DOCSLIB.ORG

History of Intiman

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
History of Intiman INTIMAN THEATRE PRODUCTION HISTORY 1972-2012 PLAY AUTHOR DIRECTOR 1972-73 Rosmersholm Ibsen (trans. Michael Meyer) Margaret Booker The Creditors Strindberg (trans. Walter Johnson) Margaret Booker The Underpants Carl Sternheim (trans. Eric Bentley) Margaret Booker 1974 Brecht on Brecht George Tabori Andrew Witt Miss Julie Strindberg (trans. Margaret Booker) Margaret Booker Tango Slaw omir Mrozek Margaret Booker Candida George Bernard Shaw Margaret Booker 1975 Uncle Vanya Chekhov (trans. Christopher Hampton) Margaret Booker The Philanderer George Bernard Shaw Margaret Booker Hedda Gabler Ibsen (trans. Margaret Booker) Margaret Booker 1976 Arms and the Man George Bernard Shaw Stephen Rosenfield Elektra Sophocles (trans. David Grene) Margaret Booker Anatol Arthur Schnitzler Margaret Booker Bus Stop William Inge Pat Patton The Northw est Show Barry Pritchard Margaret Booker 1977 Toys in the Attic Lillian Hellman Margaret Booker The Importance of Being Earnest Oscar Wilde Clayton Corzatte Ghosts Ibsen (trans. Margaret Booker) Margaret Booker Playboy of the Western World John Millington Synge Pat Patton A Moon for the Misbegotten Eugene O' Neill Margaret Booker 1978 Henry IV Luigi Pirandello (adapt. John Reich) Margaret Booker The Way of the World William Congreve Anthony Cornish Three Sisters Chekhov Margaret Booker The Country Girl Clifford Odets Stephen Rosenfield The Dance of Death August Strindberg Margaret Booker 1979 The Loves of Cass McGuire Brian Friel Margaret Booker Tartuffe Molière (trans. Richard Wilbur) Stephen Rosenfield Medea Euripides (adapt. Robinson Jeffers) Margaret Booker Heartbreak House George Bernard Shaw Anthony Cornish Design for Living Noë l Cow ard Margaret Booker 1980 Othello William Shakespeare Margaret Booker The Lady's Not for Burning Christopher Fry William Glover Leonce and Lena Georg Bü chner Margaret Booker (trans. Henry J. Schmidt) Mirandolina Carlo Goldoni Robert J. Farley (trans. Lady Augusta Gregory) The Cherry Orchard Chekhov Margaret Booker (trans. Karl Kramer and Margaret Booker) 1981 Pygmalion George Bernard Shaw Margaret Booker The Rose Tattoo Tennessee Williams George Kovach Antigone Sophocles (trans. E.F. Watling) Margaret Booker School for Wives Molière (trans. Richard Wilbur) Elizabeth Huddle A Touch of the Poet Eugene O' Neill Margaret Booker Damien Aldyth Morris Pat Patton 1982 Hay Fever Noë l Cow ard Margaret Booker A Delicate Balance Edward Albee Nagle Jackson She Stoops to Conquer Oliver Goldsmith Margaret Booker Shadow of a Gunman Sean O' Casey Sharon Ott The Wild Duck Ibsen Margaret Booker A Dream Play Strindberg Peter Oskarson 1983 Misalliance George Bernard Shaw Margaret Booker Dear Liar Jerome Kilty Robert Brink Crucifer of Blood Paul Giovanni Margaret Booker In the Jungle of Cities Bertolt Brecht Christof Nel The Ribadier System G Feydeau/M Hennequin Nagle Jackson (trans. Elizabeth Sw ain) The Seagull Chekhov (adapt. John Murrell) Margaret Booker 1984 Hobson’ s Choice Harold Brighouse James Moll Long Day’ s Journey Into Night Eugene O' Neill Margaret Booker The Country Wife William Wycherly Anthony Cornish Blood Wedding Federico Garcia Lorca Margaret Booker Myth Weavers