Walker Bag (Without Lining) by Debbie Colgrove, About.Com Guide

Total Page:16

File Type:pdf, Size:1020Kb

Walker Bag (Without Lining) by Debbie Colgrove, About.Com Guide Walker Bag (without lining) By Debbie Colgrove, About.com Guide Materials: 1/3 yd. 44”-45” wide pre-quilted or sturdy fabric for the body of the bag 1/4 yd. coordinating fabric for pockets, straps and binding 2 one inch buttons or Velcro Cutting: (If you took fabric at our meeting it’s over size and must be recut.) Body of the bag: Cut two 18” x 12” One 5” x 8” for closure tab Coordinating fabric: One 7” x 14” for outer pocket Two 2” x 24” for side ties (ignore this if you’re using twill tape or ribbon for side straps) Two 5” x 10 ½” for top straps One 2½” by WOF for binding Stitch: To prevent raveling zigzag or overcast the sides and bottom of the front and back of the bag. Pocket: 1. Make a pocket from the 7” x 14” coordinating fabric by folding it in half and stitching.(I also inserted a 7” x 7” piece of batting to make it a bit sturdier.) 2. Stitch the pocket to the front of the bag. Side ties: 1.Fold in half lengthwise. Sew length and both ends using ¼” seam. Leave an opening in the middle to turn. (If you are able to turn this you are better than I am. Folding and topstitching is fine, or use ribbon or twill tape. As long as you’ve got ties you’re fine.) 2.Turn right side out and press. 3.Fold the straps in half and baste the fold 3” up from the bottom of the bag. (These are going to be used to tie the sides of the bag to the walker.) Closure tab: 1.Fold the 5” x 8” piece in half lengthwise. Sew sides and top. Turn right side out. 2.Stitch Velcro to the short stitched end. Top Straps: 1.Fold the straps in half lengthwise and stitch one end and the length. 2.Turn and press. 3.Sew a buttonhole (or Velcro) ½” from the end of each strap. 4.Measure 2” from the side seams of the bag. Align raw edges of straps and bag and stitch. Body of bag: 1. Stitch the closure tab to the center top of the back piece. 2. Pin front and back of bag together. 3. Stitch the sides and bottom of the bag. (I used a 3/8” seam.) 4. Square up the bottom corners of the bag. You do this by folding the corners of the bottom of the bag so that the bottom seam and the side seam are perfectly aligned. Sew across the newly formed “triangle”. (This is about a 2” seam.) Finishing: 1. Prepare your binding strip as you would for binding a quilt. Attach it to the top of the bag as though the bag was your quilt. 2.Sew buttons (or Velcro) on the front of the bag opposite the straps. 3.Sew Velcro to the top center of the bag so it lines up with the closure tab. .
Recommended publications
  • Needle Keeper
    Harvest Accent Rug By Marie Duncan Our indian summer corn is perfect to accent an autumn inspired throw rug. It brings a touch of fall into the house and can be used year after year. Make this autumn rug using the October 2012 free design. Our corn design is the 2012 October Monthly Design #413300. It is free for the month of October 2012 from www.myembroideries.com. Click on the link, Free Monthly Design, on the HUSQVARNA VIKING® website to download it. When you get to the Checkout, enter the coupon code FreeOCT2012 in the box. Click Apply Coupon. After October 2012, the design will be available for purchase on www.myembroideries.com. ©2012 KSIN Luxembourg II, S.ar.l. VIKING, 5D and INSPIRA are trademarks of KSIN Luxembourg II, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB. Sewing Supplies: • Three Hole Yarn Foot 413187045 • Clear Seam Guide Foot 413034845 • Do All Quilter's Hoop 920115096 • INSPIRA® embroidery needles, size 90 620071896 • INSPIRA® topstitch needles, size 90 620099096 • INSPIRA® 4mm twin needles, size 90 620105096 • INSPIRA® Tear-A-Way stabilizer 620112296 • INSPIRA® 6” applique scissors 620102696 • Purchased throw rug with NO rubber backing (Ours came from Target) • Four yards of ⅜” wide twill tape or grosgrain ribbon • Yarn • Scraps of fabric for corn and husks • Robison-Anton 40 wt. rayon embroidery thread • Bobbin thread • Sewing thread Let’s Build a Fence: 1. Snap on your Three Hole Yarn Foot. 2. Insert a size 90 topstitch needle. The topstitch needle has a sharp point and will accommodate heavier threads and fabrics.
    [Show full text]
  • Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
    tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content.
    [Show full text]
  • Placket Construction Options
    Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between.
