Mary, Queen of Scots: Fact Sheet for Teachers
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Mary Stuart and Elizabeth 1 Notes for a CE Source Question Introduction
Mary Stuart and Elizabeth 1 Notes for a CE Source Question Introduction Mary Queen of Scots (1542-1587) Mary was the daughter of James V of Scotland and Mary of Guise. She became Queen of Scotland when she was six days old after her father died at the Battle of Solway Moss. A marriage was arranged between Mary and Edward, only son of Henry VIII but was broken when the Scots decided they preferred an alliance with France. Mary spent a happy childhood in France and in 1558 married Francis, heir to the French throne. They became king and queen of France in 1559. Francis died in 1560 of an ear infection and Mary returned to Scotland a widow in 1561. During Mary's absence, Scotland had become a Protestant country. The Protestants did not want Mary, a Catholic and their official queen, to have any influence. In 1565 Mary married her cousin and heir to the English throne, Henry Stuart, Lord Darnley. The marriage was not a happy one. Darnley was jealous of Mary's close friendship with her secretary, David Rizzio and in March 1566 had him murdered in front of Mary who was six months pregnant with the future James VI and I. Darnley made many enemies among the Scottish nobles and in 1567 his house was blown up. Darnley's body was found outside in the garden, he had been strangled. Three months later Mary married the chief suspect in Darnley’s murder, the Earl of Bothwell. The people of Scotland were outraged and turned against her. -
Catherine De' Medici: the Crafting of an Evil Legend
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2020 Apr 27th, 9:00 AM - 10:00 AM Catherine de' Medici: The Crafting of an Evil Legend Lindsey J. Donohue Clackamas High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Feminist, Gender, and Sexuality Studies Commons, History Commons, and the Italian Language and Literature Commons Let us know how access to this document benefits ou.y Donohue, Lindsey J., "Catherine de' Medici: The Crafting of an Evil Legend" (2020). Young Historians Conference. 23. https://pdxscholar.library.pdx.edu/younghistorians/2020/papers/23 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. CATHERINE DE’ MEDICI: THE CRAFTING OF AN EVIL LEGEND Lindsey Donohue Western Civilization February 18, 2020 1 When describing the legend of the evil Italian queen, Catherine de’ Medici, and why Medici has been historically misrepresented, being credited with such malediction and wickedness, N.M Sutherland states that she has been viewed as a, “. .monster of selfish ambition, who sacrificed her children, her adopted country, her principles - if she ever had any - , and all who stood in her way to the satisfaction of her all-consuming desire for power.”1 The legend of the wicked Italian queen held widespread attraction among many, especially after Medici’s death in 1589. The famous legend paints Medici inaccurately by disregarding her achievements as queen regent as well as her constant struggle to administer peace during a time of intense political turmoil and religious feuding, and it assumes that Medici was a victim of circumstance. -
Victorian Representations of Mary, Queen of Scots and Elizabeth I
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU Honors Theses, 1963-2015 Honors Program 2015 Victorian Representations of Mary, Queen of Scots and Elizabeth I Grace K. Butkowski College of Saint Benedict/Saint John's University Follow this and additional works at: https://digitalcommons.csbsju.edu/honors_theses Part of the European History Commons, Political History Commons, and the Women's History Commons Recommended Citation Butkowski, Grace K., "Victorian Representations of Mary, Queen of Scots and Elizabeth I" (2015). Honors Theses, 1963-2015. 69. https://digitalcommons.csbsju.edu/honors_theses/69 This Thesis is brought to you for free and open access by DigitalCommons@CSB/SJU. It has been accepted for inclusion in Honors Theses, 1963-2015 by an authorized administrator of DigitalCommons@CSB/SJU. For more information, please contact [email protected]. Grace Butkowski Victorian Representations of Mary, Queen of Scots and Elizabeth I The rivalry of Mary, Queen of Scots and her English cousin Elizabeth I is a storied one that has consumed both popular and historical imaginations since the two queens reigned in the sixteenth century. It is often portrayed as a tale of contrasts: on one end, Gloriana with her fabled red hair and virginity, the bastion of British culture and Protestant values, valiantly defending England against the schemes of the Spanish and their Armada. On the other side is Mary, Queen of Scots, the enchanting and seductive French-raised Catholic, whose series of tragic, murderous marriages gave birth to both the future James I of England and to schemes surrounding the English throne. -
Copyrighted Material
