Decorative Arts and Sculpture Conservation | Department Publications

2020 Dorscheid, Jan, Brian Considine, Herant Khanjian, Julie Wolfe, and Arlen Heginbotham. 2020. “The Treatment of a Longcase Clock Attributed to Jean-Pierre Latz: Alternative Approaches to the Removal of Copper Corrosion Products on Boulle-Style Marquetry.” Techné, no. 49: 29–33.

Heginbotham, Arlen, Heinrich Piening, Clara von Engelhardt, Cecily Grzywacz, Gary Hughes, and Michael Smith. 2020. “From Green to Black: Revelations of Colour in the Marquetry of Jean François Oeben.” In Die Kunst Des Holzfärbens/ The Art of Wood Dyeing: Neue Forschungen Zur Farbpalette Der Ebenisten/ New Researches on the Colour Palette of the Ébénistes., edited by Hans Michaelsen, 89–98. Petersberg, Kr Fulda: Michael Imhof Verlag GmbH & Co. KG.

2019 Chasen, Jessica, Julie Wolfe, Arlen Heginbotham, and Herant Khanjian. Forthcoming. “Making It Stick: Challenges with the Re-Coating of Miró’s Outdoor Bronze Sculpture Entitled Personnage.” In AIC Objects Specialty Group Postprints, American Institute for Conservation 47th Annual Meeting, Uncasville, CT. Washington, D.C.: The American Institute for Conservation.

Corona, Madeline, Georgina Rayner, Melissa Venator, and Jen Thum. 2019. “Hans Arp’s Constellations II.” Digital Tool. Art + Science | Harvard Art Museums. Accessed July 1, 2019. https://www.harvardartmuseums.org/tour/art- science/stop/2100

Heginbotham, Arlen, David Bourgarit, Julia Day, Jan Dorscheid, Joe Godla, Lynn Lee, Beth Price, Arie Pappot, and Dominique Robcis. “CHARMed PyMca Part II: An Evaluation of Accuracy and Inter-Laboratory Reproducibility for ED- XRF Analysis of Copper Alloys.” Archaeometry 61 (6): 1333–52. https://doi.org/10.1111/arcm.12488.

2018 Heginbotham, Arlen. 2018. “The Optimization and Application of Quantitative Energy Dispersive X-Ray Fluorescence Spectroscopy to the Collaborative Study of Historic Copper Alloys.” PhD Thesis, Amsterdam: Vrije Universiteit Amsterdam. https://research.vu.nl/en/publications/the-optimization-and-application-of-quantitative-energy-dispersiv-2

Heginbotham, Arlen, Robert Erdmann, and Lee-Ann C. Hayek. 2018. “The Dating of French Gilt Bronzes with ED-XRF Analysis and Machine Learning.” Journal of the American Institute for Conservation 57 (4): 149–68. https://doi.org/10.1080/01971360.2018.1515389.

2017 Farrar, BJ, and McKenzie Lowry. 2017. “Focus: Design and Application of a Temporary Base-Compression Mount to Secure Two Monumental Marble Sculptures for Exhibition.” In When Galleries Shake: Earthquake Damage Mitigation for Museum Collections, edited by Jerry Podany. Los Angeles, CA: The J. Paul Getty Museum. 150–65.

Graves, Kiernan, David Carson, Ilaria Catapano, Giacomo Chiari, Gianluca Gennarelli, Arlen Heginbotham, Nicola Masini, Francesca Piqué, Maria Sileo, and Leslie Rainer. 2017. “Portable in Practice: Investigations Using Portable Instrumentation for Materials Analysis and Mapping of Decorated Architectural Surfaces in the Tablinum of the House of the Bicentenary at Herculaneum.” MRS Advances 2 (33–34): 1831–48. https://doi.org/10.1557/adv.2017.317.

Heginbotham, Arlen, and Vicente Armando Solé. 2017. “CHARMed PyMca, Part I: A Protocol for Improved Inter- Laboratory Reproducibility in the Quantitative ED-XRF Analysis of Copper Alloys.” Archaeometry 59 (4): 714–30. https://doi.org/10.1111/arcm.12282

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Wolfe, Julie, Rosie Grayburn, Herant Khanjian, and Arlen Heginbotham. 2017. “Deconstructing Incralac: A Formulation Study of Acrylic Coatings for the Protection of Outdoor Bronze Sculpture.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017, edited by Janet Bridgland. Paris: ICOM. https://www.icom-cc-publications- online.org/PublicationDetail.aspx?cid=178ad6a7-5450-4e01-a299-201d57944e93.

Wolfe, Julie, and Rosie Grayburn. 2017. “A Review of the Development and Testing of Incralac Lacquer.” Journal of the American Institute for Conservation 56 (3–4): 225–44. https://doi.org/10.1080/01971360.2017.1362863

2016 Chasen, Jessica Burkhart, and Madeline Corona. 2016. “The Treatment and Technical Study of Chinese Export Lacquer at the Winterthur Museum, Garden & Library.” In Association of North American Graduate Programs in Conservation (ANAGPIC) Conference Student Papers, Straus Center for Conservation and Technical Studies, Harvard University, Cambridge, MA. Accessed July 1, 2019. http://resources.conservation-us.org/anagpic-files/anagpic2016_chasen- corona_paper.pdf.

