Serger Techniques
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Exempt Services
County of Somerset New Jersey PO Box 3000 – 20 Grove Street COUNTY ADMINISTRATION BUILDING SOMERVILLE, NJ 08876-1262 PURCHASING DIVISION PHONE: (908) 231-7045 MARY LOUISE STANTON Fax: (908) 575-3917 Purchasing Agent, QPA NOTICE TO BIDDERS #2 SOCCP The County of Somerset is conducting a voluntary Co-operative Pricing System #2 SOCCP. Sealed bids which will be received by the Purchasing Agent acting as Lead Agent on behalf of each participating contracting unit, on January 26, 2010 at 2:30 P.M. prevailing time in the Purchasing Division, County Administration Building, 20 Grove St., Somerville, NJ 08876 at which time and place bids will be opened and read in public for: Uniforms, Various County Departments, Contract #CC-04-10 Proposals must be made on the standard proposal form, in addition to a CD of the Table, be enclosed in a sealed package. Specifications and instruction to bidders may be obtained at the Purchasing Office or the County website at www.co.somerset.nj.us * * All Bid Addenda will be issued on the website. Therefore, all interested respondents should check the website from now through bid opening. It is the sole responsibility of the respondent to be knowledgeable of all addenda related to this procurement. Bidders shall comply with the requirements of N.J.S.A. 10:5-31 and N.J.A.C. 17-27 et seq. Mary Louise Stanton, QPA NOTICE- RESULTS OF ALL BIDS ARE POSTED ON THE COUNTY WEB SITE. 1 CO-OPERATIVE PRICING CONDITIONS METHOD OF AWARDING CONTRACTS Contract(s) of purchase shall be awarded to the lowest responsible bidder(s) as declared by the County of Somerset. -
Embroidery & Sewing Machine
BABY LOCK Embroidery & Sewing Machine Discover new paths to creativity with the Baby Lock Vesta sewing and embroidery machine. Powered with innovative technology, the Vesta makes every step easier. Create and easily access your own designs or use any of the built-in designs and editing features. Wi-Fi Enabled 6 1/4" x 10 1/4" 293 Built-in 301 Built-in Advanced Needle Embroidery Field Embroidery Designs Stitches Threader BabyLock.com Convenience Features Vesta • Convenient One-Touch Buttons for o Start/Stop Embroidery & Sewing Machine o Reverse Sewing o Needle up/down o Reinforcement Key o Thread cutter • Automatic presser foot lift • Ergonomic hands-free presser foot lift • Low bobbin thread indicator • Needle plate with scale in inches and centimeters • Electronic foot control • Free arm with drop feed lever • Soft cover case with storage 1 1 • Two accessory storage compartments Advanced Needle Threader 6 /4″ x 10 /4″ Embroidery Field • Programmable needle up/down Threading a needle has never been easier than Stitch bigger embroidery designs and enjoy less • Quick-Set Bobbin Winder with this innovative threader. With just a few simple re-hooping with a large embroidery field - motions, your needle is threaded and ready to use - it’s 6 1/4″ x 10 1/4″. Included Accessories so easy, you can do it with one hand! • 13 Feet o Buttonhole o Embroidery o Overcasting o Monogramming o Zipper o Zigzag o Blind stitch o Button fitting o Open toe o Teflon o Stitch guide o Adjustable zipper/piping 293 Built-in Embroidery Designs 301 Built-in Stitches o Free-motion open toe With 293 built-in embroidery designs, you’ll always With 301 built-in stitches, you’ll have many creative • Soft cover for machine find inspiration in the Vesta. -
Rolled Edge Napkins Created By: Melinda Stephenson
Beginning Serging: Rolled Edge Napkins Created by: Melinda Stephenson One of the most often used stitches on your serger, apart from the four thread overlock, is the rolled edge. This works beautifully on napkins, as well as for hemming difficult to hem, slippery chiffon. To learn how to serge a rolled hem, start with either 100% cotton, 100% linen or a cotton/linen blend. These natural fabrics work best for napkins as they absorb moisture. Polyester or any synthetic fabric blends are not recommended for making napkins— they just don’t absorb as well. Supplies: • Cotton or linen squares cut to 18 or 20” • Scrap fabric cut from the same linen or cotton • 2 cones serger thread • 1 cone Wooly Nylon • Seam sealant (Fray-Check) 3. Set Tension: • Instruction manual a. Right needle: Normal • Optional: clear wash-away stabilizer b. Upper Looper: 2-3 (check your owner’s manual) Machine Set-up c. Lower Looper: 5-7 (check your owner’s manual) 3-thread Rolled Hem 4. Set Stitch Length: 1.0-2.0 (check your owner’s 1. Remove your left needle. manual) 2. Thread your machine: Wooly Nylon in Upper 5. Set Differential Feed: 1.0 or N (if edges draw in Looper and serger thread in right needle and and pucker, try .5) lower looper. 6. Set Stitch Finger: disengaged 7. Set knife: engaged elnaUSA.com Page 1 Beginning Serging: Rolled Edge Napkins Practice: 5. Stitch a few stitches until your napkin is about halfway beneath the presser foot, right up to, Using a piece of scrap fabric that is the same but not beneath, the needle. -
Skinny Scarves by SUSAN BECK
