DOCSLIB.ORG

Jlm Slmpson ARTISTIC DIRECTOR CAROL OSTROW PRODUCING

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jlm Slmpson ARTISTIC DIRECTOR CAROL OSTROW PRODUCING THE FLEA THEATER JIM SIMPSON ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR BETH DEMBROW MANAGING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF THE RECOMMENDATION WRITTEN BY JONATHAN CAREN DIRECTED BY KEL HANEY FEATURING THE BATS CAITE HEVNER KEMP SET DESIGN NIck SOLYOM LIGHTING DESIGN SYDNEY MAREscA COSTUME DESIGN ELISHEBA ITTOOP SOUND DESIGN MARK OLSEN FIGHT DIRECTOR JACQUELINE FILER STAGE MANAGMENT WORLD PREMIERE AT THE OLD GLOBE, SAN DIEGO, CALIFORNIA BARRY EDELSTEIN, ARTISTIC DIRECTOR MICHAEL G. MURPHY, MANAGING DIRECTOR CAST (IN ALPHABETICAL ORDER) Dwight Barnes.......................................................Barron B. Bass Iskinder Iudoku.......................................................James Fouhey Aaron Feldman...........................................................Austin Trow UNDERSTUDIES Aaron Feldman..........................................................Alex J. Gould Iskinder Iudoku..................................................Donaldo Prescod Dwight Barnes.....................................................Orlando Rivera The Recommendation CREATIVE TEAM Playwright...........................................................Jonathan Caren Director.........................................................................Kel Haney Set Designer....................................................Caite Hevner Kemp Lighting Designer......................................................Nick Solyom Costume Designer..............................................Sydney Maresca Sound Designer.....................................................Elisheba Ittoop Fight Director..............................................................Mark Olsen THE FLEA THEATER Stage Manager....................................................Jacqueline Filer Actor Coach......................................................Jennifer McKenna Associate Costume Designer.......................Sarah Thea Swafford This play is dedicated to Amdie Mengistu. 23 FLEA STAFF Artistic Director.........................................................Jim Simpson Producing Director....................................................Carol Ostrow Managing Director.................................................Beth Dembrow Technical Director......................................................Liz Blessing Company Manager.......................................................Erin Daley Development Associate..................................................Alek Deva Marketing Associate...............................................David Sernick Audience Development Associate.......................Dominic Spillane Assistant Technical Director.................................Brandon Stock Graphic Designer.......................................................Jaime Vallés Videographer........................................................Crystal Arnette The Recommendation Costume Manager..................................................Josh Boerman Theater, Technical & Production Consultant............Kyle Chepulis Accountant......................................Joel Faden & Company, Inc. Attorney.........Carol M. Kaplan/Mitchell, Silberberg & Knupp LLP Development Consultant......................................Rachel Colbert Press Representative.................................Ron Lasko/Spin Cycle Special Thanks to Technical Artistry, ThinkSo, Tribeca Lighting, Brett Hunter, and Souths THE FLEA THEATER The playwright would like to thank Lou Spisto, Jack Depalma, Eric Louie, Marsha Norman & Chris Durang, Tanya Barfield, Joe Kramer, Evan Cabnet, Jerry Patch, Annie MacRae, Jonathan Lomma, Di Glazer, Laura Savia and Alex Barron. 33 CAST (IN ALPHABETICAL ORDER) Barron B. Bass (Dwight Barnes) The Flea Theater: a cautionary tail (dir. Benjamin Kamine), New York: Flying Fables (dir. John Martin-Green), Regional: Shakespeare In Vegas (Dreamcatcher Rep/NJ Playwrights Theater). Barron recently received his BFA from Rutgers University, MGSA. www.BarronBBass.com James Fouhey (Iskinder Iudoku) This will be James’ second show at The Flea after debuting as Loveless in Restoration Comedy. Regionally, he has performed in Love’s Labour’s Lost (Huntington Theatre), in Cyrano The Recommendation De Bergerac (Oak Park Festival Theatre), and in A Perfect Wedding (Circle Theatre) among other productions. He is a BFA graduate of Boston University. You can visit him at www.jamesfouhey.com. Austin Trow (Aaron Feldman) graduated from Yale University in 2012 with a BA in Theatre Studies and History. The Flea: The Shakes: Romeo and Juliet (Romeo), #serials@theflea. THE FLEA THEATER Other NYC credits include And We Shall Never Speak of This Again (Performance Research Group), Fry Side (New Light Theatre Project). Other favorite productions include: Othello (Iago), R&G Are Dead (Rosencrantz), and Rabbit Hole (Jason). 