Basic Philosophical Texts in Medieval Serbia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Heroic Medievalism in from the Ancient Books by Stevan Sremac
DOI 10.6094/helden.heroes.heros./2020/02/02 Stefan Trajković Filipović 15 Heroic Medievalism in From the Ancient Books by Stevan Sremac In 1909, Jovan Skerlić (1877–1914), an influen- reacting against the idea of abandoning and tial Serbian literary critic, imagined a hypothetic- condemning the pre-modern times (Emery and al scenario in which people were given an op- Utz 2). In more general terms, medievalism can portunity to express their literary preferences in be observed as the (ab)use of the medieval past a public vote. “If our readership could vote to de- for modern and contemporary purposes. cide who is the greatest Serbian storyteller,” Starting from the point of view of studies in wrote Skerlić, “and whose books they like read- medievalism – a scholarly investigation into the ing the most, the most votes would without doubt presence of medieval topics in post-medieval go to Stevan Sremac” (Skerlić 23).1 A teach er by times (Müller 850; Matthews 1-10) – this paper profession, Stevan Sremac (1855–1906) wrote aims to research Sremac’s practice of medi- humorous stories and novels, for which he quick- evalism. Sremac’s medieval heroes are national ly gained popularity and fame. He could make the heroes, complementing the popular visions of whole nation laugh, argued Skerlić (ibid.). After the Middle Ages as the golden age of national his death, his fame endured and his humorous histories (Geary 15-40). Especially in the context works have been recognized as an import- of the multi-national European empires of the ant chapter in the history of Serbian literature nineteenth century, such a glorifying perspective (Deretić 1983: 397-403). -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy o f the original document. While the most advai peed technological meant to photograph and reproduce this document have been useJ the quality is heavily dependent upon the quality of the original submitted. The followini explanation o f techniques is provided to help you understand markings or pattei“ims which may appear on this reproduction. 1. The sign or “ target" for pages apparently lacking from die document phoiographed is “Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This| may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Wheji an image on the film is obliterated with a large round black mark, it is ar indication that the photographer suspected that the copy may have mo1vad during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. Wheh a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in 'sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to righj in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until com alete. 4. The majority of users indicate that the textual content is of greatest value, ho we ver, a somewhat higher quality reproduction could be made from "ph btographs" if essential to the understanding of the dissertation. -
Serbian Romantic Lied As Intersection of the Austro- Hungarian and Serbian (Con)Texts
zbornik-2-3-kor 13/6/07 9:26 Page 99 T. MARKOVIĆ • SERBIAN ROMANTIC LIED AS ... UDK 784.3.035.51(497.11) Tatjana Marković University of Arts, Faculty of Music, Department of Musicology, Belgrade Univerza za umetnosti, Fakulteta za glasbo, Oddelek za muzikologijo, Beograd Serbian Romantic Lied as Intersection of the Austro- Hungarian and Serbian (con)texts Srbski romantični samospev kot presek avstro-ogrskih in srbskih (kon)tekstov Ključne besede: samospev, Srbija, 19. stoletje, Keywords: Lied, Serbia, 19th century, Josif Josif Marinković Marinković IZVLEčEK ABSTRACT Avtorica se v članku posveča opazovanju za- The authoress focuses on detecting Viennese znamovanosti samospevne ustvarjalnosti srb- cultural influences of the second half of the skega skladatelja Josifa Marinkovića z vplivi 19th century upon the composing of Josif dunajske kulture druge pol. 19. st., znotraj