This article originally appeared in Through the Needle ONLINE Issue 9 Skinny Scarves by SUSAN BECK These long, narrow scarves made of t-shirt knit or sheer fabric are fast to make and fun to wear – one, two, or even three at a time! They’re a great item to make for craft fairs and bazaars – and they also make great gifts! Directions Cut a rectangle of fabric 10” wide and 3 yards long. Note: The more lightweight the fabric, the wider the scarf can be (12”-14”). If the fabric has more bulk, you can cut it very narrow (6”-8”). Thread the serger for a 3-thread rolled hem, adjusting the tensions as directed in your user manual. Generally, the needle tension will be normal, the upper looper tension will be loose, and the lower tension will be tight. Sew a sample on fabric scraps to decide if the resulting rolled edge looks the way you want it to. Adjust the settings as needed. Different fabric types and weights may require different tension adjustments for the perfect rolled edge. Serge all four edges of the scarf, starting at one end and serging off the opposite end, and trimming the edge slightly as you go. Supplies • 3 yards of lightweight, sheer, or single knit fabric in polyester, cotton, rayon, or silk (yardage will make 4-6 scarves) • Serger with 2- or 3-thread rolled hem capabilities • Three cones or spools of fine (60-weight) thread to match or blend with the fabric • Seam sealant Tip: Hold your hand lightly on the fabric to the left of Option 3: To wear the foot to make sure the fabric is going under the two or three scarves needle and not falling away after it passes the knife. -
Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C
DOCUMENT RESUME ID 087 919 CB 001 018 AUTHOR Hayes, Philip TITLE Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C. Vocational Education Media Center.; South Carolina State Dept. of Education, Columbia. Office of Vocational Education. PUB DATE 72 NOTE 100p. EDRS PRICE MF-$0.75 HC-$4.20 DESCRIPTORS Business Education; Clothing Design; *Distributive Education; *Guides; High School Curriculum; Manuals; Student Developed Materials; *Student Projects IDENTIFIERS *Career Awareness; South Carolina ABSTRACT This semester-length guide for high school distributive education students is geared to start the student thinking about the vocation he would like to enter by exploring one area of interest in marketing and distribution and then presenting the results in a research paper known as an area of distribution manual. The first 25 pages of this document pertain to procedures to follow in writing a manual, rules for entering manuals in national Distributive Education Clubs of America competition, and some summary sheet examples of State winners that were entered at the 25th National DECA Leadership Conference. The remaining 75 pages are an example of an area of distribution manual on "How Fashion Changes Relate to Fashion Designing As a Career," which was a State winner and also a national finalist. In the example manual, the importance of fashion in the economy, the large role fashion plays in the clothing industry, the fast change as well as the repeating of fashion, qualifications for leadership and entry into the fashion world, and techniques of fabric and color selection are all included to create a comprehensive picture of past, present, and future fashion trends. -
IBS-5500, Industrial Blind Stitch Sewing Machine
IBS-5500 INDUSTRIAL BLIND STITCH SEWING MACHINE Original Yamato Sewing Head • One-needle chain stitch blind hem machine with top- and bottom-driven puller • Servo synchronized double puller • Servo synchronized conveyor belt • Full accessibility of the sewing head for Air Pressure Regulator maintenance and service. • Includes two hemmers for single and • Consistent pressure double hems. • Automatic purge Fabric Tension Device Accessible Control Box • CE and UL certified • Festo controller • Servo motors & drives Touchscreen • Touchscreen interface for quick adjustments and easy sewing selections • By pressing the maintenance button on the touch screen, the sewing head lifts out of the machine for full access. Repositionable • Improved mobility • Machine is on wheels and movable after installation TECHNICAL SPECIFICATIONS REQUIREMENTS • Speed: 30 – 40 Panels, bottom and side hems, • Machine Height: upon request, 35.5’’ or • Electric: 240VAC, 3500 W / 110 VAC, 3500 W per hour (average panel length 2500mm / 98’’). 900mm as a standard (levelers can adjust +/- • Air: 7 Bar, 3L Per Cycle • Conveyor Length: 5500mm / 217’’ ½ inch or 12mm) • Conveyor Width: 1000mm / 39.5’’ • Total Weight: 600kg / 1320lbs • Machine Width: 1600mm / 63’’ A GLOBAL LEADER IN WINDOW TREATMENT MANUFACTURING AUTOMATION Joos Advanced Technology builds state-of-the-art industrial machines to create efficient, cost-saving, automated production processes. Our advanced technology has made us a global leader in supplying innovative equipment for the shades, blinds, and curtains industry for over 20 years. Our machines have been installed in over 20 countries around the world as the industry demand for our equipment continues to increase. 900 W. DIGGINS STREET | HARVARD, ILLINOIS 60033 USA +1.864.573.2700 JOOSTECHNOLOGY.COM. -