43 UNDERSTUDIES Alex J. Gould (Aaron Feldman) has appeared in christopher oscar pena’s a cautionary tail, Thomas Bradshaw’s Job, The Shakes: Romeo and Juliet and #serials@theflea. Other NYC Credits include: Fast in Fire (Theater for the New City), East in Red (Dreamcatcher Entertainment), Much Ado About Nothing (EBE Ensemble). Regional: WHADDABLOODCLOT!!! by Katori Hall, The Valley of Fear, Summer in the Country, The Applicant, The Sandbox (Williamstown Theater Festival). Education: AMDA. Donaldo Prescod (Iskinder Iudoku) The Flea: The Wundelsteipen by Nick Jones, Future Anxiety, serials@theflea. Other New York credits include: Richard III, Orestes 2.0, Pillars of Society, Harold Pinter’s Celebration, The Recommendation originated the role of Patrick for Kyle Bradstreet’s Patrick Story. California credits: Angels in America, Burn This, and Lend Me a Tenor. In addition to being an actor, Donaldo is also a playwright, having written plays for The Flea Theater; his work has been directed by Elizabeth Carlson, Sarah Krohn, and other prominent New York directors. www.donaldoprescod.com Orlando Rivera (Dwight Barnes) is an actor/ nurse/poet from the Bronx and has been THE FLEA THEATER a proud Bat since June of 2012. Past Flea credits: christopher oscar peña’s a cautionary tail, Thomas Bradshaw’s Job, The Shakes: Romeo & Juliet, #serials@theflea and recent workshops of The Unchangeable Spots of Leopards (dir. Kristan Seemel) & The Juarez Project (dir. Danya 53 Taymor). Select credits: Michal in The Pillowman, Balm in Gilead - 2010 NYIT Award for Best Production of an OOB Play (T. Schreiber Studio). CREATIVE TEAM Jonathan Caren (Playwright) Plays include The Recommendation (The Old Globe, ‘12 Craig Noel Outstanding Play), The Morning The Sun Fell Down (MTC 2013 7@7), The Venerable Raman Gupta (Sundance Lab ’13 Finalist), Open Heart Meditation (Ars Nova Out Loud ’11), and Catch The Fish (NY Fringe, Outstanding Play). 2011-12 Dramatist Guild Fellow, 2011 New York Stage And Film Founder’s Award, T.S Eliot Old Vic/New Voices Network member, SPACE @ Ryder Farm fellow, two-time Lecomte du Nouy award winner. Jonathan graduated from the The Juilliard School and Vassar College where he studied mythology and religion. Kel Haney (Director) Recent directing credits include: The Shakes: (The Flea), by Jonathan The Recommendation Romeo and Juliet The Dance Company Caren (Keen Company/Keen Teens), El Fugo by Edith Freni (Partial Comfort Productions), Row After Row by Jessica Dickey, Little Rock by Rachel Bonds (both at Williamstown Theatre Festival), The Consequences with music and lyrics by Nathan Leigh and Kyle Jarrow, book by Kyle Jarrow (Wellfleet Harbor Actors Theatre). She has directed and developed new work at Ars Nova, The Directors Company, Cherry Lane Theatre, Ensemble Studio Theatre and Youngblood, The Lark, Ma-Yi, New Dramatists, New Georges, NY THE FLEA THEATER Fringe Festival, Rattlestick, Rising Phoenix, Studio 42, Vampire Cowboys, Westport Country Playhouse, & the 52nd Street Project. Also: Manhattan Theatre Club Directing Fellow, Lincoln Center Directors Lab, Old Vic/New Voices Exchange Program and a member of Ensemble Studio Theatre. www.kelhaney.com 63 Caite Hevner Kemp (Set Designer) is a New York based scenic and projection designer. Previously at The Flea: Tales from My Parents’ Divorce. Upcoming: Smokey Joe’s Café, Arena Stage, Surviving Twin, Playmakers Rep. Off-Broadway (selected): Triassic Parq, Jukebox Jackie, Honky, Son of a Gun. New York (selected): La Scala di Seta and Il Cambiale di Matrimonio, The Juilliard School; Miss Lilly Gets Boned, Billy Witch and My Base and Scurvy Heart, Studio 42; March, Red Fern Theater Company. Regional (selected): Williamstown Theatre Festival, ArtsEmerson, Chautauqua Theater Company, Infinity Theatre Company, Yale Dramat, Greenwich Music Festival. Graduate of NYU Tisch School of the Arts (MFA) and the Yale School of Drama. Member of Wingspace Theatrical Design. www.caitekemp.com Nick Solyom (Lighting Designer) is thrilled to be designing his first production at The Flea. Past designs include: The Reformed The Recommendation Drunkard (Little Opera Theatre of NY), The Glass Menagerie (College of New Rochelle) and Blogologues (Lively Productions). In addition, he was the 2010-2011 Resident Lighting Designer for Brown University/Trinity Repertory Company, where he designed A Midsummer Night’s Dream, Vieux Carre, The Rover, and The Threepenny Opera. He is an alumni of NYU’s Graduate Department of Design for Stage and Film. www.SolyomDesign.com Sydney Maresca (Costume Designer) recently designed the THE FLEA THEATER costumes for Blood Play (The Debate Society), Finks (Ensemble Studio Theater), Alice in Wonderland (New York