Arturo Uslar-Pietri Gustavo Tambascio The Dance and the Railroad David Henry Hw ang Tzi Ma 1985 You Never Can Tell George Bernard Shaw James Moll Hedda Gabler Ibsen (trans. Margaret Booker) Margaret Booker Duet for One Tom Kempinski Robert Loper 1986 The Doctor in Spite of Himself and Rehearsal at Versailles Molière Elizabeth Huddle The Second Mrs. Tanqueray Arthur Wing Pinero Elizabeth Huddle The Play’ s the Thing Ferenc Molnar (adapt PG Wodehouse) Laird Williamson Mrs. Warren's Profession George Bernard Shaw Elizabeth Huddle Vikings Stephen Metcalfe Warner Shook 1987 Man and Superman George Bernard Shaw Elizabeth Huddle The Little Foxes Lillian Hellman Richard Allen Edw ards The Sea Horse Edward J. Moore Elizabeth Huddle A Doll’ s House Henrik Ibsen Elizabeth Huddle Private Lives Noë l Cow ard Warner Shook 1988 Hard Times Dickens (adapt. Stephen Jeffreys) Elizabeth Huddle Angel Street Patrick Hamilton Warner Shook The Last Unicorn Peter S. Beagle Elizabeth Huddle Electra Hugo von Hofmannsthal Laird Williamson (trans. Alfred Schwarz) Blithe Spirit Noel Cow ard Elizabeth Huddle 1989 Hamlet Williams Shakespeare Elizabeth Huddle Rosencrantz and Guildenstern Are Dead Tom Stoppard Warner Shook The Road to Mecca Athol Fugard Susan Fenichell Born Yesterday Garson Kanin Elizabeth Huddle Frankenstein R.N. Sandberg Andrew J. Traister 1990 The Rivals Richard Brinsley Sheridan Elizabeth Huddle Sovremennik Theatre of Moscow Three Sisters Anton Chekhov Galina Volchek Into the Whirlw ind Eugenia Ginzburg Galina Volchek Waiting for Godot Samuel Beckett Susan Fenichell Aristocrats Brian Friel Warner Shook Arms and the Man George Bernard Shaw Elizabeth Huddle 1991 The Kentucky Cycle Robert Schenkkan Warner Shook Misalliance George Bernard Shaw Susan Fenichell A Streetcar Named Desire Tennessee Williams Elizabeth Huddle The Grace of Mary Traverse Timberlake Wertenbaker Susan Fenichell A Midsummer Night' s Dream William Shakespeare Elizabeth Huddle 1992 Macbeth William Shakespeare Susan Fenichell Catherine Louisa Rose Elizabeth Huddle Antigone Jean Anouilh (trans. Barbara Bray) Daniel Renner How the Other Half Loves Alan Ayckbourn M. Burke Walker Warrior Shirley Gee Susan Fenichell Peter Pan J.M. Barrie Edw ard Payson Call 1993 Faith Healer Brian Friel Warner Shook The Importance of Being Oscar Wilde Victor Pappas Earnest From the Mississippi Delta Dr. Endesha Ida Mae Holland Jacqueline Moscou 'Master Harold'...and the Boys Athol Fugard Edw ard Payson Call Intimate Exchanges Alan Ayckbourn Elizabeth Huddle Peter Pan J.M. Barrie Edw ard Payson Call 1994 Who's Afraid of Virginia Woolf? Edward Albee Warner Shook Playland Athol Fugard Victor Pappas Hay Fever Noel Cow ard Edw ard Payson Call Flyin' West Pearl Cleage Jacqueline Moscou Angels in America Tony Kushner Warner Shook Part One: Millennium Approaches Peter Pan J.M. Barrie Victor Pappas 1995 Angels in America Tony Kushner Warner Shook Part One: Millennium Approaches and Part Two: Perestroika Nine Armenians Leslie Ayvazian Christopher Ashley Betrayal Harold Pinter Victor Pappas Candida George Bernard Shaw Penny Metropulos Three Tall Women Edward Albee Warner Shook 1996 Twilight: Los Angeles 1992 Anna Deavere Smith Sharon Ott Molly Sw eeney Brian Friel Warner Shook Shakespeare for My Father Lynn