Needle Keeper
Harvest Accent Rug By Marie Duncan Our indian summer corn is perfect to accent an autumn inspired throw rug. It brings a touch of fall into the house and can be used year after year. Make this autumn rug using the October 2012 free design. Our corn design is the 2012 October Monthly Design #413300. It is free for the month of October 2012 from www.myembroideries.com. Click on the link, Free Monthly Design, on the HUSQVARNA VIKING® website to download it. When you get to the Checkout, enter the coupon code FreeOCT2012 in the box. Click Apply Coupon. After October 2012, the design will be available for purchase on www.myembroideries.com. ©2012 KSIN Luxembourg II, S.ar.l. VIKING, 5D and INSPIRA are trademarks of KSIN Luxembourg II, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB. Sewing Supplies: • Three Hole Yarn Foot 413187045 • Clear Seam Guide Foot 413034845 • Do All Quilter's Hoop 920115096 • INSPIRA® embroidery needles, size 90 620071896 • INSPIRA® topstitch needles, size 90 620099096 • INSPIRA® 4mm twin needles, size 90 620105096 • INSPIRA® Tear-A-Way stabilizer 620112296 • INSPIRA® 6” applique scissors 620102696 • Purchased throw rug with NO rubber backing (Ours came from Target) • Four yards of ⅜” wide twill tape or grosgrain ribbon • Yarn • Scraps of fabric for corn and husks • Robison-Anton 40 wt. rayon embroidery thread • Bobbin thread • Sewing thread Let’s Build a Fence: 1. Snap on your Three Hole Yarn Foot. 2. Insert a size 90 topstitch needle. The topstitch needle has a sharp point and will accommodate heavier threads and fabrics. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
CO Guide to Judging Clothing
Colorado 4-H Guide for Clothing Judges Standards of Quality Clothing Construction Introduction One of our basic tasks in evaluating or judging is to be able to recognize and identify the standards that give a garment a finished, professional look. There are many techniques that can be used to accomplish the same end product. Each of us has techniques that we like and techniques that we dislike. In an objective evaluation it is essential to play down our personal preferences and to build upon identified and accepted standards. In general, there are some standards that apply to almost all techniques. Almost all construction techniques should result in an area, finish or detail that is: • Inconspicuous o Flat and smooth o Free from bulk o Stitching a uniform distance from an edge or fold • Functional • Durable –stitching uniform and secure Specific standards that can be expected in good construction are listed on the following pages. They are organized by techniques and/or areas, and the techniques are presented in alphabetical order. Overall Appearance Be objective when considering the overall appearance and appeal of a garment. It may be helpful to think about there being at least one especially pleasing feature about this garment, reflecting the many hours of though, effort and creativity that went into its construction. It may be the design, fabric, use of unusual technique or detail. Particularly neat and well-done machine or handstitching, etc. o Overall neatness and cleanliness o Plaids, stripes, checks and other designs matched at seams o Fabric with a direction in design or nap issued in garment in one direction unless garment design requires variation. -
Placket Construction Options
Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between. -
Stay Tapes Sheet( Notions)
Emma Seabrooke, C.S.I. Knit Patterns for the Hard To Fit Certified Fit & Pant • Palmer/Pletsch Instructor SewkeysE stay tapes are all FUSIBLE Price is $8.50 on-line, except as noted. Double Sided Stay Tape – 1/4" wide by 25 yards, color: clear SSI Knit Stay Tape – for invisible control 1/2" wide by 25 yards, color: clear 1" wide by 25 yards, colors: black, white 1" wide by 25 yards, color: clear ($13.50 online) 1/2" wide by 25 yards, colors: black, white Knit Stay Tape/Interfacings – Woven/Straight Stay Tape – 1/2" wide by 25 yards, colors: black, white, ivory 1/2" wide by 25 yards, colors: black, white, natural 1" wide by 25 yards, colors: black, white, ivory 1 1/4" wide by 25 yards, color: black, white, natural 1 1/4" wide by 25 yards, colors: black, white, ivory FOR HEMS: FOR SEAMS: 1/2" KNIT stay tape for narrow hems or very wide For shoulder seams use 1/2" WOVEN/STRAIGHT stay tape. hems on knit and or light weight fabrics. For the crotch seam use 1/2" WOVEN/STRAIGHT stay tape. 1/2" STRAIGHT stay tape for narrow or wide For light weight side and sleeve seams use 1/2" KNIT hems on woven fabric or fabric that you do not wish to stay tape. It supports side and sleeve seams in fabric that have give or stretch. is sheer or needs help to be stable, allowing the fabric to One inch or 1 1/4" STAY TAPE/INTERFACING for a go through a sewing machine and serger without 1” or 1 1/4" hem on knit and or light weight fabrics.