DOCSLIB.ORG

The Old Globe Production History PRODUCTION DIRECTOR

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Old Globe Production History PRODUCTION DIRECTOR The Old Globe Production History PRODUCTION DIRECTOR 1935 California Pacific International Exposition Julius Caesar Thomas Wood Stevens by William Shakespeare The Taming of the Shrew Thomas Wood Stevens by William Shakespeare Hamlet Thomas Wood Stevens by William Shakespeare Much Ado About Nothing Thomas Wood Stevens by William Shakespeare The Comedy of Errors Theodore Viehman by William Shakespeare The Winter's Tale Thomas Wood Stevens by William Shakespeare As You Like It B. Iden Payne by William Shakespeare Macbeth Thomas Wood Stevens by William Shakespeare A Midsummer Night's Dream Theodore Viehman by William Shakespeare All's Well That Ends Well Thomas Wood Stevens by William Shakespeare Twelfth Night Thomas Wood Stevens by William Shakespeare Dr. Faustus Thomas Wood Stevens by Christopher Marlowe The Merry Wives of Windsor Thomas Wood Stevens by William Shakespeare The Old Globe Production History PRODUCTION DIRECTOR 1936 Fortune Players The Tempest Thomas Wood Stevens by William Shakespeare King Henry VIII Thomas Wood Stevens by William Shakespeare The Two Gentlemen of Verona Thomas Wood Stevens by William Shakespeare Romeo and Juliet Thomas Wood Stevens by William Shakespeare Life and Death of Falstaff (adaptation) Thomas Wood Stevens by William Shakespeare The Comedy of Errors Thomas Wood Stevens by William Shakespeare The Tempest Thomas Wood Stevens by William Shakespeare The Old Globe Production History PRODUCTION DIRECTOR 1937 - 1938 (Winter) The Distaff Side Luther M Kennett, Jr. by John Van Druten Small Miracle Luther M Kennett, Jr. by Norman Krasna Her Master's Voice Luther M Kennett, Jr. by Claire Cummer Dear Brutus Luther M. Kennett, Jr. by Sir James Barrie Once in a Lifetime Luther M Kennett, Jr. by George S. Kaufman and Moss Hart Holiday Luther M Kennett, Jr. by Philip Barry The Merry Wives of Windsor Luther M Kennett, Jr. by William Shakespeare Hedda Gabler Luther M Kennett, Jr. by Henrik Ibsen Kind Lady Luther M Kennett, Jr. by Edward Chodorov A Midsummer Night's Dream Luther M Kennett, Jr. by William Shakespeare (summer) The Gambler (anonymous) Oliver Dernberger and William Woodall The Old Globe Production History PRODUCTION DIRECTOR 1938-1939 (winter) Three Men on a Horse Luther M Kennett, Jr. by John Cecil Holm and George Abbott Heartbreak House Luther M Kennett, Jr. by George Bernard Shaw The Taming of the Shrew Luther M Kennett, Jr. by William Shakespeare A Christmas Carol Luther M Kennett, Jr. by Charles Dickens Perils of Nellie William Woodall & Oliver Dernberger by Dion Boucicault Rain Luther M Kennett, Jr. by John Colton and Clemence Randolph The Importance of Being Earnest Luther M Kennett, Jr. by Oscar Wilde Roman Holiday Luther M Kennett, Jr. from Plautus Love From a Stranger Luther M Kennett, Jr. by Agatha Christie (adapted by Frank Vosper) (summer) The Drunkard William Woodall and Oliver Dernberger by William H. Smith The Old Globe Production History PRODUCTION DIRECTOR 1939-1940 Abie's Irish Rose Oliver Dernberger by Anne Nichols Firebrand by Edwin Justus Mayer Craig Noel The Late Christopher Bean William Woodall by Sidney Howard The Shining Hour Oliver Dernberger by Keith Winter A World Elsewhere Craig Noel & Lynn Riggs by Lynn Riggs Whispering Walls Craig Noel