Welcome UPCOMING Dear Friends, The Globe is pleased to introduce San Diego audiences to the talented play- wright Itamar Moses, who is an important writer on the New York scene and is ACE growing in reputation across the country. Moses’ play, The Four of Us, is a world January 13 - February 18, 2007 premiere about success, jealousy and friendship. Old Globe Theatre The Globe was delighted to begin 2007 with the exciting and important new nnnn musical, ACE, running through February 18. We believe it is one of the most unique and beautiful new works in some time.
RESTORATION Looking ahead to the spring and summer, Amy Freed’s Restoration Comedy,a COMEDY new large-scale production, plays in the Old Globe Theatre while former San March 3 - April 8, 2007 Diegan Annie Weisman’s comedy Hold Please will perform in the Carter. Additionally, two powerful and iconic works, August Wilson’s Two Trains Running Old Globe Theatre and Edward Albee’s Who’s Afraid of Virginia Woolf? make their return to the Globe stages. This summer, one of Broadway’s most entertaining musicals, nnnn Avenue Q, and the magical comedy Bell,Book and Candle join our annual Summer Shakespeare Festival. HOLD PLEASE As you know, your generous support allows the Globe to offer these high-caliber March 31 - May 6, 2007 productions as well as the extensive educational and outreach activities in the Cassius Carter Centre Stage community. With ticket sales covering only a portion of the cost of production and education effort expenses, your generosity is essential to our success. Every nnnn gift makes a difference and a wide range of recognition and benefits are provided for all levels of sponsorship. TWO TRAINS RUNNING Thank you for your support in 2006 and we look forward to seeing you again in April 21 - May 27,2007 the coming year. Old Globe Theatre nnnn LOUIS G. SPISTO JACK O’BRIEN JERRY PATCH Executive Director Artistic Director Resident Artistic Director Edward Albee’s WHO’S AFRAID OF VIRGINIA WOOLF? May 19 - June 24, 2007 Cassius Carter Centre Stage
PERFORMANCES MAGAZINE P1 Season Sponsors
The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.
The Lipinsky Family Donald and Darlene Shiley Sheryl and Harvey P.White Karen and Donald Cohn Conrad Prebys Valerie and Harry Cooper Audrey S. Geisel Supervisor Pam Slater-Price and the County of San Diego Globe Guilders Anonymous
To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.
P2 PERFORMANCES MAGAZINE PRESENTS
THE FOUR OF US
BY Itamar Moses
SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Kris Stone Markas Henry Russell Champa
SOUND DESIGN STAGE MANAGER Paul Peterson Tracy Skoczelas
DIRECTED BY Pam MacKinnon
Casting by Samantha Barrie
PERFORMANCES MAGAZINE P3 Cast of Characters IN ORDER OF APPEARANCE
David ...... Sean Dugan Benjamin ...... Gideon Banner
Stage Manager ...... Tracy Skoczelas
The Actors and Stage Manager employed in this production are member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.
CITY OF SAN DIEGO: MAJOR PLAYER IN THE FUNDING OF ARTS & CULTURE Each year, the City of San Diego provides critical financial support to 83 organizations through a rigorous application process managed by the Commission for Arts and Culture. Through this program, the City is The Old Globe’s largest single donor in support of annual artistic projects and education programming for schools.
City funding for arts and culture is derived from the Transient Occupancy Tax (TOT), a 10.5% tax paid by tourists visiting San Diego. The city allocates less than 1% of total TOT proceeds to the Commission for Arts and PISTO WITH S Culture for distribution to non-profit organizations. OU L ESTOR
N Each year the Commission appoints community IRECTOR D AUL volunteers to evaluate organizations — alongside the :P Commissioners themselves — based on artistic HOTO XECUTIVE .P E programming, educational activities, administrative S ’ ALA ANDERS AND HIS WIFE RANA SAMPSON AT THE
S stability, board leadership and programs for underserved G LOBE
G populations. ERRY LOBE J LD O AYOR HE
T M 2006 G In 2006, the 83 funded organizations had combined operating budgets of more than $120 million and had an enormous economic impact on the region. The Old Globe alone produces an economic impact of more than $42 million on the City of San Diego with $8.6 million generated by cultural tourists attending the summer Shakespeare Festival.
The Old Globe applauds the City of San Diego and the Commission for Arts and Culture for their vision for a vibrant and successful San Diego.
P4 PERFORMANCES MAGAZINE Production Sponsors The Old Globe would like to thank the following sponsors who have generously underwritten this production of THE FOUR OF US. . .
The mission of The James Irvine Foundation is to expand opportunity for the people of California to participate in a vibrant, successful and inclusive society. The Foundation generously supports the arts, fostering creativity and nurturing a rich cultural environment throughout California.
Thanks to a three-year grant of $500,000, The Old Globe now has a comprehensive play development program that is yielding exciting world-premiere theatre like The Four of Us for San Diego audiences to enjoy. With the Foundation’s support, the Globe’s broad repertoire is expanding to include more new plays as well as classic works, revivals and large-scale musical projects.
A few of the Globe productions supported by The James Irvine Foundation: Top left: Chita Rivera,The Dancer’s Life;photo by Joan Marcus Bottom left: Michael Arden and Charlie Neshyba-Hodges, THE TIMES THEY ARE A- CHANGIN’;photo by Craig Schwartz Top right: Colleen Quinlan and Ted Koch, Pig Farm; photo by J.T. MacMillan Bottom right: Patch Darragh and Kristen Bush, The Violet Hour;photo by Craig Schwartz
THE JESSIE POLINSKY ARTISTIC FUND
The Old Globe is proud to include The Jessie Polinsky its inception, the Fund has helped to underwrite more Artistic Fund as a production sponsor of The Four than 15 mainstage productions, from Henry IV and The of Us. SantaLand Diaries to The Oldest Living Confederate Widow Tells All and A Midsummer Night’s Dream. With this Established in 1986 by longtime Globe supporters endowment, the Globe will continue to recognize Jeannie and Arthur Rivkin, the Jessie Polinsky Artistic the family and memory of Mrs. Polinsky through a Fund is a permanent endowment that assists The Old production sponsorship each year. Globe is presenting a variety of artistic projects. Since
PERFORMANCES MAGAZINE P5 2007 Board of Directors
Dear Friends, 45,000. In March we successfully launched “Securing a San Diego Landmark,” a critical $75 million five-year campaign for With the recent completion of a capital and endowment. tremendously successful 2006, I write to thank you, our dedicated As we venture into 2007,I remind you that the stewardship of a subscribers and donors. With record major non-profit organization like The Old Globe requires con- ticket sales and unprecedented support, stant care and steadfast support. I hope that in 2007 you will once again the San Diego community has shown its enthusi- return again and again for productions at The Old Globe, and I asm and commitment to this great theatre. urge you to increase your involvement as a donor. For 71 years, The Old Globe has been a leader in San Diego culture, and with We couldn’t be happier with the success of the past 12 your support our future is extremely bright. Please join me in months. Three Globe productions were so successful that helping to make 2007 another record year for this great theatre. extra performances were added, setting box office records, and four Globe musicals played on Broadway in 2006. Our Education and Outreach programs grew to reach more than Kathryn Hattox, Chair, Board of Directors
BOARD OF DIRECTORS / OFFICERS Kathryn Hattox* Anthony S. Thornley* Deni S. Carpenter* Sandra Redman* Valerie Cooper* Tim K. Zinn* Chair Vice Chair Finance Vice Chair Development Vice Chair Nominating Secretary Treasurer
DIRECTORS F. George Gilman Daniel L. Sullivan, Ph.D. Delza Martin (1915–2005) Mary Beth Adderley Carol Hanson Julie H. Sullivan, Ph.D. Patsy Shumway Joseph Benoit Viviana Ibañez Dean Thorp Charles Brazell Sheila Lipinsky* Evelyn Mack Truitt HONORARY DIRECTORS Robert Cartwright Timothy A. MacDonald Debra Turner Mrs. Richard C. Adams Donald Cohn* Sue Major Crystal Watkins (1912–2005) Peter J. Cooper Arthur Neumann Stewart J. Weissman Clair Burgener (1921-2006) Bruce M. Dunlap Robin Nordhoff Harvey White* Mrs. John H. Fox (1908–2003) Sue Ebner Rafael Pastor Ruth Wikberg-Leonardi Audrey Geisel Bea Epsten John Rebelo Carolyn Yorston Paul Harter Joel Ewan Tom Sayles Gordon Luce (1925-2006) Pam Farr Phyllis Schwartz EMERITUS DIRECTORS Dolly Poet Jake Figi Chris Skillern Garet B. Clark Deborah Szekely Sally Furay, R.S.C.J. Nancy A. Spector J. Dallas Clark (1913–2005) Hon. Pete Wilson Victor P.Gálvez Louis G. Spisto* Bernard Lipinsky (1914-2001)
*Executive Committee Member
The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, Supervisor Pam Slater-Price and The County of San Diego.
P6 PERFORMANCES MAGAZINE Donor Spotlight WELLS FARGO FOUNDATION the time and talents of our team members. At most of the organizations that receive Foundation grants, you’ll find employees of the Foundation volunteering their personal time as well. We’ve found that volunteerism really helps to develop our team members, and we’re proud of our philanthropic work, not just in San Diego but throughout our whole footprint.” The Foundation places special focus on educational programming. “While we support job training programs, affordable housing programs and literacy programs, we are always trying to support programs that help underserved youth to be exposed to the performing arts. Programs that Old Globe Board Member and President of the Wells Fargo Foundation of California Dean Thorp with actor John Lithgow at the opening night party for Dirty Rotten Scoundrels. bring the performing arts to children help to serve our main “Charitable giving and volunteering in San Diego is more objective of building stronger communities.” than just an opportunity to share with others,” says Dean The Wells Fargo Foundation’s continued support of The Thorp, Regional Vice President of the Wells Fargo Foundation. Old Globe is an example of charitable giving at its best. Not “It’s an opportunity to build a network that will have a role in only does the Foundation make regular donations to the San Diego’s future. It’s a chance to be a part of what’s Globe’s Annual Fund and educational programming, but Dean happening in this wonderful city.” Thorp has served on the Globe’s Board of Directors for five In the last year, the Wells Fargo Foundation has donated years. Friends like Dean Thorp and the Wells Fargo $2.4 million to organizations in San Diego County. Mr. Thorp Foundation help to ensure that the Globe will continue to explains, “We do more than just donate our money; we donate serve the San Diego Community for years to come.
