Indonesian Heroic Songs in History Learning
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Surrealist Painting in Yogyakarta Martinus Dwi Marianto University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Surrealist painting in Yogyakarta Martinus Dwi Marianto University of Wollongong Recommended Citation Marianto, Martinus Dwi, Surrealist painting in Yogyakarta, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/1757 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] SURREALIST PAINTING IN YOGYAKARTA A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by MARTINUS DWI MARIANTO B.F.A (STSRI 'ASRT, Yogyakarta) M.F.A. (Rhode Island School of Design, USA) FACULTY OF CREATIVE ARTS 1995 CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Martinus Dwi Marianto July 1995 ABSTRACT Surrealist painting flourished in Yogyakarta around the middle of the 1980s to early 1990s. It became popular amongst art students in Yogyakarta, and formed a significant style of painting which generally is characterised by the use of casual juxtapositions of disparate ideas and subjects resulting in absurd, startling, and sometimes disturbing images. In this thesis, Yogyakartan Surrealism is seen as the expression in painting of various social, cultural, and economic developments taking place rapidly and simultaneously in Yogyakarta's urban landscape. -
National Heroes in Indonesian History Text Book
Paramita:Paramita: Historical Historical Studies Studies Journal, Journal, 29(2) 29(2) 2019: 2019 119 -129 ISSN: 0854-0039, E-ISSN: 2407-5825 DOI: http://dx.doi.org/10.15294/paramita.v29i2.16217 NATIONAL HEROES IN INDONESIAN HISTORY TEXT BOOK Suwito Eko Pramono, Tsabit Azinar Ahmad, Putri Agus Wijayati Department of History, Faculty of Social Sciences, Universitas Negeri Semarang ABSTRACT ABSTRAK History education has an essential role in Pendidikan sejarah memiliki peran penting building the character of society. One of the dalam membangun karakter masyarakat. Sa- advantages of learning history in terms of val- lah satu keuntungan dari belajar sejarah dalam ue inculcation is the existence of a hero who is hal penanaman nilai adalah keberadaan pahla- made a role model. Historical figures become wan yang dijadikan panutan. Tokoh sejarah best practices in the internalization of values. menjadi praktik terbaik dalam internalisasi However, the study of heroism and efforts to nilai. Namun, studi tentang kepahlawanan instill it in history learning has not been done dan upaya menanamkannya dalam pembelaja- much. Therefore, researchers are interested in ran sejarah belum banyak dilakukan. Oleh reviewing the values of bravery and internali- karena itu, peneliti tertarik untuk meninjau zation in education. Through textbook studies nilai-nilai keberanian dan internalisasi dalam and curriculum analysis, researchers can col- pendidikan. Melalui studi buku teks dan ana- lect data about national heroes in the context lisis kurikulum, peneliti dapat mengumpulkan of learning. The results showed that not all data tentang pahlawan nasional dalam national heroes were included in textbooks. konteks pembelajaran. Hasil penelitian Besides, not all the heroes mentioned in the menunjukkan bahwa tidak semua pahlawan book are specifically reviewed. -
Strategi Pembelajaran Sejarah Berbasis Lagu-Lagu Perjuangan Dalam Konteks Kesadaran Nasionalisme
STRATEGI PEMBELAJARAN SEJARAH BERBASIS LAGU………| 1 STRATEGI PEMBELAJARAN SEJARAH BERBASIS LAGU-LAGU PERJUANGAN DALAM KONTEKS KESADARAN NASIONALISME Brigida Intan Printina* Abstrak Di masa-masa kebangkitan nasional lagu-lagu perjuangan menjadi sarana vital dalam membangkitkan kesadaran nasional para pemuda bangsa. Namun, mayoritas pemuda saat ini tidak mampu menunjukkan semangat nasionalismenya karena kurang mengerti akan makna lagu-lagu perjuangan. Maraknya lagu asing semakin menggerus nilai nasionalisme. Penelitian ini menggunakan kualitatif deskriptif melalui studi pustaka. Penelitian ini dilakukan untuk mengembangkan strategi pembelajaran sejarah agar setiap pemuda dapat membangun diri dan mampu membentuk kesadaran nasionalisme dengan menyanyikan dan menghayati lagu-lagu perjuangan di setiap kesempatan. Kata Kunci : strategi pembelajaran sejarah, lagu perjuangan, nasionalisme Pendahuluan kepada etnis Jawa atau salah satu budaya Tumbuh dan berkembangnya etnis di Nusantara, melainkan harus bersifat nasionalisme di Indonesia tidak semata- universal seperti dalam kedudukan musik mata didasarkan pada persamaan- diatonis. (R.M. Soedarsono, 1998 : 39). persamaan primordialistik, akan tetapi Di samping memiliki kemampuan sudah bersifat terbuka. Diilhami oleh cita- dalam pengajaran, guru juga harus cita kebangkitan nasional dari tahun 1908, mengembangkan strategi belajar mengajar. pada tanggal 28 Oktober 1928 para pemuda Salah satu cara untuk membentuk karakter Indonesia mengikrarkan Sumpah Pemuda, peserta didik dalam pembelajaran sejarah yaitu -
SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY in the NEW ORDER a Thesis Presented to the Faculty of the Center for Inte
SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY IN THE NEW ORDER A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Sony Karsono August 2005 This thesis entitled SETTING HISTORY STRAIGHT? INDONESIAN HISTORIOGRAPHY IN THE NEW ORDER by Sony Karsono has been approved for the Department of Southeast Asian Studies and the Center for International Studies by William H. Frederick Associate Professor of History Josep Rota Director of International Studies KARSONO, SONY. M.A. August 2005. International Studies Setting History Straight? Indonesian Historiography in the New Order (274 pp.) Director of Thesis: William H. Frederick This thesis discusses one central problem: What happened to Indonesian historiography in the New Order (1966-98)? To analyze the problem, the author studies the connections between the major themes in his intellectual autobiography and those in the metahistory of the regime. Proceeding in chronological and thematic manner, the thesis comes in three parts. Part One presents the author’s intellectual autobiography, which illustrates how, as a member of the generation of people who grew up in the New Order, he came into contact with history. Part Two examines the genealogy of and the major issues at stake in the post-New Order controversy over the rectification of history. Part Three ends with several concluding observations. First, the historiographical engineering that the New Order committed was not effective. Second, the regime created the tools for people to criticize itself, which shows that it misunderstood its own society. Third, Indonesian contemporary culture is such that people abhor the idea that there is no single truth. -
The Governments of Indonesia and Portugal- Recalling General
A/53/951 S/1999/513 English Page 4 Annex I Agreement between the Republic of Indonesia and the Portuguese Republic on the question of East Timor The Governments of Indonesia and Portugal- Recalling General Assembly resolutions 1514 (XV), 1541 (XV), 2625(XXV) and the relevant resolutions and decisions adopted by the Security Council and the General Assembly on the question of East Timor; Bearing in mind the sustained efforts of the Governments of Indonesia and Portugal since July 1983, through the good offices of the Secretary-General, to find a just, comprehensive and internationally acceptable solution to the question of East Timor; Recalling the agreement of 5 August 1998 to undertake, under the auspices of the Secretary-General, negotiations on a special status based on a wide-ranging autonomy for East Timor without prejudice to the positions of principle of the respective Governments on thefinal status of East Timor; Having discussed a constitutional framework for an autonomy for East Timor on the basis of a draft presented by the United Nations, as amended by the Indonesian Government; /... A/53/951 S/1999/513 English Page 5 Noting the position of the Government of Indonesia that the proposed special autonomy should be implemented only as an end solution to the question of East Timor with full recognition of Indonesian sovereignty over East Timor; Noting the position of the Government of Portugal that an autonomy regime should be transitional, not requiring recognition of Indonesian sovereignty over East Timor or the removal of East -
Nationalism and National Culture in Indonesian Art Music and Performances (1900-2018): Reflections from Postcolonial Perspectives
