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Research Paper Sociology Vamana–Trivikrama in Badami Chalukya Sculpture
Volume : 2 | Issue : 9 | Sept 2013 • ISSN No 2277 - 8160 Research Paper Sociology Vamana–Trivikrama In Badami Chalukya Sculpture Smt. Veena Muddi Research Scholar,Dept of Ancient Indian History and Epigraphy, Karnatak University, Dharwad Introduction Padma Purana Until the time of Vikramaditya I the rulers of the Chalukya dynasty of Vishnu was born as a son of Aditi. Knowing about sacrifice being per- Badami (543-757 CE) were the inclined towards Vaishnavism. The re- formed by Bali, Vishnu went to the place of sacrifice along with eight cords of Mangalesa (Padigar:2010:9-11,12-15) and Polekesi II (Padi- sages. Vamana told the reason for his arrival and asked for a piece of gar:2010:42-45) are vocal in describing them as parama-bhagavatas, land measured by his three steps. Sukracharya advised Bali not to grant ‘great devotees of Vishnu’. The fact that two of the four caves excavated Vamana’s request. But Bali would not listen to his guru. He washed the by them at their capital Badami, all of them dating from pre-620 CE feet of Lord and granted Vamana’s wish. After that Lord abandoned his period, are dedicated to god Vishnu is further evidence of the situation. dwarfish form, took the body of Vishnu, covered the whole universe In 659 CE Virkamaditya I was initiated into Mahesvara brand of Saivism and sent Bali to netherworld.(Bhatt:1991:3211-3215) through a ritual called Sivamandala-diksha. (Padigar:2010:67-70) Henceforth he came to be called a parama-Mahesvara, ‘a great devo- Narada Purana tee of Mahesvara or Siva’. -
Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
Decoding the Cultural Landscape of Badami
Decoding the cultural landscape of Badami - Towards sustainability Pragya Shankar Assistant Professor School of Enviornment and Design Navrachana University, Vadodara [email protected] There exist a great variety of Landscapes that are representative of the different regions of the world. Combined works of nature and humankind, they express a long and intimate relationship between peoples and their natural environment. Cultural landscapes testify to the creative genius, social development and the imaginative and spiritual vitality of humanity. They are part of our collective identity. (UNESCO) Culture is the agent, the natural area is the medium, the cultural landscape the result (Sauer, 1925). Cultural landscapes are as much the expression of culture as the disciplines of arts and architecture. These are reflection of the common existential ideas and represent the relationship of people with the environment. This world view is a people's more or less systematic attempt to make sense of environment. To be livable, nature and society must show order and display a harmonious relationship (Tuan, 1977). The environment has been considered detrimental in shaping of cultures by environmental determinists, whereas according to the ideas of cultural determinism, it is culture which influences the relationship of man with environment. None the less, it is an accepted premise that both, the environment and culture are very closely inter-related and have multifaceted relationship with each other, the original landscape forms the part of transcendental idea and the world view and there are landscapes removed from the original place, but represent elements in similar relationships. Cultural landscape of India Landscape in India offer the possibility of transcendental experiences, their cultural meaning going beyond views or the visual composition of forms. -
Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR)
Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR) Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR) LGR Version: 3.0 Date: 2019-03-06 Document version: 2.6 Authors: Neo-Brahmi Generation Panel [NBGP] 1. General Information/ Overview/ Abstract The purpose of this document is to give an overview of the proposed Kannada LGR in the XML format and the rationale behind the design decisions taken. It includes a discussion of relevant features of the script, the communities or languages using it, the process and methodology used and information on the contributors. The formal specification of the LGR can be found in the accompanying XML document: proposal-kannada-lgr-06mar19-en.xml Labels for testing can be found in the accompanying text document: kannada-test-labels-06mar19-en.txt 2. Script for which the LGR is Proposed ISO 15924 Code: Knda ISO 15924 N°: 345 ISO 15924 English Name: Kannada Latin transliteration of the native script name: Native name of the script: ಕನ#ಡ Maximal Starting Repertoire (MSR) version: MSR-4 Some languages using the script and their ISO 639-3 codes: Kannada (kan), Tulu (tcy), Beary, Konkani (kok), Havyaka, Kodava (kfa) 1 Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR) 3. Background on Script and Principal Languages Using It 3.1 Kannada language Kannada is one of the scheduled languages of India. It is spoken predominantly by the people of Karnataka State of India. It is one of the major languages among the Dravidian languages. Kannada is also spoken by significant linguistic minorities in the states of Andhra Pradesh, Telangana, Tamil Nadu, Maharashtra, Kerala, Goa and abroad. -