The Old Globe would like to recognize the following supporters who participated in Bridge to Broadway 2006 Lisa and Steve Altman Audrey S. Geisel Gaby and Rich Sulpizio Alan Benaroya Kathryn and John Hattox Sheryl and Harvey White Anita and Tracy Crider Tish and Jere Horsley Carolyn Yorston Pamela and Hal Fuson Conrad Prebys Ellen and Tim Zinn
Bridge to Broadway is a special program to help raise funds that launch Globe productions destined to play on the Great White Way. To date 19 Globe plays and musicals have gone to Broadway, four of which played in New York in 2006. The Old Globe is grateful to the donors listed above, and as participants in the Bridge to Broadway program they had the opportunity to enjoy a private dinner in one of New York’s finest restaurants, attend the opening-night performance of The Times They Are A-Changin’ or Dr.Seuss’ How The Grinch Stole Christmas!, and the opening-night cast party. For more information on participating in the Bridge to Broadway program, contact Brad Ballard, Associate Director of Development at (619) 231-1941 x2309.
PHOTO: SKYLAR STARRS SIBEN AS “CINDY-LOU WHO” AND JAY GOEDE AS THE “GRINCH” IN THE OLD GLOBE’S ANNUAL HOLIDAY PRODUCTION OF DR. SEUSS’ HOW THE GRINCH STOLE CHRISTMAS! PHOTO BY CRAIG SCHWARTZ.
PERFORMANCES MAGAZINE P7 Profiles Sean Dugan Yale University, Theater Studies. Resident Kris Stone (David) Artist, Atlantic Center for the Arts/Eric (Scenic Design) THE OLD GLOBE: Bogosian. Kris Stone’s designs have been seen Debut. OFF-BROAD- throughout the United States and Europe WAY: Nerds,Valhalla, Itamar Moses in over 100 productions and was recently Corpus Christi,Flesh & (Playwright) selected to represent the U.S. in Stage Blood,Shakespeare’s Itamar Moses is the author of the full-length Design at the upcoming Prague R&J.REGIONAL: plays Outrage,Bach at Leipzig,Celebrity Row,The Quadrennial for Equivalents (Project Arts Three Sisters,Enrico Four of Us,YellowJackets,Back Back Back, and Centre, Dublin) and Iphigenia at Aulis (The Four, Antigone,The Completeness, and various short plays and San Jose Rep). Recent designs include: Doctor’s Dilemma,Loot,Richard II,Idiots one-acts. His work has appeared Off- Private Lives (The Long Wharf Theatre - Karamazov, Cripple of Inishmaan, American Broadway and elsewhere in New York, at CT); Brundibar,the Sendak/Kushner Repertory Theatre; The Seagull,Henry IV Parts 1 regional theatres across the country and in opera (New Victory in NYC, Berkley Rep, & 2,California Shakespeare Festival; Spring Canada, and has been published by Faber & & Yale Rep); the past Humana Festival (The Forward,Fall Back, Theatre J and Vineyard Faber, Heinemann Press, Playscripts Inc., Actors Theatre of Louisville); The Playhouse. NATIONAL TOUR: Swiss Family and Vintage. He has received new play com- Underpants (The Alliance - Atlanta); As You Robinson. FILM/TV: Trust the Man,Company missions from The McCarter Theater, Like It (California Shakespeare Theatre); Man,Overnight Sensation,Law & Order:Criminal Playwrights Horizons, Berkeley Repertory and Everyday (Dublin Theatre Festival). Intent;Law & Order:Special Victims Unit,The Theatre, The Wilma Theater, and Manhattan Upcoming designs include: A new play Beat,Oz. EDUCATION: B.A. Theater Arts, Theatre Club. Itamar holds an MFA in called God’s Ear (Classic Stage Co. & New Brandeis University. Dramatic Writing from NYU and has taught Georges, NYC) and I Am My Own Wife playwriting at Yale and NYU. He is (Hartford Stage – Connecticut). Gideon Banner a member of the Dramatists Guild, MCC (Benjamin) Playwrights Coalition, Naked Angels Markas Henry THE OLD GLOBE: Writers Group, and is a New York Theatre (Costume Design) Debut. NEW YORK: Workshop Usual Suspect. Scenic and Costume Designs: The Great Big Bill, Lincoln American Trailer Park Musical (Dodger Center Theatre; Blue Pam MacKinnon Stages), Old Wicked Songs Man Group,NYC, (Director) (Scenery/Costumes) (Playhouse 91/ Boston, Chicago; NEW YORK: Itamar Moses’ Bach at Promenade/ Geffen), The Complete Works Untitled Short Play, Leipzig, New York Theatre Workshop; Erin of William Shakespeare (Abridged) Naked Angels; Courtney’s Alice the Magnet with Clubbed (Century), After the Rain (Theatre 4), The Authorial Intent/ Idea, Manhattan Theatre Thumb;Caryl Churchill’s Mad Forest, Last Session (47 Street), and Listen to My Source; The Franklin Thesis, Les Freres Juilliard; John Fugelsang’s All the Wrong Heart - The Songs of David Friedman (Studio Corbusiers; Troilus and Cressida, Shakespeare Reasons, New York Theatre Workshop 54), Escape from Pterodactyl Island (NYFF), in the Wild; I Was Tom Cruise, NY Fringe (upcoming). REGIONAL: David Mamet’s The Marriage of Figaro (Opera Colorado), Festival. REGIONAL: Big Bill,Ubu Roi, Romance at The Goodman, Edward Albee’s and Father Joy (SPF/ CATF) directed by Sincerity Forever,Williamstown Theatre Peter and Jerry:Homelife and The Zoo Story at Pam MacKinnon. Since 1991, Resident Festival; Galileo, Yale Repertory Theater; King Hartford Stage; Edward Albee’s The Goat or, Designer for The Barrow Group (Drama O’ The Moon, Merrimack Repertory Theater; Who Is Sylvia? at The Alley; Gina Desk Award Best Company and Rope, Stoneham Theatre; Oedipus, Pleasance Gionfriddo’s After Ashley at Philadelphia Nomination of Outstanding Production Theatre, London; Who’s Afraid of Virginia Theatre Co.; Victor Lodato’s 3F,4F at the for Pentecost). Briefly, costume designer for Woolf?, Ubiquity Stage; Tartuffe, Yale Dramat; Magic. the soap opera Another World . Costume 'Tis Pity She’s a Whore,Taming of the Shrew, Producer: Britney Spear’s 2001 and 2004 Macbeth, Yale Shakespeare Company. US and World Tours. Six seasons and 24 FILM/TV: Treading Water,I'd Rather be Dead. productions as Scenic Designer for The TRAINING: The Actors Center; British- Contemporary American Theatre Festival. American Dramatic Academy, London; B.A., Currently, Assistant Professor of Costume
P8 PERFORMANCES MAGAZINE Design at the University of Colorado, Sledgehammer Theatre (Associate Artist), ADDITIONAL STAFF FOR Boulder. Thanks to Shelly, Stacy, and the Mo’olelo Performing Arts Company, The THIS PRODUCTION incredible Pam. Wilma Theatre, L.A. TheatreWorks, San Diego Repertory Theatre, Florida Studio Akiko Kosaka ...... Assistant to Kris Stone Russell Champa Theatre, Lorraine Hansberry Theatre, North (Lighting Design) Shelly Williams . . . . .Assistant Costume Design Coast Rep, Diversionary Theatre, Cape Fear Current and recent projects include Leslie Sears ...... Production Assistant Regional Theatre, Hope Summer Repertory Eurydice at Second Stage in NYC and Yale Mele Nagler ...... Casting Consultant Theatre, Malashock Dance & Company, Rep, Pillowman at Berkeley Rep, Little Foxes The University of San Diego, San Diego at ACT, Distracted and I Witness at the Mark State University, and the Freud Theatre at Taper Forum in Los Angeles, and The Other UCLA. EDUCATION: BFA in Drama with Side at Manhattan Theater Club. On an emphasis in Technical Design from San Broadway, Russell designed Julia UNDERSTUDIES Diego State University. Sweeney's God Said "Ha!" at the Lyceum John Keabler...... David Theatre. Other New York theatres Russell Tracy Skoczelas Michael Kirby...... Benjamin has designed for include the Promenade (Stage Manager) Theater, the Union Square Theater, Classic THE OLD GLOBE: THE TIMES THEY ARE Stage Company, New York Stage & Film, A-CHANGIN’, Summer Shakespeare Primary Stages and La Mama etc. Festivals (‘04 - ‘06), Vincent in Brixton,I Just Regionally, Russell has designed for Stopped By to See the Man,Dirty Rotten Wilma Theatre; Seattle Rep; Trinity Rep; Scoundrels,The Food Chain,Two Sisters and a This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity McCarter Theater; Long Wharf Theater; Piano,Bus Stop,Rough Crossing,Much Ado Association, the union of professional actors and stage Campo Santo; Williamstown Theatre About Nothing,Julius Caesar,Dirty Blonde, managers in the United States. Festival; The Actors' Gang; The Kennedy Pentecost, Loves & Hours,Oldest Living Center. Thanks J + J. Peace. Confederate Widow Tells All,Splendour,Pericles, The Directors are members of the Society of Stage All My Sons,Compleat Female Stage Beauty, Directors and Choreographers, an independent national Paul Peterson Betrayal, Smash, Memoir, Dr.Seuss’ How the labor union. (Sound Design) Grinch Stole Christmas! (‘01-’06), Twelfth Night, THE OLD GLOBE: Pig Farm, The Sisters A Midsummer Night’s Dream,Henry V,The Rosensweig,Christmas on Mars,The Violet Hour, Trojan Women.EDUCATION: BFA, The Scenic, Costume, Lighting and Sound Designers in Trying,The Constant Wife,The Prince of L.A., LORT Theatres are represented by United Scenic Artists University of North Carolina at Greensboro. Local USA-826, IATSE. The Lady with All the Answers,Moonlight and Magnolias,Lobby Hero,Misalliance,Vincent in Brixton,I Just Stopped By to See the Man,
Fiction,Lucky Duck,The Intelligent Design of This Theatre operates under an Agreement with the International Alliance of Theatrical Stage Employees Jenny Chow,The Food Chain,Two Sisters and a Local No. 122. Piano,Resurrection Blues,Bus Stop,Rough Crossing,Blue/Orange,Time Flies,Pentecost, Knowing Cairo,Loves & Hours,Splendour,All My Sons,Faith Healer,Smash,An Infinite Ache, Compleat Female Stage Beauty,Betrayal,The SantaLand Diaries,Dr.Seuss’ How the Grinch Stole Christmas!,The Pavilion,Enter the Guardsman,The Boswell Sisters,Vita and Virginia,The Countess,Crumbs from the Table of Joy,Orson's Shadow,God's Man in Texas,Travels with My Aunt.ELSEWHERE: Centerstage, Milwaukee Rep, La Jolla Playhouse,
PERFORMANCES MAGAZINE P9 Program Notes On Friendship. . . WHEN FRIENDSHIP G Friendship is always a sweet responsibility,never an opportunity. ~ Kahlil Gibran F. Scott Fitzgerald was well on his way to being a celebrated young American I get by with a little help from my friends. writer when he met and befriended Ernest Hemingway. Soon after, Fitzgerald ~ John Lennon was instrumental in launching Hemingway’s career, helping to edit and promote publication of Hemingway’s first novel, The Sun Also Rises. But in his The greatest good you can do for another is not just Paris memoir, A Moveable Feast, Hemingway denied that Fitzgerald had any share your riches,but to reveal to him,his own. involvement with the novel, and continued to defame him in stories and inter- ~ Benjamin Disraeli views after Fitzgerald’s death. Hemingway’s celebrity ultimately outpaced Fitzgerald’s,whose tumultuous career was marked by financial pitfalls, alco- Nothing so fortifies a friendship as a belief on the holism, and a famously failed marriage. It is only through letters between the part of one friend that he is superior to the other. two that Fitzgerald’s championing of Hemingway – crucial to the publication ~ Honore De Balzac that created Hemingway’s rise – came to be known.