33_056819 bindex.qxp 11/3/06 11:01 AM Page 363 Index fighting the Vikings, 52–54 • A • as law-giver, 57–58 Aberfan tragedy, 304–305 literary interests, 56–57 Act of Union (1707), 2, 251 reforms of, 54–55 Adelaide of Saxe-Meiningen, queen of reign of, 50, 51–52 William IV, 268, 361 Alfred, son of King Aethelred, king of Áed, king of Scotland, 159 England, 73, 74 Áed Findliath, ruler in Ireland, 159 Ambrosius Aurelianus (Roman leader), 40 Aedán mac Gabráin, overking of Dalriada, 153 Andrew, Prince, Duke of York (son of Aelfflaed, queen of Edward, king Elizabeth II) of Wessex, 59 birth of, 301 Aelfgifu of Northampton, queen of Cnut, 68 as naval officer, 33 Aethelbald, king of Mercia, 45 response to death of Princess Diana, 313 Aethelbert, king of Wessex, 49 separation from Sarah, Duchess of York, Aethelflaed, daughter of Alfred, king of 309 Wessex, 46 Anglo-Saxon Chronicle, 57, 58, 63 Aethelfrith, Saxon king, 43 Anglo-Saxons Aethelred, king of England, 51, 65–66 appointing an heir, 16 Aethelred, king of Mercia, 45, 46, 55 invasion of Britain, 39–41 Aethelred, king of Wessex, 50 kingdoms of, 37, 42 Aethelstan, king of Wessex, 51, 61–62 kings of, 41–42 Aethelwold, son of Aethelred, king of overview, 12 Wessex, 60 Anna, queen of Scotland, 204 Aethelwulf, king of Wessex, 49 Anne, Princess Royal, daughter of Africa, as part of British empire, 14 Elizabeth II, 301, 309 Agincourt, battle of, 136–138 Anne, queen of England Albert, Prince, son of George V, later lack of heir, 17 George VI, 283, 291 marriage to George of Denmark, 360–361 Albert of -
Literature Review the Outline of My Research Topic Will Encompass
Literature Review The outline of my research topic will encompass Anne of Denmark’s role as queen consort in Scotland and England, from 1589 to 1619, in order to investigate her political influence. To fully understand Anna’s political role, recent historiography surrounding influential women in early modern England and, in particular, the role of the queen consort will be evaluated in depth. My research will contribute to these two growing fields and fill a gap by re-examining Anna, who historians once considered frivolous and vain. Accompanied by re-definitions of high politics at one end of the spectrum and court masques at the other, a re-assessment of her character throughout her reign as queen consort of Scotland and England is accordingly needed. The value of analysing Anna in a political light will be demonstrated in this essay through an examination of the historiography surrounding influential women in early modern England, queen consorts in general and then Anna herself. Previous study has excluded women from high politics because it was considered part of the public sphere, rather than the private sphere that they belonged to. In her article ‘Women and Politics in Early Tudor England’, Harris challenges the traditional view of high politics by emphasising its redefinition to include the influence of women.1 Sara Mendelson and Patricia Crawford’s book, Women in Early Modern England, echoes this view. Although women exercised some influence in high politics, this is not 1 B. Harris., ‘Women and Politics in Early Tudor England’, The Historical Journal, 33:2 (1990), pp.259-281, p.259. -
Tom Watson's Article
Joanna of Navarre, the “invisible” Queen of England by Natalia Rodríguez-Salcedo and Tom Watson Above the Cathedral’s north aisle and close to the crossing, is the window celebrating the coronation of King George VI and Queen Elizabeth in 1936. Look higher up the window and you will see two other figures. (Fig 1) On the left is Henry IV and to the right is his second wife and queen-consort, Joan of Navarre, whom he married in 1403 at the Cathedral. The historical novelist Anne O’Brien recently called Joan (or Joanna) of Navarre (Juana de Navarra) a queen who was “more invisible than most” [1], but Joan was not only long-lived but a highly successful consort in two realms and once a regent. Fig 1 Images of Henry IV and Joan of Navarre in the Coronation Window designed by Hugh Easton Photos: Simon Newman Joan was probably born at Evreux in northern France on 10 July 1370, and died on 9 July 1437 at Havering-atte-Bower, Essex. [2] She was Duchess consort of Brittany and Queen consort of England. Joan was the regent of Brittany from 1399 until 1403 during the minority of her son John. 1 A member of the Evreux family, she was a daughter of King Charles II of Navarre (later called Charles the Bad) and Joan of Valois, daughter of Jean II of France. Aged sixteen she first married the nearly thirty-years-older Duke John IV of Brittany (Jean de Montfort), who had two English wives before her, at Saillé-près- Guérande on 2 September 1386. -
Looking at Marie De Guise
