Me Gustas Tú”

Verbo Gustar Jose C. Quintano QUÉ LE GUSTA A MANU CHAO Objetivos: Ver el uso de las formas del verbo gustar y conocer algo sobre la música en español. Nivel: A1. Curso: Inmersión. Nº Alumnos: Variable. Duración: 45´. Material: • Texto de presentación sobre Manu Chao. • Hoja de trabajo con los posibles gustos de Manu Chao. • Acceso a Internet para visualizar el video subtitulado de “Me gustas tú”. • Letra de la canción. Desarrollo: 1. Para introducir al músico se puede realizar un sondeo entre los estudiantes y preguntarles que conocen de Manu Chao. 2. A continuación se les entrega el texto de presentación que se centra en datos personales y en su discografía. 3. Se les entrega entonces la hoja de trabajo en la que van a encontrar 12 cosas que pueden entrar en los posibles gustos del músico. Se puede volver a sondear a los estudiantes preguntándoles qué creen ellos que le puede gustar. 4. Una vez hecho el sondeo se necesita acceder a Internet para ver el video subtitulado de la canción “Me gustas tú” (álbum: Próxima estación: Esperanza, año 2001). 5. Mientras los estudiantes ven y escuchan el video deben anotar en su hoja d trabajo qué cosas son las realmente le gustan a Manu Chao. 6. Tras la primera visualización se realiza una puesta en común. 7. Podemos volver a ver el video y comprobar el trabajo realizado anteriormente y la puesta en común. 8. Para terminar entregaremos una copia de la letra de la canción a los estudiantes. 1 DEPARTAMENTO DE ESPAÑOL Verbo Gustar Jose C. Quintano Nombre: Jose-Manuel Thomas Arthur Chao Fecha de Nacimiento: 21 de Junio de 1961 Lugar de Nacimiento: París Discografía: 1998 - Clandestino 2001 - Próxima estación: Esperanza 2002 - Radio Bemba Sound System 2004 - Sibérie m'était contée 2 DEPARTAMENTO DE ESPAÑOL Verbo Gustar Jose C. Quintano AQUÍ TIENES UNA SERIE DE IMÁGENES. MIENTRAS ESTÁS ESCUCHANDO Y VIENDO EL VÍDEO DE MANU CHAO TIENES QUE SELECCIONAR LOS GUSTOS QUE TIENE EL CANTANTE. BICICLETA MOTO LE GUSTA A MANU CHAO LE GUSTA A MANU CHAO MAR PLAYA LE GUSTA A MANU CHAO LE GUSTA A MANU CHAO TABACO MARIHUANA LE GUSTA A MANU CHAO LE GUSTA A MANU CHAO 3 DEPARTAMENTO DE ESPAÑOL Verbo Gustar Jose C. Quintano LA MAÑANA LA NOCHE LE GUSTA A MANU CHAO LE GUSTA A MANU CHAO ESPAÑA GUATEMALA LE GUSTA A MANU CHAO LE GUSTA A MANU CHAO CORRER CANTAR LE GUSTA A MANU CHAO LE GUSTA A MANU CHAO AHORA PUEDES HABLAR CON TUS COMPAÑEROS PARA COMPROBAR TUS RESPUESTAS. 4 DEPARTAMENTO DE ESPAÑOL Verbo Gustar Jose C. Quintano ME GUSTAS TÚ , Manu Chao (álbum: Próxima estación: Esperanza, 2001) Me gustan los aviones, me gustas tú. Me gusta viajar, me gustas tú. Me gusta la mañana, me gustas tú. Me gusta el viento, me gustas tú. Me gusta soñar, me gustas tú. Me gusta la mar, me gustas tú. ¿Qué voy a hacer? Je ne sais pas. ¿Qué voy a hacer? Me gusta el fuego, me gustas tú. Je ne sais plus. Me gusta menear, me gustas tú. ¿Qué voy a hacer? Me gusta la Coruña, me gustas tú. Je suis perdu. Me gusta Malasaña, me gustas tú. ¿Qué horas son, mi corazón? Me gusta la castaña, me gustas tú. Me gusta Guatemala, me gustas tú. Me gusta la moto, me gustas tú. Me gusta correr, me gustas tú. ¿Qué voy a hacer? Me gusta la lluvia, me gustas tú. Je ne sais pas. Me gusta volver, me gustas tú. ¿Qué voy a hacer? Me gusta marihuana, me gustas tú. Je ne sais plus. Me gusta colombiana, me gustas tú. ¿Qué voy a hacer? Me gusta la montaña, me gustas tú. Je suis perdu. Me gusta la noche, me gustas tú. ¿Qué horas son, mi corazón? ¿Qué voy a hacer? Je ne sais pas. ¿Qué voy a hacer? Je ne sais plus. ¿Qué voy a hacer? Je suis perdu. ¿Qué horas son, mi corazón? 5 DEPARTAMENTO DE ESPAÑOL .