Redgrave John Clark Smash Jeffrey Hatcher (adapt. from Shaw) Victor Pappas Love! Valour! Compassion! Terrence McNally Warner Shook Ghosts Henrik Ibsen Richard E.T. White Having Our Say Emily Mann Jacqueline Moscou 1997 The Taming of the Shrew William Shakespeare Mark Rucker The Turn of the Screw Henry James (adapt. Jeffrey Hatcher) Victor Pappas Ambition Facing West Anthony Clarvoe Warner Shook Tongue of a Bird Ellen McLaughlin Lisa Peterson The Old Settler John Henry Redw ood Claude Purdy Private Lives Noel Cow ard Warner Shook 1998 Full Gallop Mary Louise Wilson and Mark Hampton Warner Shook Gross Indecency Moisés Kaufman Victor Pappas How I Learned to Drive Paula Vogel Mark Rucker Red Chay Yew Lisa Peterson The Glass Menagerie Tennessee Williams Victor Pappas The Little Foxes Lillian Hellman Warner Shook Black Nativity Langston Hughes Jacqueline Moscou 1999 A Question of Mercy David Rabe Victor Pappas The Last Night of Ballyhoo Alfred Uhry Warner Shook Fires in the Mirror Anna Deavere Smith Steven Alter Skylight David Hare Victor Pappas The Royal Family George S. Kaufman and Edna Ferber Warner Shook Dear Liar Jerome Kilty Warner Shook Black Nativity Langston Hughes Jacqueline Moscou 2000 The Real Thing Tom Stoppard Daniel Fish Crumbs from the Table of Joy Lynn Nottage Jacqueline Moscou The Smell of the Kill Michele Lowe Jeff Steitzer The Chairs Eugene Ionesco (trans. Jim Lewis) Kate Whoriskey The Weir Conor McPherson Robin Lynn Smith Measure for Measure William Shakespeare Libby Appel Black Nativity Langston Hughes Jacqueline Moscou 2001 Cymbeline William Shakespeare Bartlett Sher A Raisin in the Sun Lorraine Hansberry Jacqueline Moscou R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE D.W. Jacobs D. W. Jacobs The Dying Gaul Craig Lucas Bartlett Sher The Lady from the Sea Ibsen (adapt. Jim Lewis) Kate Whoriskey The Servant of Two Masters Goldoni (adapt. Constance Congdon) Bartlett Sher Black Nativity Langston Hughes Jacqueline Moscou 2002 Titus Andronicus William Shakespeare Bartlett Sher Arms and the Man George Bernard Shaw Bartlett Sher Lackaw anna Blues Ruben Santiago-Hudson Loretta Greco Nickel and Dimed Joan Holden Bartlett Sher (based on the nonfiction book by Barbara Ehrenreich) Scapin Molière Christopher Bayes (adapt. Andrei Belgrader and Shelley Berc) Loot Joe Orton Craig Lucas Black Nativity Langston Hughes Jacqueline Moscou 2003 Nora Ingmar Bergman (adapted from Ibsen) Bartlett Sher The Light in the Piazza Craig Lucas and Adam Guettel Craig Lucas (adapted from Elizabeth Spencer) Blue/Orange Joe Penhall Kate Whoriskey Homebody/Kabul Tony Kushner Bartlett Sher 21 Dog Years Mike Daisey Jean-Michele Daisey Black Nativity Langston Hughes Jacqueline Moscou 2004 Crow ns Regina Taylor Jacqueline Moscou (adapted from Michael Cunningham and Craig Marberry) The Play's the Thing Ferenc Molnar (adapt. PG Wodehouse) John Michael Higgins Singing Forest Craig Lucas Bartlett Sher Love & Taxes Josh Kornbluth David Dow er Our Tow n Thornton Wilder Bartlett Sher Black Nativity Langston Hughes Jacqueline Moscou 2005 The Mystery of Irma Vep Charles Ludlam Jonathan Moscone
Load more

Recommended publications
  • A Transcultural Perspective on the Casting of the Rose Tattoo
    RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach.
