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The New York Botanical Garden
Vol. XV DECEMBER, 1914 No. 180 JOURNAL The New York Botanical Garden EDITOR ARLOW BURDETTE STOUT Director of the Laboratories CONTENTS PAGE Index to Volumes I-XV »33 PUBLISHED FOR THE GARDEN AT 41 NORTH QUBKN STRHBT, LANCASTER, PA. THI NEW ERA PRINTING COMPANY OFFICERS 1914 PRESIDENT—W. GILMAN THOMPSON „ „ _ i ANDREW CARNEGIE VICE PRESIDENTS J FRANCIS LYNDE STETSON TREASURER—JAMES A. SCRYMSER SECRETARY—N. L. BRITTON BOARD OF- MANAGERS 1. ELECTED MANAGERS Term expires January, 1915 N. L. BRITTON W. J. MATHESON ANDREW CARNEGIE W GILMAN THOMPSON LEWIS RUTHERFORD MORRIS Term expire January. 1916 THOMAS H. HUBBARD FRANCIS LYNDE STETSON GEORGE W. PERKINS MVLES TIERNEY LOUIS C. TIFFANY Term expire* January, 1917 EDWARD D. ADAMS JAMES A. SCRYMSER ROBERT W. DE FOREST HENRY W. DE FOREST J. P. MORGAN DANIEL GUGGENHEIM 2. EX-OFFICIO MANAGERS THE MAYOR OP THE CITY OF NEW YORK HON. JOHN PURROY MITCHEL THE PRESIDENT OP THE DEPARTMENT OP PUBLIC PARES HON. GEORGE CABOT WARD 3. SCIENTIFIC DIRECTORS PROF. H. H. RUSBY. Chairman EUGENE P. BICKNELL PROF. WILLIAM J. GIES DR. NICHOLAS MURRAY BUTLER PROF. R. A. HARPER THOMAS W. CHURCHILL PROF. JAMES F. KEMP PROF. FREDERIC S. LEE GARDEN STAFF DR. N. L. BRITTON, Director-in-Chief (Development, Administration) DR. W. A. MURRILL, Assistant Director (Administration) DR. JOHN K. SMALL, Head Curator of the Museums (Flowering Plants) DR. P. A. RYDBERG, Curator (Flowering Plants) DR. MARSHALL A. HOWE, Curator (Flowerless Plants) DR. FRED J. SEAVER, Curator (Flowerless Plants) ROBERT S. WILLIAMS, Administrative Assistant PERCY WILSON, Associate Curator DR. FRANCIS W. PENNELL, Associate Curator GEORGE V. -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
An Historical Perspective of Oregon's and Portland's Political and Social
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 3-14-1997 An Historical Perspective of Oregon's and Portland's Political and Social Atmosphere in Relation to the Legal Justice System as it Pertained to Minorities: With Specific Reference to State Laws, City Ordinances, and Arrest and Court Records During the Period -- 1840-1895 Clarinèr Freeman Boston Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Criminology and Criminal Justice Commons, and the Public Administration Commons Let us know how access to this document benefits ou.y Recommended Citation Boston, Clarinèr Freeman, "An Historical Perspective of Oregon's and Portland's Political and Social Atmosphere in Relation to the Legal Justice System as it Pertained to Minorities: With Specific Reference to State Laws, City Ordinances, and Arrest and Court Records During the Period -- 1840-1895" (1997). Dissertations and Theses. Paper 4992. https://doi.org/10.15760/etd.6868 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Clariner Freeman Boston for the Master of Science in Administration of Justice were presented March 14, 1997, and accepted by the thesis committee and the department. COMMITTEE APPROVAL: Charles A. Tracy, Chair. Robert WLOckwood Darrell Millner ~ Representative of the Office of Graduate Studies DEPARTMENT APPROVAL<: _ I I .._ __ r"'liatr · nistration of Justice ******************************************************************* ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY by on 6-LL-97 ABSTRACT An abstract of the thesis of Clariner Freeman Boston for the Master of Science in Administration of Justice, presented March 14, 1997. -
Great Americans of History THOMAS JEFFERSON a CHARACTER
Great Americans of History THOMAS JEFFERSON A CHARACTER SKETCH BY EDWARD S. ELLIS, A. M. AUTHOR OF 'The People's Standard History of the United States," "The Eclectic Primary History of the United States," Etc. with supplementary essay by G. MERCER ADAM Late Editor of "Self-Culture" Magazine, Etc., Etc. WITH AN ACCOUNT OF THE LOUISIANA PURCHASE TOGETHER WITH ANECDOTES, CHARACTERISTICS, AND CHRONOLOGY No golden eagle, warm from the stamping press of the mint, is more sharply impressed with its image and superscription than was the formative period of our government by the genius and personality of Thomas Jefferson. Standing on the threshold of the nineteenth century, no one who attempted to peer down the shadowy vista, saw more clearly than he the possibilities, the perils, the pitfalls and the achievements that were within the grasp of the Nation. None was inspired by purer patriotism. None was more sagacious, wise and prudent, and none understood his countrymen better. By birth an aristocrat, by nature he was a democrat. The most learned man that ever sat in the president's chair, his tastes were the simple ones of a farmer. Surrounded by the pomp and ceremony of Washington and Adams' courts, his dress was homely. He despised titles, and preferred severe plainness of speech and the sober garb of the Quakers. "What is the date of your birth, Mr. President?" asked an admirer. "Of what possible concern is that to you?" queried the President in turn. "We wish to give it fitting celebration." "For that reason, I decline to enlighten you; nothing -
Tucker Mass and Figure
