Catherine De' Medici: a Woman Before Her Time by Sara Grace
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The Role of the French Maîtresse En Titre: How Royal Mistresses Utilized Liminal Space to Gain Power and Access by Marine Elia
The Role of the French Maîtresse en titre: How Royal Mistresses Utilized Liminal Space to Gain Power and Access By Marine Elia Senior Honors Thesis Romance Studies University of North Carolina at Chapel Hill 4/19/2021 Approved: Jessica Tanner, Thesis Advisor Valérie Pruvost, Reader Dorothea Heitsch, Reader 2 Table of Contents Introduction…Page 3 Chapter 1: The Liminal Space of the Maîtresse-en-titre…Page 15 Cahpter 2: Fashioning Power…Page 24 Chapter 3: Mistresses and Celebrity…Page 36 Conclusion…Page 52 Bibliography…Page 54 Acknowledgments…Page 58 3 Introduction Beginning in the mid-fifteenth century, during the reign of Charles VII (1422- 1461), the “royal favorite” (favorite royale) became a quasi-official position within the French royal court (Wellman 37). The royal favorite was an open secret of French courtly life, an approved, and sometimes encouraged, scandal that helped to define the period of a king's reign. Boldly defying Catholic tenants of marriage, the position was a highly public transgression of religious mores. Shaped during the Renaissance by powerful figures such as Diane de Poitiers and Agnès Sorel, the role of the royal mistress evolved through the centuries as each woman contributed their own traditions, further developing the expectations of the title. Some used their influence to become powerful political actors, often surpassing that of the king’s ministers, while other women used their title to patronize the arts. Using the liminal space of their métier, royal mistresses created opportunities for themselves using the limited spaces available to women in Ancien Régime France. Historians and writers have been captivated by the role of the royal mistress for centuries, studying their lives and publishing both academic and non-academic biographies of individual mistresses. -
Mary, Queen of Scots at the Palace of Holyroodhouse Information for Teachers
PALACE OF HOLYROODHOUSE Mary, Queen of Scots at the Palace of Holyroodhouse Information for Teachers Planning Your Visit We hope you enjoy your visit to the Palace of Holyroodhouse. Before you arrive, please read this information to help you make the most of your time here. Frequently Asked Questions Is my booking confirmed? The attached letter is your confirmation. Please read it carefully and if the details are not correct please telephone us on 0131 557 2500. If there are any fees due on your booking, your letter will confirm the date by which full payment must be received. All bookings are made subject to our terms and conditions, which are available on request. Can I make changes to the size of my group? You can confirm any increase in the number of your group up to 24 hours in advance of your visit. Please note, if you would like to book additional accompanying adults, above the stated ratios, a reduced-rate admission fee of £3 per adult will be payable. How do I arrange a complimentary planning visit? If you and a colleague would like to make a planning trip before your group visit, please contact the Learning Bookings Team to arrange this. Two complimentary tickets will be booked for you, for collection on the day. If you would like to meet a member of the Learning Team or see the Learning Rooms during your planning visit, please advise us during booking. Is there a lunch room at the Palace? There is limited space for eating packed lunches in the Learning Rooms. -
Henri II. Renaissance À Saint-Germain-En-Laye 31 Mars - 14 Juillet 2019 1 Sommaire
Renaissance à HENRI II Saint-Germain-en-Laye Exposition du 31 mars au 14 juillet 2019 SAINT-GERMAIN-EN-LAYE Musée Crozatier © Luc Olivier © Luc Crozatier Musée « La magnificence et la galanterie n’ont jamais paru en France avec tant d’éclat que dans les dernières années du règne de Henri second. » Madame de La Fayette, La Princesse de Clèves Contacts presse : Fabien DURAND [email protected] 01.39.10.13.18 Louise COMELLI [email protected] 01.39.10.21.38 Toute l’actualité du musée d’Archéologie nationale sur le site internet : www.musee-archeologienationale.fr Et sur les réseaux sociaux : @Archeonationale #Henri2StGermain #Renaissance500 Henri II. Renaissance à Saint-Germain-en-Laye 31 mars - 14 juillet 2019 1 Sommaire Éditorial .................................................................5 2019 en résonance avec « Renaissance » ..............................7 Renaissance à Saint-Germain-en-Laye ................................9 Henri II, roi de France ..................................................11 L’exposition ............................................................17 Les chapitres de l’exposition ..........................................21 Les œuvres exposées ................................................. 