Stephen Rhys Davies History Phd University College London
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Artistic Fabrics, Unique Portraits (I)
33 OPEN SOURCE LANGUAGE VERSION > CATALÀ Artistic fabrics, unique portraits (I) by Sílvia Carbonell Basté Textil Museum and Documentation Centre PH.D. student Art History, Universitat Autònoma de Barcelona Photographs: ©CDMT, Quico Ortega Conserved in museums and private homes across Catalonia are a series of artistic fabrics – or woven artworks – that share many similarities with engravings and photographs but reflect a unique production technique popularised in a specific period in the history of the textile industry. These limited edition decorative fabrics generally feature portraits of illustrious figures (monarchs, politicians, military leaders, captains of industry), historical, religious or commemorative scenes, or reproductions of famous paintings, created in black and white silk on a Jacquard loom. In Catalonia, the majority of these fabrics were produced over the period between 1862 and 1974. These Jacquard pieces, originally referred to as artistic, or “singular”, fabrics, came to the museums from private owners who recognised their value in marking a crucial period in the transformation of the textile industry. The private collectors who donated the pieces all had a direct link of some sort to textile production, whether as teachers, theorists, merchants or artists. The fact that many of the fabrics bore the company name, the artist’s signature, the production date, or the name of the director and even the school at which they were plotted and weaved makes them, if nothing else, unique pieces, distinct from any other textile produced until that time and freely available on the market. These singular pieces also serve to illustrate the successful marriage of technology with the skill of the artist. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Famouskin.Com Relationship Chart of Beyoncé Singer and Movie Actress 38Th Great-Granddaughter of Charlemagne King of the Franks
FamousKin.com Relationship Chart of Beyoncé Singer and Movie Actress 38th Great-granddaughter of Charlemagne King of the Franks Charlemagne Hildegard of Vinzgouw Pepin, King of Italy - - - - - - - - - - - Bernard of Italy Cunegonde of Laon Pepin of Vermandois - - - - - - - - - - - Herbert I of Vermandois Bertha de Morvois Beatrice of Vermandois Robert I, King of France Hugh the Great Hedwig of Saxony Hugh Capet Adelaide of Aquitaine FamousKin.comA © 2010-2021 FamousKin.com Page 1 of 5 27 Sep 2021 FamousKin.com Relationship Chart of Beyoncé to Charlemagne A Robert II, King of France Constance of Arles Henry I, King of France Anne of Kiev Philip I, King of France Berthe of Holland Louis VI, King of France Adelaide de Savoy Louis VII, King of France Adèle of Champagne Philip II Auguste, King of France Isabella of Hainault Louis VIII, King of France Blanche of Castile Robert I, Count of Artois Matilda of Brabant Robert II, Count of Artois Amicie de Courtenay Philip I, Count of Artois FamousKin.comBlanche of Brittany B © 2010-2021 FamousKin.com Page 2 of 5 27 Sep 2021 FamousKin.com Relationship Chart of Beyoncé to Charlemagne B Jeanne of Artois Gaston I, Count de Foix and Bigorre Roger Bernard I de Foix Constance de Luna Roger Bertrand II de Foix Girarde de Navailles Isabel de Foix Archibaud de Grailly Jean III, Count de Foix and Bigorre - - - - - - - - - - - Bernard de Béarn-Bonasse Catherine de Viella Jean de Béarn-Bonasse - - - - - - - - - - - Bertrand de Béarn-Bonasse Marie de Bescat Probable François de Béarn-Bonasse Marie de Sacaze Henri -
The Historical Background of Catalan Separatism: the Case of Occitania
Przegląd Narodowościowy / Review of Nationalities • nr 10/2020 • A new wave of separatism in the world ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2020-0011 Rozalia Sasor* Jagiellonian University, Kraków, Poland https://orcid.org/0000-0003-1461-8453 The historical background of Catalan separatism: The case of Occitania Introduction Provencal troubadours are widely known, however not everyone realizes that the type of lyric that made them famous was popular not only in the relatively small region of Provence and treating it as a part of history of French literature is a methodological sim- plification. The poetry of troubadours, with its characteristic metric forms and themes – the most famous being naturally the concept of fin’amor, courtly love – belongs to the original, native works of the whole langue d’Oc area, meaning not only Occitania, but also the Crown of Aragon. The political domination of the counts of Barcelona, and later the kings of Catalan-Aragonese Crown in the region beyond the Pyrenees not only fa- cilitated the intermingling of cultures in this area. It also led to the creation of one, com- mon, Occitan-Catalan cultural environment, where the poets of Languedoc, Provence and Catalonia travelled between the noble courts and composed songs in the same style and language. Due to this it makes more historical sense to include their poetry not in the history of French literature, but Catalan literature that in the 14th century still used Occitan language, alien to the works of langue d’oïl. The same fact makes understand- able the claims of Catalan people regarding the separateness of their own culture from the culture of Castille, at least with regard to the Middle Ages. -