ka- Marinković’s solo song, the culture in which tere se je izobraževal, in značilnimi elementi he educated himself, and on revealing ele- srbske glasbene kulture, znotraj katere je ust- ments characteristic of Serbian culture within varjal. which he composed. Nineteenth-century Serbian history was very tempestuous because of numerous liberating uprisings and wars against Ottoman, Austrian and Austro-Hungarian invaders. After the three great migrations of the Serbian people retreating before the Ottoman conquerors from Kosovo and Southern Serbia northwards since 1690, the centers of Serbian culture had been formed in the cities under the Austrian rule, and later on in free royal cities on the territory of Vojvodina (Novi Sad, Sombor, Subotica). Consequently, Serbs were divided between two empires, Austrian and Ottoman, and Serbian culture thus developed in the two very different contexts. -
Zograf 42 10 Matic.Indd
Ktetor portraits of church dignitaries in Serbian Post–Byzantine painting (part one) Miljana М. Matić* Museum of the Serbian Orthodox Church, Belgrade UDC 75.041.5:271.22-725.1/.2](497.11)”15/16” 338.246.027:34 DOI https://doi.org/10.2298/ZOG1842181M Оригиналан научни рад Church dignitaries were often represented as ktetors in Serbian nitaries, portraits are the most reliable and sometimes the painting of the sixteenth and seventeenth centuries, primarily only testimonies for the research of individual person- in wall paintings and on icons. The first part of this paper dis- alities, clothing, and insignia, giving information on the cusses twelve ktetor representations of Serbian patriarchs and appearance of the depicted archpriests and their rank in metropolitans. By analyzing the ktetoric projects of Orthodox 2 Serbs within the Ottoman Empire, the historical framework society. Thanks to the inscriptions accompanying ktetor and description of every portrait, it explores the questions re- portraits, they are considered to be a unique epigraphic garding not only the self-referentiality of the ktetors from the treasury and an important source for studying the titles of highest circles of the clergy under the Patriarchate of Peć, the Orthodox clergy, as well as for the history of some church patterns and ways they wanted to be represented and remem- monuments and icons.3 Portraits also provide valuable bered, but also the ideological and program context as well. testimonies of fundamental ideological, political and reli- Finally, this two-part study attempts to examine the question gious views of the depicted personalities and the environ- of individual and collective identity, imagery and ideas con- structing the visual culture of clerical ktetorship in Serbian ment in which they lived. -
Serbische Heldenlieder
Marburger Abhandlungen ∙ Band 37 (eBook - Digi20-Retro) Hans-Bernd Harder Hans Lemberg (Hrsg.) Serbische Heldenlieder Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der KubonHans-Bernd & Sagner Harder GmbH and Hans. Lemberg - 9783954794461 Downloaded from PubFactory at 01/10/2019 03:04:44AM via free access ОООБО697 Osteuropastudien der Hochschulen des Landes Hessen Reihe II Marburger Abhandlungen zur Geschichte und Kultur Osteuropas Im Auftrag der Philipps-Universität Marburg herausgegeben von Hans-Bernd Harder und Hans Lemberg Band 37 Verlag Otto Sagner M ü n ch e n Hans-Bernd Harder and Hans Lemberg - 9783954794461 Downloaded from PubFactory at 01/10/2019 03:04:44AM via free access 000Б0697 Serbische Heldenlieder • • Übersetzt von Stefan Schlotzer M it einem Kommentar von Erika Beermann Verlag Otto Sagner • München 1996 Hans-Bernd Harder and Hans Lemberg - 9783954794461 Downloaded from PubFactory at 01/10/2019 03:04:44AM via free access ОООБО697 f Bayerische Л I Staatsbibliothek I I München I ISBN 3-87690-627-X C op yrigh t by Verlag O tto Sagner, München 1996 Abteilung der Firma Kubon und Sagner, -
Threatening Archipelagos. Serbian Enclaves and Minorities in Kosovo