Copy Link

Recommended publications

King of Bongo Bassnectar
King of bongo bassnectar click here to download Bassnectar delivers biiiigg time with this remix. The contrast in the song is just DELICIOUS! Check 'em here. Couldn't find it in HD, so here you go! Manu Chao - Bongo Bong (PhillySoundSystem King Of Bongos Refix) - Duration: MOR. Manu Chao-Bongo Bong HD King of the Bongos Manu Chao-Bongo Bong HD King of the Bongos. Mama was queen of the mambo papa was king of the congo deep down in the jungle I start banging my first. bassnectar up in whistler B.C. Bassnectar performing 'Bass Head' and 'Mind Tricks' Live at Bass Center Colorado - Duration: 6. Bassnectar performing "Teleport Massive" Bassnectar Remix + "Window Seat " + Manu Chao- "King Of. Lyrics to 'King of Bongo' by Manu Chao. Mama was queen of the mambo / Papa was king of the Congo / deep down in a jungle / I started banging my first bongo /. Hey, does anyone know the name of the Reso track that bassnectar mashes up with Manu Chao - King Of The Bongo (Cut and Run Breakz Remix) at like ? Trying to find this has been driving me nuts, its just such a monster of a bassline! THEno1SonicFan • 1 year ago. Reso - Cut To The Chase. min. Manu Chao - Bongo Bong (dj Smell Remix) Exclusive!!! []. Check min. Manu Chao - Bongo Bong (phillysoundsystem King Of Bongos Refix). Check min. Bassnektar - Manu Chao - Bongo Bong (bassnectar Remix). Check min. Manu Chao - Bongo Bong (biorhytm Remix). Check min. Lyrics to "Bongo Bong" song by Manu Chao: Mama was queen of the mambo, Papa was king of the Congo Deep down in the jungle I started bangin' my.
[Show full text]
Manu-Chao.Pdf
Chao Manu LIVIN´LIVIN´ LALA VIDAVIDA TOMBOTOMBOLALA Más punk, romántico y disconforme que nunca, el trovador vuelve con su nueva metralla de rolas:La radiolina. Conversación íntima por las calles de Nueva York con un Manu que no quiere ser global y que desconfía de la democracia. • por hernan iglesias illa fotos erika montoya 88 rolling stone, septiembre de 2007 rolling stone, septiembre de 2007 89 ManuChao peto la racionalidad, pero a mí no me ha fines de abril, tocando en Coachella, el popular fes- llevado a buen puerto. América latina fue una enorme escuela de instinto para mí. tival del desierto californiano, Manu Chao gritó: La conexión con cierta gente, con ciertas plantas... –¿Los años no te han hecho más conserva- “¡Bush es el terrorista más grande del planeta!”. dor ideológicamente? –Tengo un amigo senegalés que siempre Diez días más tarde, en Texas, el estado donde el me dice: “Ten cuidado, Manu, que a partir A de los 40 todo va muy-muy rápido”. Eso presidente de los Estados Unidos fue gobernador, volvió a es todo lo que sé. Hombre, a los 20 años te haces muchas más ilusiones de que pue- des cambiar el mundo. Y después la vida te decir lo mismo. En Brooklyn, a fines de junio, sobre un reg- da palos. En un momento te das cuenta de cómo es el ser humano, de los problemas gae suavecito de fondo, agregó: “La violencia se combate de ego, de convivencia, te das cuenta de que si miras la historia de la humanidad con más educación y más empleo.