The Commemorated Page Numbers in Bold Type Refer to Illustrations
Church Monuments Vols I–XXXII (1985–2017) The Commemorated Page numbers in bold type refer to illustrations Abbott, Christopher, 1686, XXIX: 80, 82 Allington, Lionel and Dorothe, 1638, V: 62, Abbys, Thomas, 1532/3, XXXII: 30 63; VII: 46, 74 Abell, William, 1500, XVI: 123 Allington, Richard, 1561, VII: 38; XXIII: 93 Aberford, Henry of, c.1328, XIII: 109 Alonso, Infante, 1493, VII: 27 Abernoun, John d’, 1327, I: 10; VI: 5; VIII: 5, Alphonse and Jean, sons of Louis VIII, king of 7; IX: 38; XV: 12 France, 1213, XXX: 51 Abernoun, John III d’, 1335–50, II: 13, 17–19; Alsace, Marguerite d’, 1194, XXIV: 28, 29, VII: 17 30, 31, 43 Abney, George and Ellen, 1577/8, VI: 38 Alsace, Mathieu d’, 1173, XXIV: 31, 33, 36, Accarigi, Tommaso, XXIII: 110 38 Acé, Hugues d’, 1333, XII: 23, 24, 33 Anast, Thomas d’, bishop of Quimper, 1322, Achard, Robert, 1353, IX: 46; XXXII: 24 XXX: 45 Acton, John and Elizabeth, 1625, XXIII: 81 Ancaster see Bertie Acton, Thomas, 1489, XXXII: 30 Anderson, Alexander, 1811, XV: 99 Adair family, 1852–1915, XVI: 92, 123 Anderson, Edmond, 1638, XXX: 129, 130 Adams, Richard, 1635, XXIX: 75 Anderson, Edmund, 1670, IX: 84, 85, 86 Adderley, Ralph, Margaret and Philota, 1595, Anderson, Francis, VII: 89, 90, 91, 93 VI: 40 André, Philippe and Marie, 1845, XV: 91, 93, Adelaide of Maurienne, queen of France, 1154, 96 XIX: 34 Andrew, Thomas, Frances and Mary, 1589, Adornes, Jacques, 1482, VII: 28 VIII: 54 Adyn, Edith, c.1560, XXIX: 82 Andrew, Thomas, Katherine and Mary, 1555, Aebinga, Hil van, XXXI: 118 n. -
Capetian France 987-1328 2Nd Edition Free Download
FREE CAPETIAN FRANCE 987-1328 2ND EDITION PDF Elizabeth Hallam | 9781317877288 | | | | | Editions of Capetian France by Elizabeth Hallam Inwhen Hugh Capet took the throne of France, founding a dynasty which was to rule for over years, his Capetian France 987-1328 2nd edition was weak and insignificant. But bythe kingdom of France was beginning to dominate the cultural nd Capetian France 987-1328 2nd edition life of western Europe. In the centuries that followed, to scholars and to poets, to reforming churchmen and monks, to crusaders and the designers of churches, France was the hub of the universe. La douce France drew people like a magnet even though its kings were, until aboutcomparatively insignificant figures. Then, thanks to the conquests and reforms of King Philip Augustus, France became a dominant force in political and economic terms as well, producing a saint-king, Louis IX, and in Capetian France 987-1328 2nd edition IV, a ruler so powerful that he could dictate to popes and emperors. Spanning France's development across four centuries, Capetian France is a definitive book. This second edition has been carefully revised to take account of the very latest work, without losing the original book's popular balance between a compelling narrative and an fascinating examination of the period's main themes. This is the 2nd edition of Capetian France which is an enormous improvement from the 1st edition. The work expands into using various medieval documents to tell the story of this almost obscure period My approach to European history has always been more or less random; whatever interesting-looking book happens Capetian France 987-1328 2nd edition turns up in the remainder bin or at a used bookstore. -
Walled Cities of Medieval France: the Preservation of Heritage and Cultural Memory at Carcassonne, Aigues-Mortes, and La Rochelle