Friendship is unnecessary,like philosophy,like art…It has no survival value;rather it is one of those things that gives value to survival. a ~ C. S. Lewis
It’s the friends you can call up at 4 a.m. that matter. ~ Marlene Dietrich
A true friend never gets in your way unless you happen to be going down. ~ Arnold H. Glasgow
It is important to our friends that we are unreservedly frank with them,and important to friendship that we are not. ~ Mignon McLaughlin JOAN BAEZ AND BOB DYLAN DURING THE CIVIL RIGHTS MARCH IN WASHINGTON D.C., 1963 Thy friendship oft has made my heart to ache; do be my enemy for friendship's sake. ~ William Blake Identical twins Esther “Eppie” Pauline Lederer and her sister, Pauline “Popo” Esther Friedman Phillips, became known as “Ann Landers” and “Abigail ‘Dear A true friend stabs you in the front. Abby’ Van Buren.” Growing up in Sioux City, IA, they attended school together ~ Oscar Wilde through college, wore matching outfits, went on dates together and pretended to be the other to their beaus, and even had a joint wedding at 21. They split when Eppie, already a household name for her advice column, discovered her sister had started a column just like hers. “Abigail Van Buren” made no apologies for enter- ing the same market. The sisters were not on speaking terms for years, and the veracity of their public reconciliation in 1964 was questioned by many.
P10 PERFORMANCES MAGAZINE GOES BAD. . . On Success. . . Whenever a friend succeeds, a little something in me dies. The exclusive worship of the bitch-goddess ~ Gore Vidal Success is our national disease. ~ William James Formula for success:Rise early,work hard, strike oil. ~ J. Paul Getty How can they say my life is not a success? Have I not for more than sixty years got enough to eat and escaped being eaten? ~ Logan Pearsall Smith Success is a lousy teacher. It seduces smart people into thinking they can’t lose. ~ Bill Gates Sometimes I worry about being a success in a mediocre world. ~ Lily Tomlin
(LEFT) ERNEST HEMINGWAY;(RIGHT) F. SCOTT FITZGERALD I dread success. To have succeeded is to have finished one’s business on earth...I like a state of continual becoming,with a goal in front and In 1963, Joan Baez, the “Queen of Folk” had met a young musician who had not behind. yet to hit the mainstream – named Bob Dylan. She invited Dylan to perform ~ George Bernard Shaw his songs with her onstage, an appearance that would lead to frequent duet Nothing recedes like success. performances and a romantic relationship. Two years later, Dylan had ~ Walter Winchell become a phenomenon, and their friendship crumbled. Some accounts suggest that Baez tried to hold on to the affair despite Dylan’s ill treatment of If at first you don’t succeed,try,try again. her (documented in the film Don’t Look Back), but Dylan had moved on to Then quit. There’s no point in being a damn another relationship and to rock-and-roll. The two didn’t speak for a decade, fool about it. but apparently made amends when Baez joined Dylan in his Rolling Thunder ~ W.C. Fields Revue tour in 1975. If at first you don’t succeed,failure may be your style. a ~ Quentin Crisp Don’t confuse fame with success. Madonna is one; Helen Keller is the other. ~ Erma Bombeck You can’t plan for it...Success is shy—it won’t come out while you’re watching. ~ Tennessee Williams It’s not enough that I should succeed—others (LEFT) ANN LANDERS; should also fail. (RIGHT) ABIGAIL VAN BUREN ~ David Merrick
FOR MORE INFORMATION ABOUT OLD GLOBE PRODUCTIONS, PLEASE VISIT OUR WEBSITE AT www.TheOldGlobe.org. PERFORMANCES MAGAZINE P11 About the Playwright - Itamar Moses
‘spellbinding’. ‘Gripping’, maybe, or him a copy of Outrage. Stoppard was ‘unprecedented in its colossal impact.’” impressed. Moses later gave him Bach at Perhaps it was his upbringing in the Leipzig, for which Stoppard wrote the free-thinking city of Berkeley by a psy- introduction to the published version. chotherapist mother and a film-professor For all his wit and quips, Moses takes father that gave Moses a foundation for the responsibilities of playwriting itself playwriting . But as he confessed to the quite seriously, as is evident in the subject New York Times’ Jason Zinoman shortly matter he tackles. Outrage covers both the after his play Bach at Leipzig debuted off- past and present struggle of progressive Broadway, at one point he doubted thought within academia and politics; whether he could be a playwright. Celebrity Row imagines a cell block where “I remember being on a panel and all three renowned terrorists – Timothy these playwrights had these terrible stories McVeigh, Ramzi Yousef, and Ted about their family,” Moses said. “I Kaczinsky – are held. Bach at Leipzig, thought: ‘I could never be a playwright. which tells of seven organists, including My parents aren’t getting in my way.’” Johann Sebastian Bach, competing for a Maybe not his parents, but apparently position at Leipzig’s famous Thomaskirche living in Berkeley did. In his self-interview in 1722, uses the musical model of the he says that growing up in Berkeley fugue both in its structure and story. When asked why he became a play- “instilled me both with an uninformed Leipzig is clearly influenced by the plays of wright, Itamar Moses replies simply, “To liberal bias and with enormous skepticism Stoppard, whose lush language is often impress girls.” of uninformed liberal biases…[It’s] a lot intermixed with intellectual musings and Of course, this was a response he like dating an actress. You don’t want to historical references. made in an interview with himself, a leave, but, oh my god, you have to.” And yet, Moses thinks he’s still got a quirky piece of writing that is typical of So Moses moved to New York City, ways to go. Moses’ droll sense of humor. But as he where, after a string of dead-end temp “[When] I started out…the ideas that elaborates, one senses quickly that there is jobs, he was accepted to New York grabbed me were maybe seemingly distant much more to the 29-year-old writer. University’s Tisch School of the Arts grad- from my personal experience, but that sug- “[It was] one girl in particular. I wrote uate playwriting program. There, presum- gested a potent metaphor for something a play all about this guy…and the ‘me’ ably, he learned craft and technique, but it universal and human. And then I’d have to character, and the character based on this was his affinity for comedy, combined with work out a plot to carry the idea. I’m less girl, hooked up, in the play, and then I gave some memorable experiences of living in and less interested in that, and am training her the play to read. This is the most labor the city, that continued to inform his artis- myself to begin more viscerally…So the intensive and convoluted way of hitting on tic sensibilities. Of his many day jobs he new things I’m writing are starting more someone that you can possibly imagine. says, “It was hysterical. I mean: sad. I from the gut. Anyway, I guess I’m both But like a month later I lost my virginity. would probably write a revelatory series of trying to go deeper into myself and deeper And ten years later I don’t need a day job. essays about [them], but there’s already a into my craft. Trying being the operative So it all worked out pretty great.” David Sedaris.” word.” Unlike some established playwrights, Still, it would take a fairly major inter- It’s likely, as one who’s capable of many twice his age and with half the acco- vention of fate for Moses to finally be dis- interviewing himself with both insight lades he’s received so far in his budding covered. His first play, Outrage, was being and candor, that Moses won’t have to career, Moses’ inability to take himself too produced at the Wilma Theater in try too hard. And there’s little doubt his seriously is apparent. In an interview with Philadelphia when he showed up at a drive to write plays will continue to evolve Portland Center Stage’s Mead Hunter panel of playwrights with only one other and be inspired – by girls and Tom during their production of Moses’ Celebrity participant: Sir Tom Stoppard. The two Stoppard alike. Row, Hunter begins a question with, “A ended up taking the same train back to spellbinding aspect of your play is – “ New York that evening, and Moses handed —Kim Montelibano Heil Moses’ interrupts: “I wouldn’t say
P12 PERFORMANCES MAGAZINE Education Experiences
THE GLOBE’S LITERACY INITIATIVE This new initiative has been developed from a component of The Grinch Children’s Initiative, through which Globe docents and Globe Teaching Artists worked with more than 1,100 students who wrote their own stories and plays in English, Spanish and French as part of the Globe Readers Program. Some of the most moving stories came from students through the International Rescue Committee, who described in detail their recent immigration to the United States from Cuba, Afghanistan and Iraq, which were read and performed on the Globe’s Cassius Carter Centre Stage this summer. A GLOBE VOLUNTEER READS TO STUDENTS AS PART OF GLOBE READER PROGRAM.
