La Reine Margot (French Edition) Online

Total Page:16

File Type:pdf, Size:1020Kb

La Reine Margot (French Edition) Online 34Ypj [Read free] La Reine Margot (French Edition) Online [34Ypj.ebook] La Reine Margot (French Edition) Pdf Free Alexandre Dumas ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #881746 in eBooks 2009-07-29 2014-04-07File Name: B00JIVQOMK | File size: 69.Mb Alexandre Dumas : La Reine Margot (French Edition) before purchasing it in order to gage whether or not it would be worth my time, and all praised La Reine Margot (French Edition): 4 of 4 people found the following review helpful. A difficult start, but well worth it for the finishBy MisfitIt's 1572 and in an effort to ease tensions between the Catholics and the Huguenots Henry III King of Navarre is married to Marguerite de Valois (Margot). Shortly after the marriage the Huguenots are slaughtered at the order of Charles IX and his mother Catherine de Medicis on Saint Bartholomew's Day. Catherine is also bent on destroying Henry as her astrologer has foretold that her three sons will die and Henry of Navarre will rule France through the Bourbon line. Margot's dashing lover La Mole and his compatriot Coconnas are our two heroes and their fates weave in and out of the lives of the French Court.Outside of that, this is really too difficult of a storyline to describe unless I wanted to write a book report and give it all away, and you know I don't do that. In typical Dumas fashion and flair La Reine Margot overflows with treachery, intrigue, hidden staircases and doors, poison, murder plots, gallant heroes and best of all - Catherine de Medici is the most deliciously over the top villainess I have come across in a long time. What fun! Despite a very difficult start trying to grasp the political complexities and characters, by the halfway mark I was rocking along and had a hard time keeping my nose out of it.While I loved it to bits, just be warned if you are new to Dumas this is probably not the book for you - the first few chapters will frustrate you so much you'll never want to try him again. I'd try The Count of Monte Cristo or The Three Musketeers first. The Oxford Classics addition has a very helpful forward and character notes in the back - but be careful reading too much or you'll pick up a nasty spoiler or two.7 of 7 people found the following review helpful. One of Dumas's Four BestBy James M. RawleyFirst of all, the Kindle French-language edition seems okay at first glance: the French accents are correctly placed, which is not true of the French accents in Christie's MURDER OF ROGER ACKROYD. There it's a minor annoyance because there's little French in the book; here it would be devastating, but the French seems perfect.Dumas fans know that he wrote four great books OR SERIES: The Count of Monte Cristo, a stand-alone; The Three Musketeers series, of which Twenty Years After is actually the best, though lots of readers don't get to it; The Reine Margot series, whose great character Chicot the Jester has a book of his own which is also better than the first book in the series, La Reine Margot; and The Memoirs of a Physician series. These series are gigantic. Dumas himself said The Three Musketeers was the best, and The Count of Monte Cristo didn't quite live up to it. Most readers think they're equally good. The other two series are of similar excellence, and Dumas fans know it.Dumas worked with collaborators who did ninety percent of the writing. This kind of writing factory is still in existence today, of course. It matters how good his collaborators were, and in these four series they were all excellent. His other 400 (!!!) volumes are not as good -- but the four top series alone add up to about fifty modern novels in length.1 of 1 people found the following review helpful. Dumas - Once again vivid characters and the frightening female antagonistBy pbeckmannThe infamous Saint Bartholomew Day Massacre is the historical backdrop for this wonderful story of love and death. Before I say more let me give a suggestion for obtaining an understanding of the character list which can be confusing to the reader. Even before starting the book, it is a good time to familiarize yourself with the four of ten children of