Load more

Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • Broadway the BROAD Way”
    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
    [Show full text]
  • OCTOBER 2016 Welcome to October Sky! We Can’T Imagine a More Perfect Show to Give Our 2016–2017 Season a Great Launch (If You’Ll Pardon the Pun)
    OCTOBER 2016 Welcome to October Sky! We can’t imagine a more perfect show to give our 2016–2017 Season a great launch (if you’ll pardon the pun). New musicals are, of course, one of The Old Globe’s specialties, and the upcoming season is filled with exactly the kind of work the Globe does best. In this very theatre, you’ll have a chance to see a revival of Steve Martin’s hilarious Picasso at the Lapin Agile; the exciting backstage drama Red Velvet; and the imaginative, fable- like musical The Old Man and The Old Moon. And of course, we’re bringing back The Grinch for its 19th year! Across the plaza in the Sheryl and Harvey White Theatre, we hope you’ll join us for work by some of the most exciting voices in the American theatre today: award-winning actor/ songwriter Benjamin Scheuer (The Lion), Globe newcomer Nick Gandiello (The Blameless), the powerful and trenchant Dominique Morisseau (Skeleton Crew), and the ingenious Fiasco Theater, with their own particular spin on Molière’s classic The Imaginary Invalid. It’s a season we’re extremely proud and excited to share with all of you. DOUGLAS GATES Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. We’re also proud to welcome the outstanding creative team that has made October Sky a reality. Director/choreographer Rachel Rockwell is an artist whose work we’ve long admired, whose skill in staging is matched by her deft touch with actors. She’s truly a perfect fit for this heartwarming and triumphant show.
    [Show full text]
  • BLACKHART PRODUCTIONS, LLC and THEATRE PLANNERS PRESENT the WORLD PREMIERE OF
    BLACKHART PRODUCTIONS, LLC and THEATRE PLANNERS PRESENT the WORLD PREMIERE OF Music by MARC ELLIS Book & Lyrics by MARC ELLIS, MICHAEL LANGE and DAVID M. MATTHEWS Directed & Choreographed by KAY COLE+ Featuring ALI AXELRAD*, DAVID BABICH*, SHARON CATHERINE BROWN*, JULIA MARIE BUIS, JANNA CARDIA*, MICHAEL GABIANO*, BRADLEY KUYKENDALL*, SUZANNE MAYES, KIM REED*, JEFFREY ROCKWELL*, MARC CEDRIC SMITH*, CHRISTOPHER YOUNGSMAN* Alternates (performing November 29th and December 6th) TOM ANDREW*, JAN BROBERG*, PARNELL DAMONE MARCANO*, SHARI WASHINGTON RHONE* Produced by ADRIENNE BLACKMAN, STEVE HARTMAN & MICHAEL BLACKMAN, BLACKHART PRODUCTIONS RACQUEL LEHRMAN, THEATRE PLANNERS Associate Producer Music Director VICTORIA WATSON, THEATRE PLANNERS MARC ELLIS Set Designer Lighting Designer Co-Sound Designer JOEL DAAVID MATTHEW RICHTER DREW DALZELL DIABLO SOUND Co-Sound Designer Costume Designer Projection Designer ALEX MACKYOL MYLETTE NORA YEE EUN NAM DIABLO SOUND Graphic Designer Casting Director Press/Still Photographer KIFF SCHOLL MICHAEL DONOVAN, CSA MICHAEL LAMONT AFK DESIGN Publicist Technical Director/Master Carpenter Assistant Stage Manager JUDITH BORNE BRAD BENTZ KEVIN TAMAY Production Stage Manager TIFFANY THOMAS Setting: Frogs Neck High School. Now... and Then *Denotes member, Actors Equity Association + Denotes member, Society of Directors and Choreographers ADDITIONAL PRODUCTION TEAM Casting Associate………………………………………………………Richie Ferris Assistant to the Composer………………………………………………Sunny Ellis Assistant Music Director…..……………………………………………Nick
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • Bach at Leipzig