A Case Study of Cultural History of Harapanahalli in the Kannada Inscriptions of the Taluk”
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 2 April 2018 | ISSN: 2320-2882 “A case study of cultural history of Harapanahalli in the Kannada inscriptions of the taluk” Prof. M.Vijaykumar Asst Professor Government First Grade College – Harapanahalli Abstarct: Harapanahalli region played an important role keeping intact Kananda language and culture. It was center of various empires imporatnat ones being Western Chalukyas, Rashtrakutas,Vijayanagara. The present paper seeks to unravel these aspects through study of cultural history of Harapanahalli in the Kannada inscriptions of the taluk.The Western Chalukyas played an important role in art and cultrure development in the region.The Western Chalukyas developed an architectural style known today as a transitional style, an architectural link between the style of the early Chalukya dynasty and that of the later Hoysala empire. Most of its monuments are in the districts bordering the Tungabhadra River in central Karnataka. Well known examples are the theMallikarjuna Temple at Kuruvatti, the Kallesvara Temple at Bagali and the Mahadeva Temple at Itagi. This was an important period in the development of fine arts in Southern India, especially in literature as the Western Chalukya kings encouraged writers in the native language Kannada, and Sanskrit.Knowledge of Western Chalukya history has come through examination of the numerous Kannada language inscriptions left by the kings (scholars Sheldon Pollock and Jan Houben have claimed 90 percent of the Chalukyan royal inscriptions are in Kannada), and from the study of important contemporary literary documents in Western Chalukya literature such as GadaYuddha (982) in Kannada by Ranna and VikramankadevaCharitam (1120) in Sanskrit by Bilhana. -
Kannada Inscription from Maharashtra.Pdf
KANNADA INSCRIPTION FROM MAHARASHTRA Dr. Nalini Avinash Waghmare Department of History o Tilak Maharashtra Vidyapeeth, Pune Mobile: 9975833748 Emailld:[email protected]. Introduction: From earlIest times Karnataka made its own impact in the lLil;tory of India. There wert! so many sources to focus on political. social, rel igion, cultw'al relations with other states. Kamataka's contribution to the culture of India is of prime importance. Kamata.ka and Maha rashtra are both neighbouring States. From ancient times these two, KaImada and Marathi language, have had a cultural exchange. This is one of the reasons these two states are attached with each other. "In the North Indian historian view Deccan land means North part of Tungabhadra River. According to Tamil his torian North India means South part of Kaveri River. Because of this for the development of South Indian not mention Kamataka's role by hi storian". We find all over Maharashtra, sources which have kept KUlllataka al ive; approximately 300 Kannada inscriptions, Viragallu ( hero stones), temples, many Archaeological sources which find in digging, coins, stamps, sc ulpture, literature etc., focus on Kannada people's life. Slu'ikantashashtri, Saltore, Shamba Joshi, (S.B. Joshi). B.P. Desai, R.C. Hiremath, Srinivas Ritti, M.M. Kulburgi, Pandit Avalikar, MY Narasimhamurthi etc Kannada writers and Rajwade, Bhandarkar, Ranade. Setuma dhavrao Pagade, Dhanjay Gadgil, Ramachandra, C. Dher, D.V. Ap te etc. Marathi writers tried to focus on both these states History and Cultural relation between Kamataka and Maharashtra near Gurlasur. Lokmanya Tilak expresses his view about relationship of Kamataka and Maharashtra. -
The Evolution of the Temple Plan in Karnataka with Respect to Contemporaneous Religious and Political Factors
