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Late-Medieval France
Late-Medieval France: A Nation under Construction A study of French national identity formation and the emerging of national consciousness, before and during the Hundred Years War, 1200-1453 Job van den Broek MA History of Politics and Society Dr. Christian Wicke Utrecht University 22 June 2020 Word count: 13.738 2 “Ah! Doulce France! Amie, je te lairay briefment”1 -Attributed to Bertrand du Guesclin, 1380 Images on front page: The kings of France, England, Navarre and the duke of Burgundy (as Count of Charolais), as depicted in the Grand Armorial Équestre de la Toison d’Or, 1435- 1438. 1 Cuvelier in Charrière, volume 2, pp 320. ”Ah, sweet France, my friend, I must leave you very soon.” Translation my own. 2 3 Abstract Whether nations and nationalism are ancient or more recent phenomena is one of the core debates of nationalism studies. Since the 1980’s, modernism, claiming that nations are distinctively modern, has been the dominant view. In this thesis, I challenge this dominant view by doing an extensive case-study into late-medieval France, applying modernist definitions and approaches to a pre-modern era. France has by many regarded as one of the ‘founding fathers’ of the club of nations and has a long and rich history and thus makes a case-study for such an endeavour. I start with mapping the field of French identity formation in the thirteenth century, which mostly revolved around the royal court in Paris. With that established, I move on to the Hundred Years War and the consequences of this war for French identity. -
02 Chapter 1 Stoessel
Prologue La harpe de melodie faite saunz mirancholie par plaisir doit bien cescun resjorr pour l'armonie orr, sonner et vei'r. J With the prior verses begins one of the most fascinating musical works in the ars subtilior style, composed by the master musician Jacob de Senleches. This composer, as his name suggests, was a native of northern France whose scant biographical details indicate he was a valued musician at courts in the south at Castile, Navarre and possibly Avignon.2 La harpe de melodie typifies several aspects of the present study. Firstly, its presence in a n1anuscripe copied in the city of Pavia in Lombardy indicates the cultivation of ostensibly French music in the ars subtilior style in northern Italy. Secondly, its musical notation contains novel, experimental notational devices and note shapes that parallel intellectual developments in other fields of culture in this period. I "The melodious harp made without melancholy to please, well may each person rejoice to hear, sing and hear its harmony." (All translations are mine, unless otherwise specified.) 2 The conclusion that Jacob de Senleches was a native of northern France is made on the premise that Senleches is the near-homophone of Senlecques, a village just south of Calais in the County of Artois. The only surviving archival evidence concerning Jacob de Senleches consists of a dispensation made at the Court of Navarre by Charles II of Navarre on 21 sl August, 1383 which speCifies: ... 100 libras a Jacomill de Sen/aches, juglar de harpe, para regresar a donde se encontraba el cardenal de Aragon, su maestro (" 100 libras for Jacob de Senleches, player of the harp, to return to where he was to meet the Cardinal of Aragon, his master."), Jlid. -
The Commemorated Page Numbers in Bold Type Refer to Illustrations
Church Monuments Vols I–XXXII (1985–2017) The Commemorated Page numbers in bold type refer to illustrations Abbott, Christopher, 1686, XXIX: 80, 82 Allington, Lionel and Dorothe, 1638, V: 62, Abbys, Thomas, 1532/3, XXXII: 30 63; VII: 46, 74 Abell, William, 1500, XVI: 123 Allington, Richard, 1561, VII: 38; XXIII: 93 Aberford, Henry of, c.1328, XIII: 109 Alonso, Infante, 1493, VII: 27 Abernoun, John d’, 1327, I: 10; VI: 5; VIII: 5, Alphonse and Jean, sons of Louis VIII, king of 7; IX: 38; XV: 12 France, 1213, XXX: 51 Abernoun, John III d’, 1335–50, II: 13, 17–19; Alsace, Marguerite d’, 1194, XXIV: 28, 29, VII: 17 30, 31, 43 Abney, George and Ellen, 1577/8, VI: 38 Alsace, Mathieu d’, 1173, XXIV: 31, 33, 36, Accarigi, Tommaso, XXIII: 110 38 Acé, Hugues d’, 1333, XII: 23, 24, 33 Anast, Thomas d’, bishop of Quimper, 1322, Achard, Robert, 1353, IX: 46; XXXII: 24 XXX: 45 Acton, John and Elizabeth, 1625, XXIII: 81 Ancaster see Bertie Acton, Thomas, 1489, XXXII: 30 Anderson, Alexander, 1811, XV: 99 Adair family, 1852–1915, XVI: 92, 123 Anderson, Edmond, 1638, XXX: 129, 130 Adams, Richard, 1635, XXIX: 75 Anderson, Edmund, 1670, IX: 84, 85, 86 Adderley, Ralph, Margaret and Philota, 1595, Anderson, Francis, VII: 89, 90, 91, 93 VI: 40 André, Philippe and Marie, 1845, XV: 91, 93, Adelaide of Maurienne, queen of France, 1154, 96 XIX: 34 Andrew, Thomas, Frances and Mary, 1589, Adornes, Jacques, 1482, VII: 28 VIII: 54 Adyn, Edith, c.1560, XXIX: 82 Andrew, Thomas, Katherine and Mary, 1555, Aebinga, Hil van, XXXI: 118 n. -