[Show full text]
SONIC POLITICS and the EZLN by Jeremy Oldfield a Thesis Submitted in Partial Fulfillment of the Requir
THE INSURGENT MICROPHONE: SONIC POLITICS AND THE EZLN by Jeremy Oldfield A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors in American Studies WILLIAMS COLLEGE Williamstown, Massachusetts May 6,2005 Acknowledgements My name stands alone on the title page. jE~toes una rnentira enovrne! Each one of these people should be listed alongside: Cass Cleghorn, my advisor, for inviting me to take some serious literary risks; for meeting at the oddest hours to casually restructure the entire thing; for yelling "jDeja de pintav la Mona!"; for her infectious curiosity; and for sharing her tunes. My brother Ben, for flying to Chiapas with me last January, and for telling me to chill out and start this thing. Sergio Beltrhn, for his stories - and that shot of mezcal. Bryan Garman, my high school history teacher, for attuning my ears to the power hiding in things that rock. The 2003 International Honors Program "Indigenous Perspectives" crew. Tracey, for enduring my frustrated rants; for editing my introduction and suggesting, in vain, that I remove a questionably appropriate sentence; and for bringing me food that last week, when I became a hairy, unruly hermit. Payson, for barging in so often to call me boring, and for filling the hallway with banjo riffs at 4am. Gene Bell-Villada, my sophomore year Spanish professor, for sending this scared, ill-prepared, young gringo to Guatemala two years ago. My dad, for playing me Richard Farifia's "Pack Up Your Sorrows" on the dulcimer eighteen years ago. It was the first song that gave me goose bumps.
[Show full text]
NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.
[Show full text]
Merging Flamenco with a Postmodern “Universe” of Meanings
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`!5#+*+,$(0$G8!52'$(3.!$(!0>!,'%_G8!+(4!5<$!+D>I!(.!3+*$3^8!=1%.>&1! +(!$VC*.%+0'.(!.9!01$!+>%+*!+(4!7'3>+*!,+('9$30+0'.(3!.9!9*+,$(-.!/'01'(!01$3$!01%$$!7'4$.! -1+C0$%3G!01'3!01$3'3!/'**!9'%30!%$7$+*!1./!T.3+*I+!+*'&(3!/'01!.01$%!9*+,$(-.!9>3'.(!+%0'303! 01%.>&1!1$%!+?'*'0@!0.!9'(4!+!*','(+*!3C+-$!?$0/$$(!9*+,$(-.X3!50%+4'0'.(38!+(4!5'((.7+0'.(3^8! =1$!01$3'3!/'**!4$,.(30%+0$!1./!9*+,$(-.!,+('9$303!'03$*9!'(!01$!+*?>,!'(!/+@3!01+0!1.(.%!C+30!