29 Les partenaires .......................................................49 Autour de l’exposition ................................................ 53 Le musée d’Archéologie nationale - Domaine national de Saint-Germain-en-Laye ........................................... 59 Informations -
Mary Stuart and Elizabeth 1 Notes for a CE Source Question Introduction
Mary Stuart and Elizabeth 1 Notes for a CE Source Question Introduction Mary Queen of Scots (1542-1587) Mary was the daughter of James V of Scotland and Mary of Guise. She became Queen of Scotland when she was six days old after her father died at the Battle of Solway Moss. A marriage was arranged between Mary and Edward, only son of Henry VIII but was broken when the Scots decided they preferred an alliance with France. Mary spent a happy childhood in France and in 1558 married Francis, heir to the French throne. They became king and queen of France in 1559. Francis died in 1560 of an ear infection and Mary returned to Scotland a widow in 1561. During Mary's absence, Scotland had become a Protestant country. The Protestants did not want Mary, a Catholic and their official queen, to have any influence. In 1565 Mary married her cousin and heir to the English throne, Henry Stuart, Lord Darnley. The marriage was not a happy one. Darnley was jealous of Mary's close friendship with her secretary, David Rizzio and in March 1566 had him murdered in front of Mary who was six months pregnant with the future James VI and I. Darnley made many enemies among the Scottish nobles and in 1567 his house was blown up. Darnley's body was found outside in the garden, he had been strangled. Three months later Mary married the chief suspect in Darnley’s murder, the Earl of Bothwell. The people of Scotland were outraged and turned against her. -
A Temperate Factionalism: Political Life in Amiens at the End of the Wars of Religion*
A Temperate Factionalism: Political Life in Amiens at the End of the Wars of Religion* Olivia Carpi At the end of 1584, after a respite of nine years, France became embroiled in a new civil war. After the death of his brother the duke of Anjou (10 June 1584), King Henri iii was without a male descendant and the Catholics were facing what for the vast majority of them was a frightening prospect: Henri of Bour- bon, king of Navarre and Henri iii’s cousin, but also a Protestant and leader of the rebel Huguenot party, had become the presumptive heir. As a consequence, a portion of the French nobility and some bourgeois in Paris and other cities in the kingdom formed a Catholic League, also called the “Holy Union” (the name preferred by its adherents), promoted by Henri de Lorraine, the duke of Guise, and supported by Philip ii, king of Spain. The League’s aims were made public in a manifesto issued on 31 March 1585: to force the king to resume war against the ‘heretics’, deprive Navarre from his claims to the throne, and also to thor- oughly reform the state, which the Leaguers condemned for its fiscal rapacity and authoritarian tendencies. Confronted by political and military pressure, Henri iii reluctantly promul- gated the Treaty of Nemours (18 July 1585), prohibiting the reformed religion and annulling any rights to the throne claimed by Navarre and his cousin, the prince of Condé. These concessions were, however, not enough to sat- isfy the most uncompromising Catholics. Their suspicion, even hostility, to the king, explains the insurrection in Paris of 12 May 1588 known as the Day of the Barricades. -
Catherine De' Medici: the Crafting of an Evil Legend
