An Architectural Description and Analysis of the Early Western Caluioan Temples Thesis Submitted Por the Degree Op Doctor Op

Total Page:16

File Type:pdf, Size:1020Kb

An Architectural Description and Analysis of the Early Western Caluioan Temples Thesis Submitted Por the Degree Op Doctor Op AN ARCHITECTURAL DESCRIPTION AND ANALYSIS ■OF THE EARLY WESTERN CALUIOAN TEMPLES THESIS SUBMITTED POR THE DEGREE OP DOCTOR OP PHILOSOPHY GEORGE MICHELL 1974 ProQuest Number: 10672860 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672860 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT The limitations of this study are evident from the title. Only the architectural monuments of the Early Western Galukyas are here considered and those structures which date from earlier or later periods at the Western Calukyan sites together with the roc.k~cut monuments do not form part of the study. The sculptural and decorated portions of the buildings are only briefly referred to, and comparisons with the architecture of contemporary dynasties will not be attempted. Such severe limitations have been imposed so as to permit a thorough architectural description and analysis of what is the-.;largest earliest group of temples known in India from this period. Such a study takes its starting point from a thorough documentation comprising a set of measured drawings and accompanying detailed descriptions. In comparing the buildings, it has been found necessary to divide them into a number of component features. Theae features are then individually compared, and the variations within each noted. The resulting observations are assembled, so that certain temples may be associated together by the similarity of their features. The few dated monuments may suggest the possibility of a tentative chronology, but such conclusions are not the main objective of this study. A.GimOWLEBCrSEylEFTS Financial assistanc e for the site work -upon which this study is "based was- provided "by the School of. Oriental and African Studies and the Central Research Fund,, both of the University of London, and the Royal Anthropological Institute.. In the. field, the author has. had the expert assistance, of Garry Martin. and diri Sko>pek, architects, and Jeff G-orbeek, photographer. For advice and encouragement, the author has profited, from various n meetings, with Dr.. J. Harle of the Ashmolean Museum Oxford and Madame 0. Kiennot of the Muaee. Guimet Paris. In India, S.R.Rao, the Superintending Archaeologist of the South-West Circle of the Archaeological Survey of India, and M.S. Magaraja. Rao, the Director of Monuments and Museums for the State of Karnataka, have taken an interest in the project. Without the encouragement of John Burton-Page of the School of Oriental amd African Studies.:, University of London, little of this work woLild have been undertaken. To these individuals and institutions, the author expresses his: gratitude. CONTENTS 1. INTRODUCTION TO THE EARLY WESTERN CALUKYAN TEMPLES 1 1.1 History 1.2 Relation of Archaeology to History 1.3 Notes 2. METHOD EMPLOYED IN THE ARCHITECTURAL DESCRIPTION AND ANALYSIS 17 2.1 Measured Drawings 2.2 Terminology of the Descriptions, 2.3 Notes 3,. DESCRIPTION OP THE BADAMI TEMPLES 25 3.1 Badami Upper Sfvalaya 3.-2 Badami Lower Sfwalaya 3*3 Badami Malegitti Siwalaya • • 3.4- Badami Bhutanatha 3.5 Badami JambulIAga 3.6 Notes:. 4.- DESCRIPTION OP THE MABAKUTA AND NAGARAL TEMPLES 45 4.1 Mahakuta Mahakutesvara and Mallikarjuna 4.2 Mahakuta Sahgamesvara 4.3 Mahakuta Mahalihga 4.4 Mahakuta Three un-named temples within the enclosure, 4.-5 Mahakuta Bananti 4.6 Nagaral Naganatha 4.7 Notes' DESCRIPTION OF THE AIHOLE AND SIBDHANAKOLLA TEMPLES 5.1 Aihole Meguti 5.2 Aihole Two-storeyed temple 5 .3 Aihole Two xui-named temples, "beneath Meguti 5.4 Aihole Hue©appayyamatha 5.5 Aihole Two temples of the Kunti group • • 5.6 Aihole Gakra 5.7 Aihole G-auda 5.-8 Aihole Ladkhan 5*9 Aihole Narayana 5.10 Aihole Burga 5.11 Aihole Durga gateway 5.12 Aihole Mallikar juna 5..13 Aihole Three templea near the Brahmanical Cave 5.14 Aihole Two structures of temple C21 5 .3-5 Aihole Cikki 5 .-16 Aihole Huccimalli 5.17 Aihole Tarappa. 5.18 Aihole. Temple 049 5.19 Aihole. Huccappayya 5.20 Aihole Galaganatha • 5.21 Aihole Visnu tempia • • 5.22 Aihole Temple 062 5.23 Siddhanakolla Sahgames.vara 5.24 Notes; 6., DESCRIPTION OP THE PATTADAKAL TEMPLES 130 6.1 Pattadakal Kadasiddhesvara 6.2 Pattadakal UambulIAga, 6.3 Pattadakal Galaganatha 6.4 Pattadakal SaAgam.esvara 6.5 Pattadakal Virupaksa and Mallikarjuna « 6.6 Pattadakal Virupaksa Nandi pavilion 6.7 Pattadakal Virupaksa Complex 6.8 Pattadakal Mallikarjuna Nandi pavilion 6.9 Pattadakal Mallikarjuna Complex 6.10 Pattadakal Papanatha 6 .11 Notes, 7. ANALYSIS OP THE FEATURES OP THE PLAN 180 7.1 General Arrangement 7.2 Garbhagrhas. ^ and Pradaksinapathas-_ , 1 . 