by Wall Spence The Mad Hopes Craig Noel by Romney Brent (summer) The Maniac Lover (anonymous) The Old Globe Production History PRODUCTION DIRECTOR 1940-1941 Yes, My Darling Daughter Craig Noel by Mark Reed Full Circle Craig Noel by Luther M Kennett, Jr. Here Today Craig Noel by George Oppenheimer Margin for Error Craig Noel by Claire Booth George and Margaret Craig Noel by Gerald Savory Nude with Pineapple Craig Noel (Behold This Dreamer) by Fulton Ousler & Aubrey Kennedy Private Lives Craig Noel by Noel Coward (summer) The Drunkard Oliver Dernberger by William H. Smith * * * 1941-1942 (winter) Hay Fever Craig Noel by Noel Coward Goodbye Again Craig Noel by George Haight & Allen Scott Note: No productions were presented in the Old Globe Theatre by the not-for-profit organization between December 1941 and September 1947. During World War II the theater was a lecture and entertainment facility for U.S. military personnel. The Old Globe Production History PRODUCTION DIRECTOR 1947-1948 (Winter) The Time of Your Life Craig Noel by William Saroyan Kiss and Tell Craig Noel by F. Hugh Herbert Ladies in Retirement Craig Noel by Edward Percy and Reginald Denham Loser Take All Craig Noel by Jimmy Woolfe Another Part of the Forest Craig Noel by Lillian Hellman Family Portrait Bettie Holloway by Lenore Coffee and William Joyce Cowan State of the Union Craig Noel by Howard Lindsay and Russell Crouse Petrified Forest Craig Noel by Robert Sherwood Dream Girl Craig Noel by Elmer Rice (Summer) The Drunkard Bettie Holloway by William H. Pratt Ten Nights in a Barroom Bettie Holloway by W. W. Pratt The Old Globe Production History PRODUCTION DIRECTOR 1948-49 (Winter) Laura Craig Noel by Vera Caspary and George Sklar The Little Foxes Craig Noel by Lillian Hellman Junior Miss Craig Noel by Jerome Chodorov and Joseph Fields The Corn Is Green Craig Noel by Emlyn Williams Chicken Every Sunday Craig Noel by Rosemary Taylor (adaptation by Julius J. and Philip G. Epstein) John Loves Mary Craig Noel by Norman Krasna Rain Craig Noel by John Colton and Clemence Randolph (Summer) Twelfth Night B. Iden Payne by William Shakespeare The Old Globe Production History PRODUCTION DIRECTOR 1949-1950 Old Globe Theatre (Winter) Caught in the Act Craig Noel The Beautiful People Craig Noel by William Saroyan A Christmas Carol Craig Noel by Charles Dickens (adapted by Mabel Chamberlain) Our Hearts Were Young and Gay Craig Noel by Emily Kimbrough and Cornelia Otis Skinner Montserrat Craig Noel by Lillian Hellman Strange Bedfellows Craig Noel by Florence Ryerson and Colin Clements Belvedere Craig Noel by Gwen Davenport (Summer) The Taming of the Shrew B. Iden Payne by William Shakespeare Romeo and Juliet B. Iden Payne by William Shakespeare Falstaff Tavern One Is a Crowd Craig Noel by Beah Richards The Playboy of the Western World Jackson Woolley by John Millington Synge The Old Globe Production History PRODUCTION DIRECTOR 1950-1951 Old Globe Theatre Caught in the Act II Craig Noel At War with the Army Craig Noel by James Allardice Harvey Craig Noel by Mary Chase The Son Craig Noel by William Saroyan Lady in the Dark Craig Noel by Moss Hart, music by Kurt Weill The Bat Craig Noel by Mary Roberts Reinhart (Summer) Much Ado About Nothing B. Iden Payne by William Shakespeare The Merry Wives of Windsor B. Iden Payne by William Shakespeare (Falstaff Tavern) The Circle Charles M. Newman Jr. by W. Somerset Maugham School