Nationalism and National Culture in Indonesian Art Music and Performances (1900-2018): Reflections from Postcolonial Perspectives Aniarani Andita 5837456 MA Thesis Musicology Utrecht University First Reader/Supervisor: Dr. Floris Schuiling Second Reader: Dr. Barbara Titus 2018 ABSTRACT Partha Chatterjee (1997) affirms that the attitude to modernity in formerly-colonized societies is always deeply ambiguous, because the modernity that the colonizers used as justification for colonialism also taught the colonized societies of its values. Indonesia is not an exception; having been colonized for centuries by a European nation, Indonesian nationalism arose from the desire for freedom from the colonizer. However, this nationalism, and the subsequent attempts for the creation of national culture has have always been replete with ambivalencies—with negotiations between the need to create a distinct national identity and the values of European cultures as imposed in the colonial time. This thesis looks at the discourses of nationalism, national culture, and national music in Indonesia since the beginning of the twentieth century to the present day, and examine its manifestations in the field of Indonesian art music and its performances by Indonesian symphony orchestras. I argue that these discourses and actions have always been embedded with a legacy of colonialism in the form of xenocentrism in its broad sense: the tendency among Indonesians to continue to concern about the Western others as they try to define their own identity and culture. Moreover, through case studies such as the compositions Varia Ibukota by Mochtar Embut and Suvenir dari Minangkabau by Arya Pugala Kitti, and the practices of contemporary symphony orchestras Gita Bahana Nusantara and Jakarta City Philharmonic, I employ postcolonial theories to view those works as reflections of the entanglement between colonial history and Indonesia-specific visions, as well as as endeavours to decolonize the knowledge of European classical music and performance form. -
Case Study on Bina Nusantara University Students of Alam Sutera Campus
Nationalism in the Perspective of Indonesia's Young Generation: Case Study on Bina Nusantara University Students of Alam Sutera Campus Petrus Hepi Witono1, Frederikus Fios2 1 Character Building Development Center, Industrial Engineering Department, School of Indutrial Engineering, Bina Nusantara University, Jakarta, Indonesia, 11480 2 Character Building Development Center, Computer Science Department, School of Computer Science, Bina Nusantara University, Jakarta, Indonesia, 11480 Keywords: Nationalism, young generation. Abstract: The discourse on nationalism is still interesting to discuss as it relates to the noble pride and dignity of the nation that we must accept in the reality of life. The concept of nationalism requires every individual as a citizen to have the attitude, perspective and firm belief in the future of young generation based on an understanding of what happened in the past and the present. Nationalism gives a distinct identity. When the younger generation does not care anymore about the future of the nation, the nation's nationalism is being eroded. The attitude of nationalism will encourage an individual to have a patriotic attitude as an expression of a high sense of love to his own homeland. The aim of this research is to know the quality of nationalism of Indonesian young generation and to reflect its concrete impact on the commitment of every individual as a young generation to live well as citizens of Indonesia. The research used qualitative method with interview and open question to 10 young generations (student of Bina Nusantara University of Alam Sutera Campus) as sample. The theoretical framework uses the thought of nationalism from Louis Snyder (1964). -
Siaran Pers Nomor 1413/Sp-Hms/07/2020