Looking at Marie de Guise https://journals.openedition.org/episteme/8092 Tout OpenEdition Revue de littérature et de civilisation (XVIe – XVIIIe siècles) 37 | 2020 Marie de Guise et les transferts culturels / Contingence et fictions de faits divers Marie de Guise and Cultural Transfers Looking at Marie de Guise Regards sur Marie de Guise S R https://doi.org/10.4000/episteme.8092 Résumés English Français This paper examines the symbolic value of the headdresses worn by French women at the Scottish court following the marriage of James V and Mary de Guise in 1538, using the Stirling Heads, portrait medallions from the Renaissance palace at Stirling Castle, as visual evidence. While several of the women are portrayed wearing a conventional French hood, others, including Marie de Guise, wear elaborately crafted “chafferons” which would have been made of gold wire. The chafferon is an unusual choice of headdress for a portrait and the reasons for this are considered with reference to the Petrarchan canon of ideal female beauty and how precious metal and shining hair merged into a single visual conceit. The royal accounts show that chafferons worn by the gentlewomen at the Scottish court were exceptional gifts made by the royal goldsmiths using Scottish gold from the king’s own mines, extracted with the assistance of miners sent by the Duke and Duchess of Guise. These chafferons, therefore, carried layers of meaning about the transformation of Scotland’s fortunes through dynastic marriage and the promise of a new Golden Age of peace and prosperity. Cet article, qui étudie la valeur symbolique des coiffes portées par les femmes françaises à la cour d’Écosse après le mariage de Jacques V et de Marie de Guise en 1538, utilise comme preuves matérielles des portraits gravés sur des médaillons de bois ornant le palais Renaissance du château de Stirling et connus sous le nom de Stirling Heads. -
Corneille-Madeleine-De-France.Pdf
A CONNOISSEUR’S EYE 2. CORNEILLE DE LYON (c.1500 – 1575) Madeleine of France, later Queen Consort of Scotland (1520 – 1537) 1 5 Oil on panel: 5 ⁄2 × 4 ⁄8 in. (13.8 × 11.8 cm.) With an old hand-written label from the 19th century (verso), erroneously identifying the sitter as Renée of France, Duchess of Ferrara Painted between September 1536 – May 1537 PROVENANCE Private collection, France, from at least the mid-19th century, and very likely substantially longer, until 2019. In association with Agnews Gallery his newly discovered, unpublished and beautifully preserved portrait by Corneille de La Haye, Tcalled Corneille de Lyon, depicts Madeleine of France (1520 – 1537), the ffh child and third daughter of the French king, François Ier (1494 – 1547).1 It was painted when the artist was at the height of his powers at the Valois court in Lyon, and is very likely a royal commission. At the time, the sixteen-year-old princess was being courted by James V of Scotland (1512 – 1542), becoming 1. We are grateful to Professor Philippe Bordes engaged and subsequently married to the twenty-four-year-old in January 1537. She had been and Dr. Alexandra Zvereva painted some fourteen years earlier as a baby, by Jean Clouet, one of the greatest of all 16th century for their confrmation of the attribution. court artists, a painting formerly with Te Weiss Gallery in 2007. JEAN CLOUET c.(1485 – 1541) Madeleine of France (1520 – 1536) © Private collection, UK, formerly with The Weiss Gallery 18 THE WEISS GALLERY ACTUAL SIZE 19 A CONNOISSEUR’S EYE Te singular virtuosity with which Corneille has captured her sweet and somewhat wistful expression places this portrait amongst the most ravishingly beautiful and endearing of all Corneille’s oeuvre. -
Serving Isabella of France: from Queen Consort to Dowager Queen
Serving Isabella of France 169 Chapter 7 Serving Isabella of France: From Queen Consort to Dowager Queen Caroline Dunn In 1358, the dowager queen of England was dying. She was in her mid-sixties and had lived a more eventful life than many queens. Brought up at the French court and married to Edward II of England at the age of twelve, life took a dramatic turn for Isabella when she and her lover, Roger Mortimer, staged a coup against the king and placed her young son on the throne while she served as effective queen-regent of England between 1327 and 1330.1 Her remaining decades were quieter, but Isabella was by no means as permanently secluded (or imprisoned) as earlier chroniclers alleged.2 On her deathbed at Hertford castle on 22 August 1358, Isabella was attended by Joan of Bar, countess of Surrey, who had been her longstanding attendant and confidante for most of the years since Isabella’s arrival in England. The former queen was prob- ably also surrounded by all or most of the eight ladies and damsels known to have been in her service the previous January: Agnes Paumart, Isabella de St. Pol, Joan de Corby, Marie Whithors, Katherine Bronart, Matilda Bret, Margaret Bedyk, and Agnes Anget. Although the number of attendants was not signifi- cantly lower than the thirteen ladies and damsels who earned livery for waiting upon the young queen in 1311, their degrees of status, as we will see, were not comparable. Although Isabella’s life is well documented and her role as queen has been assessed by both scholarly works and popular biographies, the identities, duties, and experiences of her household attendants have been little explored. -