for Husbands Charles M. Newman Jr. by Moliere The Old Globe Production History PRODUCTION DIRECTOR 1951-1952 (Old Globe Theatre) (Winter) The Madwoman of Chaillot Craig Noel by Jean Giraudoux (adaptation by Maurice Valency) The Constant Wife Craig Noel by W. Somerset Maugham The Cricket on the Hearth Craig Noel by Charles Dickens Twentieth Century Craig Noel by Charles MacArthur and Ben Hecht The Curious Savage Craig Noel by John Patrick Goodbye, My Fancy Craig Noel by Michael and Fay Kanin Caught in the Act III Craig Noel (Summer) All's Well That Ends Well B. Iden Payne by William Shakespeare As You Like It B. Iden Payne by William Shakespeare The Old Globe Production History PRODUCTION DIRECTOR 1952-1953 Old Globe Theatre (Winter) Angel in the Pawnshop Craig Noel by A. B. Shiffrin Ladies of the Jury Craig Noel by Fred Ballard The Rose and the Ring Jackson Woolley by William Thackeray (adaptation by Harrison Deane) Death of a Salesman Craig Noel by Arthur Miller Light Up the Sky Craig Noel by Moss Hart Born Yesterday Craig Noel by Garson Kanin Bell, Book, and Candle Craig Noel by John Van Druten (Summer) Mr. Roberts Craig Noel by Thomas Heggen and Josh Logan The Old Globe Production History PRODUCTION DIRECTOR 1953-1954 Old Globe Theatre (Winter) Caught in the Act IV Craig Noel The Silver Whistle Craig Noel by Robert E. McEnroe Gigi Craig Noel by Anita Loos (adapted from the novel by Colette) Cheaper By the Dozen Craig Noel by Frank Gilbreth and Ernestine Gilbreth Carey (dramatized by Christopher Sergel) Lo and Behold Craig Noel by John Patrick The Great Catherine Craig Noel by George Bernard Shaw A Phoenix Too Frequent Craig Noel by Christopher Fry (Summer) Othello Frank McMullan by William Shakespeare Twelfth Night Patrick Wymark by William Shakespeare The Merchant of Venice Philip Hanson by William Shakespeare The Old Globe Production History PRODUCTION DIRECTOR 1954-1955 Old Globe Theatre (Winter) Stalag 17 Craig Noel by Donald Bevan and Edmund Trzcinski The Play's the Thing Craig Noel by Ferenc Molnar Ten Little Indians Craig Noel by Agatha Christie Affairs of State Craig Noel by Louise Verneuil Dear Ruth Craig Noel by Norman Krasna My Three Angels Craig Noel by Albert Husson (adaptation by Sam and Bela Spewak) Caught in the Act V Craig Noel (Summer) Measure for Measure B. Iden Payne by William Shakespeare Hamlet Allen Fletcher by William Shakespeare The Taming of the Shrew Craig Noel by William Shakespeare The Old Globe Production History PRODUCTION DIRECTOR 1955-1956 Old Globe Theatre (Winter) The Caine Mutiny Court Martial Craig Noel by Herman Wouk Sabrina Fair Craig Noel by Samuel Taylor Time Out for Ginger Craig Noel by Ronald Alexander The Moon Is Blue Craig Noel by F. Hugh Herbert The Remarkable Mr. Pennypacker Jackson Woolley by Liam O'Brien Caught in the Act VI Craig Noel (Summer) A Midsummer Night's Dream Peter Bucknell by William Shakespeare King Richard II Philip Hanson by William Shakespeare Volpone Craig Noel by Ben Jonson The Old Globe Production History PRODUCTION DIRECTOR 1956-1957 Old Globe Theatre (Winter) The Solid Gold Cadillac Craig Noel by Howard Teichmann Tea and Sympathy Craig Noel by Robert Anderson The Lady's Not for Burning Craig Noel by Christopher Fry Janus Craig Noel by Carolyn Green The Tender Trap Craig Noel by Max Shulman and Robert Paul Smith Witness for the Prosecution Craig Noel by Agatha Christie (Summer) The Tempest B.