Tucker Mass and Figure Kosme de Barañano 1 This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao © William Tucker, 2015 © Succession Alberto Giacometti (Fondation Alberto et Annette Giacometti, Paris / ADAGP, Paris), VEGAP, Bilbao, 2015 © Man Ray Trust, VEGAP, Bilbao, 2015 © Sucesión Pablo Picasso, VEGAP, Madrid, 2015 Photography credits © Chapter of Gloucester Cathedral, 2014. Photographer: Steve Russell Studios: p. 38. © Collection Swiss Foundation for Photography: p. 29 (bottom). Courtesy McKee Galerie: pp. 34, 37 (bottom), 39, 46 (top). © Kosme de Barañano: pp. 4, 15, 37 (top), 41, 42, 61, 63. © Photo Scala, Florence - courtesy of the Ministero Beni e Att. Culturali: pp. 52, 53 (top, left). © Photographer Roman März, Courtesy of Buchmann Galerie: p. 46 (abajo). © Tate, London 2015: pp. 9-11. © The artist/Pangolin. Photographer: Steve Russell Studios: p. 57. © The British Council: p. 23. © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2015 / Bridgeman Images: p. 31. © The Museum of Modern Art, New York/Scala, Florence: p. -
The Virtual-Musical Other: Creating Unique Worlds Through
THE VIRTUAL-MUSICAL OTHER: CREATING UNIQUE WORLDS THROUGH MUSICAL SOUND IN VIDEOGAMES A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC MAY 2014 By Jeremiah Sundance French Thesis Committee: Dr. Jane Freeman Moulin, Chairperson David A.M. Goldberg Dr. Katherine McQuiston Dr. Christine Yano ii ACKNOWLEDGEMENTS First and foremost, I would like to express my gratitude and appreciation to Darren Korb and Raison Varner for sharing their experiences with me. Their openness and willingness to discuss their work with me, even through their hectic schedules, made this project both possible and extremely enjoyable. Special thanks to Varner and Gearbox Software for allowing me to visit their offices. I would also like to thank all the participants who took time out of their schedules to meet, play a game, and have a discussion. They were a wonderful group of people with which I was happy to work. Thank you to Ruben Campos, Larry Catungal, Justin Ka’upu, Chadwick Pang, Jonathan Richter, Candice Steiner, and Teri Skillman for their assistance and feedback, however large or small. Discussing ideas, receiving their edits, hearing their motivational words, and having them come through for me with small technical issues has made all the difference in the world. My work would not have been possible without their assistance. Thank you to Dr. Katherine McQuiston and David A.M. Goldberg for inspiring my research. Their knowledge helped spark my thought processes and develop my theories. I am very grateful for Dr. -
'Standardized Chapel Library Project' Lists
Standardized Library Resources: Baha’i Print Media: 1) The Hidden Words by Baha’u’llah (ISBN-10: 193184707X; ISBN-13: 978-1931847070) Baha’i Publishing (November 2002) A slim book of short verses, originally written in Arabic and Persian, which reflect the “inner essence” of the religious teachings of all the Prophets of God. 2) Gleanings from the Writings of Baha’u’llah by Baha’u’llah (ISBN-10: 1931847223; ISBN-13: 978-1931847223) Baha’i Publishing (December 2005) Selected passages representing important themes in Baha’u’llah’s writings, such as spiritual evolution, justice, peace, harmony between races and peoples of the world, and the transformation of the individual and society. 3) Some Answered Questions by Abdul-Baham, Laura Clifford Barney and Leslie A. Loveless (ISBN-10: 0877431906; ISBN-13 978-0877431909) Baha’i Publishing, (June 1984) A popular collection of informal “table talks” which address a wide range of spiritual, philosophical, and social questions. 4) The Kitab-i-Iqan Book of Certitude by Baha’u’llah (ISBN-10: 1931847088; ISBN-13: 978:1931847087) Baha’i Publishing (May 2003) Baha’u’llah explains the underlying unity of the world’s religions and the revelations humankind have received from the Prophets of God. 5) God Speaks Again by Kenneth E. Bowers (ISBN-10: 1931847126; ISBN-13: 978- 1931847124) Baha’i Publishing (March 2004) Chronicles the struggles of Baha’u’llah, his voluminous teachings and Baha’u’llah’s legacy which include his teachings for the Baha’i faith. 6) God Passes By by Shoghi Effendi (ISBN-10: 0877430209; ISBN-13: 978-0877430209) Baha’i Publishing (June 1974) A history of the first 100 years of the Baha’i faith, 1844-1944 written by its appointed guardian. -
The Portland Building Assessment
The Portland Building Building Systems and Interior Assessment April 2015 Contract #30002867 FFA Architecture and Interiors, Inc. | 520 SW Yamhill Suite 900 Portland OR 97204 | T 503.222.1661 F 503.222.1701 | www.ffadesign.com Assessment Table of Contents Executive Summary ............................................................................................................ 1 Introduction ............................................................................................................................... 32 Introduction ........................................................................................................................................ 34 Design Concept ................................................................................................................................... 34 Purpose ............................................................................................................................................... 35 Assessment Methodology ............................................................................................................ 38 Report Organization .................................................................................................................... 46 Building Interior Description ........................................................................................................ 50 Condition Assessment ................................................................................................................. 54 MEP Condition Assessment -