[Show full text]
Clandestino Lp
PRESS RELEASE THE DEFINITIVE BIOGRAPHY OF MANU CHAO, THE CHE GUEVARA OF WORLD MUSIC PUBLISHED TO COINCIDE WITH THE 15TH ANNIVERSARY OF MANU’S CLANDESTINO LP ‘Manu Chao? He was a pain in the ass when he was four. And he still is!’ Gabriel Garcia Marquez ‘To distil the nature of Chao's elusive genius requires a bold author and a special kind of book - and Peter Culshaw has risen to the task…a compelling story, brilliantly told… By the journey's end, one is left with the satisfying conclusion that the fabulous experiences and curious explorations along the way have been more important than any imagined or real destination - for author, subject and reader alike.’ Nigel Williamson on Clandestino: In Search of Manu Chao in Songlines ***** CLANDESTINO IN SEARCH OF MANU CHAO by Peter Culshaw Published 9 May 2013 ● £12.99 trade paperback/ebook Manu Chao once toured Colombia by train with a circus troupe, negotiating with government troops, rebels and narcotraficantes, an episode described at the time as ‘less rock’n’roll tour – more Napoleon’s retreat from Moscow’. That’s how Manu operates – a musician who’s been called the natural heir to Joe Strummer and Bob Marley, he does everything differently. He’s a multi-million selling artist who prefers sleeping on friends’ floors to five-star hotels, an anti-globalisation activist who hangs out with prostitute-activists in Madrid and Zapatista leader Subcomandante Marcos in Chiapas, a recluse who is at home performing in stadiums in front of 100,000 people in Latin America. His first solo album, Clandestino is still one of the best-selling French albums ever and his last studio album La Radiolina topped the charts in seventeen countries.
[Show full text]
Clandestino in Search of Manu Chao
CLANDESTINO IN SEARCH OF MANU CHAO ‘Correr es mi destino’ Manu Chao, “Clandestino” To Dad and Michelle and kudos to Andy Morgan PUBLISHING DETAILS Clandestino: In Search of Manu Chao © 2013 by Peter Culshaw First published in 2013 by Serpent’s Tail, 3A Exmouth House Pine Street, Exmouth Market London, EC1R OJH www.serpentstail.com 10 9 8 7 6 5 4 3 2 1 Printed and bound in the UK by Clays, Bungay, Suffolk. Typeset in Lino Letter and Sun Light to a design by Henry Iles. The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. 352pp A CIP catalogue record for this book is available from the British Library. ISBN 978-1846681950 The paper this book is printed on is certified by the © FSC logo to be 1996 Forest Stewardship Council A.C. (FSC). It is ancient- dropped forest friendly. The printer holds FSC chain of custody in here SGS-COC-2061 Contents Intro: Casa Babylon . 7 Part One / La Vida Tómbola – The lives of Manu . 13 1: A Double Life .......................................................... 15 2: The Rock’n’Roll Flame ............................................... 32 3: Hot Pants .............................................................. 43 4: The Rise of the Black Hand .......................................... 66 5: Going South . 82 6: The Fall of the Black Hand .........................................
[Show full text]
MANU CHAO: a Mescla Como Instrumento De Crítica Do Intelectual Quiebra Ley
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS: ESTUDOS LITERÁRIOS Raquel da Silveira MANU CHAO: a mescla como instrumento de crítica do intelectual quiebra ley Juiz de Fora 2011 Raquel da Silveira MANU CHAO: a mescla como instrumento de crítica do intelectual quiebra ley Dissertação apresentada ao Programa de Pós- Graduação em Letras: Estudos Literários, área de concentração em Teorias da Literatura e Representações Culturais, da Faculdade de Letras da Universidade Federal de Juiz de Fora como requisito parcial para obtenção do título de Mestre em Letras. Orientadora: Profa. Dra. Silvina Liliana Carrizo Juiz de Fora 2011 A minha mãe Marina que me ensinou a não fugir da luta e a esquecer o medo. Aos amigos que cresceram junto a mim, presos a canções e entregues a paixões e aos Carlos de minha vida. AGRADECIMENTOS Acreditando que, como diz a canção, “é impossível ser feliz sozinho” e que nenhum trabalho científico pode ser concretizado individualmente, cabe, nesse pequeno espaço ao menos um breve reconhecimento às pessoas que participaram e contribuíram mais diretamente para que esta dissertação fosse realizada. Desta forma, sou muito grata: Aos meus pais, por me transmitirem sua base ética e sua sensibilidade e me impulsionarem desde cedo a procurar meu próprio caminho, especialmente à minha mãe, que se tornou também grande amiga e confidente; aos meus dois irmãos, que, à sua maneira, vibraram a cada nova conquista minha; ao meu marido Carlos e todos os amigos com quem compartilho a vida, pelo respeito, por compreenderem
