Historical Dictionary of the Etruscans
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Early Etruscan Inscriptions
ja trvw (λ^ J uu^aunA oWVtC OnXv ^^a^JV /yu* A^-vr^ EARLY ETRUSCAN INSCRIPTIONS FABRETTI 2343-2346 GEORGE HEMPL THIS PAPER IS REPRINTED FROM THE MATZKE MEMORIAL VOLUME PUBLISHED BY THE UNIVERSITY XTbe TUntpereitp prese STANFORD UNIVERSITY CALIFORNIA 1911 IN MEMORY OF JOHN ERNST MATZKE EARLY ETRUSCAN INSCRIPTIONS FABRETTI 2342-2346 How I, a Germanic scholar, came to be interested in Venetic and Etrus- can, I have told in my report on the results of my Italic studies. This report has been delayed, chiefly by the difficulties inherent in such an under- taking, but it will now be published in a very short time. The present paper is an abstract from it. A few weeks before his death, Professor Matzke urged me to hasten the publication of my report. He said that my silence was being misinterpreted, and that I owed it not only to myself but also to my friends to publish something at once—if only a fragment. I was touched by what he said and the way in which he said it. It was almost exactly what another friend, Otto Jespersen, had written me from Copenhagen not long before, and what still others, as if by concert, now began to urge upon me. I saw the force of their arguments and decided to drop everything else and complete my report. And now that Fate has sud- denly cut short the life of one of them, I can find no more appropriate tribute to lay on his grave than the fragment he so recently urged me to publish. -
The Mysteries of the Baratti Amphora
ISSN: 2687-8402 DOI: 10.33552/OAJAA.2019.01.000512 Open Access Journal of Archaeology and Anthropology Research Article Copyright © All rights are reserved by Vincenzo Palleschi The Mysteries of the Baratti Amphora Claudio Arias1, Stefano Pagnotta2, Beatrice Campanella2, Francesco Poggialini2, Stefano Legnaioli2, Vincenzo Palleschi2* and Cinzia Murolo3 1Retired Professor of Archaeometry, University of Pisa, Italy 2Institute of Chemistry of Organometallic Compounds, CNR Research Area, Pisa, Italy 3Curator at Museo Archeologico del Territorio di Populonia, Piazza Cittadella, Piombino, Italy *Corresponding author: Vincenzo Palleschi, Institute of Chemistry of Organometallic Received Date: April 22, 2019 Compounds, CNR Research Area, Pisa, Italy. Published Date: May 08, 2019 Abstract Since its discovery, very few certain information has been drawn about its history, provenience and destination. Previous archaeometric studies and the iconographyThe Baratti ofAmphora the vase is might a magnificent suggest asilver late antique vase, casually realization, recovered possibly in 1968 in an from Oriental the seaworkshop in front (Antioch). of the Baratti A recent harbor, study, in Southern performed Tuscany. by the National Research Council of Pisa in collaboration with the Populonia Territory Archaeological Museum, in Piombino, has led to a detailed study of the Amphora, both from a morphological point of view through the photogrammetric reconstruction of a high-resolution 3D model, and from the point of view of the analysis of the constituent -
Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
0. Introduction L2/12-386
Doc Type: Working Group Document Title: Revised Proposal to Encode Additional Old Italic Characters Source: UC Berkeley Script Encoding Initiative (Universal Scripts Project) Author: Christopher C. Little ([email protected]) Status: Liaison Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Replaces: N4046 (L2/11-146R) Date: 2012-11-06 0. Introduction The existing Old Italic character repertoire includes 31 letters and 4 numerals. The Unicode Standard, following the recommendations in the proposal L2/00-140, states that Old Italic is to be used for the encoding of Etruscan, Faliscan, Oscan, Umbrian, North Picene, and South Picene. It also specifically states that Old Italic characters are inappropriate for encoding the languages of ancient Italy north of Etruria (Venetic, Raetic, Lepontic, and Gallic). It is true that the inscriptions of languages north of Etruria exhibit a number