PEMERINTAH PROVINSI DAERAH KHUSUS IBUKOTA JAKARTA DINAS KOMUNIKASI, INFORMATIKA DAN STATISTIK Jalan Merdeka Selatan 8-9 Blok G Lt. 13 dan 3 serta Blok E Lt. 3 Telp. (021) 3823355 Fax. (021) 3848850 dan Fax. (021) 3823253 J A K A R T A 10110 SIARAN PERS 03 Juli 2020 NOMOR: 1413/SP-HMS/07/2020 GUBERNUR ANIES RESMIKAN MASJID AMIR HAMZAH DI TIM, TEMPAT BERIBADAH DAN BERTUKAR PIKIRAN JAKARTA PUSAT - Gubernur Provinsi DKI Jakarta, Anies Baswedan, meresmikan Masjid Amir Hamzah yang terletak di kawasan Taman Ismail Marzuki, Menteng, Jakarta Pusat pada Jumat (3/7) siang. Peresmian masjid tersebut sekaligus menandai tepat satu tahun progres revitalisasi Taman Ismail Marzuki. Kegiatan ini dihadiri pula Ketua Dewan Masjid Indonesia, Muhammad Jusuf Kalla dan Wakil Gubernur Provinsi DKI Jakarta, Ahmad Riza Patria. "Alhamdulillah. Di hari yang mulia, di hari Jumat, kita memulai pemanfaatan gedung yang sudah selesai dikerjakan oleh Jakpro selama 1 tahun terakhir ini. Kita semua bersyukur bahwa semua yang ditargetkan, amanat yang dititipkan bisa dijalankan dengan baik. Dan salah satu bagian dari proses revitalisasi pusat kesenian Jakarta, Taman Ismail Marzuki, salah satunya adalah pembangunan kembali Masjid Amir Hamzah. Jadi meskipun kemarin sempat ada pandemi COVID-19, tapi alhamdulillah jadwal tidak bergeser. Dan insyaAllah nantinya akan menjadi bagian dari cerita tentang karya-karya yang muncul dari pusat kesenian Jakarta, Taman Ismail Marzuki," ungkap Gubernur Anies dalam sambutannya. Gubernur Anies berharap Masjid Amir Hamzah dapat menjadi bagian dari ekosistem yang sehat untuk memunculkan berbagai macam karya, dengan pertumbuhan dan perkembangan ide/gagasan para seniman. Gubernur Anies juga menyampaikan masjid bukan sekadar tempat beribadah namun juga dapat menjadi tempat bertukar pikiran dari para seniman dari seluruh Indonesia bahkan dunia internasional. -
A Rt Fi- 2Oor------I
MENUJU HUMANITARIANISME: STUDI EVOLUSI POLA PEMIKIRAR KEMAHUSIAAH SOEDJATMOKO Oleh Drs. Siswanto Masruri, MA. NIM. 88035/83 I :·"''1~~~~~~~·~·=~-~~~---·---1 ... -· .. 0()006~<; H / OJ. ; • 1:.1 ·a rt fi- 2oor-------i .. "_,_.,~,·''"~" -; .••.o.r-~,,..:~c•'>>.'"-'·' .. "····.. " •·'•<'-'•P' ,_,s'''' • ··--- DISERTASI Diajukan Kepada Institut Agama Islam Negeri Sunan Kalijaga Sebagai Salah Satu Syarat Guna Memperoleh Gelar Doktor Dalam Ilmu Agama Islam J90 MAc; IA/) C.. I Yogyakarta 2002 DEPARTEMEN AGAMA RI IAIN SUNAN KALIJAGA YOGYAKARTA PENGESAHAN DISERTASiberjudul: MENUmHUMANITARIANISME: Studi Evolusi Pola Pemikiran Kemanuasiaan Soedjatmoko Ditulis oleh : Drs. Siswanto Masruri, M.A NIM : 88035 I S3 Telah dapat diterima sebagai salah satu syarat memperoleh gelar Doktor dalam Ilmu Agama Islam Yogyakart , 4 Januari 2003 DEPARTEMEN AGAMA RI IAIN SUNAN KALIJAGA YOGYAKARTA DEWAN PENGUJI UJIAN TERBUKA I PROMOSI Ditulis oleh : Drs. Siswanto Masruri, M.A NIM : 88035 I S3 DISERTASI berjudul : MENUJU HUMANITARIANISME : Studi Evolusi Pola Pemikiran Kemanuasiaan Soedjatmoko ) Ketua Prof. Dr. H.M. Amin Abdullah ) Sekretaris Prof. Drs. H. Anas Sudijono ) Anggota 1. Prof. Dr. Nurcholish Madjid ( Promotor I Anggota Penguji ) ) 2. Prof. Dr. H. Kuntowijoyo ( - ( Promotor I Anggota Penguji ) .... ) 3. Prof. Dr. H. Faisal Ismail, M.A (,~b>--- ( Anggota Penguji) ~/ ) 4. Prof. Dr. H. A. Syafi'i Ma'arif, M.A ( ( Anggota Penguji ) ) 5. Prof. Dr. H. Djoko Suryo (~ ( Anggota Penguji ) ) 6. Prof. Dr. H. M. Amin Abdullah ( Anggota Penguji ) ( l ) 7. Prof. Dr. Rusen Haikal ( Anggota Penguji ) (~ Diuji di Yogyakarta pada tanggal 4 Januari 2003 Pukul 13.00 s.d 15.00 WIB Hasil I Nilai ........................ Predikat : Memuaskan I Sangat memuaskan I Dengan Pujian * *) Coret yang tidak sesuai PERNYATAAN KEASLIAN Yang bertandatangan di bawah ini: N a m a Ors. -
Of the Factors Delay the Work of the Structure Under the Building This in the Revitalization of Taman Ismail Marzuki Stage 1, It Can Be Concluded: 1
VOLUME 6 │ NUMBER 1 │ FEBRUARY 2021 http://adri.journal.or.id/index.php/aijce/index ISSN: 2656-1174 (online) Attribution 4.0 International (CC BY 4.0) You are free to: Share — copy and redistribute the material in any medium or format, Adapt — remix, transform, and build upon the material for any purpose, even commercially Of The Factors Delay The Work of The Structure Under The Building This in The Revitalization of Taman Ismail Marzuki Stage 1 Rizki Denis Subiyakto, Yopi Luthfiansyah Faculty of Civil Engineering Univeristy Mercu Buana Jakarta, Indonesia [email protected], [email protected], [email protected] Abstract Delay in construction projects is increasing the execution time of the settlement that has been planned and listed in the contract documents. The delay will result in losses for the parties associated especially the owner and the contractor because generally accompanied conflict, the demands of time and cost as well as deviations from the quality of the completion of