    [Show full text]
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • South Africa's Official Selection for the Foreign Film Oscars 2006
    Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos.
    [Show full text]
  • Lady Day at Emerson's Bar & Grill
    PRESS RELEASE – FRIDAY 3 FEBRUARY 2017 RECORD SIX-TIME TONY AWARD-WINNER AUDRA McDONALD MAKES HER WEST END DEBUT IN LADY DAY AT EMERSON'S BAR & GRILL WYNDHAM’S THEATRE, LONDON From 17 June to 9 September 2017 PRODUCTION PHOTOGRAPHY AVAILABLE HERE Username: Lady Day | Password: Holiday TICKETS ON SALE HERE FROM MIDDAY ON FRIDAY 3 FEBRUARY After the joyous news of Audra McDonald’s unexpected pregnancy last year, producers of the postponed London run of Lady Day at Emerson’s Bar & Grill are delighted to announce that this summer, McDonald, the Tony, Grammy, and Emmy Award-winning singer and actress, will be making her long awaited West End debut portraying jazz legend Billie Holiday in a performance that won her a record-setting sixth Tony Award. This critically acclaimed production, which broke box office records at the Circle in the Square in New York, will run for a limited engagement at Wyndham’s Theatre from Saturday 17 June to Saturday 9 September, with opening night for press on Tuesday 27 June 2017. “Audra McDonald is a vocal genius! One of the greatest performances I ever hope to see.” New York Magazine Written by Lanie Robertson and directed by Lonny Price, Lady Day at Emerson’s Bar & Grill recounts Holiday's life story through the songs that made her famous, including “God Bless the Child,” “What a Little Moonlight Can Do,” “Strange Fruit” and “Taint Nobody’s Biz- ness.” “Mesmerizing! Pouring her heart into her voice, Audra McDonald breathes life into Billie Holiday’s greatest songs.” The New York Times Lady Day at Emerson’s Bar & Grill won two Tony Awards in 2014 including ‘Best Performance by a Leading Actress in a Play’ for Audra McDonald, making her Broadway’s most decorated performer, winner of six Tony Awards and the first and only person to receive awards in all four acting categories.
    [Show full text]
  • Anniversary Season
    th ASOLO REPERTORY THEATRE o ANNIVERSARY6 SEASON ASOLO REPERTORY THEATRE th 6oANNIVERSARY DINNER November 26, 2018 The Westin | Sarasota 6pm | Cocktail Reception 7pm | Dinner, Presentation and Award Ceremony • Vic Meyrich Tech Award • Bradford Wallace Acting Award 03 HONOREES Honoring 12 artists who made an indelible impact on the first decade and beyond. 04-05 WELCOME LETTER 06-11 60 YEARS OF HISTORY 12-23 HONOREE INTERVIEWS 24-27 LIST OF PRODUCTIONS From 1959 through today rep 31 TRIBUTES o l aso HONOREES Steve Hogan Assistant Technical Director, 1969-1982 Master Carpenter, 1982-2001 Shop Foreman, 2001-Present Polly Holliday Resident Acting Company, 1962-1972 Vic Meyrich Technical Director, 1968-1992 Production Manager, 1992-2017 Production Manager & Operations Director, 2017-Present Howard Millman Actor, 1959 Managing Director, Stage Director, 1968-1980 Producing Artistic Director, 1995-2006 Stephanie Moss Resident Acting Company, 1969-1970 Assistant Stage Manager, 1972-1990 Bob Naismith Property Master, 1967-2000 Barbara Redmond Resident Acting Company, 1968-2011 Director, Playwright, 1996-2003 Acting Faculty/Head of Acting, FSU/Asolo Conservatory, 1998-2011 Sharon Spelman Resident Acting Company, 1968-1971 and 1996-2010 Eberle Thomas Director, Actor, Playwright, 1960-1966 rep Co-Artistic Director, 1966-1973 Director, Actor, Playwright, 1976-2007 Brad Wallace o Resident Acting Company, 1961-2008 l Marian Wallace Box Office Associate, 1967-1968 Stage Manager, 1968-1969 Production Stage Manager, 1969-2010 John M. Wilson Master Carpenter, 1969-1977 asolorep.org | 03 aso We are grateful you are here tonight to celebrate and support Asolo Rep — MDE/LDG PHOTO WHICH ONE ??? Nationally renowned, world-class theatre, made in Sarasota.