THE SHAKESPEARE INITIATIVE FOR YOUNG PEOPLE This program provides the opportunity for high school, junior college and university students to study the life and times of Shakespeare and his plays, while enhancing their English, Drama and History/Social Studies curriculum through in-class presentations, observing rehearsals and attending a performance during the Globe’s Shakespeare Festival with pre- and post-show discussions. The Globe’s 2007 Summer Shakespeare productions include Hamlet, The Two Gentlemen of Verona and Measure for Measure.For additional information, contact our Group Sales Manager at (619) 231-1941, x2408.
THE OLD GLOBE’S 2006 SHAKESPEARE FESTIVAL PRODUCTION OF A MIDSUMMER NIGHT’S DREAM.
OTHER EDUCATION PROGRAMS
• The Old Globe’s Outreach Touring program produces plays specially created for young audiences. In 2006 more than 5,000 students experienced live theatre performed at their own schools through this exciting program. The ’07 production will be announced in the spring. • The Old Globe Teaching Artists present in-classroom, standards-based workshops to prepare students who will be attending productions at the theatre. • Professional Development opportunities for teachers are available through the Education Department. Programs in Arts Integration and Theatre Arts are available.
For more information on Education programs at the Globe contact LEFT - RIGHT: JUSTON HARLIN AND CHRISTOPHER BUESS, Roberta Wells-Famula, Director of Education at (619) 238-0043 x2144 or THE STONES email at [email protected]
PERFORMANCES MAGAZINE P13 The Craig Noel League Help Secure The Old Globe for Generations to Come
“…every good and excellent thing in the world CRAIG NOEL LEAGUE MEMBERS stands moment by moment on the razor edge Deferred Giving Society of The Old Globe of danger and must be endowed…” Anonymous (14) Arthur and Marilyn Neumann — Adaptation of Thornton Wilder’s Robert S. Albritton* Craig Noel The Skin of Our Teeth Nancine Belfiore Greg and Polly Noel Alan Benaryoa PACEM (Pacific Academy of Dr. and Mrs. Edgar D. Canada Ecclesiastical Music) Garet and Wendy Clark Mrs. Margaret F. Peninger* J. Dallas* and Mary H. Clark Velda Pirtle* R. Patrick and Sharon Connell Florence Borgeson Plunkert* Patricia W. Crigler, Ph.D., Dolly and Jim Poet CAPT/USN/Ret. Dorothy Shorb Prough* Carlos and Patricia Cuellar Brenda Marsh-Rebelo and Patricia* and Donn DeMarce John Rebelo Mrs. Philip H. Dickinson Donald and Darlene Shiley Craig Noel Dr. and Mrs. Robert Epsten Patsy and Forrest Shumway Founding Director Frank A. Frye, III B. Sy and Ruth Ann Silver Nancy Reed Gibson Stephen M. Silverman Robert Gleason and Marc Matys Roberta Simpson Like friendship, theatre is a shared experience that Marcy Goldstone Dolores and Rod Smith enriches and nourishes all who participate. The Old Kathryn Crippen Hattox John and Cindy Sorensen Globe has enriched our lives and nourished the people David and Debbie Hawkins Marje Spear of San Diego for more than 70 years. Craig and Mary Hunter Nancy A. Spector and Barbara Iredale* Alan R. Spector Bob Jacobs Jeanette Stevens Now the time has come to secure the future of our Joseph E. Jessop* Eric Leighton Swenson treasured Old Globe, ensuring that it brings joy and J. Robert and Gladys H. King Anne C. Taubman fulfillment to others for generations. Marilyn Kneeland Cherie Halladay Tirschwell Jean and David Laing Marian Trevor Many friends are helping to secure the Globe’s future by Jerry Lester Foundation (Mrs. Walter M.)* leaving gifts in their wills, estates and trusts. Dr. Bernard Lipinsky* Evelyn Mack Truitt Heather Manion Ginny Unanue Calvin Manning Carol and Lawrence Veit We hope you might be so encouraged. For information Paul I. and Margaret W. Meyer Harvey and Jordine on making planned gifts to support the Globe, please Judy and George Miller Von Wantoch contact Brad Ballard at (619) 231-1941 x2309 or via Steve Miller Merle and Phil Wahl email [email protected]. We appreciate Dr. Robert W. Miner Holly J.B. Ward your consideration. Shirley Mulcahy Sheryl and Harvey P.White Laurie Dale Munday Mrs. Jack Galen Whitney Stanley Nadel and Stanley E. Willis II* Cecilia Carrick Julie Meier Wright Alice B. Nesnow *Deceased
P14 PERFORMANCES MAGAZINE Ambassador Program GLOBE AMBASSADORS GO BEHIND THE SCENES
In 2007 The Old Globe launches the Globe Ambassadors Globe Ambassador Donor Benefits Program, a special opportunity for donors to gain “behind the scenes” access to the inner workings of the theater. ➤ Invitation to the Annual Board of Directors and Ambassadors Dinner; Membership is through special invitation, based on ➤ Small group lunches with the Globe’s Executive recommendations from Globe Board Members, executive staff Director Lou Spisto to hear more about management, and other Ambassadors. Each Ambassador is asked to make an artistic goals and upcoming projects at the Globe; annual contribution of $2,500 or more annually, which entitles ➤ Recognition for the 2007 Ambassador-sponsored them to exclusive benefits. production of Edward Albee’s Who’s Afraid of Virginia Woolf?; With this close personal connection to the theatre, Globe ➤ Ambassadors will be better prepared to spread the word about Listing as an Ambassador in the Globe’s Performances program magazine; the theatre’s artistic and education programs among relatives, friends and community members. ➤ Invitation to all “Meet the Artist” events; ➤ Unlimited access to the Lipinsky Family Suite, the For further information about the Globe’s Ambassadors Globe’s VIP lounge; and Program, please contact Associate Director of Development ➤ VIP ticketing and personal service. Brad Ballard at (619) 231-1941 ext. 2309 or [email protected]. TONY AWARD®-WINNER BEST MUSICAL! BEST ORIGINAL SCORE! BEST BOOK!
Grade A. Jaw-droppingly hilarious! One of the Funniest Shows “ You’re Likely Ever to See. - ENTERTAINMENT WEEKLY” A Breakthrough Musical. Savvy, Sassy and Delicious! “ - THE NEW YORK TIMES ” SUBSCRIPTIONS ON SALE NOW!