    43rd Season • 411th Production JULIANNE ARGYROS STAGE / SEPTEMBER 24 - OCTOBER 15, 2006 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents BACH AT LEIPZIG by Itamar Moses Thomas Buderwitz Maggie Morgan Geoff Korf SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Tom Cavnar Darin Anthony Martin Noyes SOUND DESIGN ASSISTANT DIRECTOR FIGHT DIRECTOR Megan Monaghan Jeff Gifford Erin Nelson* DRAMATURG PRODUCTION MANAGER STAGE MANAGER DIRECTED BY Art Manke Bach at Leipzig • SOUTH COAST REPERTORY P1 THE CAST (in order of appearance) Johann Friedrich Fasch ......................................................... Stephen Caffrey* Georg Balthasar Schott ...................................................... Tony Abatemarco* Georg Lenck ..................................................................... Jeffrey Hutchinson* Johann Martin Steindorff .......................................................... Erik Sorensen* Georg Friedrich Kaufmann ............................................... John-David Keller* Johann Christoph Graupner ............................................. Timothy Landfield* The Greatest Organist in Germany .................................... Sean H. Hemeon* SETTING The narthex of St. Thomas Lutheran Church, Leipzig, Germany, 1722. Later, 1750. LENGTH Approximately two hours and 20 minutes, including one 15-minute intermission. PRODUCTION STAFF Casting .............................................................................. Joanne DeNaut Production Assistant ..............................................................
    [Show full text]
  • In This Corner
    Welcome UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff SEA OF and artists, I welcome you to The Old TRANQUILITY Globe for this set of new plays in the Jan 12 - Feb 10, 2008 Cassius Carter Centre Stage and the Old Globe Theatre Old Globe Theatre. OOO Our Co-Artistic Director, Jerry Patch, THE has been closely connected with the development of both In This Corner , an Old Globe- AMERICAN PLAN commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Feb 23 - Mar 30, 2008 Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set Cassius Carter Centre Stage the stage for an exciting 2008, filled with new work, familiar works produced with new insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical OOO from the golden age of Hollywood. DANCING Our team plans to continue to pursue artistic excellence at the level expected of this IN THE DARK institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and (Based on the classic honor of leading the Globe since 2002, and I believe we have been successful in our MGM musical “The Band Wagon”) attempt to broaden what we do, keep the level of work at the highest of standards, and make Mar 4 - April 13, 2008 certain that our finances are healthy enough to support our artistic ambitions. With our Old Globe Theatre Board, we have implemented a $75 million campaign that will not only revitalize our campus but will also provide critical funding for the long-term stability of the Globe for OOO future generations.
    [Show full text]
  • Edition 9 | 2018-2019
    TABLE OF THE BUSHNELL CENTER CONTENTS for the PERFORMING ARTS TRUSTEE OFFICERS Message from the President & CEO ..................... 5 Jay S. Benet Chair Come From Away Robert E. Patricelli Co-Sponsored by Immediate Past Chair People’s United Bank and Travelers .................. 11 Thomas O. Barnes Vice Chair The Sound of Music Jeffrey N. Brown Sponsored by Vice Chair Voya Financial ................................................... 21 Jeffrey S. Hoffman Vice Chair Annual Fund Donor Honor Roll ......................... 32 David G. Nord Vice Chair An Extra Special Thank You ............................... 37 David M. Roth Vice Chair The Bushnell Services ....................................... 43 Henry M. Zachs Vice Chair Arnold C. Greenberg Treasurer Mark N. Mandell Assistant Treasurer Eric D. Daniels Secretary EXECUTIVE STAFF David R. Fay President and CEO Ronna L. Reynolds Executive Vice President Elizabeth Casasnovas Vice President, Development, and Chief Development Officer Patti Jackson Vice President, Finance, and Chief Financial Officer Yolande Spears Senior Vice President, Education and Community Initiatives Ric Waldman Vice President, Programming and Marketing The Bushnell is a 501(c)(3) not-for-profit organization that is proud to serve Connecticut and its citizens. | 3 MESSAGE FROM THE PRESIDENT & CEO A Look Ahead Spring has season next June. And as enticing as season finally arrived, and as that is, we were also able to tease the news it’s a particularly that Hamilton will return to The Bushnell in exciting time of year our 2020/2021 season. at The Bushnell. Our 2018/2019 season is If you’re a season-ticket holder, you should in full swing; we’ve got already have your renewal packet. If you’re two Broadway shows this month – current interested in becoming one, just contact our hit Come from Away, still going strong on box office and we’ll begin selling new series Broadway, and a classic audience favorite, packages this summer.