    [Show full text]
  • William and Mary Theatre Main Stage Productions
    WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth
    [Show full text]
  • “Master Harold”…And the Boys to Play in the CBT’S Carousel Theatre
    Press Release UT Department of Theatre • 206 McClung Tower • Knoxville, TN 37996 For more information contact: Robin Conklin, Marketing & Communications Director [email protected] or 865-974-2497 For immediate release: Athol Fugard’s “Master Harold”…and the boys to Play in the CBT’s Carousel Theatre An ordinary rainy afternoon in 1950s South Africa turns into a profound and life-changing experience for young, white Harold and his beloved black servants. One of the most powerful coming-of-age plays ever written, Athol Fugard’s “Master Harold”…and the boys will play in the Clarence Brown Theatre’s Carousel Theatre February 5-22, 2015. An Open Captioned performance will take place on Sunday, February 8 at 2:00 pm. A talkback will take place following the February 15 matinee. Free and convenient parking is available in the McClung Tower Garage on Volunteer Boulevard. The production contains adult language and partial nudity. Sponsored by the Knox County Tourism Consortium, the Knoxville News Sentinel, WUOT and WUTK, this Tony Award winning masterpiece continues to be timely, compelling and very moving. Of all Fugard’s plays, none is more personal than “Master Harold”…and the boys because it relates to a boyhood incident which involved Fugard and haunted him for years until he tried to atone by writing the play. Rather than a simple retelling of an incident from his past, Fugard’s play presented a personal experience that extended to universal humanity. More than a play against apartheid, it is about human relationships that are put to the test by societal and personal forces.
    [Show full text]
  • Presenta Un Film Di Gus Van Sant
    presenta Milk un film di Gus Van Sant uscita 23 gennaio durata 128 minuti ufficio stampa Federica de Sanctis 339.2476890 [email protected] BIM DISTRIBUZIONE Via Marianna Dionigi 57 00193 ROMA Tel. 06-3231057 Fax 06-3211984 www.bimfilm.com 2 Milk Indice I. Sinossi pag. 3 II. Il contesto storico: cronologia pag. 5 III. Il contesto storico: Milk/Castro pag. 9 IV. Le riprese pag. 10 VI. Location pag. 12 VII. L’eredità di Milk pag. 17 VIII. Il cast artistico pag. 19 IX. Il cast tecnico pag. 32 X. Titoli pag. 43 2 3 Milk Sinossi Attivista del movimento dei diritti degli omosessuali. Amico. Amante. Unificatore. Politico. Combattente. Icona. Ispiratore. Eroe. La sua vita ha cambiato la storia, e il suo coraggio ha cambiato la vita di tante persone. Nel 1977, Harvey Milk è stato eletto supervisor (consigliere comunale) a San Francisco, divenendo il primo omosessuale dichiarato ad avere accesso a una importante carica pubblica in America. La sua vittoria non è stata solo una vittoria per i diritti dei gay, ma ha aperto la strada a coalizioni trasversali nello schieramento politico. Harvey Milk ha incarnato per molti – dagli anziani agli iscritti al sindacato – una nuova figura di militante per i diritti civili; e con la sua morte prematura, avvenuta nel 1978, è diventato un eroe per tutti gli americani. L’attore premio Oscar Sean Penn interpreta Harvey Milk, diretto dal regista candidato all’Oscar Gus Van Sant, in Milk, un film girato a San Francisco, tratto da una sceneggiatura originale di Dustin Lance Black, e prodotto dai premi Oscar Dan Jinks e Bruce Cohen.
    [Show full text]
  • Drake Plays 1927-2021.Xls
    Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St.