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 7, Ver. 1 (July. 2017) PP 44-53 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Evolution of the Temple Plan in Karnataka with respect to Contemporaneous Religious and Political Factors Shilpa Sharma 1, Shireesh Deshpande 2 1(Associate Professor, IES College of Architecture, Mumbai University, India) 2(Professor Emeritus, RTMNU University, Nagpur, India) Abstract : This study explores the evolution of the plan of the Hindu temples in Karnatak, from a single-celled shrine in the 6th century to an elaborate walled complex in the 16th. In addition to the physical factors of the material and method of construction used, the changes in the temple architecture were closely linked to contemporary religious beliefs, rituals of worship and the patronage extended by the ruling dynasties. This paper examines the correspondence between these factors and the changes in the temple plan. Keywords: Hindu temples, Karnataka, evolution, temple plan, contemporary beliefs, religious, political I. INTRODUCTION 1. Background The purpose of the Hindu temple is shown by its form. (Kramrisch, 1996, p. vii) The architecture of any region is born out of various factors, both tangible and intangible. The tangible factors can be studied through the material used and the methods of construction used. The other factors which contribute to the temple architecture are the ways in which people perceive it and use it, to fulfil the contemporary prescribed rituals of worship. The religious purpose of temples has been discussed by several authors. Geva [1] explains that a temple is the place which represents the meeting of the divine and earthly realms. -
Indira Gandhi National Centre for the Arts, New Delhi, India 1
Indira Gandhi National Centre For the Arts, New Delhi, India 1 ARCHITECTURE ARTICLES Alexander Mack, The Temple district of Vitthalapura, New light on Hampi- Recent reseaches at Vijayanagara, Eds. John M. Fritz and George Michell, Marg Publications, Bombay, 2001, pp. 24-39. This article deals with Vitthalapura, a suburb of Vijayanagara, which served as centre of pilgrimage, and also as a day to day business centre for local residents. The boundaries and features of Vitthalapura, the Alvar temples which are architecturally very significant are discussed. The residents and their structural remains are also noted. The busy bazaars and the agricultural activities extended around the Vitthala Temple. Anila Verghese, Mandapas in Vijayanagara Temples, Journal of the Asiatic Society of Bombay, 7 ( New Series). * * * Anila Verghese and Dieter Eigner, A Monastic Complex in Vitthalapura, Hampi – Vijayanagara, Journal of South Asian Studies, Vol. 4, 1998, pp. 127-140. * * * Anila Verghese, Krishnadevaraya’s Monument of Victory, the Krishna Temple at Vijayanagara, Journal of the Asiatic Society of Bombay, 71 (New Series), 197-207, 1996c. * * * Anila Verghese, The Tiruvengalanatha Temple in Krishnapura, Vijayanagara, Progress of Research 1988-91, Eds. D.V Devraj and Channabasappa, S. Patil, Directorate of Archaeology and Museums, Mysore, 1996 a, pp. 179-191. This article speaks about the Tiruvengalanatha temple situated near the Uaddana Virabhadra Temple at Krishnapurapete. This was built in 1545 A.D. Its architecture, sculpture and iconography are explained. The evolution of temple architecture and the religious situation prior to and after the destruction of the city of Vijayanagara are discussed here. Anila Verghese, The Virupaksa Temple of A.D. -
Outline Itinerary
About the tour: This historic tour begins in I Tech city Bangalore and proceed to the former princely state Mysore rich in Imperial heritage. Visit intrinsically Hindu collection of temples at Belure, Halebidu, Hampi, Badami, Aihole & Pattadakal, to see some of India's most intricate historical stone carvings. At the end unwind yourself in Goa, renowned for its endless beaches, places of worship & world heritage architecture. Outline Itinerary Day 01; Arrive Bangalore Day 02: Bangalore - Mysore (145kms/ 3hrs approx) Day 03: Mysore - Srirangapatna - Shravanabelagola - Hassan (140kms/ 3hrs approx) Day 04; Hassan – Belur – Halebidu – Hospet/ Hampi (310kms – 6-7hrs approx) Day 05; Hospet & Hampi Day 06; Hospet - Lakkundi – Gadag – Badami (130kms/ 3hrs approx) Day 07; Badami – Aihole – Pattadakal – Badami (80kms/ round) Day 08; Badami – Goa (250kms/ 5hrs approx) Day 09; Goa Day 10; Goa Day 11; Goa – Departure House No. 1/18, Top Floor, DDA Flats, Madangir, New Delhi 110062 Mob +91-9810491508 | Email- [email protected] | Web- www.agoravoyages.com Price details: Price using 3 star hotels valid from 1st October 2018 till 31st March 2019 (5% Summer discount available from 1st April till travel being completed before 30th September 2018 on 3star hotels price) Per person price sharing DOUBLE/ Per person price sharing TRIPLE (room Per person price staying in SINGLE Particular TWIN rooms with extra bed) rooms rooms Currency INR Euro USD INR Euro USD INR Euro USD 1 person N/A N/A N/A N/A N/A N/A ₹180,797 € 2,260 $2,825 2 person ₹96,680 € 1,208 -
State of Conservation Report Regarding Progress So Far Made with Regard to the Recommendations of the World Heritage Committee in Decision 37COMB.61