Henry II and Catherine de Medici protrayed in the book. There are several Henrys Charles etc and you may get frustrated unless you iron it out. The Oxford Uni Press edition has a very help history character glossary and well as extensive footnotes. In my opinion, Oxford does the best treatment of Dumas.The characters in the book are a pleasure to get to know. Several of the protagonist have the same wit and flare as the three musketeers. The dialogue also pleases with its color, undertones, and maneuvering. Catherine de' Medici is a terrible villain complimented by other assassins and poisoners throughout the book. She reminds me of Dumas ability to bring out the worst in women as with Milady in three musketeers. However, at the same time he paints Margot as a lovely and delightful character in contrast. If you liked Viconte de Bragelonne or Louise de Valliere then I highly recommend. Le latin de M. de Guise Le lundi, dix-huitième jour du mois d'août 1572, il y avait grande fête au Louvre. Les fenêtres de la vieille demeure royale, ordinairement si sombres, étaient ardemment éclairées; les places et les rues attenantes, habituellement si solitaires, dès que neuf heures sonnaient à Saint-Germain-l'Auxerrois, étaient, quoiqu'il fût minuit, encombrées de populaire. Tout ce concours menaçant, pressé, bruyant, ressemblait, dans l'obscurité, à une mer sombre et houleuse dont chaque flot faisait une vague grondante; cette mer, épandue sur le quai, où elle se dégorgeait par la rue des Fossés-Saint-Germain et par la rue de l'Astruce, venait battre de son flux le pied des murs du Louvre et de son reflux la base de l'hôtel de Bourbon qui s'élevait en face Language NotesText: FrenchAbout the AuthorDavid Coward is Professor of Modern French Literature at the University of Leeds. He won the Scott-Moncrieff Award for translation in 1996 and has edited all the Dumas p`ere editions in World's Classics. He also translated for the series Dumas fils's Lady of the Camellia. [34Ypj.ebook] La Reine Margot (French Edition) By Alexandre Dumas PDF [34Ypj.ebook] La Reine Margot (French Edition) By Alexandre Dumas Epub [34Ypj.ebook] La Reine Margot (French Edition) By Alexandre Dumas Ebook [34Ypj.ebook] La Reine Margot (French Edition) By Alexandre Dumas Rar [34Ypj.ebook] La Reine Margot (French Edition) By Alexandre Dumas Zip [34Ypj.ebook] La Reine Margot (French Edition) By Alexandre Dumas Read Online.
Recommended publications
  • 27 Lectures De La Reine Margot D'alexandre Dumas: Le Roman Populaire Par Excellence an Analytical Reading of Alexandre Dumas'
    Jordan Journal of Modern Languages and Literature Vol.10, No. 1, 2018, pp 27-46 JJMLL Lectures de la Reine Margot d’Alexandre Dumas: le roman populaire par excellence Mohammad Matarneh Département de français, Université de Jordanie, Aqaba, Jordanie. Received on: 6-12-2017 Accepted on: 21-3-2018 Résumé Si Alexandre Dumas n'est pas le précurseur du roman historique tel que Georges Lukács l'a défini (Walter Scott l'a précédé), il en est le représentant français le plus illustre. L'auteur des Trois Mousquetaires a trouvé dans ce genre nouveau l'instrument parfait pour toucher les masses et les élever moralement. Avec La Reine Margot, il donne au public l'une des œuvres les plus accomplies qu'il ait conçues pour mener à bien son projet d'éducation populaire. Les données historiques de la Saint-Barthélemy, mais plus encore son savoir-faire de romancier en matière de création de personnages et d'incarnation de grands sujets de réflexion, font de cette œuvre l'un des meilleurs exemples pour définir l'esthétique et l'ambition dumassiennes. Mots clefs: Populaire, Margot, exploitation littéraire, personnages historiques, amour, amitié, mort. An analytical reading of Alexandre Dumas' Queen Margot: A distinguished popular novel Abstract Alexandre Dumas put aside the scholarly writing of history and chose instead the genre of popular novel in order to teach the French and other people history. He, thus, presents French national history in an entertaining and accessible way in La Reine Margot (Queen Margot), in which he popularizes great figures in French history. La Reine Margot is a clear example through which Dumas achieves his goal of teaching people the history of France.