Journal of Geography, Politics and Society 2018, 8(4), 13–26 DOI 10.4467/24512249JG.18.024.9011 THREATENING ARCHIPELAGOS. SERBIAN ENCLAVES AND MINORITIES IN KOSOVO Marcoandrea Spinelli Via Bellingera 4, Busto Arsizio, Lombardy, Italy, e-mail: [email protected] Citation Spinelli M., 2018, Threatening archipelagos. Serbian enclaves and minorities in Kosovo, Journal of Geography, Politics and Society, 8(4), 13–26. Abstract Enclaves are like islands in the middle of a sea they do not belong to. Seeing that the enclaves I wish to examine are several and all close together, the comparison with an archipelago does seem the most befitting. Enclaves represent, in my opinion, the very essence of the Balkan Peninsula, which, until as recently as twenty years ago, was almost entirely composed of groups of enclaves. The Nineties wars contributed to partially eliminate these Balkan peculiarities. Most of these groups are now utterly harmless; nevertheless, some of them were, admittedly, the trigger for the last conflict. Others still pose a threat to peace; among those, I believe the Serbian enclaves in Kosovo are the best example. My project will focus mainly on inhabitants of Serbian villages in Kosovo, which are the first victims of a process of integration the country they live in failed to enable. For this reason, I will not pay close attention to villages of Northern Kosovo, namely those which are north of the river Ibar, since they have a Serbian majority. My field of research will rather thoroughly analyse Southern enclaves in particular, where, through interviews, I will try to find out what it means to be part of a country withouy ethnically identifying with it. -
The Church, the Serbs, and the Kosovo
Tihomir Popovic: 'So there be Lords in ye Land with us even in olden times' The Church, the Serbs, and the Kosovo Many Central and Western Europeans apparently believe that today, nationalist mythological thinking in Europe is mainly the part of the Serbs, the Serbian Orthodox Church (SOC) being regarded as partly responsible for this situation: Many believe that the Church is a bulwark of Serbian nationalism, promoting the mythologisation especially of the Kosovo as the birthplace of today's Serbian nation. This author feels obliged to present a more differentiated view of the facts, with a special emphasis on investigating the way in which the Serbs perceive and deal with their history. There are at least three reasons why the SOC is interested in the Kosovo: One is the large number of Serbian Orthodox places of worship in the region, including the monastery of Pec, the historical and spiritual centre of the Serbian patriarchate. Of special importance in this context, however, is the Kosovo Polje situated close to Pristina, on which a battle took place between an Ottoman and a Christian army in 1389, the former led by Sultan Murat I and the latter by the Serb Lazar Hrebeljanovic. The winners of the battle, in which both army leaders were killed, were the Ottomans who, however, did not immediately take possession of Lazar's principality: Under Lazar's son, the despot Stefan Lazarevic, it even experienced a cultural boom. It was not until seventy years after the battle of the Kosovo that the territory of today's Serbia south of the the rivers Danube and Save passed to the Turks. -
The Development Path of the Serbian Language and Script Matica Srpska – Members’ Society of Montenegro Department of Serbian Language and Literature
Jelica Stojanović THE DEVELOPMENT PATH OF THE SERBIAN LANGUAGE AND SCRIPT MATICA SRPSKA – MEMBERS’ SOCIETY OF MONTENEGRO DEPARTMENT OF SERBIAN LANGUAGE AND LITERATURE Title of the original Serbian Edition: Jelica Stojanović, Put srpskog jezika i pisma, Belgrade, Srpska književna zadruga, 2017, The Blue Edition series For the publisher JELICA STOJANOVIĆ Editor DRAGO PEROVIĆ Translation NOVICA PETROVIĆ ©Матица српска – Друштво чланова у Црној Гори, Подгорица, 2020. Jelica Stojanović THE DEVELOPMENT PATH OF THE SERBIAN LANGUAGE AND SCRIPT Podgorica 2020 MILOš KOVAčEVIć THE DEVELOPMENT PATH OF THE SERBIAN LANGUAGE AND