Name of the Property: Group of Monuments at Hampi (India) (C 241) State of Conservation report regarding progress so far made with regard to the recommendations of the World Heritage Committee in Decision 37COMB.61. 1. Response from the State Party to the World Heritage Committee’s Decision, 37 COM 7B.61 , paragraph by paragraph A. Removal of debris of the collapsed bridge and the relocation of the vehicular bridge outside of the property; The Public Works Department of Government of Karnataka, has resumed the work of removing the remaining part of the collapsed bridge viz., debris, columns and carriageway, without disturbing the nearby cultural resources, by adopting state of the art technology and the work is almost complete. As regards the relocation of the vehicular bridge, cultural impact assessment study has been completed and location of the vehicular bridge as recommended in the impact assessment study has been identified. B. Completed Integrated Management Plan together with a synthesis and a prioritisation of existing recommendations and intentions, for review by the World Heritage Centre and the Advisory Bodies - The Integrated Management Plan (draft already submitted to the WHC in 2006) gives an overall framework for the Management & protection of Hampi World Heritage Site. It is reiterated that as per the draft IMP recommendations the following actions have been implemented since January 2006 by Government of Karnataka and Archaeological Survey of India. Sno IMP recommendation Agency 1 Preparing a official Base Map HWHAMA -
Sustaining Landscapes of Heritage
Sustaining Landscapes of Cultural Heritage: The Case of Hampi, India Final Report to The Global Heritage Fund Produced by Morgan Campbell 2012 Sustaining Landscapes of Heritage This report is the result of the Global Heritage Fund’s 2011 Preservation Fellowship Program. Research was undertaken by Morgan Campbell, a PhD student of Urban Planning and Public Policy at Rutgers University, during the summer of 2012. Global Heritage Fund Morgan Campbell 625 Emerson Street 200 [email protected] Palo Alto, CA 94301 www.globalheritagefund.org Sustaining Landscapes of Heritage ii Dedication I am incredibly grateful to numerous people for a variety of reasons. My time in Hampi during the summer of 2012 was one of the most significant experiences in my life. First, I dedicate this work to the Global Heritage Fund for providing me with the support to pursue questions of participatory planning in Hampi’s World Heritage Area. I thank James Hooper, whose earlier research in Hampi provided me with a good foundation and Dan Thompson who was incredibly understanding and supportive. Second, I’m deeply indebted to Shama Pawar of The Kishkindra Trust in Anegundi. Easily one of the most dynamic people I’ve ever met, without her assistance—which came in the form of conversations, tangible resources, and informal mentoring—I would have never been able to undergo this research project. It was because of Shama that I was able to experience and learn from Hampi’s living heritage. This report is about people, people who live in a heritage landscape. The residents of Hampi’s World Heritage Area are spread across time and space, so that when I say residents, I am referring to those living in the present and those who have lived in the past. -
Elements of Hindu Iconography
6 » 1 m ELEMENTS OF HINDU ICONOGRAPHY. ELEMENTS OF HINDU ICONOGRAPHY BY T. A. GOPINATHA RAO. M.A., SUPERINTENDENT OF ARCHiEOLOGY, TRAVANCORE STATE. Vol. II—Part II. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 Ail Rights Reserved. i'. f r / rC'-Co, HiSTor ir.iL medical PRINTED AT THE LAW PRINTING HOUSE MOUNT ROAD, MADRAS. MISCELLANEOUS ASPECTS OF SIVA Sadasivamurti and Mahasada- sivamurti, Panchabrahmas or Isanadayah, Mahesamurti, Eka- dasa Rudras, Vidyesvaras, Mur- tyashtaka and Local Legends and Images based upon Mahat- myas. : MISCELLANEOUS ASPECTS OF SIVA. (i) sadasTvamueti and mahasadasivamueti. he idea implied in the positing of the two T gods, the Sadasivamurti and the Maha- sadasivamurti contains within it the whole philo- sophy of the Suddha-Saiva school of Saivaism, with- out an adequate understanding of which it is not possible to appreciate why Sadasiva is held in the highest estimation by the Saivas. It is therefore unavoidable to give a very short summary of the philosophical aspect of these two deities as gathered from the Vatulasuddhagama. According to the Saiva-siddhantins there are three tatvas (realities) called Siva, Sadasiva and Mahesa and these are said to be respectively the nishJcald, the saJcald-nishJcald and the saJcaW^^ aspects of god the word kald is often used in philosophy to imply the idea of limbs, members or form ; we have to understand, for instance, the term nishkald to mean (1) Also iukshma, sthula-sukshma and sthula, and tatva, prabhdva and murti. 361 46 HINDU ICONOGEAPHY. has foroa that which do or Imbs ; in other words, an undifferentiated formless entity.