THE OLD GLOBE AT DOWNTOWN’S SPRECKELS THEATRE JUN 30 - AUG 5, 2007
PERFORMANCES MAGAZINE P15 Annual Fund Donors
The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) City of San Diego, Commission for William Randolph Hearst Foundation Supervisor Pam Slater-Price Arts & Culture The James Irvine Foundation and the County of San Diego Audrey S. Geisel/The San Diego The San Diego Union-Tribune The Shubert Foundation Foundation Dr. Seuss Fund Donald & Darlene Shiley
Season Sponsors ($50,000 to $99,999) AT&T Valerie & Harry Cooper Qualcomm, Inc. California Bank & Trust Globe Guilders Union Bank of California J. Dallas & Mary H. Clark Fund at The Lipinsky Family Wells Fargo The San Diego Foundation Patrons of the Prado Sheryl & Harvey P.White Karen & Donald Cohn Conrad Prebys Production Sponsors ($25,000 to $49,999) Mary Beth Adderley & Richard Wright Cohn Restaurant Group/Prado Restaurant Joan & Irwin Jacobs American Airlines Continental Airlines Sempra Energy Bank of America Danah H. Fayman Sheraton San Diego Hotel & Marina Alan Benaroya Jake & Todd Figi Starbucks Coffee John A. Berol Kathryn & John Hattox Mandell Weiss Charitable Trust Bombardier Flexjet HM Electronics, Inc. Director Circle ($10,000 to $24,999) Anonymous (2) Lee & Frank Goldberg Nancy & Alan Spector and Family Peter Cooper & Norman Blachford Susan & Dr. Ronald Heller Ms. Jeanette Stevens Advised Fund at the San Diego Human Dr. & Mrs. Harry F. Hixson, Jr. Anne Taubman & David Boyle Dignity Foundation Supervisor Bill Horn Gillian & Tony Thornley Mary Ann Blair and the County of San Diego Evelyn Mack Truitt Charles & Molly Brazell Deni & Jeff Jacobs Erna & Andrew Viterbi The Louis Yager Cantwell Private Foundation Mr. & Mrs. Neil Kjos Christopher & Patricia Weil Deni & Ken Carpenter Dr. Ronald & Mrs. Ruth Leonardi Weingart-Price Fund at The San Diego Supervisor Greg Cox Susan & John Major Foundation and the County of San Diego Stewart & Brenda Weissman Darlene G. Davies in memory of Dr. Patricia Montalbano Lowell Davies Robin & Hank Nordhoff Brent V. Woods & Laurie C. Mitchell Mr. & Mrs. Brian Devine The Kenneth T. & Eileen L. Norris Foundation June E. Yoder Bea & Dr. Robert M. Epsten Allison & Robert Price Carolyn W. Yorston Pam & Chuck Farr Sandra & Allen Redman Robert & Deborah Young F. George Gilman & Dale Burgett Patsy & Forrest Shumway Ellen & Tim Zinn Founder Circle ($5,000 to $9,999) Lawrence G. Alldredge & Dawn Moore Leo S. Guthman Fund Charles Noell & Barbara Voss Anonymous (1) Melissa & James Hoffmann Patti & Mike Rabbitt Ken & Ginger Baldwin Carol & George Lattimer Ellen C. Revelle Jane Smisor Bastien Peter & Inge Manes Jeannie & Arthur Rivkin Nina & Robert Doede Bob Martinet & Susan Parkin Boyd S. Smith Alan & Pauline Fatayerji Paul I. & Margaret W. Meyer Katie & Dan Sullivan Mary Ann & Arnold Ginnow Money/Arenz Foundation, Inc. Deborah Szekely Robert Gleason & Marc Matys Arthur & Marilyn Neumann Pamela & Marty Wygod For more information on becoming a donor to The Old Globe,please contact Brad Ballard at (619) 231-1941 x2309 or visit us online at www.TheOldGlobe.org. P16 PERFORMANCES MAGAZINE Annual Fund Donors
PLAYWRIGHT CIRCLE Mr. & Mrs.Joseph Taft Karen & Orrin Gabsch ($2,500 to $4,999) Marilyn Elizabeth Thompson Deede Gales Dr. & Mrs. Wayne Akeson Dixie & Ken Unruh Elaine & Murray Galinson Gail, John & Jennifer Andrade Carol Vassiliadis Barbara & Albert Garlinghouse Dr. Bob & Jill Andres Jean & Tim Weiss Bill & Judy Garrett Mr. & Mrs. Richard Baldwin Helene & Allan Ziman Drs. Thomas H. & Jane D. Gawronski Melissa Garfield Bartell & Michael Bartell Mr. & Mrs. Daniel Genis Joan & Jeremy Berg CRAIG NOEL CIRCLE Teresa C. George Arthur & Sophie Brody Fund of the ($1,500 to $2,499) Martin & Enid Gleich Jewish Community Foundation The Family of Richard & Mary Adams Tom & Sheila Gorey Cecilia Carrick & Stan Nadel Richard Addesso Dr. & Mrs. William Gott Judy & Tom Carter Anonymous (1) Jay & Mary Hanson Garet & Wendy Clark Edwin Bacher Norm Hapke & Valerie Jacobs Hapke The Colwell Family Fund at The San Diego Mr. & Mrs. John E. Barbey, Jr. Drs. Patrick Harrison & Eleanor Lynch Foundation Diana Barliant & Nowell Wisch Dr. & Mrs. Peter K. Hellwig Ms. Heidi Conlan/The Sahan Daywi Mrs. Inge Lehman Barta Rhonda Heth & Tom Mabie Foundation Mrs. Lazare F. Bernhard Michael & Jill Holmes R. Patrick & Sharon Connell Sally & John Berry Dr. David K. Hostetler John & Ann Davies Charles & Charlotte Bird Gary & Carrie Huckell Bernard J. Eggertsen & Florence Nemkov Paul Black Roberta Hussey Samuel I. & John Henry Fox Foundation at Cynthia Bolker & Greg Rizzi Jerri-Ann & Gary Jacobs Union Bank of California Terry & Bill Burd Al & Pat JaCoby Millicent & Charles Froehlich Clint & Susie Burdett Mr. & Mrs. David J. Johnson Martha & George Gafford Anita Busquets & William Ladd William W. Karatz Geraldo & Scarrain Gomes Dr. & Mrs. Robert M. Callicott Marge & Jerry Katleman GSG Capital Advistors, LLC/ Ruth Mary Campbell William & Edythe Kenton Laura & Glenn Goodstein Dr. & Mrs. Edgar D. Canada Mr. & Mrs. Irving J. Kern Ms. Cheryl Haimsohn Pamela & Jerry Cesak Jo Ann Kilty Fred & Alicia Hallett Carol & Rudy Cesena Ken & Sheryl King Alexa Kirkwood Hirsch Carol & Jeff Chang Dr. & Mrs. Ara S. Klijian Leonard & Elaine Hirsch Jack & Carol Clark Dr. & Mrs. R.W. Klofkorn Tish & Jere Horsley Mike Conley & Sue Steele Brooke & Dan Koehler Richard & Janet Hunter Roger Cornell, M.D. Rosalie Kostanzer & Mike Keefe Mary & Russell Johnson Richard & Stephanie Coutts Mr. & Mrs. Richard S. Ledford Dr. & Mrs. Richard L. Kahler Susan B. Cowell Terry & Mary Lehr Bob & Gladys King Sally & Pat Crahan Ms. Sherrill Leist Bob & Laura Kyle Gigi Guin Cramer James & Pamela Lester Dr. Marianne McDonald Mrs. Willard T. Cudney Jerry Lester, M.D./Rosarito, Mexico Judy & George Miller Dr. & Mrs. Francis C. Cushing, Jr. Mr. & Mrs. Paul Levin Harle Garth Montgomery Mrs. Gail Powell Davis Sandy & Arthur Levinson David & Noreen Mulliken Pat & Dan Derbes Jerry & Elsa Lewis Tom & Lisa Pierce Dean & Mrs. Michael H. Dessent Don & Mary Jane Lincoln Dolly & Jim Poet Mrs. Philip H. Dickinson Mathew & Barbara Loonin Mr. & Mrs. Matthew Pollack Jim & Sally Ditto Merriel Mandell The Pratt Memorial Fund at Union Bank Marion Eggertsen Charlie & Jackie Mann of California Noddy & Ira Epstein F. Dale & Lois Marriott John & Marcia Price Family Foundation Carol Fink R.J. Maus, Architects Brenda Marsh-Rebelo & John Rebelo Dieter & Susan Fischer/Dieter’s Nancy McCune Margery P.Schneider Mercedes Service Bill & Jeri McGaw Marisa SorBello & Peter Czipott Mary & David Fitz Elizabeth & Edward McIntyre Julie & Bob Sullivan Susanna & Michael Flaster Harold O. McNeil Jay & Diane Sweeney Sid & Jean Fox Elizabeth Meyer
PERFORMANCES MAGAZINE P17 Annual Fund Donors continued
Joel & Deirdre Mick PLATINUM Ina S. Bartell Estelle & Jim Milch ($1,000 to $1,499) Jack & Dorothy Baser Foundation Rena Minisi & Rich Paul In Memory of Charles R. Allen Richard & Linda Basinger Judith & Neil Morgan Mr. & Mrs. Robert Beck Judy & Larry Belinsky Coralee Ann Morris Drs. Gary & Barbara Blake Lee & Amnon Ben-Yehuda James & Nancy Mullen Ronda & Stanley Breitbard Nicholas B. Binkley Jan & David Mullin Sandra & Harry Carter Robert & Nancy Blayney Ruth & Jim Mulvaney Deloitte/Mauricio Monroy Joyce & Bob Blumberg Bette Nagelberg Ron & Devora Eisenberg–Great News! Mrs. Suzanne I. Bond Josiah & Rita Neeper Richard & Donna Ferrier H.L. & Irene Boschken Mr. & Mrs. Victor H. Ottenstein Hal & Pam Fuson Mrs. Henri Brandais Marcia & Jim Piper Drs. Barbara & Leonard Gosink Mr. & Mrs. Blaine A. Briggs Martha Meade Pitzer Sandra Gulden & Leon J. Goldberger Beth & Tim Cann Mo & Bill Popp Gulden Private Foundation Greg & Loretta Cass Dr. & Mrs. Daniel Porte Mr. & Mrs. Thomas M. Henry Harry & Carol Cebron Joanne Powers Suzanne & Lawrence Hess Ray & Shelley Chalupsky Jim & Claudia Prescott Drs. Sonia & Andy Israel Lynne Champagne & Wilfred Kearse RAdm. Arthur & Peggy Price, Jr. James Klein Insurance Doug & Elisabeth Clark Don & Marie Prisby Dr. & Mrs. James E. Lasry Sue & Keith Colestock Joseph Rascoff Mr. & Mrs. James Lim Robin & William Comer Mr. & Mrs. Roger Roberts Jasna Markovac & Gary Miller Steve & Carolyn Conner Nancy J. Robertson Valorie McClelland Alan L. & Frances E. Cornell Lorna Rosenberg Akiko Charlene Morimoto & Jane Cowgill Rachel A. Rosenthal Hubert Frank Hamilton, Jr. A.W. Dibelka Mr. & Mrs. Charles P.Royce Susan Parker In Memory of Edith Dolnick Warren & Beverly Sanborn William & Sandra Peavey Dr. Donald & Eilene Dose Susan & Edward Sanderson Deborah B. Pettry Elisabeth Ecke C.A. & Sherry Sheppard Jeanette Rubin Family Fund of the Peggy Elliott Roberta J. Simpson Jewish Community Foundation Dan & Phyllis Epstein Dotti & Joel Sollender Don & Darlene Russell Mr. & Mrs. Jesse Fadick N.L. Stanworth in loving memory of Scott Cheryl & Frank Ruyak Dr. Susan Dersnah Fee Nancy Steinhart & Rebecca Goodpasture Marilies Schoepflin, Ph.D. Richard & Beverly Fink Family Foundation Eugene L. & Hannah Step Dee E. Silver, M.D. Dr. & Mrs. Frederick A. Frye Mickey Stern Alice & Lewis Silverberg Sally Fuller Marc R. Tarasuck, AIA Alan & Esther Simon Mr. & Mrs. Peter Gault The Tarlov Family John & Margery Swanson Theresa & Craig Georgi Mr. & Mrs. Charles Taubman Dr. Charles & Brita Tesar Arthur & Judy Getis Cherie Halladay Tirschwell Janet & Bernard Trabin Louise & Doug Goodman Gene & Celeste Trepte W. Bruce & Cynthia Tuckerman Robert & Edry Goot Carol & Larry Veit Stan & Anita Ulrich Chris Graham & Michael Albo Doris & Lou Vettese James & Ellen Weil Carol & Don Green Jordine & Harvey Von Wantoch The Grey White Family Fund Mr. George Guerra Pamela J. Wagner Keith J. Wong Linda E. Hanson Merle & Phil Wahl Christy & Howard Zatkin Alex & Mary Hart Jan Harden Webster & Raul Ortega Stephanie & Scott Herman Shirli Fabbri Weiss GOLD Arnie & Barbara Hess Michael & Penny Wilkes ($500 to $999) Mr. Stephen Hopkins & Dr. Carey Pratt Mr. & Mrs. Harold B. Williams Anonymous (3) Margot Reinke Humphreys Alice Marie Young Mr. & Mrs. Bill Arnold Jackie Johnston-Schoell Brad Young Arthur Family Fund at The San Diego Kathy & Rob Jones Allan & Bev Zukor Foundation Kenneth & Marilyn Jones Earl Asbury Andrew & Denise Kaplan Rhoda & Mike Auer