Load more

Recommended publications
  • Programming and Award-Winning Work in the Community
    Welcome UPCOMING Dear Friends, We are just concluding one of the most active summers in Old Globe history. A CATERED AFFAIR Each of the plays in our Shakespeare Festival received critical acclaim and enthusiastic audience response. The classic comedies Hay Fever and Bell,Book and Candle and our Sept 20 - Oct 28, 2007 downtown launch of the national tour of Avenue Q, were all tremendously successful Old Globe Theatre and well received. Now we begin the Globe’s 2007/2008 season with a stirring world-premiere OOO musical, A Catered Affair, with a world class creative team which includes Tony-Award winners John Doyle and Harvey Fierstein and celebrated composer John Bucchino. DR. SEUSS’ We are also very privileged to bring to The Old Globe stage Broadway luminaries HOW THE GRINCH Faith Prince and Tom Wopat in this remarkable new work. On the Cassius Carter Centre Stage, Rosemary Harris, the legendary Tony and STOLE CHRISTMAS! Emmy Award-winner, Academy-Award nominee and popular icon for her role in the Nov 25 - Dec 30, 2007 Spiderman movies is starring in the American premiere of Eric Emmanuel Schmitt’s Old Globe Theatre Oscar and the Pink Lady. What an embarrassment of riches on our stages this fall! We recently unveiled detailed construction plans for the rejuvenation of our OOO Balboa Park campus. The plans are part of the Theatre’s $75 million capital and endowment campaign, which designates $22 million to support this important facili- IN THIS CORNER ties project. The centerpieces include the new Conrad Prebys Theatre Center, which encompasses the remaining Old Globe Theatre, a new second stage theatre complex, Jan 5 - Feb 10, 2008 and a new education center, as well as a complete redesign of the Globe’s Copley Plaza Cassius Carter Centre Stage and dining area.
    [Show full text]
  • Broadway the BROAD Way”
    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
    [Show full text]
  • Drama Book Shop Became an Independent Store in 1923
    SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience.
    [Show full text]
  • OCTOBER 2016 Welcome to October Sky! We Can’T Imagine a More Perfect Show to Give Our 2016–2017 Season a Great Launch (If You’Ll Pardon the Pun)
    OCTOBER 2016 Welcome to October Sky! We can’t imagine a more perfect show to give our 2016–2017 Season a great launch (if you’ll pardon the pun). New musicals are, of course, one of The Old Globe’s specialties, and the upcoming season is filled with exactly the kind of work the Globe does best. In this very theatre, you’ll have a chance to see a revival of Steve Martin’s hilarious Picasso at the Lapin Agile; the exciting backstage drama Red Velvet; and the imaginative, fable- like musical The Old Man and The Old Moon. And of course, we’re bringing back The Grinch for its 19th year! Across the plaza in the Sheryl and Harvey White Theatre, we hope you’ll join us for work by some of the most exciting voices in the American theatre today: award-winning actor/ songwriter Benjamin Scheuer (The Lion), Globe newcomer Nick Gandiello (The Blameless), the powerful and trenchant Dominique Morisseau (Skeleton Crew), and the ingenious Fiasco Theater, with their own particular spin on Molière’s classic The Imaginary Invalid. It’s a season we’re extremely proud and excited to share with all of you. DOUGLAS GATES Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. We’re also proud to welcome the outstanding creative team that has made October Sky a reality. Director/choreographer Rachel Rockwell is an artist whose work we’ve long admired, whose skill in staging is matched by her deft touch with actors. She’s truly a perfect fit for this heartwarming and triumphant show.
    [Show full text]
  • T H E P Ro G
    Wednesday, March 8, 2017, at 8:30 pm m a r g The Songs of Elizabeth Swados o featuring Utkarsh Ambudkar, Michael Friedman, r Josie de Guzman, Karen Kandel, Taylor Mac, P Grace McLean, AnnMarie Milazzo, Rachel Stern, and Shaina Taub e h T Kris Kukul, Musical Director and Piano Matthew Dean Marsh, Associate Musical Director and Keyboards This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Meg and Bennett Goodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and Dorothy Heyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Thursday, March 9, at 8:30 pm Tanya Tagaq Friday, March 10, at 8:30 pm José González Saturday, March 11, at 8:30 pm An Evening with Kristen & Bobby Lopez IN THE STANLEY H.