    [Show full text]
  • Stay Tapes Sheet( Notions)
    Emma Seabrooke, C.S.I. Knit Patterns for the Hard To Fit Certified Fit & Pant • Palmer/Pletsch Instructor SewkeysE stay tapes are all FUSIBLE Price is $8.50 on-line, except as noted. Double Sided Stay Tape – 1/4" wide by 25 yards, color: clear SSI Knit Stay Tape – for invisible control 1/2" wide by 25 yards, color: clear 1" wide by 25 yards, colors: black, white 1" wide by 25 yards, color: clear ($13.50 online) 1/2" wide by 25 yards, colors: black, white Knit Stay Tape/Interfacings – Woven/Straight Stay Tape – 1/2" wide by 25 yards, colors: black, white, ivory 1/2" wide by 25 yards, colors: black, white, natural 1" wide by 25 yards, colors: black, white, ivory 1 1/4" wide by 25 yards, color: black, white, natural 1 1/4" wide by 25 yards, colors: black, white, ivory FOR HEMS: FOR SEAMS: 1/2" KNIT stay tape for narrow hems or very wide For shoulder seams use 1/2" WOVEN/STRAIGHT stay tape. hems on knit and or light weight fabrics. For the crotch seam use 1/2" WOVEN/STRAIGHT stay tape. 1/2" STRAIGHT stay tape for narrow or wide For light weight side and sleeve seams use 1/2" KNIT hems on woven fabric or fabric that you do not wish to stay tape. It supports side and sleeve seams in fabric that have give or stretch. is sheer or needs help to be stable, allowing the fabric to One inch or 1 1/4" STAY TAPE/INTERFACING for a go through a sewing machine and serger without 1” or 1 1/4" hem on knit and or light weight fabrics.
    [Show full text]
  • Serger Techniques
    Serger Techniques Table of Contents Balanced Serger Stitches ....... ..... .. .... 1 Flatlock Applique .... .......... ...... .. .. .. ....6 Four-Thread Serg ing .. .......... .... .. .... .. 1 Decorative Lace Reinforcing Tape Application .......... 1 and Tape Application .... .......... .. .. ..... .7 Soft Gathering ............ .... ... ... ..... .. .....2 Rolled Edge .... .. ..... ....... ...... ......... .. ..... 7 Three-Thread Se rging ...... ... ..... ........ 2 Napkin Fin ish Rolled Edge ............... .8 Edge Hemming and Finishing .... ... ... 2 Tablecloth Edging .... ... .............. ... .. ....8 Lingerie Seams ......... ............. ......... ... 3 Formal and Bridal Wear ..... .... .. ... .. ....9 Lace Joining ...... ........ ............. .... .. ..... 3 Scarf Edge Rolled Hem ....... .... ... ....... .9 Multipurpose Guide Foot .... ... ..... .... 4 Spaghetti Straps .. .. ....... .... .... ... .. ........ 9 Durable Three-Thread Blind Hem .... 4 Fabric Flowers ... ... ... ....... ..... .... .. ...... 1O Decorative Serging ...... ..... .... ...... ... .... 4 Stitch Variations - Heirloom .... .... .. 10 Decorative Thread Serging .. ....... ... .5 Pin Tucking .. ....... .. ....... .. ............... ... 11 Basic Three-Thread Flatlock .... .. ... .... .5 Heirloom Lace Insertion ..... ........... .. 11 Flatlock Topstitching ... .... ....... ..........6 Gathering Foot Quick Start Guide .... 12 Balanced Serger Stitches • Balanced stitches are used in construction applications such as seams, overcasting, edgings and finishes. • A
    [Show full text]
  • MADELINE BARLEY Home Demonstration Agent
    ANNUAL NARRATIVE REPORT OF MADELINE BARLEY Home Demonstration Agent PIMA COUNTY December 1, 1948 to November 30, 1949 - - - - - - - - - � - - - Outlook - - - � - - - - - - - - 1-2 Summary ot Accomplishments of Extension Homemakers' Clubs 3 organization and Planning - - - - - - - - - - - - - - - - 4-7 Council Meetings - - - - - - - - - - - - - - - - - - 4 Method or Selecting Porjects - - - - - - - - - - - - 5 New Extension Clubs - - - - - - - - - - - - - - - -- 6-7 House and Furnishings - - - - - - - - - - - - - - - - - - 8-10 Furniture Refinishing - - - - - - - - - - - - - - - 8-9 Summary - Furniture Refinishing - - - - - - - - - - 10 Nutrition and Health - - - - - - - - - - - - - - - - - - 11-16 Buf'f'et Meals & Holiday.Entertaining - - - - - - - - 11 More Food For Your Money - - - - - - - - - - - - - 12-13 Food Preservation - - - - - - - - - - - - - - - - - l4 Freezing - - - - - - - - - - - - - - - - - - - - - 15-16 - - - - - - - - - - - - - - - - - - Clothing and Textiles - 17-24 Dress Forms - - - - - - - - - - - - - - - - - - - - 17-19 Summary - Dress Forms - - - - - - - - - - - - - - - 20 Tailoring - - - - - - - - - - - - - - - - - - - - - 21-22 Sewing Machine Clinics - - - - - - ... - - - - - - - - 23 Plastic P:urses - - - - - - - - - - - - - - - - - - - 24 - - - - - - - -- Volunteer Workers Help at CountyF�r � 25 Recreation - - - - - - - - - - - - - - - - - - - - - - - 26 Map of' Pima County,. Arizona - - - - - - - - - - - - - - - 27 Madeline Barley Pima County 1949 OUTLOOK In preparation for 1950, the Pima County Homemakers and
    [Show full text]
  • Trims, Labels, Treads, Elastics, Underlying Fabrics, Zippers, Butto