of common features, but those features are often exhibited by the other scripts of Italy. Only one of these northern languages, Raetic, requires the addition of any additional characters in order to be fully supported by the Old Italic block. Accordingly, following the addition of this one character, the Unicode Standard should be amended to recommend the encoding of Venetic, Raetic, Lepontic, and Gallic using Old Italic characters. In addition, one additional character is necessary to encode South Picene inscriptions. This proposal is divided into five parts: The first part (§1) identifies the two unencoded characters (Raetic Ɯ and South Picene Ũ) and demonstrates their use in inscriptions. The second part (§2) examines the use of each Old Italic character, as it appears in Etruscan, Faliscan, Oscan, Umbrian, South Picene, Venetic, Raetic, Lepontic, Gallic, and archaic Latin, to demonstrate the unifiability of the northern Italic languages' scripts with Old Italic. -
Rome: Portrait of a City 2019
Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese. -
Collegium Antropologicum 2002
UDC 572 CODEN: COANDS ISSN 0350-6134 VOLUME 26 Collegium 2002 SUPPLEMENT Antropologicum Zagreb ¿ CROATIA Founded on the occasion of the 1st Congress of European Anthropologists held in Zagreb in 1977 13th CONGRESS OF THE EUROPEAN ANTHROPOLOGICAL ASSOCIATION Abstracts Editors: Hubert Maver ¿ Pavao Rudan COANDS Vol. 26, Supplement, p. 1–263, Zagreb, August, 2002 Collegium Antropologicum Vol. 26 Suppl. (2002) COLLEGIUM ANTROPOLOGICUM Editors-in-chief: Hubert Maver (Zagreb) Pavao Rudan (Zagreb) Secretaries: Vladimir Ivkovi} (Zagreb) and Tomislav Lauc (Zagreb) Editorial Board: Lovorka Bara} (Zagreb) Osman Mufti} (Zagreb) @eljko Borove~ki (Zagreb) Marko Musta} (Zadar) Zvonimir Grgi} (Zagreb) Marijana Peri~i} (Zagreb) Nedjeljko Ivan~evi} (Zagreb) Josip Perini} (Oroslavje) Branka Jani}ijevi} (Zagreb) Igor Rudan (Edinburgh) Veljko Jovanovi} (Zagreb) Ljerka Schmutzer (Zagreb) Tomislav Lauc (Zagreb) Nina Smolej Naran~i} (Zagreb) Margaret Lethbridge-^ejku (Atlanta) Anita Sujold`i} (Zagreb) Yage Liu (Zagreb) Lajos Szirovicza (Zagreb) Ana Malnar (Zagreb) Mirko [amija (Zagreb) Ivanka Markovi} (Johannesburg) Tatjana [kari}-Juri} (Zagreb) Sanja Marti}-Bio~ina (Zagreb) Ilija [krinjari} (Zagreb) Irena Martinovi} Klari} (Zagreb) Sanja M. [poljar-Vr`ina (Zagreb) Goran Mili~evi} (Zagreb) Ksenija Vitale (Zagreb) Jasna Mili~i} (Zagreb) Miroslav @ivi~njak (Berlin) Editorial Council: Dubravko Bo`i~evi} (Zagreb) @ivka Prebeg (Zagreb) Zijad Durakovi} (Zagreb) Zdravko Raji} (Zagreb) Bo`o Ju{i} (Zagreb) Berislav Skupnjak (Zagreb) Andrija Ka{telan (Zagreb) Marko [ari} (Zagreb) Franjo Kosokovi} (Zagreb) Tvrtko [vob (Zagreb) Aleksandra Sanja Lazarevi} (Zagreb) Slavko Trnini} (Zagreb) Milan Me{trov (Zagreb) Stjepan Turek (Zagreb) Ivo Padovan (Zagreb) Silvije Vuleti} (Zagreb) Nikola Per{i} (Zagreb) Ljiljana Zergollern-^upak (Zagreb) Consulting Editors: Tatiana I. Alexeeva (Moscow) Timothy Kaiser (Toronto) Paul T. -
Etruscan Biophilia Viewed Through Magical Amber
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-9-2020 Etruscan Biophilia Viewed through Magical Amber Greta Rose Koshenina University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Classical Archaeology and Art History Commons, and the Other Classics Commons Recommended Citation Koshenina, Greta Rose, "Etruscan Biophilia Viewed through Magical Amber" (2020). Honors Theses. 1432. https://egrove.olemiss.edu/hon_thesis/1432 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. ETRUSCAN BIOPHILIA VIEWED THROUGH MAGICAL AMBER by Greta Rose Koshenina A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2020 Approved by ___________________________________ Advisor: Dr. Jacqueline DiBiasie-Sammons ___________________________________ Reader: Dr. Molly Pasco-Pranger ___________________________________ Reader: Dr. John Samonds © 2020 Greta Rose Koshenina ALL RIGHTS RESERVED ii DEDICATION I dedicate this thesis with gratitude to my advisors in both America and Italy: to Dr. Jacqueline DiBiasie-Sammons who endured spotty skype meetings during my semester abroad and has been a tremendous help every step of the way, to Giampiero Bevagna who helped translate Italian books and articles and showed our archaeology class necropoleis of Etruria, and to Dr. Brooke Porter who helped me see my research through the eyes of a marine biologist. -