7.3 Mandapasr " ,ru #' T 1 and Porches: 7.4 Accessory Structures- 8. ANALYSIS OP THE FEATURES OP THE EXTERNAL ELEVATION 195 8.L Plinths, 8.2 Walls; 8.3 Niches; 8.4 Windows; 8.5 Porches 8.6 Parapet s= 8.7 Superstructures. 8.8 Accessory Structures; 8.9 Notes 9. ANALYSIS OP THE FEATURES OP THE INTERIOR 255 9 ..1 Garbhagrhas 9..2 Doorways 9*3 Columns 9.4 Beams and Panels. 9.5 Roof Systems 9.6 Minor Shrines 9.7 Notes. 10. SELECT BIBLIOGRAPHY AND ABBREVIATIONS 287 11. ILLUSTRATIONS) 293 1L.1 List of Photographs, 11-2 List of Drawings Photographs; Drawings Note: Names of the temples are those; in current use at the various sites. For the: particular difficulty in providing the Aihole temples with suitable names see 68-9 and 122 note 6. 1 L. introduction to t h e e a r l y w e s t e r n c a h j k y a n tempmes (see Drawing l) Thu archaeological remains of the Early Western Calukyas consist principally of religious monuments:, both excavated and structural, together with their sculptural and decorated portions. The monuments* are concentrated in a small area of what is now the Bijapur District of Karnataka, in particular, in the modern villages of Badami, Aihole and Pattadakal and p the nearby sites of Mahakuta, Nagaral and Siddhanakolla . These are all situated on or near the banks of the Malprabha river which flows in a north-easterly direction towards the Krishna. Hills enclose much of the area. &o as to create a valley about twenty kilometers; long and up to five kilometers wide. At either end, the valley is partly blocked off by large rocky outcrops beneath which the villages of Badami and Aihole have been built as. if to guard the approaches. No doubt the valley was once well irrigated to produce rich crops of grain, sn important source of wealth for the Early Calukyas. Until recently no remains belonging to the Early Western Calukyas. had been found beyond the confines; of this valley . The discovery of a gateway at Ittagi, Raichur district, dating from this, period^, however, has not substantially altered the impression of a; strong concentration of power and population. 2 1.1 History (The Calukyas were the most important dynasty to rule the Deccan until the foiindation of Vajayanagara. With ¥atapi as their first capital, the Oalukyas bro\ight ahout thei effective political unification of this part of India from the middle of the sixth century A.D. and held their own for well over two centuries against powerful antagonists like the Pallavas, to the south and Harsavardhana in the north. Inscriptions, form the main source of information ahout the Calukyas... These are found engraved on the stone walls of various monuments, on loos.e slahs a^d detached columns or on copper plates. They are written in Sanskrit and Kanarese, CO mostly employing the south Indian script. Despite the problems 5 m assembling the inscriptions , the main outline of Calukyan history is now regarded as well established. Outside the information yielded by inscriptions little help is to be had from literature. The only important sources for this period are the notes; of Httan Tsang on the country of Mo-ha-la-ch1 a, g its rulers and people , and a notice by the Persian historian Tabari . ho coins of this period have been positively identified 8 • The appearance of the Calukyas in peninsular India is associated , Q with Pulakesin I who is the first ruler and founder of the dynasty. As to the earlier origins of the family, various legends, are found in the inscriptions'^, but no record has yet been discovered that pre-dates> the rule of Pulakesin I, of whom there is an authentic document. This is an inscription 11 carved on a boulder above Badami which records that the hill 3 at Yatapi had been fortified above and below by Yallabhesvar a prior to Saka 465 (A.D. 543/4).. This ruler is to be identified with Pulakesin I. Ihe ahoice of the capital was probably dictated by strategic considerations but whether it had been the capital of the Kadambas, the rulers who preceded the Calukyas in this part of the Deccan, is not known. T p Kirttivarman 1 ascended to the throne in A.D*. 566/7 , and in the inscription of hia son he is called the first maker of Yatapi and the "night of death" (kalaratri) ' *" — — — - to the Nalas,# 1^ - - Mauryas and Kadambas .