    [Show full text]
  • The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
    FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin­ ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • New Yorker May 20 1985
    GOINGJ ON ABOUT TOWN A C0N5CIENT10U5 CALENDAR OF EVENT5 OF INTEREST "Smiles of a Summer Night," is the last m THE THEATRE s 'M* T • J • P • S this season's series of productions. (103rd St. PLAYS AND MUSICALS and Riverside Dr. Nightly, except Mondays, at 8. Matinees Saturdays and Sundays at Aren't We All?—A revival of a smart Mayfair 15 16 17 18 comedy of 1923, written by Frederick Lons- 2:30. Closes Sunday, June 2. For information dale. Claudette Colbert, Rex Harrison, Lynn 19 20 21 22 23 24 25 about tickets, for which contributions are Redgrave, Brenda Forbes, and George Rose requested, call 663-2028.) find no difficulty bringing it back to life. The Foreigner—A very funny play by (and with) (Reviewed in our issue of S/13/8S.) (Brooks sive Behavior," by Stuart Spencer; and Larry Shue, with good performances by every Atkinson, 256 W. 47th St. 719-4099. Tues "Between Cars," by Alan Zweibel: Wednes single member of the company, most notably days through Saturdays at 8. Matinfies day and Thursday, May 15-16, at 7:30, and by Kevin Geer as a lovable half-wit. Jerry Wednesdays and Saturdays at 2, and Sun Saturday, May 18, at 7 and 10 (previews); Zaks was the admirable director. (11/19/84) days at 3.) Monday, May 20, at 7:30 (opening); and (Astor Place Theatre. 434 Lafayette St., near As Is—^This touching play by William M. Thursday, May 23, at 7:30. ... <51 "Life Astor PI. 254-4370. Tuesdays through Fri Hoffman concerns a personable young homo- Under Water," by Richard Greenberg; "Mar- days at 8; Saturdays at 7 and 10; and Sun se.xual who is afflicted with AIDS, and is also iens Kammer," by Roger Hedden; "The Frog days at 7.
    [Show full text]
  • History of Intiman
    INTIMAN THEATRE PRODUCTION HISTORY 1972-2012 PLAY AUTHOR DIRECTOR 1972-73 Rosmersholm Ibsen (trans. Michael Meyer) Margaret Booker The Creditors Strindberg (trans. Walter Johnson) Margaret Booker The Underpants Carl Sternheim (trans. Eric Bentley) Margaret Booker 1974 Brecht on Brecht George Tabori Andrew Witt Miss Julie Strindberg (trans. Margaret Booker) Margaret Booker Tango Slaw omir Mrozek Margaret Booker Candida George Bernard Shaw Margaret Booker 1975 Uncle Vanya Chekhov (trans. Christopher Hampton) Margaret Booker The Philanderer George Bernard Shaw Margaret Booker Hedda Gabler Ibsen (trans. Margaret Booker) Margaret Booker 1976 Arms and the Man George Bernard Shaw Stephen Rosenfield Elektra Sophocles (trans. David Grene) Margaret Booker Anatol Arthur Schnitzler Margaret Booker Bus Stop William Inge Pat Patton The Northw est Show Barry Pritchard Margaret Booker 1977 Toys in the Attic Lillian Hellman Margaret Booker The Importance of Being Earnest Oscar Wilde Clayton Corzatte Ghosts Ibsen (trans. Margaret Booker) Margaret Booker Playboy of the Western World John Millington Synge Pat Patton A Moon for the Misbegotten Eugene O' Neill Margaret Booker 1978 Henry IV Luigi Pirandello (adapt. John Reich) Margaret Booker The Way of the World William Congreve Anthony Cornish Three Sisters Chekhov Margaret Booker The Country Girl Clifford Odets Stephen Rosenfield The Dance of Death August Strindberg Margaret Booker 1979 The Loves of Cass McGuire Brian Friel Margaret Booker Tartuffe Molière (trans. Richard Wilbur) Stephen Rosenfield Medea Euripides (adapt. Robinson Jeffers) Margaret Booker Heartbreak House George Bernard Shaw Anthony Cornish Design for Living Noë l Cow ard Margaret Booker 1980 Othello William Shakespeare Margaret Booker The Lady's Not for Burning Christopher Fry William Glover Leonce and Lena Georg Bü chner Margaret Booker (trans.