A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Transmission of Liver Divination from East to West
THE TRANSMISSION OF LIVER DMNATION FROM EAST TO WEST by MARy R. BACHVAROVA "The spread of hepatoscopy is one of the clearest examples of cultural contact in the orien talizing period. It must have been a case of East-West understanding on a relatively high, technical level. The mobility of migrant charismatics is the natural prerequisite for this diffusion, the international role of soughl-afler specialists, who were, as far as their art was concerned, nevertheless bound to their father-teachers. We cannot expect to find many archaeologically identifiable traces of such people, other than some excep tional instances."1 1. Introduction Walter Burkert's theory of freely moving craftsmen of verbal art and ritual tech nology bringing stories and magico-religious practices to the west in the orientaliz ing period (750-650 BCE) has caught the imagination of Classical scholars and been given great explanatory power in subsequent discussions of textual and cul turallinks across the Mediterranean. By simply referring to the theory as a given, Classical scholars have been able to avoid the questions of why and how, and to move directly to a discussion of the motifs or practices under consideration, using the Near Eastern sources to analyze Greek cultural artifacts. A re-examination of Burkert's theory as a whole and his interpretation of its component parts is certain lyoverdue. Key to Burkert's argument concerning the role of itinerant diviners transmit ting cultural features is the shared practice of liver divination. He argues, first, that parallels in the terminology of Greek and Akkadian hepatoscopy are evidence that the Greek hepatoscopic tradition was influenced directly by the Mesopotamian practice; secondly, he sees the bronze liver model found at Piacenza in Italy as directly related to the second-millennium Near Eastern liver models (he does not discuss the uninscribed terra cotta liver from Falerii Veteres); and finally, he argues that "migrant charismatics" brought the practice to the west. -
Hammond2009.Pdf (13.01Mb)
Postgraduate Programmes in the SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY The Iconography of the Etruscan Haruspex Supervisor: Name: Sarah Hammond Dr Robert Leighton 2009 SCHOOL of HISTORY, CLASSICS and ARCHAEOLOGY DECLARATION OF OWN WORK This dissertation has been composed by Sarah Hammond a candidate of the MSc Programme in MScR, Archaeology, run by the School of History, Classics and Archaeology at the University of Edinburgh. The work it represents is my own, unless otherwise explicitly cited and credited in appropriate academic convention. I confirm that all this work is my own except where indicated, and that I have: Clearly referenced/listed all sources as appropriate Referenced and put in inverted commas all quoted text of more than three words (from books, web, etc) Given the sources of all pictures, data etc. that are not my own Not made any use of the essay(s) of any other student(s) either past or present Not sought or used the help of any external professional agencies for the work Acknowledged in appropriate places any help that I have received from others (e.g. fellow students, technicians, statisticians, external sources) Complied with any other plagiarism criteria specified in the Course handbook I understand that any false claim for this work will be penalised in accordance with the University regulations Signature: Name (Please PRINT): SARAH HAMMOND Date: 22/06/2009 The Iconography of the Etruscan Haruspex by Sarah Naomi Hammond MSc by Research, Archaeology The University of Edinburgh 2009 Word count: 25,000 Abstract The religious rituals of the Etruscans incorporated several forms of divination including the practices of extispicy and hepatoscopy, the arts of divining through the examination of sacrificed animal entrails, and specifically the liver. -