Recommended publications
  • Historiographical Study on Vijayanagara Dynasty: an Empirical Observations 1Dr.P
    International Journal of Scientific and Research Publications, Volume 9, Issue 4, April 2019 321 ISSN 2250-3153 Historiographical Study on Vijayanagara Dynasty: An Empirical Observations 1Dr.P. Bhaskara Rao DOI: 10.29322/IJSRP.9.04.2019.p8844 http://dx.doi.org/10.29322/IJSRP.9.04.2019.p8844 Introduction This work elaborates study of Vijayanagara historiography and its importance from the beginning of human society, the man had to try to live a better life. The human life has transformed through various stages i.e. hunting-gathering to the globalization of the world in the present day. The economy, trade, and commerce had a crucial role to change the structure and thoughts of human society. In the part of developments, man has started barter system in the ancient period to control over the trade and commerce as well as monetary system continuing till today in terms of rupee coins and currency which were issuing by Government of India. The present study focuses on the historical resources during the Vijayanagara period. The VijayaNagara dynasty was founded in 1336 A.D. to protect the Indian culture. Though many dynasties were ruled in South India, there was a vacuum, which was filled by the Vijaya Nagara after Kakatiyas, and the Reddi Kingdoms. There were a disturbance and difficulties in Andhra during 13th Century A.D. after the downfall of powerful kingdoms the local chiefs and feudatories were tried to be independent but it was spoiled by the Muslim invasions. By this time the strong pillars of VijayaNagara founded to foil the enemy’s strategy and made the unity among the local people.
    [Show full text]
  • Construction Techniques of Indian Temples
    International Journal of Research in Engineering, Science and Management 420 Volume-1, Issue-10, October-2018 www.ijresm.com | ISSN (Online): 2581-5782 Construction Techniques of Indian Temples Chanchal Batham1, Aatmika Rathore2, Shivani Tandon3 1,3Student, Department of Architecture, SDPS Women’s College, Indore, India 2Assistant Professor, Department of Architecture, SDPS Women’s College, Indore, India Abstract—India is a country of temples. Indian temples, which two principle axis, which in turn resulted in simple structural are standing with an unmatched beauty and grandeur in the wake systems and an increased structural strength against seismic of time against the forces of nature, are the living evidences of forces. The Indian doctrine of proportions is designed not only structural efficiency and technological skill of Indian craftsman to correlate the various parts of building in an aesthetically and master builders. Every style of building construction reflects pleasing manner but also to bring the entire building into a a clearly distinctive basic principle that represents a particular culture and era. In this context the Indian Hindu temple magical harmony with the space. architecture are not only the abode of God and place of worship, B. Strutural Plan Density but they are also the cradle of knowledge, art, architecture and culture. The research paper describes the analysis of intrinsic Structural plan density defined as the total area of all vertical qualities, constructional and technological aspects of Indian structural members divided by the gross floor area. The size and Temples from any natural calamities. The analytical research density of structural elements is very great in the Indian temples highlights architectural form and proportion of Indian Temple, as compared to the today's buildings.