    [Show full text]
  • Aurora Theatre Company Announces 2020/2021 Season
    PRESS RELEASE MEDIA CONTACT FOR IMMEDIATE RELEASE Dayna Kalakau 510.843.4042 x311 [email protected] g AURORA THEATRE COMPANY ANNOUNCES 2020/2021 SEASON World Premiere of FATHER/DAUGHTER by Kait Kerrigan ​ ​ Edward Albee’s THREE TALL WOMEN ​ Toni Morrison’s THE BLUEST EYE, adapted by Lydia R. Diamond ​ ​ THE ISLAND by Athol Fugard, John Kani, and Winston Ntshona ​ CRY IT OUT by Molly Smith Metzler ​ BERKELEY, CA (March 24, 2020) Berkeley’s acclaimed Aurora Theatre Company (Artistic ​ Director Josh Costello) announced today the plays that will comprise the theatre’s 29th season, ​ ​ with the first slot to be announced at a later date. In the second slot, opening November 2020, will be Lydia R. Diamond’s remarkable adaptation of Toni Morisson’s debut novel THE ​ BLUEST EYE. Aurora kicks off the new year with a remount of Just Theatre’s acclaimed ​ production of CRY IT OUT by Molly Smith Metzler. The spring will feature THE ISLAND, ​ ​ ​ ​ the provocative drama from South African playwright Athol Fugard and co-writers John Kani and Winston Ntshona. Next is the World Premiere of Kait Kerrigan’s touching tale of romance and relationships in FATHER/DAUGHTER. The season closes with Edward Albee’s THREE ​ ​ ​ TALL WOMEN, Albee’s semi-autobiographical masterpiece. ​ “I'm so thrilled to present the plays that make up Aurora's 29th season,” Costello said. “I’ve been looking forward to announcing Aurora’s 29th Season for quite some time, and it’s the first I’ve had the privilege of putting together as Artistic Director. “From a pair of love stories to the realities of motherhood, to a Greek tragedy in a South African prison, from Toni Morrison's first novel to Edward Albee's masterpiece, these brilliant plays each speak powerfully to our world in different ways, but each features characters facing up to a challenging new reality—and deciding what they’re going to do about it.” Costello assumed the role of Artistic Director in August 2019.
    [Show full text]
  • List of Plays Performed at UW Oshkosh 1980-1989
    List of Plays Performed at UW Oshkosh 1980-1989 The Robber Bridegroom You’re a Good Man Charlie Brown Book and Lyrics: Alfred Uhry Book, Music, and Lyrics: Clark Gesner Director: Don Burdick Director: Kathleen Wieting Performance dates: February 19-24, Performance dates: NoVember 20-23, 1980 1980 Look Back in Anger The Threepenny Opera Playwright: John Osborne Book and Lyrics: Bertolt Brecht Director: Randy Haal Director: Don Burdick Performance dates: March 18-22, Performance dates: February 12-14 & 1980 19-21, 1981 Medea Experiments in Puppetry Playwright: Euripides Director: Dorlis Grubidge Director: Dorlis Grubidge Performance dates: February 28 – Performance dates: April 19 – May 4, March 1, 1981 1980 Blithe Spirit Puppets, Possible & Impossible Playwright: Noel Coward Director: Dorlis Grubidge Director: Randy Haasl Performance dates: May 22-25, 1980 Performance dates: March 19-21 & 26-28, 1981 California Suite Playwright: Neil Simon The Fantasticks Director: Don Burdick Book and Lyrics: Tome Jones Performance dates: June 24-28, 1980 Director: Jeannie Muson Schweiss Performance dates: April 7-11, 1981 How the Other Half Loves Playwright: Alan Ayckbourn The Claude Kipnis Mime Company Director: Dorlis Grubidge Performance: April 12, 1981 Performance dates: October 9-11 & 16-18, 1980 Let Us Entertain You A puppet production The Madwoman of Chaillot Director: Dorlis Grubidege Playwright: Jean Giraudoux Performance: May 27-29, 1981 Director: Gloria Link Performance dates: October 30 – Side by Side by Sondheim NoVember 1 & NoVember 6-8,
    [Show full text]
  • Complete Production History 2018-2019 SEASON
    THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others.
    [Show full text]