    [Show full text]
  • South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
    IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021.
    [Show full text]
  • Tide Turns in PE Credit Issue
    CEP Vote Within T\NO Weeks Tide Turns in PE Credit Issue by David Eisen The CEP then decided to post­ sider strongly what they learn Executive Editor pone a vote until more information from other schools' policies. A vote on PE credit was post­ of policies of other schools could be The PE credit question was poned by a committee of the found. The vote, according to one brought into the open last week Academic Senate (AS), though member, will be within two weeks. when CEP realized that its own members seemed to be in favor of Hunt appeared to be pleased with sub-committee had last year giving units in a tum of events late the changing trend of the meeting, authorized units for some classes, in the meeting. A Triton Times poll last week of a majority of the Committee on Educational Pplicy and Courses (CEP) revealed that most of the members of the eight-professor group were against allowing units to PE classes. The CEP had turned down requests for credits for two PE classes earlier in the month, and had decided to review the 16 classes that are already given partial academic credit. The turning point in yesterday's review meeting came after PE head Howard Hunt had delivered his arguments for the continued unit support of the 16 classes. Hunt had not appeared to waver the views of many of the CEP mem­ bers. The members were then told for the first time that all of the UC schools with the exception of Santa Howard Hunt (TT Photo.
    [Show full text]
  • Other Half PR
    CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: NORTH COAST REP SERVES UP BANQUET OF FUN IN HOW THE OTHER HALF LOVES By Sir Alan Ayckbourn Performances Beginning Wednesday, April 11, 2018 Running Through Sunday, May 6, 2018 Now extended by popular demand to May 13, 2018 Directed by Geoffrey Sherman Solana Beach, CA Britain’s comic genius, Sir Alan Ayckbourn, has penned a fast-paced and hilariously funny theatrical feast that stands as a classic modern comedy. With the precision of a master chef, Sir Ayckbourn mixes three very different marriages into a pot, simmering with sex, jealousy, and liberally spiced with ingenious stagecraft. Full of clever, razor-sharp dialogue and impeccable split-second timing, HOW THE OTHER HALF LOVES is a treat you won’t want to miss. Find out why The London Daily Mail called this “a delicious, jolly good show.” Geoffrey Sherman directs Jacqueline Ritz,* James Newcomb,* Sharon Rietkerk,* Christopher M. Williams,* Noelle Marion,* and Benjamin Cole. The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting Design), Aaron Rumley (Sound), Elisa Benzoni (Costumes), and Holly Gillard (Prop Design). Cindy Rumley* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States. For background information and photos, go to www.northcoastrep.org/press. HOW THE OTHER HALF LOVES previews begin Wednesday, April 11. Opening Night on Saturday, April 14, at 8pm. There will be a special talkback on Friday, April 20, with the cast and artistic director.
    [Show full text]
  • We Dnesd Ay, F Ebruary 13 , 2
    University of California San Diego • Division of Arts and Humanities • Department of Music Wednesday, February 13, 2013 - 7:00 p.m. • CPMC Concert Hall UC San Diego • Division of Arts and Humanities • Department of Music • Department of Theatre and Dance Lear On The 2nd Floor CAST NORA • Susan Narucki DOCTOR • Ru ff Ye a g e r “NORA’S MIND” • B o n n i e L a n d e r LYLA • Sara Perez MORTIMER • P h i l L a r s o n JENNA • Alice Teyssier TARA • T i ff a n y D u M o u c h e l le NURSE / LAWYER • Jorell Williams CREATIVE TEAM ORCHESTRA Anthony Davis • Composer Leah Asher • Viola Allan Havis • Librettist Kimberly Hain • Violin Steven Schick • Music Director Jennifer Bewerse • Cello Mark DeChiazza • Director/Video Designer Mark Dresser • Bass Victoria Petrovich • Scenic Designer Curt Miller • Clarinet Mary Ellen Stebbins • Lighting Designer Leyla Zamora • Bassoon Halei Parker • Costume Designer Leah Bowden • Percussion Alana Ogio • Asst Costume Designer Kjell Nordeson • Percussion Katie Chen • Stage Manager Todd Moellenberg • Piano Susan Narucki • Producer Joe Mariglio • Sythesizer PROGRAM NOTES FROM THE PRODUCER Welcome to this, the fourth kallisti chamber opera production and our first world premiere, Anthony Davis’ Lear on the Second Floor. When I began the group in 2008, I hoped to create a model in which faculty and graduate student performers from the UCSD Department of Music could work side by side, sharing the kind of intense collaborative experience that is part of being a professional musician. And through the remarkable commitment of many people, this dream has become a reality.
    [Show full text]