    [Show full text]
  • Research Paper Sociology Vamana–Trivikrama in Badami Chalukya Sculpture
    Volume : 2 | Issue : 9 | Sept 2013 • ISSN No 2277 - 8160 Research Paper Sociology Vamana–Trivikrama In Badami Chalukya Sculpture Smt. Veena Muddi Research Scholar,Dept of Ancient Indian History and Epigraphy, Karnatak University, Dharwad Introduction Padma Purana Until the time of Vikramaditya I the rulers of the Chalukya dynasty of Vishnu was born as a son of Aditi. Knowing about sacrifice being per- Badami (543-757 CE) were the inclined towards Vaishnavism. The re- formed by Bali, Vishnu went to the place of sacrifice along with eight cords of Mangalesa (Padigar:2010:9-11,12-15) and Polekesi II (Padi- sages. Vamana told the reason for his arrival and asked for a piece of gar:2010:42-45) are vocal in describing them as parama-bhagavatas, land measured by his three steps. Sukracharya advised Bali not to grant ‘great devotees of Vishnu’. The fact that two of the four caves excavated Vamana’s request. But Bali would not listen to his guru. He washed the by them at their capital Badami, all of them dating from pre-620 CE feet of Lord and granted Vamana’s wish. After that Lord abandoned his period, are dedicated to god Vishnu is further evidence of the situation. dwarfish form, took the body of Vishnu, covered the whole universe In 659 CE Virkamaditya I was initiated into Mahesvara brand of Saivism and sent Bali to netherworld.(Bhatt:1991:3211-3215) through a ritual called Sivamandala-diksha. (Padigar:2010:67-70) Henceforth he came to be called a parama-Mahesvara, ‘a great devo- Narada Purana tee of Mahesvara or Siva’.
    [Show full text]
  • Shiva's Waterfront Temples
    Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies.
    [Show full text]
  • (BA-II) Sub-Kannada
    SHIVAJI UNIVERSITY, KOLHAPUR ***************** Accredided by NAAC ‘A’ Grade CHOICE BASED CREDIT SYATEM Syllabus for Bachelor of Arts (B.A-II) Sub-Kannada Sem-III&IV(DSC-C17 DSC-C18 DSC-C41 DSC-C42) (To be implemented from June, 2019 onwords) SHIVAJI UNIVERSITY, KOLHAPUR B.A-II ( Choice Base Credit System) (CBCS) (Academic Year 2019-20 Onwards) Semester –III (Paper-IV) (DSC-C18) Modern Kannada Poetry Detailed Syllabi Objectives: 1. To acquaint the students with modern Kannada Literature 2. To introduce the Students to Kannada Poems with reference to the text prescribed. 3. To develop literary competence among students. Text book Prescribed: 1.Hosagannada Kavya Sanchay – Edited by Dr.Gangambike k. Patil Published by Siddlingeshwar Prakashan Kalburagi. Unit-1) The Introduction of Modern Kannada Poets and peoms. Unit- 2) Jayadevi Tai Ligade :- 1. Summanaguve 2. Matadu Matanadu Atumad Lingave 3. Veera Vaniteyar 4. Maatu Unit-3) Siddayya Puranik 1. Basavana Bedake 2.Kannada Kal? 3.Jama Kharchu 4.Halliya Hadendu Hasya Madalu Bedi Unit-4) Channaveer Kanavi 1.Kannada Jyotiy Deepagalu 2. Nilambike 3. Hosabalu Nammadide 4. Lal Bhaddur Shastri Division Of Teaching Hours: Each Unit 15 Hours: Total 60 Hours Reference:- 1) Hosagannad Sahitya Charitre: L.S.Sheshgirirao 2) Hosagannad Sahitya Sangati: Keertinath Kurtkoti 3) Samanynige Sahitya Sampeetagalu: Bangaluru University SHIVAJI UNIVERSITY, KOLHAPUR B.A-II (Choice Base Credit System) (CBCS) (Academic Year 2019-20 Onwarda) Semester –III (Paper-III) (DSC-C17) Medieval Kannada Literature Detailed Syllabi Objectives: 1. To acquaint the students with medival Kannada Literature 2. To introduce the Students to forms of medival Kannada Literature. 3. To develop literary competence among students.