    10/12/2009 1 TRIMS AND FINDINGS Chapter 8 2 Findings and Trims Findings: trims, labels, treads, elastics, underlying fabrics, zippers, buttons, other closures, other miscellaneous items Trims: subdivision of findings – decorative materials – ribbons, braids, laces, other narrow fabric trims, appliqués, flowers, beads, sequins, other decorative items Findings/trims usually aren’t the reason for purchase but they are often the reason for discarding a garment 3 Performance Finding/trim must reflect same quality level as the fabric Performance of finding or trim could negate the performance of the body fabric Ex. If fabric is dry-clean only, the trims must be dry-cleanable 4 Establishing specs Often established by the suppliers themselves or by the manufacturers in partnership w/ the suppliers Too many types of findings and trims to be an expert on all and be able to write accurate specs on all – best to rely on the supplier of the specific type of finding you need 5 Aesthetic performance Must complement the appearance of the garment Must be considered in concert with the design, construction, and finish of the garment Need to be attractive, fashionable, and functional to help sell the garment 6 Functional Performance Includes utility and durability of the finding Utility includes: dimensional stability, appearance retention, comfort, ease of care, and safety Durability includes: strength, abrasion resistance, and degradation by chemical & other elements 7 Performance, Cont. Design, materials, and constructions of a garment interact to determine
    [Show full text]
  • 80739083.Pdf
    3-~"'81 8-1355 ~.(O~ All About ... • Pattern Selection • Fabric Selection • Contemporary Techniques • Fusible Interfacings • Finishing Tips CONTENTS Page Pattern Selection. ............................................... .. 3 Fabric Selection ................................................ .. 3 Notions. ....................................................... .. 3 Pressing Points ................................................. .. 4 Inner Fabrics. .................................................. .. 4 Underlining. ................................................. .. 4 Interfacing. .................................................. .. 4 Lining. ..................................................... .. 5 Preparation ............................................ .. 5 Fabric. ...................................................... .. 5 Pattern Fit. .................................................. .. 5 Cutting and Marking. ......................................... .. 5 Comparison of Custom and Contemporary Tailoring Techniques. ...... .. 5 Front and Back Interfacing. ...................................... .. 5 Fusible Method-Front. ...................................... .. 5 onfusible Method-Back Reinforcement. ....................... .. 6 One-Piece Method. ........................................ .. 6 Two-Piece Method ......................................... .. 6 Applying Back Reinforcement .................................. .. 7 Lapel and Roll Line ............................................. .. 7 Marking the Roll Line , 8 Taping the
    [Show full text]
  • Curatorial Care of Textile Objects
    Appendix K: Curatorial Care of Textile Objects Page A. Overview.......................................................................................................................................... K:1 What information will I find in this appendix?...... ............................................................................. K:1 Why is it important to practice preventive conservation with textiles? ............................................. K:1 How do I learn about preventive conservation? ............................................................................... K:1 Where can I find the latest information on care of these types of materials? .................................. K:2 B. The Nature of Textiles .................................................................................................................... K:2 What fibers are used to make textiles? ............................................................................................ K:2 What are the characteristics of animal fibers? ................................................................................. K:3 What are the characteristics of plant fibers? .................................................................................... K:4 What are the characteristics of synthetic fibers?.............................................................................. K:5 What are the characteristics of metal threads? ................................................................................ K:5 C. The Fabrication of Textiles ...........................................................................................................