    [Show full text]
  • L'autre Dumas
    Berlinale 2010 Safy Nebbou Berlinale Special L’AUTRE DUMAS Gala DUMAS DUMAS Frankreich/Belgien 2010 Darsteller Alexandre Dumas Gérard Depardieu Länge 105 Min. Auguste Maquet Benoît Poelvoorde Format 35 mm, Céleste Scriwaneck Dominique Blanc Cinemascope Charlotte Desrives Mélanie Thierry Farbe Caroline Maquet Catherine Mouchet Monsieur Bocquin Jean-Christophe Stabliste Bouvet Regie Safy Nebbou Minister Guizot Philippe Magnan Buch Gilles Taurand Ida Ferrier Dumas Florence Pernel Safy Nebbou, Inspektor Flanchet Christian Abart nach dem Theater - stück „Signé Dumas“ von Cyril Gely und Eric Rouquette Kamera Stéphane Fontaine Schnitt Bernard Sasia Ton Pascal Jasmes Bridget O’Driscoll Anne Le Campion Benoît Poelvoorde, Gérard Depardieu Musik Hugues Tabar Nouval Szenenbild Cyril Gomez DUMAS Mathieu Alexandre Dumas der Ältere war ein ausgesprochen produktiver und Kostüm Karen Müller- erfolgreicher Autor. In nur drei Jahren, zwischen 1843 und 1846, erschienen Serrau mit „Les Trois Mousquétaires“ („Die drei Musketiere“), „La Reine Margot“ Regieassistenz Philippe Larue („Bartholo mäus nacht“/„Die Königin Margot“), und „Le Comte de Monte- Casting Agathe Hassenforder Cristo“ („Der Graf von Monte Christo“) seine größten Erfolge. Dabei sind Produktionsltg. Nathalie Duran Dumas’ Romane nicht nur spannend zu lesen, sie sind auch ausgesprochen Produzenten Frank Le Wita sorgfältig re cher chiert und gut geschrieben. Zu schaffen war dieses Pen - Marc de Bayser sum nur mit ei nem zuverlässigen Mitarbeiter, und der musste außer der Co-Produzenten Dominique Janne Fähigkeit, in Biblio the ken und Archiven die richtigen Quellen zu finden, Brigitte Maccioni Co-Produktion K2, Bruxelles auch schreiben können, er musste Charaktere erfinden und Ideen für den UGC, Neuilly sur Auf bau der Hand lung haben.
    [Show full text]
  • Page 434 H-France Review Vol. 6 (September 2006), No. 103
    H-France Review Volume 6 (2006) Page 434 H-France Review Vol. 6 (September 2006), No. 103 Julianne Pidduck, La Reine Margot. Urbana and Chicago: University of Illinois Press, 2005. 112 pp. Illustrations, notes, appendices, bibliography. $15.00 (pb) $40.00 (hb). ISBN 0-252-07331-2 (pb), ISBN 0-252-03090-7 (hb). Review by Sylvie E. Blum-Reid, University of Florida. Julianne Pidduck constructs her presentation of the film La Reine Margot in a three-part study. Directed, co-written by Patrice Chéreau and Danièle Thompson, and produced by Claude Berri (Renn Productions) the film was released in 1994. The long introductory first chapter lays out the rich production contexts of the film and brings together different layers such as the genre of the film, Chéreau’s theatrical background, the issue of literary adaptation in the 1990s at the core of the film, notwithstanding present in much of French cinema, earlier adaptations of Dumas’ eponymous novel, the French cultural context at the making of the film in 1994, the star persona of Isabelle Adjani, her roles in French cinema, coupled with the myth surrounding the queen Margot and Adjani herself. In what is an extremely well-argued and articulated study, Pidduck makes a case for a comprehensive rereading of the film that has drawn critical reviews and controversy since its first appearance in theatre. Now thanks to the new French film guide series directed by Ginette Vincendeau (U. Illinois Press), she examines film reviews and articles on the film as well as historical studies to situate the extremely complex moment surrounding the “Queen Margot” and the era of the Religious Wars and the events known as the Saint-Barthélémy massacre that took place in August 1572.