    [Show full text]
  • ART. X.—Translations of Three Copper Plate Inscriptions of the Fourth Century, A.D., and Notices of the Chalukya and Gurjjara Dynasties
    JOURNAL THE EOTAL ASIATIC SOCIETY. ART. X.—Translations of Three Copper Plate Inscriptions of the Fourth Century, A.D., and Notices of the Chalukya and Gurjjara Dynasties. By Professor J. DOWSON, Staff College, Sandhurst. [Read March 21, 1864.] IN the year 1837, Dr. A. Burn transmitted to Mr. James Prinsep, then Secretary of the Asiatic Society of Bengal, transcripts and facsimiles of four Copper Plate Inscriptions. " These plates," he said, " were found in the town of Kaira, about ten years ago. The river Watrua runs close to the walls on the north-west side, and was the cause of the dis- covery, by washing down the walls and earth. They had been handed about the country among the natives for translation, it being supposed they were connected with some deposit of treasure. At last they were brought to me by a fakir, of whom I purchased them." 1 These plates proved to be of great archaeological value, for three of them being dated both in words and figures, they furnished a key to the value of the old Sanskrit numerals. Much pleased with the discovery of this fact, Mr. Prinsep published fac-similes and explanations of the dates,2 and fol- lowed up the clue thus placed in his hands with characteristic ardour. In October, 1838, after Mr. Prinsep had left India, a tran- script and a partial translation of one plate was published, 1 Journal Beng. As. Soc. vol. vii. p. 908. Thomas's Prinsep, vol. i. p. 262. 8 Beng. J". vol. vii. p. 348. Thomas, vol. ii., p.
    [Show full text]
  • Hoysala King Ballala Iii (1291-1342 A.D)
    FINAL REPORT UGC MINOR RESEARCH PROJECT on LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA III (1291-1342 A.D) Submitted by DR.N.SAVITHRI Associate Professor Department of History Mallamma Marimallappa Women’s Arts and Commerce College, Mysore-24 Submitted to UNIVERSITY GRANTS COMMISSION South Western Regional Office P.K.Block, Gandhinagar, Bangalore-560009 2017 1 ACKNOWLEDGEMENT First of all, I would like to Express My Gratitude and Indebtedness to University Grants Commission, New Delhi for awarding Minor Research Project in History. My Sincere thanks are due to Sri.Paramashivaiah.S, President of Marimallappa Educational Institutions. I am Grateful to Prof.Panchaksharaswamy.K.N, Honorary Secretary of Marimallappa Educational Institutions. I owe special thanks to Principal Sri.Dhananjaya.Y.D., Vice Principal Prapulla Chandra Kumar.S., Dr.Saraswathi.N., Sri Purushothama.K, Teaching and Non-Teaching Staff, members of Mallamma Marimallappa Women’s College, Mysore. I also thank K.B.Communications, Mysore has taken a lot of strain in computerszing my project work. I am Thankful to the Authorizes of the libraries in Karnataka for giving me permission to consult the necessary documents and books, pertaining to my project work. I thank all the temple guides and curators of minor Hoysala temples like Belur, Halebidu. Somanathapura, Thalkad, Melkote, Hosaholalu, kikkeri, Govindahalli, Nuggehalli, ext…. Several individuals and institution have helped me during the course of this study by generously sharing documents and other reference materials. I am thankful to all of them. Dr.N.Savithri Place: Date: 2 CERTIFICATE I Dr.N. Savithri Certify that the project entitled “LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA iii (1299-1342 A.D)” sponsored by University Grants Commission New Delhi under Minor Research Project is successfully completed by me.