    [Show full text]
  • Presenta Un Film Di Gus Van Sant
    presenta Milk un film di Gus Van Sant uscita 23 gennaio durata 128 minuti ufficio stampa Federica de Sanctis 339.2476890 [email protected] BIM DISTRIBUZIONE Via Marianna Dionigi 57 00193 ROMA Tel. 06-3231057 Fax 06-3211984 www.bimfilm.com 2 Milk Indice I. Sinossi pag. 3 II. Il contesto storico: cronologia pag. 5 III. Il contesto storico: Milk/Castro pag. 9 IV. Le riprese pag. 10 VI. Location pag. 12 VII. L’eredità di Milk pag. 17 VIII. Il cast artistico pag. 19 IX. Il cast tecnico pag. 32 X. Titoli pag. 43 2 3 Milk Sinossi Attivista del movimento dei diritti degli omosessuali. Amico. Amante. Unificatore. Politico. Combattente. Icona. Ispiratore. Eroe. La sua vita ha cambiato la storia, e il suo coraggio ha cambiato la vita di tante persone. Nel 1977, Harvey Milk è stato eletto supervisor (consigliere comunale) a San Francisco, divenendo il primo omosessuale dichiarato ad avere accesso a una importante carica pubblica in America. La sua vittoria non è stata solo una vittoria per i diritti dei gay, ma ha aperto la strada a coalizioni trasversali nello schieramento politico. Harvey Milk ha incarnato per molti – dagli anziani agli iscritti al sindacato – una nuova figura di militante per i diritti civili; e con la sua morte prematura, avvenuta nel 1978, è diventato un eroe per tutti gli americani. L’attore premio Oscar Sean Penn interpreta Harvey Milk, diretto dal regista candidato all’Oscar Gus Van Sant, in Milk, un film girato a San Francisco, tratto da una sceneggiatura originale di Dustin Lance Black, e prodotto dai premi Oscar Dan Jinks e Bruce Cohen.
    [Show full text]
  • Grizzly Si Plifies Complex Obstacles Gets More Time to Gather Facts
    _ II~ range: TA 250 instructors help them- Volume 9 Number 10 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, March 7, 1996 Home on the - ------------------ selves to a new shelter. See page 3A ----------------- -- BRAC on track Luncheon features Ann Crossley Q Maneuver Support struction facilities, NCO academy The Officers and Civilians Center transformation accommodations, range modifica- Women's Club luncheon fea- tions and housing conversions. turing Ann Crossley, author of proceeding smoothly "We're adequately funded for the 'Army Wives Handbook," the design of all projects and have is on March 21, 11:30 a.m., By Jacqueline Guthrie been approved for construction," not March 12 as previously pub- ESSAYONS Staff he added. Contractors will start lished. See complete story on breaking ground early next year. page lB. Fort Leonard Wood is well on "We also have a very solid start- its way to becoming the Maneuver up on the environmental impact Joint Endeavor troops Support Center as the Base Re- statement," Johnson said. This get tax extension alignment and Closure statement is part of the legal re- The Internal Revenue Ser- Commission transition office here quirements of the National vice has granted an automatic celebrate its one-year anniversary. Environmental Policy Act of 1969 extension to Dec. 15 to file The BRAC team has the job of that requires all federal agencies 1995 Federal Income Tax Re- moving of the Military Police and to complete one for activities that turns to soldiers serving in Chemical Schools from Fort could affect the environment. Operation Joint Endeavor on McClellan, Ala., to Fort Leonard Officials began preparing the in- or after March 15.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]