SCRIPT, MADE UP OF STRAY PATHS Only two years have passed from the two hundredth anni- versary of the beginning of Vuk Karadžić’s struggle for “intro- ducing the folk language in literature”, that is to say, from the introduction of the Serbian folk language in the Serbian literary language, or to put it in the more modern phrasing of today: the standard language. The beginning of that struggle is connected to the year 1814, when, in the royal city of Vienna, Vuk’s first grammar book came out: The Orthography of the Serbian Lan- guage Based on the Speech of the Common Folk, which dealt with resolving the three most important standard-related issues: a) the issue of the Serbian orthography, b) the issue of the morpho- logical structure of the Serbian language, and c) the issue of the name of the language and its national boundaries. Rare are the languages, if, indeed, there are any, which have had such a turbulent history of two hundred years. The histor- ical development of a language can be followed at two histor- ical levels: that of its internal and that of its external history. -
HIL ENICH PATM 1.Pdf
/-;0 .fL---I7~ .~-<.') - /137-/15"0 //-J q I I ~ 11:)2 (}f\ ~ p~ ~ ~?1 /~10·-1907 .Aa~/!~-d-- ~ I~~~ /15"0-058' - £~ ~r' ~ e~_ ~ ~ cl..u- 6- ~l/~ .A8- 3S fi z/{Uvrz.cu--d.- / '1 30 - 3 7 - J.j a.,...; ~-"-teft- ~~~o...- ~~~ v 44- tf'i II ~~..e-TY ~~1'UV-c'<.. ,~h-6-!'~tl.-- 11z.:;,-- 174 9 .t/-r-5~ il ~~ Ifl-o-19:Jo -;-sTfl~~~'foo,-raJUJ..T :rLj - 5" S ., f:,,-.rf;~'.e-- ~'~-(r~___ / ~ 74-/ f ? I . 5(", "~ ,'1~ .. /'6'/:>.- / Y(,/ 5'-5 (1 /1 ~ ~a...4~~' /1t,J./- Jf70 59- (Po rr $~ - f'~cr#~ llwu.!o ~. -;e~'~ .. ~~ ~ OJ- .j!h~.J:t/~ ~5 ~- ¥ ~ t:L Pcd-, .. r. du M~?~. I?-~ ~ ~ .. -~J ~ ~ ~ 1 I~~~~ .~.~.~ Pd. ~l-We...~ ~~~. -l-I.-v ~1'-!J(}~ 3~ .~ ~-c~ ~ .~~. ~ ~~ L-rm?U"~UlA.'-~ r bJurz - H - Co d-~-~ 0; ~2. a.t-jJk- ~ ~~ ~ ~ #LJL~.I' &'1-(,3 •• ,4t. ~ - 4-fh~ ~ - ~ {~ ~~ .. ~ fJ :,; 61.-(,,1 .• l(tuJ ~ ~'6-7{) •• 4J ~ Y- .j..l~n:.k - fa ~~ -7': . 1 ~ ~ .31S-" ~ ~~ 7~~n--~ 7/- 73 •• ~~ !(~~ ~ 117~. -137/- ~~ . -P~~r'- ~ ~ - ~ jJti~~ v 7;./-7(" •.. ~~ ~l ~~ "- 77~F -' .Ihff) 1ft;1 ·~~1~Gd.) 77-7'1k~ C4+ 'l7~ -13S1 «. ~~- .. ~ a~ - ~ f(k+ nUk/~ eJ 'to .. ~ ~ -/,3 7- ~ f~· ~l- ~ .. ~Cv~,~ ! ..;.. '2.. IJ\A... "-4t-!ted •_________~~' ,.~ _~ _~'._, c ',~ ,~~ -' ••-,,- , JUBILARNA SLIKA NJ. SV. PATRIJARHA GERMANA -povodom 25-godisnjice patrijaraske sluzbe- Ovu sluku uradio je protodjakon Marko Ilic, akademski slikar iz Beograda po porudzbini beogradskog svestenstva, koje je istu poklonilo Nj. Sv. Patrijarhu srpskom Germanu povodom 25-go disnjice nj:!gove patrijaraske sluzbe. -
Kratka Biografija
Curriculum Vitae Jelena Jovanović December 21, 1982 Bajcsy Zsilinszky út 63, 1065 Budapest, Hungary tel.: +3630 60 91 898 E-mail: [email protected] INTERESTS AND STRENGTHS • Gender studies, intersectionality, Romani women’s activism, anti-human trafficking policies, qualitative research methods, discourse analysis, education of Roma in Central and Eastern Europe • Intellectually curious and interested in knowledge exchange • Hardworking, responsible, ambitious, persistent and vocal, capable of both individual and teamwork RELEVANT WORKING EXPERIENCE • Junior Research Fellow in the Center for Policy Studies (Central European University, Budapest); profile: https://cps.ceu.edu/profiles/research-fellow/jelena_jovanovic (October 2014-present) - Conducting independent qualitative research on anti-human trafficking policies (discourse on Roma as one of the vulnerable groups and its effects on the policy implementation) - Programing and implementation of a project about employment and employability of highly educated Roma in mainstream not-for-profit organizations - Co-editing, co-authoring and coordinating a book project (a volume about Romani women’s political activism in CEE) (present) • Grant Program Assistant in Roma Education Fund (international organization, Budapest) (July- October, 2013) - Building capacities of local nongovernmental organizations - Monitoring - Grant management - Data management • Program Assistant in Roma Inclusion Office of the Government of Vojvodina (November, 2010- August, 2011) - Teacher, librarian and workshops’ -