    [Show full text]
  • Full Text (PDF)
    Document generated on 09/27/2021 6:41 a.m. Séquences La revue de cinéma --> See the erratum for this article De bruit et de fureur La Reine Margot, France / Italie / Allemagne, 1994, 2 h 42 Luc Chaput Federico Fellini : le poète, le rêveur et le magicien Number 288, January–February 2014 URI: https://id.erudit.org/iderudit/71039ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Chaput, L. (2014). Review of [De bruit et de fureur / La Reine Margot, France / Italie / Allemagne, 1994, 2 h 42]. Séquences, (288), 35–35. Tous droits réservés © La revue Séquences Inc., 2014 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FLASHBACK | ARRÊT SUR IMAGE 35 La Reine Margot DE BRUIT ET DE FUREUR Le massacre de la Saint-Barthélemy à Paris, le 24 août 1572, constitue un des moments traumatisants de l’Histoire de France et même de l’Europe dans cette époque des Guerres de religion. Les écrivains, romanciers et hommes de théâtre y ont fait plus ou moins allusion dans diverses œuvres dont La Reine Margot d’Alexandre Dumas père est un des exemples les plus fameux.
    [Show full text]
  • Alexandre Dumas (1802-1870)
    Alexandre Dumas (1802-1870) BLACK EUROPEANS: A British Library Online Gallery feature by guest curator Mike Phillips Thomas-Alexandre Dumas was the son of Marquis Alexandre-Antoine Davy de la Pailleterie, and a slave, Louise-Céssette Dumas, from the Caribbean island colony of Saint Domingue (or Santo Domingo, known as Haiti after 1804). Returning to France in 1780, De La Pailleterie consented to his son joining the army on condition that he did not use his name. Thomas-Alexandre Dumas’ courage and strength became legendary and by 1793 he was a general at 31. Following a successful campaign with Napoleon in Egypt, Dumas seemed set for a brilliant future but, because of his involvement in a republican plot, he was despatched to France, captured during the journey and imprisoned. Freed after 20 months, he was lame, deaf in one ear, partly paralysed and penniless. At the age of 35 he was obliged to retire to Villers-Cotterêts, a quiet village near Paris where he had married Marie-Louise Elizabeth Labouret in 1792. Alexandre was born on 24 July 1802. Madame Dumas was in raptures because of his fair skin and blue eyes. A few days before she had seen a puppet show with a black devil called Berlick, and she had been terrified at the prospect of giving birth to a Berlick. Alexandre adored his father, who died in 1806. Told that his father been taken away by God the four-year-old Dumas angrily declared his intention of going up to heaven and demanding satisfaction. In adult life he was to fictionalise many of his father’s real life exploits in his famous novel The Three Musketeers.