    [Show full text]
  • Book Reviews - Matthew Amster, Jérôme Rousseau, Kayan Religion; Ritual Life and Religious Reform in Central Borneo
    Book Reviews - Matthew Amster, Jérôme Rousseau, Kayan religion; Ritual life and religious reform in Central Borneo. Leiden: KITLV Press, 1998, 352 pp. [VKI 180.] - Atsushi Ota, Johan Talens, Een feodale samenleving in koloniaal vaarwater; Staatsvorming, koloniale expansie en economische onderontwikkeling in Banten, West-Java, 1600-1750. Hilversum: Verloren, 1999, 253 pp. - Wanda Avé, Johannes Salilah, Traditional medicine among the Ngaju Dayak in Central Kalimantan; The 1935 writings of a former Ngaju Dayak Priest, edited and translated by A.H. Klokke. Phillips, Maine: Borneo Research Council, 1998, xxi + 314 pp. [Borneo Research Council Monograph 3.] - Peter Boomgaard, Sandra Pannell, Old world places, new world problems; Exploring issues of resource management in eastern Indonesia. Canberra: Centre for Resource and Environmental Studies, Australian National University, 1998, xiv + 387 pp., Franz von Benda-Beckmann (eds.) - H.J.M. Claessen, Geoffrey M. White, Chiefs today; Traditional Pacific leadership and the postcolonial state. Stanford, California: Stanford University Press, 1997, xiv + 343 pp., Lamont Lindstrom (eds.) - H.J.M. Claessen, Judith Huntsman, Tokelau; A historical ethnography. Auckland: Auckland University Press, 1996, xii + 355 pp., Antony Hooper (eds.) - Hans Gooszen, Gavin W. Jones, Indonesia assessment; Population and human resources. Canberra: Research School of Pacific and Asian Studies, Australian National University, 1997, 73 pp., Terence Hull (eds.) - Rens Heringa, John Guy, Woven cargoes; Indian textiles in the East. London: Thames and Hudson, 1998, 192 pp., with 241 illustrations (145 in colour). - Rens Heringa, Ruth Barnes, Indian block-printed textiles in Egypt; The Newberry collection in the Ashmolean Museum, Oxford. Oxford: Clarendon Press, 1997. Volume 1 (text): xiv + 138 pp., with 32 b/w illustrations and 43 colour plates; Volume 2 (catalogue): 379 pp., with 1226 b/w illustrations.
    [Show full text]
  • Downloaded From
    J. van Lohuizen-de Leeuw Which European first recorded the unique Dvarapala of Barabudur? In: Bijdragen tot de Taal-, Land- en Volkenkunde 138 (1982), no: 2/3, Leiden, 285-294 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com09/24/2021 08:35:46PM via free access J. E. VAN LOHUIZEN-DE LEEUW WHICH EUROPEAN FIRST RECORDED THE UNIQUE DVARAPALA OF BARABUDUR? In 1910 van Erp made an inventory of the Indo-Javanese sculptures which King Chulalongkorn of Thailand was allowed to take back to Bangkok as a memento of his extensive state visit to Indonesia in 1896. Owing to the First World War the article was not published until 1917. In 1923 and 1927 he wrote two more articles about this group of sculptures giving additional information. The piece the loss of which he most regretted was the unique dvarapala 1 of Barabudur (see PI. 1). According to van Erp this image was first noticed by an unknown visitor to Barabudur who stayed as a guest with the Resident, C. L. Hartmann, in May 1840.2 This anonymous person made the following note in his diary, which was later published in 1858 3: "A hill almost as high as that on which Boro Boedoer is situated and which rises almost immediately at its foot had for some time attracted my attention. The demang of Probolingo district, who acted as my guide, took me up this hill and told me that he wanted to show me the 'toekan' (architect) of that beautiful temple. For on the top of this hill stood a solid image of the same appearance and in the same attitude as the guardians at Prambanan but considerably smaller (i.e.
    [Show full text]
  • Decoding the Cultural Landscape of Badami
    Decoding the cultural landscape of Badami - Towards sustainability Pragya Shankar Assistant Professor School of Enviornment and Design Navrachana University, Vadodara [email protected] There exist a great variety of Landscapes that are representative of the different regions of the world. Combined works of nature and humankind, they express a long and intimate relationship between peoples and their natural environment. Cultural landscapes testify to the creative genius, social development and the imaginative and spiritual vitality of humanity. They are part of our collective identity. (UNESCO) Culture is the agent, the natural area is the medium, the cultural landscape the result (Sauer, 1925). Cultural landscapes are as much the expression of culture as the disciplines of arts and architecture. These are reflection of the common existential ideas and represent the relationship of people with the environment. This world view is a people's more or less systematic attempt to make sense of environment. To be livable, nature and society must show order and display a harmonious relationship (Tuan, 1977). The environment has been considered detrimental in shaping of cultures by environmental determinists, whereas according to the ideas of cultural determinism, it is culture which influences the relationship of man with environment. None the less, it is an accepted premise that both, the environment and culture are very closely inter-related and have multifaceted relationship with each other, the original landscape forms the part of transcendental idea and the world view and there are landscapes removed from the original place, but represent elements in similar relationships. Cultural landscape of India Landscape in India offer the possibility of transcendental experiences, their cultural meaning going beyond views or the visual composition of forms.