The Cultural Collaboration Between Jacob Grimm and Vuk Karadžić a Fruitful Friendship Connecting Western Europe to the Balkans
The cultural collaboration between Jacob Grimm and Vuk Karadžić A fruitful friendship connecting Western Europe to the Balkans Giustina Selvelli PhD Student University Ca' Foscari of Venice Table of Contents Abstract .............................................................................................................. 1 Keywords ............................................................................................................. 2 1. Introduction ..................................................................................................... 2 2. The Rising Attention for South-Slavic Popular Culture ..................................... 4 3 . Jacob Grimm's First Contact with Serbian Language and Vuk Kara džić ........... 5 4 . Jacob Grimm's Reviews of the Serbian Folk Songs .......................................... 7 5 . Grimm's Support to Kara džić's Struggle for the Language ............................. 9 6 . The Indo-European Way ................................................................................ 12 7 . 'Anti-orientalism' and Weltliteratur ............................................................... 14 8 . Conclusions ................................................................................................... 16 Bibliography: ..................................................................................................... 18 Author ............................................................................................................... 19 Abstract: The following article aims at -
SERBIAN LITERATURE of the MIDDLE PERIOD (18TH – 1ST HALF of 19TH Subject CENTURY)
The title of the SERBIAN LITERATURE OF THE MIDDLE PERIOD (18TH – 1ST HALF OF 19TH subject CENTURY) Number of Subject code Subject status Semester Number of classes ECTS credits 13РСКЊСД compulsory II 4 2+1 Russian Language and L iterature and Serbian Language Study programme for which it is organised and L iterature Connection to other subjects : Medieval Serbian L iterature The subject objectives : To introdu ce students to the poetic featu res, main writers and major work s of Serbian literature of the R ennaisance, Baroque , Classicism and Pre - Romanticism; to see the status of the literature of these stylistic formations within the context of Serbian literature as a whole. Name and surname o f a professor and teaching assistant : Prof . Dusko Pevulja, PhD Danijela Jelic, MA Methods of teaching and acquiring lessons : Lectures, auditory exercises, written and oral presentations, discussions on presentations Content of the subject : Week T he middle period of Serbian literature : literary - historical context; interpretation within the most 1 relevant literary - historical synthesis Week The importance of the middle period of Serbian literature : Forms of S erbian literature revival; 2 comparison t o medieval and new lietarture Week Geopoetical, geopolitical and literary - historical contextualisation of Serbian literature during the 3 middle period of its development Week Dominant sylistic form s in Serbian literature in the m iddle period : Rennai sance, Baroque, Calssicism 4 and Pre - Romanticism Week Genesis, formation and stabilisation of genres in Serbian literature during the middle period of its 5 development Week Literary languages of Serbian literature during the middle period of its develo pment 6 Week Genres, styles and poetic features of Rennaisance and Baroque poetry 7 Week Genres, styles a nd poetic features of Classicist and Pre - Romantic poetry 8 Week Serbian historiography of Baroque/historiographic prose 9 Week Dositej Obradovi c; literary - historical status and importance; poetic, stylistic and genre features of the 1 0 work Week G.