P18 PERFORMANCES MAGAZINE Miriam & Jerome Katzin Mr. & Mrs. Randall Silvia Dr. & Mrs. Simon C. Brumbaugh, Jr. Lloyd & Joanna Kendall Rodney & Dolores Smith Fund at Beth Bruton Helen & Webster Kinnaird The San Diego Foundation Barbara Bry & Neil Senturia Gayle & Jerry Klusky Herbert & Elene Solomon Mr. Glenn Buberl Jo Ann & Lee Knutson Ron & Susan Styn David Burns & Diane Lischio Curt & Nancy Koch Clifford & Kay Sweet John & Kirk Butler Bill & Linda Kolb Tracy Tajbl & Neil Kent Jones Helen M. Caldwell Jeri Koltun Mrs. Terry Tidmore Jane Carrigan Marvin Krichman & Francy Starr Mr. & Mrs. John Torrell Ellen Casey Lou Krueger Ms. C. Anne Turhollow & Luc & Ann Marie Cayet-Pleska LABS, Inc./Silvia Dreyfuss Mr. Michael Perkins Charlene Chatham & William Price John Q. Lalas, Jr. Midgie Vandenberg Mr. & Mrs. Art Cohen Janet & Dan La Marche Will & Vanessa Van Loben Sels Ronald D. Culbertson Dr. Eric Lasley Natalie C. Venezia & Paul A. Sager Glenn Currie Photography Richard C. Levi Pat & Allen Weckerly John Davis & Bill Hughes Sherry & Rick Levin Zona Weekley Mr. & Mrs. William Deatrick Marc C. Lorenzo Jo & Harold Weiner Mr. & Mrs. Homer Delawie Dr. & Mrs. Leeland M. Lovaas Janice Weinrick Mr. & Mrs. Wes Dillon Edward H. & Nancy B. Lyon Mr. & Mrs. David Weinrieb Patricia & Glen Doughty Dr. Carl Maguire & Margaret Sheehan Dennis & Carol Wilson Sean & Kellie Doyle Brian C. Malk & Nancy H. Heitel Fund at Mr. & Mrs. C.E. Wylie/C.E. Wylie Stephen & Sandra Drew The San Diego Foundation Construction Company Lizbeth Ecke & David Meyer Dr. Robert & Marcia Malkus Dr. Joseph Yedid & Susan Sincoff Patricia Eichelberger Ron & Mercy Mandelbaum Elizabeth Zeigler & Bernard J. Kuchta Judge & Mrs. Harry Elias Joanne D. Marugg Peter & Doris Ellsworth Christopher Maxin & SILVER Barbara & Dick Enberg Stephanie Buttell-Maxin ($250 to $499) Dr. Ruth M. Forbis Dr. & Mrs. Joseph McGreevy Margaret Acampora Larry & Jan Ford Mr. & Mrs. William McKenzie Mr. Gale Acker & Dr. Nancy Acker Clare & Paul Friedman Theodore A. Milby Dr. & Mrs. Maurice Alfaro Dr. Richard & Randee Friedman Carol & Michael Morris George Amerault Natacha Furlan Susan & Charles Muha Mr. & Mrs. Thomas Anderson Charles & Jeanne Gahagan Katherine Newton Anonymous (8) Ferdinand Gasang Willene D. Nichols Antique Row Café - Normal Heights Norman & Patricia Gillespie Jack & Virginia Oliver Drs. Michael & Gabriela Antos Dr. & Mrs. Michael Goldbaum Rod & Barbara Orth Robert W. Arnhym Howard & Carole Goldfeder Mr. & Mrs. David J. Pettitt Mr. & Mrs. David A. Baer Drs. Thomas & Cynthia Goodman Dr. Ken Pischel & Dr. Katherine Ozanich John & Elizabeth Bagby Euvoughn L. Greenan Dr. Julie Prazich & Dr. Sara Rosenthal Mr. Allen & Mrs. Nancy Bailey Mr. & Mrs. Arthur A. Greenberg Eileen Prisby Beverly Bartlett & Barbara Sailors Jerome & Anita Gutkin Mrs. Charlotte Rees Sharon & Bill Beamer Margaret Hall Joseph W. Robinson Bruce & Patricia Becker Helen M. Hammond Stuart & Linda Robinson Bee Best Bee Removal, Inc. Robert M. & Helen M. Hansen Dr. H. Warren Ross Mr. & Mrs. T.K. Bell C. Harbordt Mr. Joseph Rusche Armand Bernheim, Jr. Joel Harms Dr. Joseph & Carol Sabatini Mr. & Mrs. Stanley Birstein Mr. & Mrs. James Harris Phoebe & David Sackett Robert Blanton & Ann Clark Mrs. Corrine M. Harvey Ned Schmidtke Dr. James Lewis Bowers Jane & Richard Haskel Mr. & Mrs. John Seiber Mr. & Mrs. Ronald Brady Lucy & Jim Haugh Ms. Debbie Seid Dr. & Mr. Cecelia Brock Mr. & Mrs. William Hawkins Richard Shapiro & Marsha Janger Ed Brookins Michele D. Hearns, Inc. Kenneth A. Sherborne Perla Brownlie Joan Henkelmann
PERFORMANCES MAGAZINE P19 Annual Fund Donors continued
Mr. & Mrs. Stanley Herskovitz Mr. & Mrs. Jim Melcher Kathryn & Terrence Slavin Donald J. Hickey Christine Mersten Charles & Julie Smith Christine B. Hickman & Dennis A. Ragen Drs. John Meyers & Betty Joan Maly Norman & Judith Solomon Raymond L. Higgins Dr. & Mrs. Paul E. Michelson Fred & Christine Stalder Mr. & Mrs. Thomas O. Hippie James & Dorothy Mildice Alan M. Stall Leslie Hodge Joel, Annette & Arianna Millman Ann & Robert Steiner John & Peggy Holl Margaret Mitchell Mr. & Mrs. Harris Steiner Paul & Barbara Holz Dr. & Mrs. Izaac Mizrahi Edward Stickgold & Steven Cande Nancy & Bill Homeyer Mark & Margie Morel Sharon S. Storey Bonnie & Cecil Hornbeck Mary Jo Murphy Dave & Jan Stormoen Mr. & Mrs. Lee Horowitt Anne Myers Helga & Sam Strong Steven & Nancy Howard Mr. & Mrs. H. Martin Nash Abbe Wolfsheimer Stutz Stephanie B. & Carl A. Hurst Tom & Doris Neuman John & Linda Sunkel Joseph & Donna Hynes Mark Niblack Mrs. J.B. Swedelius Mr. & Mrs. Joseph & Eileen Innecken Mr. & Mrs. J. Gregory Noel Dr. Blake S. & Mrs. Peggy Jean Talbot Susan D. Inot Dr. David & Elizabeth Ostrander Dr. Terry & Naomi Tanaka Mr. & Mrs. David Ives Carolann Pagliuso Dr. Marshall & Leila Taylor Bill & Cheri James Pamela Palisoul Linda Terramagra Nancy B. James In Memory of Margaret Peninger Judge & Mrs. David R. Thompson Lucy & Jones Jaworski Clifford T. Pentrack & Mary E. Giovaniello Ned A. Titlow Cameron Jay & Kathleen Rains Mr. & Mrs. James Perley Doris Trauner, M.D. In Memory of Donald Jenkins Marion D. Perlman Robert C. & Melesse W. Traylor Kenneth & Catherine Jones Drs. Mark & Darcey Perlman Mr. & Mrs. Jeffrey C. Truesdell Judge & Mrs. Anthony C. Joseph Lawrence Roy Perrin Iwona A. Trybus James & Sharon Justeson Peterson & Associates Bill & Barbara Ward Elaine R. Kalin Barbara Pricola Kathy & Jim Waring Michael Keehan, MD FACS Mr. & Mrs. Merlin Puck William Weeks Patricia & Alexander Kelley Kedar Pyatt Mr. & Mrs. James Welterlen Charles & Gail Kendall John Quesenberry Ross & Barbara White Jennifer Kent Anne Ratner Cass Witkowski Family Kathleen Kim & Zachary Rattner Mr. & Mrs. Brent Robinson Mr. & Mrs. John W. Witt Mr. & Mrs. Albert W. Krasnoff Gerald & Ruth Rosenbaum Dr. Perri L. Wittgrove Marvin M. Kripps, M.D. Ursula R. Roth Janet Wolf Betty & Richard Kuhn Dr. & Mrs. Richard Rowen Mr. & Mrs. H.D. Wolpert Vic & Mary Landa Dr. Norman & Barbara Rozansky Dr. Dolores Wozniak Elizabeth Lasley Peter & Donna Russell M.J. Zahnle Dixon & Pat Lee Fran & Tom Ryan Mr. & Mrs. Paul Zimmer Tom & Terry Lewis George & Karen Sachs Vicky Zollweg & Michael Dunteman Robin J. Lipman Debbie & Wayne Sakarias Roy & Carol Long Josiah & Abigail Sand Sally & Bill Luster Barbara A. Sawrey This list is current as of January 8, 2007 Jeanne Maltese Simon & Ruth Sayre To learn more about supporting Judge & Mrs. Frederick Mandabach Dr. & Mrs. Roger H. Schmitt The Old Globe’s performances and Mr. & Mrs. Norman Mann Martin & Connie Schroeder education and outreach Kathleen Markham RAdm. & Mrs. H. James T. Sears programs, please visit our website at Harold & Beverly Martyn Linda J. Seifert www.TheOldGlobe.org Bruce & Brenda Mason Lori Severson & Eric Longstreet or call Courtney Quinn Cdr. & Mrs. John C. Mathews III Hano & Charlotte Siegel at (619) 231-1941 x2311. Ronald McCaskill & Robyn Rogers Kevin & Diane Silke Oliver McElroy & Karen Delaurier Jerry & Beth Silverman Teresa McEuen Eunice M. Simmons, M.D. Charles & Billie McKnight Anne & Ronald Simon
P20 PERFORMANCES MAGAZINE Special Thanks to our Corporate Donors
SEASON SPONSORS ($50,000 and more)
PRODUCTION SPONSORS ($25,000-$49,999)
DIRECTOR CIRCLE ($10,000-$24,999)
Break-Away Tours Mercer Health & Benefits ResMed Foundation Evans Hotels Neiman Marcus Showtime Fashion Valley Nokia Sycuan Resort & Casino Higgs, Fletcher & Mack, LLP Relocation Coordinates U.S. Bank KPMG, LLP Vistage FOUNDER CIRCLE ($5,000-$9,999) Citigroup Foundation/Smith Barney Northern Trust The Westgate Hotel Nissan Foundation Oakwood Worldwide XLNC1
PLAYWRIGHT CIRCLE ($2,500-$4,999) Cush Family Foundation Mission Federal Credit Union Seltzer Caplan McMahon Vitek GSG Capital Advisors, LLC Nicholas-Applegate WD-40 Company
Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.