[Show full text]
Ing of the Media of Enunciation in Manu Chao’S Clandestino and Próxima Estación… Esperanza
Liminalities: A Journal of Performance Studies Vol. 3, No. 3, November 2007 “…where there is a lot of sound…”: Resistance, Subjectivity and the Trilanguag- ing of the Media of Enunciation in Manu Chao’s Clandestino and Próxima Estación… Esperanza Cornelia Gräbner Introduction In his seminal study Noise: The Political Economy of Music (1985), Jacques Attali proposes a conceptualization of and an analytical approach to music that significantly differs from the ones used by academic analysts at the time of his writing and, in fact, until today. He writes: Music is more than an object of study: it is a way of perceiving the world. A tool of understanding. Today, no theorizing accomplished through language or mathematics can suffice any longer; it is incapable of accounting for what is essential in time — the qualitative and the fluid, threats and violence. In the face of the growing ambiguity of the signs being used and exchanged, the most well-established concepts are crumbling and every theory is wavering. It is thus necessary to imagine radically new theoretical forms, in order to speak to new realities. Music, the organisation of noise, is one such form. (4) Cornelia Gräbner is lecturer in Hispanic Studies at the Department of European Languages and Cultures at Lancaster University. She wrote her doctoral dissertation on performance poetry at the Amsterdam School for Cultural Analysis. The essay here furthers an argument that forms part of one chapter of the dissertation project, on the use of sound recordings in performance poetry. Author Note: To my regret it has not been possible to get permissions for the sonic quotes from Clandestino and Próxima Estación…Esperanza that I had planned to integrate in this essay.
[Show full text]
Clandestino: in Search of Manu Chao Online
VK9DL (Mobile library) Clandestino: In Search of Manu Chao Online [VK9DL.ebook] Clandestino: In Search of Manu Chao Pdf Free Peter Culshaw audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #1485386 in eBooks 2013-05-09 2013-05-09File Name: B00C277UI4 | File size: 79.Mb Peter Culshaw : Clandestino: In Search of Manu Chao before purchasing it in order to gage whether or not it would be worth my time, and all praised Clandestino: In Search of Manu Chao: 1 of 1 people found the following review helpful. Great book about a wonderful man!By Just JenniferManu Chao has become one of our favorite musical artists. Especially in this age of the Beibers and Swifts of the world. This book tells the tale of a humble man with his heart and mind in the right place. Simply fascinating!1 of 1 people found the following review helpful. I would say that book was great and well writenBy ValtteriAs a long time Mano Negra and Manu fan, I would say that book was great and well writen. A decade ago, Manu Chao's band, Mano Negra, toured Colombia by train, negotiating with government troops and rebels - an episode described at the time as 'less like a rock'n'roll tour - more like Napoleon's retreat from Moscow'. That's Manu in a nutshell. He does everything differently. He is a multi-million selling artist who prefers sleeping on friends' floors to five-star hotels, an anti-globalisation activist who hangs out with prostitute-activists in Madrid and Zapatista leader Comandante Marcos in Chiapas, a recluse who is at home singing in front of 100,000 people in stadiums in Latin America or festivals in Europe.Clandestino has been five years in the writing, as Peter Culshaw followed Manu around the world, invited at a moment's notice to head to the Sahara, or Brazil, or to Buenos Aires, where Manu was making a record with mental asylum inmates.
