 105 – Jean-Jacques Challet-Venel 112 – Emil Welti 118 – Victor Ru£y 125 – Paul Cérésole 130 – Johann Jakob Scherer 136 – Eugène Borel 142 147 1875 – 1918 Joachim Heer 147 – Friedrich Anderwert 152 – Bernhard Hammer 157 – Numa Droz 163 – Simeon Bavier 169 – Wilhelm Friedrich Hertenstein 173 – Louis Ruchonnet 177 – Adolf Deucher 183 – Walter Hauser 189 – Emil Frey 193 – Josef Zemp 200 – Adrien Lachenal 206 – Eugène Ru£y 211ª– Eduard Müller 216 – Ernst Brenner 222 – Robert Comtesse 227 – Marc Ruchet 233 – Ludwig Forrer 240 – Josef Anton Schobinger 246 – Arthur Ho£mann 250 – Giuseppe Motta 257 – Louis Perrier 264 – Camille Decoppet 269 – Edmund Schulthess 275 – Felix Calonder 282 – Gustave Ador 289 – Robert Haab 296 6 Das Bundesratslexikon 301 1919 – 1958 Karl Scheurer 301 – Ernest Chuard 306 – Jean-Marie Musy 312 – Heinrich Häberlin 319 – Marcel Pilet-Golaz 325 – Rudolf Minger 331 – Albert Meyer 338 – Johannes Baumann 344 – Philipp Etter 349 – Hermann Obrecht 356 – Ernst Wetter 361 – Enrico Celio 366 – Walther -
The Life and Films of the Last Great European Director
Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress -
Jubiläumsschrift 10 Jahre
1993 – 2003 Jahre années Standortbestimmung und Ausblick Etat des lieux et perspectives 10 Herausgeber: Konferenz der Kantonsregierungen Editeur: Conférence des gouvernements cantonaux Sekretariat: Amthausgasse 3, Postfach 444 Tel.: 031 320 30 00 E-Mail: [email protected] Secrétariat: 3000 Bern 7 Fax: 031 320 30 20 Internet: www.kdk.ch 2 Inhaltsverzeichnis Zehn Jahre interkantonale Zusammenarbeit und Mitwirkung in der Bundespolitik von Canisius Braun, geschäftsleitender Sekretär KdK............................................................5 Grusswort von Bundespräsident Pascal Couchepin..............................................................6 Die Geschichte der Konferenz der Kantonsregierungen von Thomas Minger, Leiter Bereich Innenpolitik / Koordination der KdK ................................8 Die Gründerjahre der KdK aus der Sicht der bisherigen Präsidenten der KdK - Eric Honegger, alt-Regierungsrat....................................................................................12 - Hanswalter Schmid, alt-Regierungsrat............................................................................13 - Mario Annoni, Regierungsrat...........................................................................................15 - Peter Schönenberger, Regierungsrat..............................................................................16 Die Gründerjahre der KdK aus der Sicht des Bundesrates von Prof. Dr. Arnold Koller, alt-Bundesrat .............................................................................17 Die Entwicklung der Mitwirkung -
FERNAND MELGAR © Climage
Ciné-Portrait FERNAND MELGAR © Climage Ciné-Portraits – a monograph series published by the promotion agency SWISS FILMS. When using the texts or excerpts thereof, the source must be cited. Update: 2014 / Original version: French, 2007 www.swissfilms.ch BIOGRAPHY Fernand Melgar was born into a family of Spanish unionists exiled to Tangiers (Morocco). His parents smuggled him in with them when, in 1963, they emigrated to Switzerland as FERNAND seasonal labourers. In the early MELGAR eighties, he cut short his busi- ness studies in order to found, together with several friends, the Cabaret Orwell in Lausanne, soon a mecca for French- speaking Switzerland’s under- ground culture; later, he created the internationally renowned Fernand Melgar, Our Fellow Man rock music venue La Dolce Vita, also in Lausanne. After endow- eminiscing over the little joys and big worries connected ing the latter night spot with a programme of creative video with the Spanish immigration, by paging through Family © Philippe Pache © Philippe Pache R projections, he became a self- taught, freelance film director Album (Album de famille). Sharing the laughter and anxieties and producer. In 1983, he began shooting various experimental of Induction Class (Classe d’accueil) students come from four films and iconoclastic report- ages for television. In 1985 he different cultural horizons to the Switzerland of their dreams. In joined Climage, a collective under whose auspices he has Storm in a C-Cup (Remue-ménage), getting to know Pascal, who directed his documentaries, many considered as bench- repairs car-bodies in a little provincial town and likes to cross- marks on the topics of immigra- tion and identity. -
RUDOLPH VALENTINO January 1971
-,- -- - OF THE SON SHEIK . --· -- December 1970 -.. , (1926) starring • January 1971 RUDOLPH VALENTINO ... r w ith Vilma Banky, Agnes Ayres, George Fawcett, Kar l Dane • .. • • i 1--...- \1 0 -/1/, , <;1,,,,,/ u/ ~m 11, .. 12/IOJ,1/, 2/11.<. $41 !!X 'ifjl!/1/. , .....- ,,,1.-1' 1 .' ,, ,t / /11 , , . ... S',7.98 ,,20 /1/ ,. Jl',1,11. Ir 111, 2400-_t,' (, 7 //,s • $/1,!!.!!8 "World's .. , . largest selection of things to show" THE ~ EASTIN-PHELAN p, "" CORPORATION I ... .. See paee 7 for territ orial li m1la· 1;on·son Hal Roach Productions. DAVE PORT IOWA 52808 • £ CHAZY HOUSE (,_l928l_, SPOOK Sl'OO.FI:'\G <192 i ) Jean ( n ghf side of the t r acks) ,nvites t he Farina, Joe, Wheeze, and 1! 1 the Gang have a "Gang•: ( wrong side of the tr ack•) l o a party comedy here that 1\ ,deal for HallOWK'n being at her house. 6VI the Gang d~sn't know that a story of gr aveyard~ - c. nd a thriller-diller Papa has f tx cd the house for an April Fool's for all t ·me!t ~ Day party for his fr i ends. S 2~• ~·ar da,c 8rr,-- version, 400 -f eet on 2 • 810 303, Standord Smmt yers or J OO feet ? O 2 , v ozs • Reuulart, s11.9e, Sale reels, 14 ozs, Regularly S1 2 98 , Sale Pnce Sl0.99 , 6o 0 '11 Super 8 vrrs•OQ, dSO -fect,, 2-lb~ .• S l0.99 Regu a rly SlJ 98. Sale Pn ce I Sl2.99 425 -fect I :, Regularly" ~ - t S12 99 400lc0 t on 8 o 289 Standard 8mm ver<lon SO r Sate r eels lJ o,s-.