PERFORMANCES MAGAZINE P21 Associate Artists of The Old Globe In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.
Louis G. Spisto, Executive Director Jack O’Brien, Artistic Director Jerry Patch, Resident Artistic Director Craig Noel, Founding Director
William Anton Tovah Feldshuh Mark Harelik John McLain Steven Rubin Conrad Susa Jacqueline Brookes Monique Fowler Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Lewis Brown Ralph Funicello Tom Lacy Stephen Metcalfe Douglas W. Schmidt Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox Robert Morgan Seret Scott Paxton Whitehead George Deloy Harry Groener Dakin Matthews Steve Rankin David F. Segal James R. Winker Tim Donoghue A.R. Gurney Deborah May Robin Pearson Rose Don Sparks Robert Wojewodski Richard Easton Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers PATRON INFORMATION TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: noon – 6pm Although we understand parking is often at a premium, the seating Tuesday - Sunday: noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Phone (619) 23-GLOBE or (619) 234-5623 FAX (619) 231-6752 YOUNG CHILDREN Email [email protected] Children five years of age and under will not be admitted to perfor- mances. ADMINISTRATION HOURS Monday - Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular P.O. Box 122171 phone, please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS / CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® The Old Globe accepts Visa, Discover, MasterCard, or American Listening System is available in the Old Globe Theatre. Lightweight Express. Phone orders for non-subscribers are subject to a $3 per headsets may be obtained from the house manager prior to perfor- ticket service charge, not to exceed $12. Ticket exchanges are subject mances, free of charge. to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update our records. Call (619) PUBLIC TOURS 234-5623 during Ticket Services hours, mail your change of address Go behind the scenes at The Old Globe to learn about the history, to the Ticket Services Office, or email us at [email protected]. three stages, shop and craft areas. Open tours: most Saturdays and Sundays at 10:30am. Groups by reservation. $5 adults; $3 seniors UNABLE TO ATTEND? and students. Phone (619) 231-1941 x2142 for information/reserva- If you find you are unable to use your tickets, please give them to a tions. friend, or turn them in to the Ticket Serivces Office and receive a tax receipt for your donation. Tickets must be received by show time. LOST AND FOUND If you have misplaced a personal item while at the theatre, please RESTROOMS AND TELEPHONES contact the Ticket Services Office or Security as soon as possible. If Restrooms are located in the lower lobby of the Old Globe Theatre we are unable to locate your item, we’ll happily take down your and adjacent to the Festival Theatre; pay phones may be found in the contact information as well as a description of the item and contact lower Globe Theatre lobby and next to the Gift Shop. you if it is found. The Old Globe does not assume liability for items left behind on premises. Ricola Cough Drops are available upon request. Please ask an Usher. P22 PERFORMANCES MAGAZINE Director Profiles
LOUIS G. SPISTO JERRY PATCH JACK O’BRIEN Executive Director Resident Artistic Director Artistic Director Louis G. Spisto has served as Executive Director of Jerry Patch was appointed Resident Artistic Mr. O’Brien has been the Artistic Director of The The Old Globe since October 2002. During his Director of The Old Globe in February 2005. He Old Globe in San Diego since 1982. Recent Globe tenure, Spisto spearheaded the return of the Globe’s most recently served as the Dramaturg and a productions: Dirty Rotten Scoundrels,Imaginary acclaimed Shakespeare Repertory Season and pro- Friends,Twelfth Night,The Full Monty,The Seagull,The duced several world-premiere plays and musicals, member of the long standing artistic team at including Dirty Rotten Scoundrels,Chita Rivera:The Southern California’s Tony Award®-winning South Magic Fire,Dr.Seuss’ How the Grinch Stole Christmas!, Dancer’s Life, and the Twyla Tharp/Bob Dylan musical, Coast Repertory (SCR), where he coordinated the the world premieres of Associate Artist A.R. The Times They Are A-Changin’, which transferred to development of 150 new plays, including two Gurney’s Labor Day and Tina Howe’s Pride’s Crossing, Broadway in September, 2006, along with the Globe’s Pulitzer Prize winners and numerous other final- as well as Time and Again,The Doctor Is Out (Getting annual holiday favorite, Dr.Seuss’ How the Grinch Stole ists. Patch became the top choice for this new role Away With Murder) by Stephen Sondheim and Christmas!. In March, 2006, Spisto spearheaded the at the Globe due to his many years of artistic George Furth, plus productions of Henry IV,Much launch of the Globe’s Capital Campaign, “Securing a accomplishments, his exceptional relationships Ado About Nothing,Oleanna,Damn Yankees,King Lear, San Diego Landmark,” to raise $75 million by the Ghosts,Hamlet,Uncle Vanya, and world premieres of with the nation’s leading directors and playwrights, Theatre’s 75th anniversary in 2010. The campaign is Terrence McNally’s Up in Saratoga, A.R. Gurney’s and his enthusiastic commitment to new work. off to a hugely successful start, having reached 61% of The Snow Ball and The Cocktail Hour, Tom Dulack’s its goal. During the past four seasons, the organiza- While at SCR, Patch worked as Dramaturg on tion has grown its subscription audience an unprece- Breaking Legs, Stephen Metcalfe’s Emily. numerous new works, including Donald BROADWAY: Creator/Supervisor, Dr.Seuss’ How the dented amount, countering a trend in the non-profit Margulies’ Sight Unseen and Brooklyn Boy, which theatre industry, resulting in the highest level of Grinch Stole Christmas!, The Coast of Utopia,Dirty opened to critical acclaim on Broadway; Margaret attendance in over a decade. Prior to coming to the Rotten Scoundrels (Tony nominations: Best Director Globe, Spisto served as the Executive Director of Edson’s Pulitzer Prize-winning Wit;Howard and Musical), Henry IV (Tony Award), Hairspray American Ballet Theatre in New York City. While Korder’s Search and Destroy; Amy Freed’s The Beard (Tony Award), The Invention of Love (Tony nomina- there, he increased ticket income and annual contribu- of Avon, Safe in Hell and Freedomland; Lynn Nottage’s tions: Best Director and Play), The Full Monty (Tony tions for the organization by nearly 20 percent. He Intimate Apparel and nine world-premieres by nominations: Best Director and Musical), More to also tripled the Ballet’s touring weeks and the Richard Greenberg, including Three Days of Rain. Love,Labor Day,St.Louis Woman,Pride’s Crossing, The resources devoted to education and training pro- In addition, he co-conceived The Education of Randy Little Foxes,Hapgood (Lucille Lortel Award for grams. Spisto has also served as the President of the Detroit Symphony Orchestra, where he provided Newman with Michael Roth and Mr. Newman. Direction, 1995), Damn Yankees (Tony nomination: fundraising leadership and creative direction for the Patch also served as the project director of SCR’s Best Musical Revival), Two Shakespearean Actors orchestra’s $60 million renovation project, and helped renowned Pacific Playwrights Festival, which annu- (Tony nominations: Best Director and Play), Porgy dramatically increase ticket sales while initiating ally introduces seven new plays to an audience of and Bess for Houston Grand Opera and Broadway several new series for the orchestra. Spisto established national theatre leaders. Typically, more than 75% (Tony Award), as well as Radio City Music Hall. a reputation as a superb arts executive here in of the plays presented receive multiple productions ELSEWHERE: The Magic Flute, San Francisco California, where he spent over ten years as the in theatres across the country. During his tenure at Opera; Tosca, Santa Fe Opera; Così fan Tutte and Executive Director of the Pacific Symphony Orchestra Aida, Houston Grand Opera; The Most Happy Fella, in Orange County. During his tenure there, he tripled SCR, Patch also held the position of Artistic Director (1990-1997) of The Sundance Theatre Michigan Opera and Broadway. TV: An Enemy of the the orchestra’s annual budget, all while eliminating a People,All My Sons,I Never Sang for My Father,Painting prior deficit and successfully completing the orches- Program, which included the Sundance Churches and The Skin of Our Teeth, all for PBS’s tra’s first endowment campaign.In addition, he estab- Playwrights Laboratory, one of the nation’s leading American Playhouse. RECENT AWARDS: 2004 lished a series of innovative recording projects with new play development