[Show full text]
Clandestino Mª Isabel Hernández Machín
Consejería de Educación en el Reino Unido e Irlanda 1 Clandestino Mª Isabel Hernández Machín TIEMPO: Dos sesiones de 40 minutos OBJETIVOS: • Analizar la inmigración en España a partir de la canción Clandestino de Manu Chao. • Expresar opiniones y manifestar una actitud abierta y res- petuosa hacia las opiniones expresadas por los compa- ñeros de clase. • Ampliar el vocabulario referente a la inmigración. DESCRIPCIÓN DE LA ACTIVIDAD: 1. Separar y clasificar palabras relacionadas con el tema de la inmigración. 2. Introducción sobre Manu Chao1, autor e intérprete de la canción. 3. Audición de la canción y ejercicio de rellenar huecos*. 4. Formular preguntas sobre el contenido de las estrofas y sobre los temas principales de la canción. 5. Debate sobre la inmigración. 6. Trabajo escrito. 1 Manu Chao nació en Francia de padres españoles en 1961. Reside temporadas en España y viaja por todo el mundo. Ha sabido captar la sensibilidad de la ju- ventud de muchos países. Es hijo musical de Bob Marley, hijo literario de Jacques Prévert y García Márquez y admirador político de Eduardo Galeano. Con Manu Chao el rock se ha vuelto ska, el punk invitación a la utopía. Para Chao el mundo está mal pero existe la esperanza, y la música nos convoca a una fiesta global y solidaria que nada tiene que ver con la globalización de los poderosos. Discografía: Clandestino (1998), Chewaka-Virgin. Próxima estación, esperanza (2001), Chewaka-Virgin. www.manuchao.net. Fuente: Tareas que suenan bien. El uso de canciones en la clase de ELE. MECD. Soluciones actividades 1. Positivo: contratación – esperanza – integración – reivindicación – tolerancia – solidaridad – destino – autoridad – papeles – invernadero – autoridad – ley Negativo: sin papeles – indocumentado – clandestino – sin techo – injusticia – patera – expulsión – condena – pena – ilegal.
[Show full text]
Análisis Discursivo De Clandestino De Manu Chao
“Correr es mi destino para burlar la ley”. Análisis discursivo de Clandestino de Manu Chao Luz Danielle Zehnder-Maradiaga Orellana* Universität Zürich Suiza Resumen: En este artículo, basándonos en algunos ejemplos de cancio- nes, se tratará de mostrar los principios que Manu Chao propone en su primer álbum en solitario, Clandestino, a fin de crear un arte para to- dos. Con dichos principios —el mestizaje, la simplicidad y su visión del mundo—, el artista se aleja tanto de las normas literarias como musicales impuestas por la autoridad. Palabras clave: Manu Chao, Clandestino, mestizaje, simplicidad, visión del mundo, análisis del discurso literario, análisis musicológico. “Running is my Destiny to Outwit the Law”. Discursive Analysis of Clandestino of Manu Chao Abstract: In this article, based on some examples of songs, we will try to show the principles that Manu Chao proposes in his first solo album, Clandestino, in order to create an art for everyone. With these principles —hybridity, simplicity and his vision of the world—, the artist moves away as much from the literary norms as musicals impo- sed by authority. Keywords: Manu Chao, Clandestino, hybridity, simplicity, vision of the world, literary discourse analysis, musical analysis. * Este artículo presenta una versión abreviada de la tesina de máster con la que la autora ganó el Premio de la Sociedad Suiza de Estudios Hispánicos 2018 al mejor trabajo de investigación predoctoral. Boletín Hispánico Helvético, ISSN 1660-4938, volumen 33-34 (primavera-otoño 2019), pp. 5-35 Luz Danielle Zehnder-Maradiaga Orellana Nosotros nacimos de la noche, en ella vivimos, moriremos en ella, pero la luz, será mañana para los más, para todos aquellos que aún lloran la noche, para quienes se niega el día.
[Show full text]