Advising France Through the Example of England: Visual Narrative in the Livre De La Prinse Et Mort Du Roy Richart (Harl
Advising France through the Example of England: Visual Narrative in the Livre de la prinse et mort du roy Richart (Harl. MS. 1319) Anne D. Hedeman Duke John of Berry’s inventories of 1411 and 1413 record the gift of an unusual history that described the fall from power of Richard II, king of England: Item, the Livre de la prinse et mort du roy Richart d’Angleterre (Book of the Capture and Death of King Richard II), written in rhyming French in lettre de court and illustrated in several places, the incipit of the second folio qu’il eust, covered with black silk with two round clasps of gilded silver enamelled with the arms of France, which the departed vidame de Laonnois, formerly the grand maistre of the king’s household gave to the duke. [Item, le Livre de la prinse et mort du roy Richart d’Angleterre, escript en françoys rimé, de lettre de court, et historié en pluseurs lieux; et au commancement du second fueillet a escript: qu’il eust, couvert de drap de soye noir, à deux fermouers roons d’argent dorez, esmaillez aux armes de France; que le feu vidame de Laonnois, en son vivant grant maistre d’ostel du Roy, donna à Monseigneur].1 This gift from John of Montaigu, the vidame of Laonnois, to the duke is the earliest surviving copy of an eyewitness account of Richard II’s deposition in 1399 written by Jean Creton in a mixture of verse and prose. Penned some time between November 1401 and March 1402 at the request of Philip the Bold, Duke of Burgundy, it is an important early source for historians curious about the events surrounding Richard’s deposition and demise.2 The account has recently been discussed by Ardis Butterfield as an example of the importance of French as one of two ‘mother tongues’ in England and by both Paul Strohm This was first presented at the British Library Conference, ‘Divers Manuscripts both Antient & Curious’: Treasures from the Harley Collection, that took place 29-30 June 2009. -
Mary, Queen of Scots: Fact Sheet for Teachers
MARY, QUEEN OF SCOTS: FACT SHEET FOR TEACHERS Mary, Queen of Scots is one of the most famous figures WHO’S WHO? in history. Her life was full of drama – from becoming queen at just six days old to her execution at the age of 44. Plots, JAMES V – Mary, Queen of Scots’ father. bloodshed, abdication, high politics, religious strife, romance He built the great tower which still survives and rivalry, Mary was a renaissance monarch who was at the Palace of Holyroodhouse. affected by and contributed to a momentous period of upheaval and uncertainty in the British Isles. MARY OF GUISE – Mary, Queen of Scots’ mother. She was French and became the regent (effectively The Palace of Holyroodhouse was one of her most the ruler) when Mary was a child and living in France. important homes, with many of the most significant events of her reign taking place within its walls. FRANCIS II – Mary, Queen of Scots’ first husband. Mary married him in 1558 when he was the Dauphin, heir to the French throne. After they married Mary gave him the title of King of Scots. He died in 1560, a year after he became King of France. WHY WAS MARY, QUEEN OF SCOTS JOHN KNOX – a Protestant preacher who helped lead SO IMPORTANT? the Scottish Reformation and who was a fierce opponent of Mary because she was a Catholic and a woman ruler. She was Queen of Scots from 6 days old, and when she was an adult she became the first woman to HENRY, LORD DARNLEY – Darnely was a cousin of rule Scotland in her own right. -
Literature Review the Outline of My Research Topic Will Encompass
Literature Review The outline of my research topic will encompass Anne of Denmark’s role as queen consort in Scotland and England, from 1589 to 1619, in order to investigate her political influence. To fully understand Anna’s political role, recent historiography surrounding influential women in early modern England and, in particular, the role of the queen consort will be evaluated in depth. My research will contribute to these two growing fields and fill a gap by re-examining Anna, who historians once considered frivolous and vain. Accompanied by re-definitions of high politics at one end of the spectrum and court masques at the other, a re-assessment of her character throughout her reign as queen consort of Scotland and England is accordingly needed. The value of analysing Anna in a political light will be demonstrated in this essay through an examination of the historiography surrounding influential women in early modern England, queen consorts in general and then Anna herself. Previous study has excluded women from high politics because it was considered part of the public sphere, rather than the private sphere that they belonged to. In her article ‘Women and Politics in Early Tudor England’, Harris challenges the traditional view of high politics by emphasising its redefinition to include the influence of women.1 Sara Mendelson and Patricia Crawford’s book, Women in Early Modern England, echoes this view. Although women exercised some influence in high politics, this is not 1 B. Harris., ‘Women and Politics in Early Tudor England’, The Historical Journal, 33:2 (1990), pp.259-281, p.259. -