    [Show full text]
  • Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR)
    Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR) Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR) LGR Version: 3.0 Date: 2019-03-06 Document version: 2.6 Authors: Neo-Brahmi Generation Panel [NBGP] 1. General Information/ Overview/ Abstract The purpose of this document is to give an overview of the proposed Kannada LGR in the XML format and the rationale behind the design decisions taken. It includes a discussion of relevant features of the script, the communities or languages using it, the process and methodology used and information on the contributors. The formal specification of the LGR can be found in the accompanying XML document: proposal-kannada-lgr-06mar19-en.xml Labels for testing can be found in the accompanying text document: kannada-test-labels-06mar19-en.txt 2. Script for which the LGR is Proposed ISO 15924 Code: Knda ISO 15924 N°: 345 ISO 15924 English Name: Kannada Latin transliteration of the native script name: Native name of the script: ಕನ#ಡ Maximal Starting Repertoire (MSR) version: MSR-4 Some languages using the script and their ISO 639-3 codes: Kannada (kan), Tulu (tcy), Beary, Konkani (kok), Havyaka, Kodava (kfa) 1 Proposal for a Kannada Script Root Zone Label Generation Ruleset (LGR) 3. Background on Script and Principal Languages Using It 3.1 Kannada language Kannada is one of the scheduled languages of India. It is spoken predominantly by the people of Karnataka State of India. It is one of the major languages among the Dravidian languages. Kannada is also spoken by significant linguistic minorities in the states of Andhra Pradesh, Telangana, Tamil Nadu, Maharashtra, Kerala, Goa and abroad.
    [Show full text]
  • Cave Architecture in Karnataka 5.1 Do You Know? 5.2 Glossary
    Cave Architecture in Karnataka 5.1 Do you know? Description Image Source For some reason, the Hindu (Brahmanical) sects did not take to th rock-cut cave temples as late as 4 century CE In the series of Brahmanical cave temples of Ellora, Elephanta, Badami and Aihole, it is only Cave III at Badami which is assigned the earliest definite date (578 CE) and dynastic affiliation (Chalukyas of Badami) by inscription. 5.2 Glossary Staring Related Term Definition Character Term A Adhishthana Pedestal of a building D Dvarapala Door-guardian K Kamathopasarga Obstacles placed in vein by evil Kamatha or Samvara so as not to allow Parsvanatha to attain supreme knowledge K Kinnara A semi-divine being imagined to have half human half animal body M Mukhamandapa Porch M Mithuna A human couple normally in amorous mood, considered auspicious N Naga-Mithuna A Naga couple S Sabhamandapa A hall V Vidyadhara- A semi-divine couple, capable of moving in air; normally mithuna male carries a sword in hand. 5.3 Web links Web links http://en.www.wikipedia.org/wiki/Badami_cave_temples Asi.nic.in>Monuments>Ticketed Monuments>Karnataka http://www.youtube.com/watch?v=OcNWBd2vtztL1 http://www.youtube.com/watch?v=oRf7uebmSnw http://www.youtube.com/watch?v=2ZMGoL http://www.jainglory.com/research/meena-basti 5.4 Bibliography Bibliography George Michel, 2014, Architecture and Art of Early Chalukyas (Badami, Mahakuta, Aihole, Pattadakal), Niyogi publishers, Delhi Harle J.C., 1986, Art and Architecture of the Indian Subcontinent, Penguin publishers, Middlesex Huntington S., 1985, The Art of Ancient India, Weatherhill, New York and Tokyo Rajasekhara S., Karnataka Architecture, Sujata publishers, Dharwad Padigar S.V., 2012, Badami (Heritage Series), Department of Archaeology, Museums and Heritage, Bangalore.
    [Show full text]