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2020 Apr 27th, 9:00 AM - 10:00 AM Catherine de' Medici: The Crafting of an Evil Legend Lindsey J. Donohue Clackamas High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Feminist, Gender, and Sexuality Studies Commons, History Commons, and the Italian Language and Literature Commons Let us know how access to this document benefits ou.y Donohue, Lindsey J., "Catherine de' Medici: The Crafting of an Evil Legend" (2020). Young Historians Conference. 23. https://pdxscholar.library.pdx.edu/younghistorians/2020/papers/23 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. CATHERINE DE’ MEDICI: THE CRAFTING OF AN EVIL LEGEND Lindsey Donohue Western Civilization February 18, 2020 1 When describing the legend of the evil Italian queen, Catherine de’ Medici, and why Medici has been historically misrepresented, being credited with such malediction and wickedness, N.M Sutherland states that she has been viewed as a, “. .monster of selfish ambition, who sacrificed her children, her adopted country, her principles - if she ever had any - , and all who stood in her way to the satisfaction of her all-consuming desire for power.”1 The legend of the wicked Italian queen held widespread attraction among many, especially after Medici’s death in 1589. The famous legend paints Medici inaccurately by disregarding her achievements as queen regent as well as her constant struggle to administer peace during a time of intense political turmoil and religious feuding, and it assumes that Medici was a victim of circumstance. -
Kings and Courtesans: a Study of the Pictorial Representation of French Royal Mistresses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Shandy April Lemperle The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lemperle, Shandy April, "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 1258. https://scholarworks.umt.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. KINGS AND COURTESANS: A STUDY OF THE PICTORIAL REPRESENTATION OF FRENCH ROYAL MISTRESSES By Shandy April Lemperlé B.A. The American University of Paris, Paris, France, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Fine Arts, Art History Option The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School H. Rafael Chacón, Ph.D., Committee Chair Department of Art Valerie Hedquist, Ph.D., Committee Member Department of Art Ione Crummy, Ph.D., Committee Member Department of Modern and Classical Languages and Literatures Lemperlé, Shandy, M.A., Spring 2008 Art History Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Chairperson: H. -
Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated. -
ABSTRACT Title of Dissertation: ROYAL SUBJECTS
ABSTRACT Title of dissertation: ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860- 1901 Charles Vincent Reed, Doctor of Philosophy, 2010 Dissertation directed by: Professor Richard Price Department of History ABSTRACT: The dissertation explores the development of global identities in the nineteenth-century British Empire through one particular device of colonial rule – the royal tour. Colonial officials and administrators sought to encourage loyalty and obedience on part of Queen Victoria’s subjects around the world through imperial spectacle and personal interaction with the queen’s children and grandchildren. The royal tour, I argue, created cultural spaces that both settlers of European descent and colonial people of color used to claim the rights and responsibilities of imperial citizenship. The dissertation, then, examines how the royal tours were imagined and used by different historical actors in Britain, southern Africa, New Zealand, and South Asia. My work builds on a growing historical literature about “imperial networks” and the cultures of empire. In particular, it aims to understand the British world as a complex field of cultural encounters, exchanges, and borrowings rather than a collection of unitary paths between Great Britain and its colonies. ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860-1901 by Charles Vincent Reed Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2010 Advisory Committee: Professor Richard Price, Chair Professor Paul Landau Professor Dane Kennedy Professor Julie Greene Professor Ralph Bauer © Copyright by Charles Vincent Reed 2010 DEDICATION To Jude ii ACKNOWLEGEMENTS Writing a dissertation is both a profoundly collective project and an intensely individual one. -
27 Lectures De La Reine Margot D'alexandre Dumas: Le Roman Populaire Par Excellence an Analytical Reading of Alexandre Dumas'