    [Show full text]
  • Indian Streams Research Journal
    Vol II Issue IX Impact Factor : 0.2105 ISSN No : 2230-7850 ORIGINAL ARTICLE Monthly Multidisciplinary Research Journal Indian Streams Research Journal Executive Editor Editor-in-chief Ashok Yakkaldevi H.N.Jagtap IMPACT FACTOR : 0.2105 Welcome to ISRJ RNI MAHMUL/2011/38595 ISSN No.2230-7850 Indian Streams Research Journal is a multidisciplinary research journal, published monthly in English, Hindi & Marathi Language. All research papers submitted to the journal will be double - blind peer reviewed referred by members of the editorial Board readers will include investigator in universities, research institutes government and industry with research interest in the general subjects. International Advisory Board Flávio de São Pedro Filho Mohammad Hailat Hasan Baktir Federal University of Rondonia, Brazil Dept. of Mathmatical Sciences, English Language and Literature University of South Carolina Aiken, Aiken SC Department, Kayseri Kamani Perera 29801 Regional Centre For Strategic Studies, Sri Ghayoor Abbas Chotana Lanka Abdullah Sabbagh Department of Chemistry, Lahore Engineering Studies, Sydney University of Management Sciences [ PK Janaki Sinnasamy ] Librarian, University of Malaya [ Catalina Neculai Anna Maria Constantinovici Malaysia ] University of Coventry, UK AL. I. Cuza University, Romania Romona Mihaila Ecaterina Patrascu Horia Patrascu Spiru Haret University, Romania Spiru Haret University, Bucharest Spiru Haret University, Bucharest, Romania Delia Serbescu Loredana Bosca Spiru Haret University, Bucharest, Spiru Haret University, Romania Ilie Pintea, Romania Spiru Haret University, Romania Fabricio Moraes de Almeida Anurag Misra Federal University of Rondonia, Brazil Xiaohua Yang DBS College, Kanpur PhD, USA George - Calin SERITAN Nawab Ali Khan Titus Pop Postdoctoral Researcher College of Business Administration Editorial Board Pratap Vyamktrao Naikwade Iresh Swami Rajendra Shendge ASP College Devrukh,Ratnagiri,MS India Ex - VC.
    [Show full text]
  • Catherine De' Medici: a Woman Before Her Time by Sara Grace
    Catherine de' Medici: A Woman Before her Time by Sara Grace Ericsson Thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honours in History Acadia University April, 2014 © Copyright by Sara G. Ericsson, 2014 This thesis by Sara Grace Ericsson is accepted in its present form by the Department of History as satisfying the thesis requirements for the degree of Bachelor of Arts with Honours Approved by the Thesis Supervisor __________________________ ____________________ Dr. Leigh Whaley Date Approved by the Head of the Department __________________________ ____________________ Dr. Paul Doerr Date Approved by the Honours Committee __________________________ ____________________ Dr. Matthew Lukeman Date ii I, Sara Ericsson, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________ Signature of Author __________________________ Date iii ACKNOWLEDGEMENTS Throughout this long, difficult, frustrating, but ultimately rewarding process, there are several people who have served to inspire me. To my mum, whose reassurance I depend on daily; To my aunt, whose gift was inspiring; To my sister, whose interest in a topic she knew nothing about was insatiable; To my brother, whose patience knows no bounds; To my dad, whose faith is appreciated; To my nana, whose wry sense of humour is always refreshing; To my grampie, whose quiet yet constant love I could never do without; And finally, to my supervisor Dr. Whaley, whose ongoing advice and encouragement were the main reasons I was able to complete this project.
    [Show full text]
  • Queen Margot