I Like Working Here Because of the Bigness — the Big Spaces, the Big Timber
I have one foot planted firmly in Oregon, The most important thing is the dedication to a studio practice, because and one foot outside in the “other” art world. ultimately success is a byproduct of how hard you’re willing to work. The work in this region is now more about community I like working here because of the bigness — the big spaces, the big timber. rather than just being about the mountains or the ocean. That drama affects my work. It’s made me realize how much the place where I work influences the art I produce. My studio is on the coast. From my window I can see a forest and the remains of a sprawling old sawmill. There’s no art without artists. There’s no museum without artists. From my studio I can see the ships that come in for the Rose Festival. There’s no art community without artists. To keep our community strong we need more artists — and we need to keep them here. From my studio I see the rotunda of the State Capitol. It wasn’t so much that I wanted to come to Oregon, The light here is a little complicated because it changes so much. but more that I didn’t want to go to California or New York. In my sixth-floor studio I can hear the chain of the elevator clanking as it goes between floors, My studio is in my basement. and I can hear crows cracking walnuts on the skylights. Above me I can hear the footsteps of my children I can hear the wind. -
EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment
EXPOSE YOURSELF TO ART Towards a Critical Epistemology of Embarrassment Gwyneth Siobhan Jones Goldsmiths University of London PhD Thesis 2013 1 I declare that the work presented in this thesis is my own. Gwyneth Siobhan Jones 2 ABSTRACT This thesis investigates the negative affect of ‘spectatorial embarrassment’, a feeling of exposure and discomfort sometimes experienced when looking at art. Two particular characteristics of embarrassment figure in the methodology and the outcome of this enquiry; firstly that embarrassment is marginal, of little orthodox value, and secondly, it is a personal experience of aversive self-consciousness. The experiential nature of embarrassment has been adopted throughout as a methodology and the embarrassments analysed are, for the most part, my own and based on ‘true’ experience. Precedent for this is drawn from ‘anecdotal theory’, which uses event and occasion in the origination of a counter-theory that values minor narratives of personal experience in place of the generalising and abstract tendencies of theory-proper. The context is a series of encounters with artworks by Gilbert & George, Jemima Stehli, Franko B, Adrian Howells, and Sarah Lucas. They are connected by their contemporaneity, their ‘British-ness’, and that they allow the spectator no comfortable position to look from. This enquiry engages with theories of ‘the gaze’ (as both aesthetic disinterest and a dubious sign of cultural competence) and the challenge to aesthetic disinterest made by ‘transgressive art’ which may provoke a more engaged, even embodied response. Each encounter sparks consideration of differing causes and outcomes of embarrassment that resonate beyond art to broader sociocultural territories particularly in terms of gender and class. -
The Iconography of Oregon's Twentieth-Century Utopian Myth
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 5-3-1995 From Promised Lands to Promised Landfill: The Iconography of Oregon's Twentieth-Century Utopian Myth Jeffry Lloyd Uecker Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Let us know how access to this document benefits ou.y Recommended Citation Uecker, Jeffry Lloyd, "From Promised Lands to Promised Landfill: The Iconography of Oregon's Twentieth- Century Utopian Myth" (1995). Dissertations and Theses. Paper 5026. https://doi.org/10.15760/etd.6902 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THESIS APPROVAL The abstract and thesis of Jeffry Lloyd Uecker for the Master of Arts in History were presented May 3, 1995, and accepted by the thesis committee and the department. COMMITTEE APPROVALS: Lisa Andrus-Rivera Representative of the Office of Graduate Studie DEPARTMENT APPROVAL: David A. Johns Department of .L. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ACCEPTED FOR PORTLAND STATE UNIVERSITY BY THE LIBRARY By ont.f!G ~4= .,,K/9S- ABSTRACT An abstract of the thesis of Jeffry Lloyd Uecker for the Master of Arts in History presented May 3, 1995. Title: From Promised Land to Promised Landfill: The Iconography of Oregon's Twentieth-Century Utopian Myth The state of Oregon often has been viewed as a utopia. Figures of speech borrowed from the romantic sublime, biblical pilgrimage, economic boosterism, and millenialist fatalism have been used to characterize it. -
Public Public of Variety a Includes Brochure *This % Friday
CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square.