Catherine De' Medici: a Woman Before Her Time by Sara Grace
Catherine de' Medici: A Woman Before her Time by Sara Grace Ericsson Thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honours in History Acadia University April, 2014 © Copyright by Sara G. Ericsson, 2014 This thesis by Sara Grace Ericsson is accepted in its present form by the Department of History as satisfying the thesis requirements for the degree of Bachelor of Arts with Honours Approved by the Thesis Supervisor __________________________ ____________________ Dr. Leigh Whaley Date Approved by the Head of the Department __________________________ ____________________ Dr. Paul Doerr Date Approved by the Honours Committee __________________________ ____________________ Dr. Matthew Lukeman Date ii I, Sara Ericsson, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________ Signature of Author __________________________ Date iii ACKNOWLEDGEMENTS Throughout this long, difficult, frustrating, but ultimately rewarding process, there are several people who have served to inspire me. To my mum, whose reassurance I depend on daily; To my aunt, whose gift was inspiring; To my sister, whose interest in a topic she knew nothing about was insatiable; To my brother, whose patience knows no bounds; To my dad, whose faith is appreciated; To my nana, whose wry sense of humour is always refreshing; To my grampie, whose quiet yet constant love I could never do without; And finally, to my supervisor Dr. Whaley, whose ongoing advice and encouragement were the main reasons I was able to complete this project. -
Mary I, Queen of England: How ‘Bloody’ Was She?
Mary I, Queen of England: How ‘Bloody’ Was She? By Johanna Strong Johanna is a PhD student at the University of Winchester One significant formal event in Winchester Cathedral has consequences which are felt to this day: the July 1554 wedding of Mary I – England’s first crowned queen regnant, that is: queen in her own right – and Philip II of Spain. Their marriage has significantly influenced how Mary is remembered in the English historical narrative and her legacy is very much tied to Philip’s unpopularity in England and Spain’s expansionist hopes in the early modern world. It is their wedding, their marriage, and the legacy of Mary’s reign which is the focus of this article. Mary’s Life and Reign in Contemporary Eyes Mary was born on 18 February 1516 to Catherine of Aragon and Henry VIII and was the only one of Catherine of Aragon’s children to live past childhood. As a result of the breakdown of her parents’ marriage, Mary suffered greatly watching her mother exiled from court and left to die alone at Kimbolton in 1536. Just under 20 years later, Mary’s situation changed drastically when she was proclaimed queen in July 1553 after Lady Jane Grey’s brief tenure on the throne. On 25 July 1554, Mary married Philip II of Spain at Winchester Cathedral in an elaborate ceremony with a banquet following at Wolvesey Castle. Most of the time when heirs to the throne become king or queen, their suffering and unhappiness ends. Unfortunately for Mary, this was not the case. -
The Signatories: Lennox
The signatories: Lennox Ludovic Stuart (1574-1624), 2nd Duke of Lennox, was born into the “Auld Alliance” between Scotland and France and came to maturity in the “new alliance” between Scotland and England. Ludovic was the son of Esmé Stuart, 6th Seigneur d’Aubigny. Esmé was first cousin to Henry Stuart Lord Darnley, the unfortunate husband of Mary Queen of Scots and father of King James VI of Scotland and I of England. (For those who like to trace lines of descent: Ludovic’s grandfather was John Stuart, 5th Seigneur d’Aubigny, brother to Matthew Stuart, 4th Earl of Lennox, father of Darnley and therefore James VI & I’s grandfather.) It was not unusual for prominent Scottish families to have ties to both Scotland and France. This was a direct result of the “Auld Alliance.” The “Auld Alliance” was based on a need, shared by Scotland and France, to contain English expansion. A long-standing connection, it was formally established by treaty in 1295, renewed by Robert the Bruce in 1326, and cemented by Scottish King James I (1394-1437) who sent Scottish forces to fight for the French King Charles VII (and Joan of Arc) against the English. During the fourteenth and fifteenth centuries the countries assisted each other against the English on several occasions. The “Auld Alliance” was primarily a military and diplomatic alliance but there were cultural associations as well, with French influence being felt in Scottish architecture and law. One significant aspect of the "Auld Alliance" was the existence of French titles and lands held by Scots nobles.