    * Presented to the UNIVERSITY OF TORONTO LIBRARY ^.,- by the ONTARIO LEGISLATIVE LIBRARY 1980 ^i> ^;^^ WM. ^r QUEEN^ MARGOT PART 1 . THE GREAT MASSACRE^ netrsueisc-co « SIXPENCE * METHUEN'S SIXPENNY BOOKS Albanesl. E. lYIaria Dante, Alighieri IX)VK AND I.oriSA. THE VISION OF DANTE (CARY). 1 KN(»NN A MAIl).-f.N. Doyle, A. Conan Anstey, F. ROUND THE RED LAMP. A I:aVA111) FKO.M BENGAL. Austen . Jane Duncan, Sara Jeannette I'uIHK ANl I'Ui;.IL DICE. A VOYAGE OF CONSOLATION DELIGHTFUL AMERICANS. Bagrot. Richard THOSE A ROMAN MYSTKHY. Elfot, Ceorg^e CASTING Of NETS. THE MILL ON THE FLOSS. DONNA DIANA. FIndlater, Jane H. Balfour, Andrew THE GREEN GRAVES OF BALGOWRIE BY STROKK OF SWORD. Barlngr-Could, S. Gallon, Tom FLHZE BLOOM. RK KERRY'S FOLLY. CHEAP JACK ZITA. Gaskell, lYIrs. KITTY ALONE. CRANFORD. UFUTH. MARY BARTON. THE BROOM SQUIRE.- NORTH AND SOUTH. IN THE ROAR OF THE SEA. NO EMI. Gerard, Dorothea A BOOK OF FAIRY TALKS. Illustrated. HOLY MATRIMONY. LITTLE TU'PENNY. THE CONQUEST OF LONDON. WI^,^EFRED. MADE OF MONEY'. , T^^ FjJ,<*BreHE^t^ . "the QUEEN* of "kTv^, Gisslngr, Georg:e ARM IN ELL. '* THE TOWN TRAVELLER. Barr. Robert THE CROWN OF LIFE. JENNIE BAXTER, JOURNALIST. IN THE MIDST OF ALARMS. Glanville. Ernest THE COUNTESS TKKLA. THE INCA'S TREASURE. THE MUTABLE MANY. THE KLOOF BRIDE. Benson, E. F. Glelgr* Charles DODO. BUNTER'S CRUISE. THE VINTAGE. Grimm, The Brothers Bloundelle-Burton, J. GRIMM'S FAIRY TALES. Illustrated. ACROSS THE S\LT .SKAS. Hope, Anthony Bronte, Charlotte A MAN OF MARK. SHIRLEY. A CHANGE OF AIR.
    [Show full text]
  • The Importance of Marguerite De Valois in Sixteenth Century French
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2004 A Portrait of Power: The mpI ortance of Marguerite de Valois in Sixteenth Century French Royal Politics Karin M. Armour Follow this and additional works at: http://commons.emich.edu/honors Part of the European History Commons Recommended Citation Armour, Karin M., "A Portrait of Power: The mporI tance of Marguerite de Valois in Sixteenth Century French Royal Politics" (2004). Senior Honors Theses. 112. http://commons.emich.edu/honors/112 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. A Portrait of Power: The mpI ortance of Marguerite de Valois in Sixteenth Century French Royal Politics Degree Type Open Access Senior Honors Thesis Department History and Philosophy Keywords Marguerite, Queen, consort of Henry IV, King of France, 1553-1615 Subject Categories European History This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/112 1 A PORTRAIT OF POWER: THE IMPORTANNCE OF MARGUERITE DE VALOIS IN SIXTEEN CENTURY FRECH ROYAL POLITIC by Karin M. Armour A senior Thesis Submitted to the Eastern Michigan University Honors Program In Partial Fulfillment of the Requirement for Graduation with Honors in Social Science Approved at Ypsilanti, Michigan, on this date 4/21/04 2 Chapter 1 Religion and Politics Sixteenth-century France was a place of great turmoil and uncertainty.
    [Show full text]
  • ALEXANDRE DUMAS Et AUGUSTE MAQUET
    ¥¥*• 'Jr &% » ' T." 4 . HISTOIRE d'une COLLABORATION Tous droits de reproduction et de traduction réservés pour tous pays. *T GUSTAVE SIMON Histoire d'une Collaboration ALEXANDRE DUMAS et AUGUSTE MAQUET DOCUMENTS INÉDITS PORTRAITS ET FAC-SIMILES PARIS EDITIONS GEORGES CRÈS & Ô* 21, Rue Hautefeuille, 21 PU 2.150 $5 EXTRAIT, DU TESTAMENT D'AUGUSTE MAQUET 12 mai 1879. « Je recommande à mes héritiers de gérer avec scrupule, et pour ainsi dire avec respect, la propriété de mes œuvres, propriété délicate dont la sage et honnête administration intéresse au plus haut point ma mémoire et ma renom- mée. J'entends que jamais ils ne permettent la publication ou la représentation de mes ou- vrages sans toutes garanties d'exécution et d'in- terprétation honorables soit de la pari de l'éditeur, soit de la part du théâtre. En leur léguant la propriété de mes œuvres, c'est ma HISTOIRE D L'.NE COLLABORATION dignité d'écrivain, c'est le nom de notre famille que je recommande à leur piété.... Mes héritiers auront encore d'autres devoirs à remplir. J'ai écrit avec Dumas père un nombre con- sidérable d'ouvrages, dont quelques-uns : Les Mousquetaires, Le Chevalier d'IIarmental, Monte-Cristo, La Reine Margot, Le Chevalier de Maison-I\oiig-e, Joseph Balsamo, La Dame de Monsoreau, etc., etc., sont connus universelle- ment. Cette collaboration féconde, consacrée par la notoriété publique, sanctionnée par la justice, Dumas l'a reconnue par écrit et par des actes publics, il l'a proclamée cent fois, alors qu'il en avait besoin et ne pouvait s'en passer.