Jordan Journal of Modern Languages and Literature Vol.10, No. 1, 2018, pp 27-46 JJMLL Lectures de la Reine Margot d’Alexandre Dumas: le roman populaire par excellence Mohammad Matarneh Département de français, Université de Jordanie, Aqaba, Jordanie. Received on: 6-12-2017 Accepted on: 21-3-2018 Résumé Si Alexandre Dumas n'est pas le précurseur du roman historique tel que Georges Lukács l'a défini (Walter Scott l'a précédé), il en est le représentant français le plus illustre. L'auteur des Trois Mousquetaires a trouvé dans ce genre nouveau l'instrument parfait pour toucher les masses et les élever moralement. Avec La Reine Margot, il donne au public l'une des œuvres les plus accomplies qu'il ait conçues pour mener à bien son projet d'éducation populaire. Les données historiques de la Saint-Barthélemy, mais plus encore son savoir-faire de romancier en matière de création de personnages et d'incarnation de grands sujets de réflexion, font de cette œuvre l'un des meilleurs exemples pour définir l'esthétique et l'ambition dumassiennes. Mots clefs: Populaire, Margot, exploitation littéraire, personnages historiques, amour, amitié, mort. An analytical reading of Alexandre Dumas' Queen Margot: A distinguished popular novel Abstract Alexandre Dumas put aside the scholarly writing of history and chose instead the genre of popular novel in order to teach the French and other people history. He, thus, presents French national history in an entertaining and accessible way in La Reine Margot (Queen Margot), in which he popularizes great figures in French history. La Reine Margot is a clear example through which Dumas achieves his goal of teaching people the history of France. -
Mary, Queen of Scots: Fact Sheet for Teachers
MARY, QUEEN OF SCOTS: FACT SHEET FOR TEACHERS Mary, Queen of Scots is one of the most famous figures WHO’S WHO? in history. Her life was full of drama – from becoming queen at just six days old to her execution at the age of 44. Plots, JAMES V – Mary, Queen of Scots’ father. bloodshed, abdication, high politics, religious strife, romance He built the great tower which still survives and rivalry, Mary was a renaissance monarch who was at the Palace of Holyroodhouse. affected by and contributed to a momentous period of upheaval and uncertainty in the British Isles. MARY OF GUISE – Mary, Queen of Scots’ mother. She was French and became the regent (effectively The Palace of Holyroodhouse was one of her most the ruler) when Mary was a child and living in France. important homes, with many of the most significant events of her reign taking place within its walls. FRANCIS II – Mary, Queen of Scots’ first husband. Mary married him in 1558 when he was the Dauphin, heir to the French throne. After they married Mary gave him the title of King of Scots. He died in 1560, a year after he became King of France. WHY WAS MARY, QUEEN OF SCOTS JOHN KNOX – a Protestant preacher who helped lead SO IMPORTANT? the Scottish Reformation and who was a fierce opponent of Mary because she was a Catholic and a woman ruler. She was Queen of Scots from 6 days old, and when she was an adult she became the first woman to HENRY, LORD DARNLEY – Darnely was a cousin of rule Scotland in her own right. -
Violence in Reformation France Christopher M
Marquette University e-Publications@Marquette Maria Dittman Library Research Competition: Library (Raynor Memorial Libraries) Student Award Winners 4-1-2010 Quel Horreur!: Violence in Reformation France Christopher M. McFadin Marquette University, [email protected] Undergraduate recipient (Junior/Senior category) of the Library's Maria Dittman Award, Spring 2010. Paper written for History 4995 (Independent Study) with Dr. Julius Ruff. © Christopher M. McFadin 1 Quel horreur! : Violence in Reformation France By Chris McFadin History 4995: Independent Study on Violence in the French Wars of Religion, 1562-1629 Dr. Julius Ruff November 9, 2009 2 Oh happy victory! It is to you alone Lord, not to us, the distinguished trophy of honor. In one stroke you tore up the trunk, and the root, and the strewn earth of the heretical vermin. Vermin, who were caught in snares that they had dared to set for your faithful subjects. Oh favorable night! Hour most desirable in which we placed our hope. 1 Michel de Roigny, On the St. Bartholomew’s Day Massacre, 1572 The level of sectarian violence that erupted in Reformation France was extraordinary. Otherwise ordinary Catholics tortured their Huguenot neighbors to death and then afterwards mutilated their corpses, sometimes feeding the disfigured remains to farm animals. Catholic children elicited applause from their coreligionists as they killed adult Huguenots by tearing them to pieces. Huguenots assaulted Catholic priests during the Mass, pillaged Catholic churches, and desecrated the Host. Indeed, as the sectarian duel increased in frequency and intensity, a man could be killed for calling someone a Huguenot; both sides used religion to rationalize the assassinations of dukes and kings.