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU Honors Theses, 1963-2015 Honors Program 2014 Beyond the Walls: Walled Cities of Medieval France: The Preservation of Heritage and Cultural Memory at Carcassonne, Aigues-Mortes, and La Rochelle Emily Huber College of Saint Benedict/Saint John's University Follow this and additional works at: https://digitalcommons.csbsju.edu/honors_theses Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Huber, Emily, "Beyond the Walls: Walled Cities of Medieval France: The Preservation of Heritage and Cultural Memory at Carcassonne, Aigues-Mortes, and La Rochelle" (2014). Honors Theses, 1963-2015. 42. https://digitalcommons.csbsju.edu/honors_theses/42 This Thesis is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in Honors Theses, 1963-2015 by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. Beyond the Walls Walled Cities of Medieval France: The Preservation of Heritage and Cultural Memory at Carcassonne, Aigues-Mortes, and La Rochelle An Honors Thesis College of Saint Benedict Saint John’s University In Partial Fulfillment Of the Requirements for Distinction In The Department of Languages and Cultures By Emily Huber As advised by: Professor T. Vann December 2013 Beyond the Walls Table of Contents Acknowledgements 3 I. Preface 4 II. Introduction to Walled Cities and Their Histories 5 III. Preservation of Heritage and the Marketing of History 10 IV. Exemplary Walled Cities: Carcassonne, Aigues-Mortes, and La Rochelle 17 V. Carcassonne 19 • French Catholic Authority: The Albigensian Crusade and Carcassonne 21 • Restoring and Reimagining: Viollet-le-Duc’s Contributions to Carcassonne 25 • Marketing a Medieval Tale: Tourism at Carcassonne 29 VI. -
The Great Survivors
THE GREAT SURVIVORS How Monarchy Made It into the Twenty-First Century Peter Conradi ALMA BOOKS ALMA BOOKS LTD London House 243–253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almabooks.com First published in Great Britain by Alma Books Limited in 2012 Copyright © Peter Conradi, 2012 Cover and plate images © Corbis Peter Conradi asserts his moral right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988 Printed in England by Antony Rowe Ltd Typesetting and eBook by Tetragon iSBn (Hardback): 978-1-84688-209-8 iSBn (Export edition): 978-1-84688-215-9 eBook iSBn : 978-1-84688-213-5 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. CONTENTS Foreword 7 Introduction 9 Chapter 1: Who’s Who 15 Chapter 2: Coming and Going 31 Chapter 3: Of Pageantry and Political Power 48 Chapter 4: An Ordinary Day at Work 68 Chapter 5: Pomp, Circumstance and Paying the Bills 85 Chapter 6: Kings Behaving Badly 112 Chapter 7: Mistresses, Bastards and Maris complaisants 140 Chapter 8: In Search of the New Princess Grace 166 Chapter 9: Marrying into the Family 180 Chapter 10: Learning to Be a Monarch 200 Chapter 11: The Frog Who Turned into a Prince 225 and Other Fairy Tales Chapter 12: Playing the Waiting Game 255 Chapter 13: Spares and Spouses 265 Chapter 14: Letting in the Light 284 Chapter 15: Vive la République 314 Chapter 16: A Reign without End 331 AcknowledgementS 343 NoteS 345 Select BiBliography 359 Index 365 To Lisa, Alex and Matthew Foreword The Queen’s Diamond Jubilee year of 2012 has shone light not just on Elizabeth II and her sixty years on the throne, but also on the institution she heads. -
Of a Princely Court in the Burgundian Netherlands, 1467-1503 Jun
Court in the Market: The ‘Business’ of a Princely Court in the Burgundian Netherlands, 1467-1503 Jun Hee Cho Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Jun Hee Cho All rights reserved ABSTRACT Court in the Market: The ‘Business’ of a Princely Court in the Burgundian Netherlands, 1467-1503 Jun Hee Cho This dissertation examines the relations between court and commerce in Europe at the onset of the modern era. Focusing on one of the most powerful princely courts of the period, the court of Charles the Bold, duke of Burgundy, which ruled over one of the most advanced economic regions in Europe, the greater Low Countries, it argues that the Burgundian court was, both in its institutional operations and its cultural aspirations, a commercial enterprise. Based primarily on fiscal accounts, corroborated with court correspondence, municipal records, official chronicles, and contemporary literary sources, this dissertation argues that the court was fully engaged in the commercial economy and furthermore that the culture of the court, in enacting the ideals of a largely imaginary feudal past, was also presenting the ideals of a commercial future. It uncovers courtiers who, despite their low rank yet because of their market expertise, were close to the duke and in charge of acquiring and maintaining the material goods that made possible the pageants and ceremonies so central to the self- representation of the Burgundian court. It exposes the wider network of court officials, urban merchants and artisans who, tied by marriage and business relationships, together produced and managed the ducal liveries, jewelries, tapestries and finances that realized the splendor of the court. -
Advising France Through the Example of England: Visual Narrative in the Livre De La Prinse Et Mort Du Roy Richart (Harl