    [Show full text]
  • And in Éric Rohmer's L'anglaise Et Le Duc (2001)
    Margriet Hoogvliet DISTANCE AND INVOLVEMENT: Visualising History in Patrice Chéreau's La Reine Margot (1994) and in Éric Rohmer's L'Anglaise et le duc (2001) RELIEF 6 (1), 2012 – ISSN: 1873-5045. P 66-79 http://www.revue-relief.org URN:NBN:NL:UI:10-1-113711 Igitur publishing © The author keeps the copyright of this article This article analyses strategies of visualisation of the past in two French films d'histoire : La Reine Margot (1994) by directed by Patrice Chéreau and L'Anglaise et le duc (2001) by Éric Rohmer. Both films have modern political and societal implications: Chéreau's film contains several clear hints towards a reading of the “greatest massacre” of France's past as a critique of the modern era, while Rohmer rather wanted to make his audience aware of the ambiguities of the founding period of the French Republic. However, the two film directors have made use of completely different strategies for visualising the past and in order to involve their audiences: Chéreau by making a conscious use of visual anachronisms and Rohmer by a scrupulous reconstruction of a painterly historical vision. This article discusses two French films d'histoire that evoke a distant past that modern viewers have not experienced themselves, nor did their parents or even their grandparents. Both films include the history of a woman that saved a refugee by hiding him in her bed, but, as will become clear below, their directors have different political intentions and they have chosen different strategies in order to represent the past by visual means.
    [Show full text]
  • Screening French Literature
    1 Introduction: screening French literature H o m e r B . P e t t e y a n d R . B a r t o n P a l m e r French literature on screen relies upon investigations of the processes of artistic, cultural, and industry adaptations. The French fi lm industry has always cherished the national heritage of classic literature and has adapted to the screen the works of Victor Hugo, Alexandre Dumas, Honoré de Balzac, Gustave Flaubert, Émile Zola, and Marcel Proust. Hollywood has also been keen on adapting these authors’ seminal works, often adapting a French cinematic version of the novel. So, too, has the British fi lm industry sought out French classics for its costume dramas on the big and small screen. Both British and American studios have been intrigued by the pos- sibilities that classic and popular French literature offers for their audiences, as Les Misérables (2012) has proven with stage and screen revenues nearly seven times production costs. 1 Twentieth-century fi gures from what was once considered popular literature now are also included in the expanding category of classical French literature, among them François Mauriac, Georges Simenon, Marcel Pagnol, and Françoise Sagan. French literary adaptations of its own tradition became a serious cinematic enterprise with the Pathé Film d’Art series, beginning in 1908, as Susan Hayward explains: Indeed, some of the earliest fi lms were adaptations of novels by Zola and Hugo (as the fi lms of Guy and Zecca at the turn of the century attest). In some respects the Film d’Art and its imitators (Pathé ’ s SCAGL) made more prestigious and packaged more attractively a practice already in existence (albeit on a smaller scale).
    [Show full text]