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria
Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria Raffaella Da Vela Abstract: This contribution addresses semantic change in ceramics as connected to identity con- struction. With three case studies from Hellenistic Etruria, beaked situlae, lagynoi and amphorae, I aim to answer the following research question: How can a change of vessel functions in funerary contexts express the changing cultural identities of the deceased and their family? The choice of fu- nerary contexts allows an approximation of the change of meaning through the analysis of the dis- tance between daily life and ritual function of the objects. Each case study presents a different rela- tionship between changing meaning and identity construction: the beaked situlae, related to the so- cial identity of new social layers; the amphorae, related to local cultural identities during the process of Romanisation; and the lagynoi, related to the construction of multicultural identities in new- founded agricultural settlements. The distinct patterns of the three forms suggest the possibility of analysing stratified and complex societies by the study of changing meaning. This article approaches the semantic change terranean represent a breaking point in the of some grave goods in funerary contexts of social structure of many Etruscan communi- Hellenistic Etruria as a consequence of a ties. This break effected a change which global process of cultural transmission involved many aspects of the material cul- which affected Etruscan and Italic cultures1 ture. Three case studies are selected and during the Hellenistic period. The process of isolated to analyse specific research ques- adopting the Latin language and roman insti- tions which are stated at the beginning of tutions in Etruria, especially in the inland each paragraph and relate to the construction and northern part of the region, engaged a of local identities and their transformation complexity of layers. -
Fulminante-2012-Ethnicity-Chapter
- LANDSCAPE, ETHNICITY AND IDENTITY LANDSCAPE, ETHNICITY AND IDENTITY IN THE ARCHAIC MEDITERRANEAN AREA LANDSCAPE, ETHNICITY AND IDENTITY The main concern of this volume is the multi-layered IN THE ARCHAIC MEDITERRANEAN AREA concept of ethnicity. Contributors examine and contextualise contrasting definitions of ethnicity and identity as implicit in two perspectives, one from the classical tradition and another from the prehistoric and anthropological tradition. They look at the role of textual sources in reconstructing ethnicity and introduce fresh and innovative archaeological data, either from fieldwork or from new combinations of old data. Finally, in contrast to many traditional approaches to this subject, they examine the relative and interacting AREA MEDITERRANEAN ARCHAIC THE IN role of natural and cultural features in the landscape in the construction of ethnicity. The volume is headed by the contribution of Andrea Carandini whose work challenges the conceptions of many in the combination of text and archaeology. He begins by examining the mythology surrounding the founding of Rome, taking into consideration the recent archaeological evidence from the Palatine and the Forum. Here primacy is given to construction of place and mythological descent. Anthony Snodgrass, Robin Osborne, Tim Cornell and Christopher Smith offer replies to his arguments. Overall, the nineteen papers presented here show that a modern interdisciplinary and international archaeology that combines material data and textual evidence – critically – can provide a powerful lesson for the full understanding of the ideologies of ancient and modern societies G. G. C IFANI AND S. S TODDART EDITED BY ABRIELE IFANI AND IMON TODDART s G C S S Oxbow Books WITH THE SUPPORT OF SKYLAR NEIL www.oxbowbooks.com This pdf of your paper in Landscape, Ethnicity and Identity belongs to the publishers Oxbow Books and it is their copyright.