Advising France through the Example of England: Visual Narrative in the Livre de la prinse et mort du roy Richart (Harl. MS. 1319) Anne D. Hedeman Duke John of Berry’s inventories of 1411 and 1413 record the gift of an unusual history that described the fall from power of Richard II, king of England: Item, the Livre de la prinse et mort du roy Richart d’Angleterre (Book of the Capture and Death of King Richard II), written in rhyming French in lettre de court and illustrated in several places, the incipit of the second folio qu’il eust, covered with black silk with two round clasps of gilded silver enamelled with the arms of France, which the departed vidame de Laonnois, formerly the grand maistre of the king’s household gave to the duke. [Item, le Livre de la prinse et mort du roy Richart d’Angleterre, escript en françoys rimé, de lettre de court, et historié en pluseurs lieux; et au commancement du second fueillet a escript: qu’il eust, couvert de drap de soye noir, à deux fermouers roons d’argent dorez, esmaillez aux armes de France; que le feu vidame de Laonnois, en son vivant grant maistre d’ostel du Roy, donna à Monseigneur].1 This gift from John of Montaigu, the vidame of Laonnois, to the duke is the earliest surviving copy of an eyewitness account of Richard II’s deposition in 1399 written by Jean Creton in a mixture of verse and prose. Penned some time between November 1401 and March 1402 at the request of Philip the Bold, Duke of Burgundy, it is an important early source for historians curious about the events surrounding Richard’s deposition and demise.2 The account has recently been discussed by Ardis Butterfield as an example of the importance of French as one of two ‘mother tongues’ in England and by both Paul Strohm This was first presented at the British Library Conference, ‘Divers Manuscripts both Antient & Curious’: Treasures from the Harley Collection, that took place 29-30 June 2009. -
Capet Door Carlos Fernando De Souza Silva Brogni
een genealogieonline publicatie De nakomelingen van King Hugh / Hugo Capet King of France (House Capet) Capet door Carlos Fernando de Souza Silva Brogni 5 augustus 2021 De nakomelingen van King Hugh / Hugo Capet King of France (House Capet) Capet Carlos Fernando de Souza Silva Brogni De nakomelingen van King Hugh / Hugo Capet King of France (House Capet) Capet Generatie 1 1. King Hugh / Hugo Capet King of France (House Capet) Capet, zoon van Duke Hughes "the Great" Duke of the Franks and Count of Paris.(House Capet) capet en Hedwige / Hartwige / Hedwig De Sachsen (Princess of Germany), is geboren tussen 940 en 941 in Paris, Seine, France. Hij is king of france from july 3, 987 to october 24, 996, kung, roi de france, comte de paris, comte d’orléans, marquis de neustrie, king of france (987-996), king of france, king, 1st king of the franks, kung i frankrike 987-996, roi de france, konge van beroep. Hij is getrouwd 968 in Orleans, Loiret, Centre, France met Adelais de Aquitaine, dochter van Count Guillaume D’aquitaine Tête d’étoupe d’Aquitaine, III Duc d’Aquitaine, I Comte de Poitou en Geirlaug (Gerloc) Hrólfsdóttir (from Normandy) Hrólfsdóttir. Zij is geboren rond 950 in Ducjy de Aquitaine (now Aquitaine, France). Zij is dame du poitou, princesse d’aquitaine, reine consort des francs, première reine de france | princess of aquitaine, queen consort of france, (see index to continue), queen of the franks, lady of poitou, first queen of france van beroep. Adelais is overleden 1004 in Paris, Orleannais, West Francia (now Ile-de-France, France) en is begraven 1004 in Monastere de St-Frambault, Senlis, Département de l’Oise, Picardie, France. -
Encyclopaedia Britannica, 11Th Edition, by Various 1
Encyclopaedia Britannica, 11th Edition, by Various 1 Encyclopaedia Britannica, 11th Edition, by Various The Project Gutenberg EBook of Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 "Bulgaria" to "Calgary" Author: Various Release Date: November 17, 2006 [EBook #19846] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ENCYCLOPAEDIA BRITANNICA *** Produced by Don Kretz, Juliet Sutherland, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain material from the Robinson Curriculum.) Transcriber's note: A few typographical errors have been corrected: they are listed at the end of the text. Volume and page numbers have been incorporated into the text of each page as: v.04 p.0001. Encyclopaedia Britannica, 11th Edition, by Various 2 In the article CALCITE, negative Miller Indices, e.g. "1-bar" in the original are shown as "-1". In the article CALCULATING MACHINES, [Integral,a:b] indicates a definite integral between lower limit a and upper limit b. [Integral] by itself indicates an indefinite integral. [=x] and [=y] indicate x-bar and y-bar in the original. [v.04 p.0773] [Illustration] the mean interval being 60 m.; the summits are, as a rule, rounded, and the slopes gentle.