programs. Additionally, he Thomas Degaetani Award (USITT), 2002 “Mr. Sony Classical and oversaw a number of nationally ran the Sundance Summer Theatre, a repertory of recognized commissioning projects. A strong advocate Abbott” Award (SDCF), 2001 Joan Cullman Award 2-3 productions staged outdoors for Utah audi- of arts education, Spisto built one of the largest and for Extraordinary Creativity, 2001 Joe A. Callaway most respected music training and outreach efforts. ences and The Sundance Children’s Theatre, which Award (SDCF), the Drama League’s Julia Hansen During his career, Spisto has also served as Director is dedicated to the development and presentation Award for Excellence in Directing, 2001. Member, of Marketing for the Pittsburgh Symphony Orchestra of new works for family audiences by leading College of Fellows of the American Theatre; and Director of Operations and Development for the American playwrights. He also serves as Honorary Doctor of Humane Letters, University of Performing Arts Center, UC Berkeley. He holds a Consulting Dramaturg for New York’s Roundabout San Diego. Mr. O’Brien is a member of the College Masters degree from the University of Wisconsin in Theatre Company. Arts Administration and a Bachelors of Business of Fellows of the American Theatre. Administration from the University of Notre Dame, and spent many years acting, directing and producing plays and musicals throughout his student days, as well as in professional summer theatre. PERFORMANCES MAGAZINE P23 Louis G. Spisto Jack O’Brien Jerry Patch Craig Noel Staff Executive Director Artistic Director Resident Artistic Director Founding Director
Michael G. Murphy ...... General Manager Properties Christina Greenfield ...... Associate Director, Neil A. Holmes ...... Properties Director Advancement Gifts Dave Henson ...... Director of Marketing Eileen A. Prisby ...... Events Manager and Communications Amy Reams ...... Properties Buyer Pat Cain ...... Property Master, Globe Courtney Quinn ...... Development Coordinator, Todd Schultz ...... Director of Development David Buess ...... Property Master, Carter Individual Annual Giving Diane Addis ...... Membership Administrator Mark Somers ...... Director of Finance M.H. Schrenkeisen ...... Shop Foreman Rory Murphy ...... Lead Craftsman Erin McKown ...... Development Assistant Richard Seer ...... Director of Professional Training Ryan Buckalew, Diana Steffen ...... Development Assistant Robert Drake ...... Director of Production Kristin Steva Campbell ...... Craftspersons Donor Services Lighting Babs Behling, Eve Childs, Barbara Lekes, Roberta Wells-Famula ...... Director of Education Chris Rynne ...... Lighting Director Stephen Serieka, Claudia Torres, Judy Zimmerman ...... Suite Concierges Darko Tresnjak ...... Artistic Director, Shakespeare Megan Fonseca ...... Lighting Assistant Festival Tonnie Ficken ...... Master Electrician, Globe Telefunding Jim Dodd ...... Master Electrician, Carter Lauren Anderson, Steven Belaus,Elizabeth Carlos, Jason Bieber, Meghan Bourdeau, Sarah Cohen, Bonnie Lynde Houck ...... Telefunding Associates ARTISTIC Dreibelbis, James Feinberg, Allyson Guertin, Amanda Samantha Barrie ...... Artistic Coordinator Kaplan, Tricia Lesinski, Andy Lowe, Michael Paolini, Diane Sinor ...... Dramaturgy Associate Ashley Roberts, Amanda Zieve ...... Electricians MARKETING Kim Montelibano Heil ...... Literary Associate Sound Becky Biegelsen ...... Public Relations Director Jan Gist ...... Voice and Speech Coach Paul Peterson ...... Sound Director Ed Hofmeister . . . . .Audience Development Manager Bernadette Hobson ...... Artistic Assistant Erik Carstensen . . . .Master Sound Technician,Globe Jackie Anderson ...... Publications Coordinator Rachel Eaves ...... Master Sound Technician,Carter Erin Anderson ...... Public Relations Assistant Stage Management Claire Kennelly ...... Marketing Assistant Leila Knox ...... Production Stage Manager Jeremy Nelson ...... Audio Technician,Globe Kialah Settle ...... Mic Runner, Globe Claudia Torres, Tracy Skoczelas ...... Assistant Stage Manager Judy Zimmerman ...... Marketing/Events Assistants Jeremy Siebert ...... Sound Technician Paula Cogliano ...... Douglas Pagliotti Erica Dei ...... Graphic Designer Stage Management Intern ADMINISTRATION Craig Schwartz ...... Production Photographer PRODUCTION Darla Lopez ...... Executive Assistant Subscription Sales Debra Pratt Ballard .Associate Director of Production Brian Ulery ...... Assistant to the General Manager Scott Cooke ...... Subscription Sales Manager Ellen Dieter ...... Company Manager Russ Allen, Anna Bowen-Davies, Arthur Faro, Carol Donahue ...... Production Coordinator Information Technology Randi Hawkins, Steven Huffman, Pamela Malone, Dean Yager ...... Information Technology Manager Jessica Morrow, Ken Seper, Technical ThadSteffen ...... Information Technology Assistant Grant Walpole . . .Subscription Sales Representatives Benjamin Thoron ...... Technical Director James Lawrence ...... Conversion Support Assistant Ticket Services Wendy Stymerski ...... Assistant Technical Director Shari Ressel ...... Ticket Services Manager Eliza Korshin ...... Technical Assistant/Buyer Human Resources Marsi Roche ...... Ticket Operations Manager Kacie Lyn Hultgren ...... Resident Design Assistant Sandra Parde ...... Human Resources Administrator Lyle Wilson ...... Ticket Services Supervisor Christian Thorsen ...... Stage Carpenter/ Maintenance Flyman, Globe Shouna Shoemake ...... Lead Ticket Chad Oakley ...... Facilities Manager Services Representative Bob Dougherty ...... Shop Foreman/ Violanda Corona, Ismael Delgado, Miguel Gaspar, Master Carpenter, Festival Amy Blatt, Elizabeth Brown, Mara Davis, Tony Dixon, Roberto Gonzalez, Reyna Huerta, Margarita Meza, Jose Casey French, Dru Garcia, Mame Gile, Renetta Happé, Carole Payette ...... Charge Scenic Artist Morales, Albert Rios, Maria Rios, Alicia Lerner, Jenna Long, Grace Manuel, Kendra McCall, Adam Bernard, Steven High, Nicolas Torres ...... Building Staff Caryn Morgan, Amy Northcutt, Carlos Quezada, Suzanne Reyes ...... Scenic Artists Gary Rachac, Arksan Siarak, Brandon Smithey, Matthew Clark, Kevin Fain, Jim Hopper, PROFESSIONAL TRAINING Drew Wyeth ...... Ticket Services Representatives Laura McEntyre, Ryan Meinhart, Michael Moglia, Llance Bower ...... Program Coordinator Sheldon Goff ...... Carpenters Maria Carrera, Cynthia Caywood, Sabin Epstein, Robert PATRON SERVICES Barry Fleming, Gerhard Gessner, Jan Gist, Peter Kanelos, Costumes Fred Robinson, Liz Shipman ...... MFA Faculty Mike Callaway ...... Theatre Manager Stacy Sutton ...... Costume Director Alysha Haran, Corey Johnston, Robin Sanford Roberts, Danielle Burnett ...... Front of House Assistant Charlotte Devaux ...... Resident Design Assistant Ben Siebert ...... MFA Production Staff Merlin D. “Tommy” Thompson . .Patron Services Rep. Maureen MacNiallais ...... Assistant to the Director Rob Novak, Ashley Roberts ...... House Managers Shelly Williams ...... Design Assistant/Shopper EDUCATION Dana Juhl ...... Food and Beverage Manager Louise M. Herman ...... Draper Raúl Moncada ...... Education Associate Haydee Aldas, Kristin Dishman, Brandi Mahan, Caryn Babs Behling, Gloria Bradford, Holly Ward ...... Tour Coordinator Nowak, Roland Roberge, Anne-Marie Shafer, Felicia Anne Glidden Grace ...... Assistant Cutters Carol Green ...... Speakers Bureau Coordinator Tobias, Melissa Whirlow ...... Pub Staff Mary Miller ...... Costume Assistant Jennifer Barclay, Marisela De la Parra,Janet Hayetshahi, Babs Behling, Rose Espiritu, Judith Craigo ...... Lead Crafts Person-Painter/Dyer Dana Hooley, David Tierney ...... Teaching Artists Stephanie Rakowski ...... Gift Shop Supervisors Molly O’Connor ...... Wig and Makeup Supervisor Security/Parking Services Melyssa Swensen ...... Assistant to Wig and Makeup FINANCE Rachel “Beahr” Garcia ...... Security/Parking Supervisor Services Supervisor Paula S. Nickodemus ...... Senior Accountant Kim Parker ...... Wig Assistant Irene Herrig ...... Acting Security Supervisor J. Adam Latham . .Payroll Clerk/Accounting Assistant Molly Yoder Williams ...... Wardrobe Supervisor Sherisa Eselin, Janet Larson, Michael Mackey, Jeremy Sandy Boyadjian, Judhi Doughman, Marcella Diane Jenkins ...... Accounting Assistant Neitzel, Sonia Paul ...... Security Officers Hammond, Cassidy Lubben, Lesha Sand, Tim Cole ...... Receptionist Sean Busby, Deborah Elliot, Nola Walkup ...... Globe Wardrobe Crew Catrina McQuerry ...... Parking Lot Attendants Jasmin Mellado ...... Carter Crew Chief DEVELOPMENT Mark Brickman, Marie Jezbera ...... Rental Agent Brad Ballard ...... Associate Director, David Nguyen ...... V.I.P.Valet Attendants Major and Planned Gifts Annamarie Maricle ...... Associate Director, Institutional Grants
P24 PERFORMANCES MAGAZINE