Family Tree Maker
Ancestors of Ulysses Simpson Grant Generation No. 1 1. President Ulysses Simpson Grant, born 27 Apr 1822 in Point Pleasant, Clermont Co., OH; died 23 Jul 1885 in Mount McGregor, Saratoga Co., NY. He was the son of 2. Jesse Root Grant and 3. Hannah Simpson. He married (1) Julia Boggs Dent 22 Aug 1848. She was born 26 Jan 1826 in White Haven Plantation, St. Louis Co. MO, and died 14 Dec 1902 in Washington, D. C.. She was the daughter of "Colonel" Frederick Fayette Dent and Ellen Bray Wrenshall. Generation No. 2 2. Jesse Root Grant, born 23 Jan 1794 in Greensburg, Westmoreland Co., PA; died 29 Jan 1873 in Covington, Campbell Co., KY. He was the son of 4. Noah Grant III and 5. Rachel Kelley. He married 3. Hannah Simpson 24 Jun 1821 in The Simpson family home. 3. Hannah Simpson, born 23 Nov 1798 in Horsham, Philadelphia Co., PA; died 11 May 1883 in Jersey City, Coventry Co., NJ. She was the daughter of 6. John Simpson, Jr. and 7. Rebecca Weir. Children of Jesse Grant and Hannah Simpson are: 1 i. President Ulysses Simpson Grant, born 27 Apr 1822 in Point Pleasant, Clermont Co., OH; died 23 Jul 1885 in Mount McGregor, Saratoga Co., NY; married Julia Boggs Dent 22 Aug 1848. ii. Samuel Simpson Grant iii. Orville Grant iv. Clara Grant v. Virginia "Nellie" Grant vi. Mary Frances Grant Generation No. 3 4. Noah Grant III, born 20 Jun 1748; died 14 Feb 1819 in Maysville, Mason Co., KY. He was the son of 8. -
19Th International Congress on Medieval Studies
mea1eva1HE1· ~ 1 INSTI1UTE international congress on medieval studies — GENERAL INFORMATION — REGISTRATION Everyone attending the Congress must fill out the official Registration Form and pay the $40.00 regular fee or $15.00 student fee. This registra tion fee is non-refundable. To save time upon arrival, we urge you to pre-register by mail before the April 1 deadline. Since University Food Services and the Housing Office need advance notification of the expected number of guests in order to make adequate arrangements, only advance registration will assure each person of an assigned room and the correct number of meal tickets waiting at the time of arrival. We regret that we cannot take registrations or reservations by phone. If you wish confirmation, include a stamped, self-addressed post card. TO PRE-REGISTER Fill out the enclosed registration form and mail all copies of the form, together with your check or money order, to THE MEDIEVAL INSTITUTE, WESTERN MICHIGAN UNIVERSITY, KALAMAZOO, MICHIGAN 49008, before April 1. Only checks or money orders made out in U.S. dollars will be accepted. Foreign residents should use international money orders. The registration form is for ONE person only. If you wish to register and pay fees for another person, or share a room with another person, request additional registration forms from the Medieval Institute and send them to the Institute together. Refunds for housing and meals can be made only if the Medieval Institute receives notification of cancellation by April 15, 1984. NOTE: Please check and recheck figures before making out a check or money order and submitting the registration form. -
PDF Download the Reluctant Queen: the Story of Anne of York
THE RELUCTANT QUEEN: THE STORY OF ANNE OF YORK PDF, EPUB, EBOOK Jean Plaidy | 450 pages | 28 Aug 2007 | Random House USA Inc | 9780307346155 | English | New York, United States The Reluctant Queen: The Story of Anne of York PDF Book It ends when our storyteller dies, so King Richard is still on the throne and it gives us no closure on the ending of his reign. Other editions. As a member of the powerful House of Neville , she played a critical part in the Wars of the Roses fought between the House of York and House of Lancaster for the English crown. I enjoyed all the drama that took place but I disliked the lack of a lesson, when reading a book I want to be left with a life lesson and I did not find one within this novel. While telling her story Anne notes that Middleham is where she feels at home and was most happy. She proves she can do this during a spell were Anne winds up in a cookshop. The reigning king Edward dies and Richard is to raise and guide Edward's son, Edward on the throne. Richard the Third. Anne was on good terms with her mother-in-law Cecily Neville, Duchess of York , with whom she discussed religious works, such as the writings of Mechtilde of Hackeborn. Ralph Neville, 1st Earl of Westmorland. Novels that feature Richard III tend to be either for or against the former king. This novel will be best suited for any students from grades 8 and up because of the vocabulary it uses, which many eighth graders and higher will already be accustomed with, hopefully. -