    [Show full text]
  • Sewing Arts L a B
    HOLLYWOO D E K L A O L S R F E E 1/4” seam allowance V L L I I Z 1” S CUT ON FOLD EST 2015 A. NOSE PIECE Sewing Arts L A B GRAIN source: Sewing Arts Lab 2020 Cut 1 Outer Fabric Cut 1 Lining Fabric -optional: cut 1 Interfacing. Nose piece optional Select either 80” twill tape or 28” elastic. A. ELASTIC Chin B. ELASTIC 1. Select 100% Cotton, tight weave fabric (ex: quilting, shirting or bedsheet). Cut pattern marking elastic locations with small snip on both layers. 2. Ties can be twill tape 3/8” width- 80” total, 4 pieces at 20" Or 1/4" width elastic; 28” to be cut in two pieces or 14” x 2 pieces 3.If using a non-woven interfacing, adhere interfacing to wrong side of outer fabric before cutting. 4.Nose piece materials: Pipe cleaner, twist tie , paper clip, thick jewelry wire -3”, crimp end so it doesn’t poke. Straight stitch - 2.5 stitch length, 1/4” Seam Allowance, backstitch beginning and end of all stitches. 5.Right sides together, sew outside of mask on Seam A 6. Right sides together, sew lining on Seam A. 7. On lining layer, tack tie string (twill tape) to right side of fabric where indicated. If using elastic, tack one strap to bottom marks close to chin on each side, tack the other strap to the higher marks. 7a.(optional) Inside the seam allowance, attach metal strip to wrong side of lining fabric using a wide zigzag stitch at ends.
    [Show full text]
  • REMODELING CLOTHING Published and Distributed in Furtherance of the Acts of May 8 and June 30, 1914, by the Colorado State College, Extension Service, F
    D-36 REMODELING CLOTHING Published and distributed in furtherance of the Acts of May 8 and June 30, 1914, by the Colorado State College, Extension Service, F. A. Anderson, Director, and U. S. Department of Agriculture cooperating. FORT COLLINS, COLO. MAY 1942 Remodeling Clothing By l\IARTHA ULRICH, Clothing Specialist Now is the time to DEFEND YOUR CLOTHING DOLLAR. START AT HOME! Inventory Plan Clean Sew Save The above may challenge you regarding the "Ordinary run of clothes in your wardrobe." Why not mix interest with your useful garments and at the same time- Save your dollars so that you may be able to: 1. Buy shoes, hose, and piece goods no longer made in the home. 2. Save the part of the price of a ready-made garment that goes for labor and wages that have increased by leaps and bounds. 3. Have the quality of garment you are accustomed to but which the rise in prices now prohibits. 4. Have money for other things that add to the comfort and convenience of your family. Inventory.-\Vhat do you have on hand? How much of it is worth using again? Plan.-How large a wardrobe does your range of activities require? Where can changes be made to streamline the old garments? What new items will be needed? How can you take care of the matter financially? Study the mode-do not ignore fashion but rather adapt the mode to yourself. Clean.-1. Rip old garment apart if it is to be re-cut. a. If it is to be cut down, save time by cutting it apart at the seams.
    [Show full text]
  • Surgical Gown Sewing Pattern
    Level 1/2 Isolation Gown (COVID-19 Crisis Response) Design Page Style No IG1/2 Fabrication Cotton Poly OR Polyester Description Re-engineered Isolation Gown Initiated by Fashion Girls for Humanity Date 3/29/2020 Created by Fashion Girls for Humanity yield: 2.5 yds (fab width 60”) FRONT BACK Feedback / tag @FGFH2011viaFG / IG Page 1 Open Source Document Level 1/2 Isolation Gown (COVID-19 Crisis Response) STYLE IMAGE REFERENCE Style No IG1/2 Fabrication Cotton Poly OR Polyester Description Re-engineered Isolation Gown Initiated by Fashion Girls for Humanity Date 3/29/2020 Created by Fashion Girls for Humanity Size L HALYARD* Tri-Layer AAMI Level 2 FRONT BACK Feedback / tag @FGFH2011viaFG / IG Page 2 Open Source Document Level 1/2 Isolation Gown (COVID-19 Crisis Response) BOM Style No IG1/2 Fabrication Cotton Poly / Polyester Description Re-engineered Isolation Gown Initiated by Fashion Girls for Humanity Date 3/29/2020 Created by Fashion Girls for Humanity Item Placement Color Remarks Materials are typically made of non woven medical grade materials. In light of the shortage, CDC says "Reusable (i.e., washable) gowns are typically made of polyester or polyester-cotton fabrics. Gowns made of these fabrics can be safely laundered according to routine procedures and reused." Suggested alternative materials, if available, to create non medical grade FABRIC Body, sleeve Not specified suits are water repellant fabrics lke nylon tafetta or poly microfiber, commonly used as fabric for umbrellas and raincoats. These materials can be resued and washed. For a disaposable version, non woven material of at least 50 gsm can be utilized.
    [Show full text]