the project .the research is aimed to know the factors that most affect the delay of the projected Revitalization of the Taman Ismail Marzuki. Data collection techniques used is literature study, observarsi, interviews/questionnaires. The determination of the population in this research is taken from some of the respondents with the use of the sample. Data analysis in research this using validity test, reliability test, correlation test and regression test with the statistical program SPSS 26.Based on the analysis that has been done there are 11 variables that affect the delay of the work structure under the building of the guesthouse on the project to work withk revitalization of the taman ismail marzuki stage 1 and there are 3 variables that are dominant, namely the lack of expertise of most work, the design changes,the number of repair work. -
Global Journal of Management and Business Research: B Economics and Commerce
OnlineISSN:2249-4588 PrintISSN:0975-5853 DOI:10.17406/GJMBR EffectsoftheBankingSector FunctionsofStateCompanies FinancialSlack&FirmPerformance Privatization,FinancialLiberalization VOLUME18ISSUE7VERSION1.0 Global Journal of Management and Business Research: B Economics and Commerce Global Journal of Management and Business Research: B Economics and Commerce Volume 18 Issue 7 (Ver. 1.0) Open Association of Research Society © Global Journal of Global Journals Inc. Management and Business (A Delaware USA Incorporation with “Good Standing”; Reg. Number: 0423089) Sponsors:Open Association of Research Society Research. 2018. Open Scientific Standards All rights reserved. This is a special issue published in version 1.0 Publisher’s Headquarters office of “Global Journal of Science Frontier Research.” By Global Journals Inc. Global Journals ® Headquarters All articles are open access articles distributed 945th Concord Streets, under “Global Journal of Science Frontier Research” Framingham Massachusetts Pin: 01701, Reading License, which permits restricted use. United States of America Entire contents are copyright by of “Global USA Toll Free: +001-888-839-7392 Journal of Science Frontier Research” unless USA Toll Free Fax: +001-888-839-7392 otherwise noted on specific articles. No part of this publication may be reproduced Offset Typesetting or transmitted in any form or by any means, electronic or mechanical, including Global Journals Incorporated photocopy, recording, or any information storage and retrieval system, without written 2nd, Lansdowne, Lansdowne Rd., Croydon-Surrey, permission. Pin: CR9 2ER, United Kingdom The opinions and statements made in this book are those of the authors concerned. Packaging & Continental Dispatching Ultraculture has not verified and neither confirms nor denies any of the foregoing and no warranty or fitness is implied. -
The Intersectionality of Arts and Film in Perfini Films and Resobowo's
Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema Umi Lestari Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 2, October 2020, pp. 313-345 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2020.0014 For additional information about this article https://muse.jhu.edu/article/770704 [ Access provided at 25 Sep 2021 00:27 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema UMI LESTARI Abstract Basuki Resobowo (1916–99) is known primarily as a painter, activist and head of Lembaga Kebudayaan Rakyat (Lekra, Institute for People’s Culture). He was affil- iated with left-wing politics during Sukarno’s Old Order (1945–65) and first entered the film industry in the 1940s when he played the role of Basuki in Jo An Djan’s film Kedok Ketawa (1940). During the Japanese Occupation (1942–45), Resobowo was part of Keimin Bunka Shidoso (Culture Centre). Literature on Resobowo’s artistic practice has mostly referred to his background in painting. However, in the 1950s, he joined Perusahaan Film Negara Indonesia (Perfini) as an art director and scriptwriter, making seven films, includingDarah dan Doa (Blood and Prayer) in 1950, which is regarded as the firstfilm nasional (national film). This article, while devoting some space to Resobowo’s overall career, chiefly endeavours to revisit the early Perfini films and examine the influence of Reso- bowo’s ideas about art and theatre on cinematographic mise-en-scene.