British Royal Ancestry Book 6, Kings of England from King Alfred the Great to Present Time
GRANHOLM GENEALOGY BRITISH ROYAL ANCESTRY, BOOK 6 Kings of England INTRODUCTION The British ancestry is very much a patchwork of various beginnings. Until King Alfred the Great established England various Kings ruled separate parts. In most cases the initial ruler came from the mainland. That time of the history is shrouded in myths, which turn into legends and subsequent into history. Alfred the Great (849-901) was a very learned man and studied all available past history and especially biblical information. He came up with the concept that he was the 72nd generation descendant of Adam and Eve. Moreover he was a 17th generation descendant of Woden (Odin). Proponents of one theory claim that he was the descendant of Noah’s son Sem (Shem) because he claimed to descend from Sceaf, a marooned man who came to Britain on a boat after a flood. (See the Biblical Ancestry and Early Mythology Ancestry books). The book British Mythical Royal Ancestry from King Brutus shows the mythical kings including Shakespeare’s King Lair. The lineages are from a common ancestor, Priam King of Troy. His one daughter Troana leads to us via Sceaf, the descendants from his other daughter Creusa lead to the British linage. No attempt has been made to connect these rulers with the historical ones. Before Alfred the Great formed a unified England several Royal Houses ruled the various parts. Not all of them have any clear lineages to the present times, i.e. our ancestors, but some do. I have collected information which shows these. They include; British Royal Ancestry Book 1, Legendary Kings from Brutus of Troy to including King Leir. -
Power, Courtly Love, and a Lack of Heirs : Guinevere and Medieval Queens Jessica Grady [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2009 Power, Courtly Love, and a Lack of Heirs : Guinevere and Medieval Queens Jessica Grady [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the Other Classics Commons Recommended Citation Grady, Jessica, "Power, Courtly Love, and a Lack of Heirs : Guinevere and Medieval Queens" (2009). Theses, Dissertations and Capstones. Paper 69. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Power, Courtly Love, and a Lack of Heirs: Guinevere and Medieval Queens Thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in History by Jessica Grady Dr. Laura Michele Diener, Ph.D., Committee Chairperson Dr. David Winter, Ph.D. Dr. William Palmer, Ph.D. Marshall University December 2009 ABSTRACT Power, Courtly Love, and a Lack of Heirs: Guinevere and Medieval Queens by Jessica Grady Authors have given Queen Guinevere of the Arthurian stories a wide variety of personalities; she has been varyingly portrayed as seductive, faithful, “fallen,” powerful, powerless, weak-willed, strong-willed, even as an inheritor of a matriarchal tradition. These personalities span eight centuries and are the products of their respective times and authors much more so than of any historical Guinevere. Despite this, however, threads of similarity run throughout many of the portrayals: she had power in some areas and none in others; she was involved in a courtly romance; and she did not produce an heir to the throne. -
Saint Joan Timeline Compiled by Richard Rossi
1 Saint Joan Timeline Compiled by Richard Rossi A certain understanding of the historical background to Saint Joan is necessary to fully understand the various intricacies of the play. As an ocean of ink has been spilled by historians on Joan herself, I shall not delve too deeply into her history, keeping closely to what is relevant to the script. My dates, which may not necessarily match those that Shaw used, are the historically accepted dates; where there is discrepancy, I have notated. In some cases, I have also notated which characters refer to certain events in the timeline. There is a great deal of history attached to this script; the Hundred Years War was neither clean nor simple, and Joan was, as The Inquisitor says, “...crushed between these mighty forces, the Church and the Law.” 1st Century: Saint Peter founds the Catholic Church of Rome. (Warwick mentions St. Peter) 622: Establishment of Mohammad’s political and religious authority in Medina. (Cauchon mentions the prophet) 1215: The Waldensian movement, founded by Peter Waldo around 1170, is declared heretical at the Fourth Lateran Council. The movement had previously been declared heretical in 1184 at the Synod of Verona, and in 1211 80+ Waldensians were burned at the stake at Strausbourg. This was one of the earliest proto-Protestant groups and was very nearly destroyed. 1230’s: Establishment of the Papal Inquisition, which would later prosecute the trial against Joan of Arc. (Mentioned by Warwick. This is the same inquisition mentioned throughout the script) 1328: Charles IV of France dies without a male heir, ending the Capetian Dynasty and raising some very serious questions regarding the right of inheritance.