Corona, Madeline, and Samantha Owens. 2016. “Comparing Cleaning Methods for Cellulose Nitrate: Study of the Silicone Solvent D4.” Poster presented at the IIC Los Angeles Congress Student Poster Session, 12-16 September 2016. Accessed July 1, 2019. https://www.iiconservation.org/congress/sites/iiconservation.org.congress/files/IIC%202016%20Los%20Angeles%20Cong ress/student-posters/student-poster-403.pdf.

Chiari, Giacomo, Philippe Sarrazin, and Arlen Heginbotham. 2016. “Non-Conventional Applications of a Noninvasive Portable X-Ray Diffraction/Fluorescence Instrument.” Applied Physics A 122 (11): 990. https://doi.org/10.1007/s00339- 016-0521-x

Hagelskamp, Christina, Arlen Heginbotham, and Paul van Duin. 2016. “Bending Asian Lacquer in Eighteenth-Century Paris: New Discoveries.” Studies in Conservation 61 (sup3): 91–96. https://doi.org/10.1080/00393630.2016.1227054.

Heginbotham, Arlen, (張倚竹) Julie Chang, Herant Khanjian, and Michael R. Schilling. 2016. “Some Observations on the Composition of Chinese Lacquer.” Studies in Conservation 61 (sup3): 28–37. https://doi.org/10.1080/00393630.2016.1230979.

Kirby, Daniel P., Madeline Corona, Ellen Promise, T. Rose Holdcraft, Judy Jungels, and Sunia Trauger. 2016. “Update on Peptide Mass Fingerprinting for Identification of Skin, Sinew and Inner Membranes: NCPTT Grant Project at the Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, MA, USA.” In Objects from Indigenous and World Cultures: Conservation Newletter, edited by Catherine Smith and Cotte Sabine. Paris: ICOM-CC. 3–11. https://icom.museum/en/ressource/update-on-peptide-mass-fingerprinting-for-identification-of-skin-sinew-and-inner- membranes-ncptt-grant-project-at-the-peabody-museum-of-archaeology-and-ethnology-harvard-university-cambridge- ma/.

Khanjian, Herant, Julie Wolfe, Arlen Heginbotham, Lynn Lee, and Rosie Grayburn. 2016. “Analytical Investigations of Sculptures from the Stark Collection.” In 12th Biennial Infrared and Raman Users Group (IRUG) Conference, May 2016, Ormylia, Greece.

Kozachuk, Madalena, Alexandra Suda, Lisa Ellis, Mary Walzak, Mark Biesinger, Sheila Macfie, Robert Hudson, Andrew Nelson, Ronald Martin, and Arlen Heginbotham. 2016. “Possible Radiation-Induced Damage to the Molecular Structure of Wooden Artifacts Due to Micro-Computed Tomography, Handheld X-Ray Fluorescence, and X-Ray Photoelectron Spectroscopic Techniques.” Journal of Conservation and Museum Studies 14 (1). https://doi.org/10.5334/jcms.126

Schilling, Michael R., Arlen Heginbotham, Henk van Keulen, and Mike Szelewski. 2016. “Beyond the Basics: A Systematic Approach for Comprehensive Analysis of Organic Materials in Asian Lacquers.” Studies in Conservation 61 (sup3): 3–27. https://doi.org/10.1080/00393630.2016.1230978.

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2015 Heginbotham, Arlen, Jane Bassett, David Bourgarit, Chris Eveleigh, L. Glinsman, Duncan Hook, Dylan Smith, Robert J. Speakman, Aaron Shugar, and Robert Van Langh. 2015. “The Copper CHARM Set: A New Set of Certified Reference Materials for the Standardization of Quantitative X-Ray Fluorescence Analysis of Heritage Copper Alloys.” Archaeometry 57 (5): 856–68. https://doi.org/10.1111/arcm.12117.

Kirby, Daniel P., Trauger, Sunia, Corona, Madeline, and Holdcraft, T. Rose. 2015. “Application of a Biotechnology Technique for Accurate Identification and Regional Localization of Mammalian Materials in Native American Cultural Heritage.” NPS-NCPTT Final Narrative Report Grant Number P13AP00078. New York, NY: Springer New York. Accessed July 1, 2019. https://www.ncptt.nps.gov/blog/application-of-a-biotechnology-technique-for-accurate-identification-and- regional-localization-of-mammalian-materials-in-native-american-cultural-heritage-2015-04/

2014 Bassett, Jane and Guilhem Scherf. 2014. “Jean-Antoine Houdon: Sculptor and Founder.” In French Bronze Sculpture: Materials and Techniques 16th -18th Century, edited by David Bourgarit, Jane Bassett, Francesca Bewer, Geneviéve Bresc-Bautier, Philippe Malgouyres, and Guilhem Scharf. London: Archetype. 107–24.

Bassett, Jane, and Francesca Bewer. 2014. “The Cut-Back Core Process in Late 17th and 18th Century French Bronzes.” In French Bronze Sculpture: Materials and Techniques 16th -18th Century, edited by David Bourgarit, Jane Bassett, Francesca Bewer, Geneviéve Bresc-Bautier, Philippe Malgouyres, and Guilhem Scharf. London: Archetype. 205–14.

Heginbotham, Arlen, Vincent Beltran, Briana Feston, Ruven Pilay, and Christina Simms. 2014. “An Evaluation of Protective Coatings for Brass in Indoor Environments, With an Emphasis on Boulle Marquetry.” In Furniture Finishes: Past, Present and Future of Transparent Wood Coatings. Amsterdam: Stichting Ebenist. 84–103. https://www.researchgate.net/publication/292608529_AN_EVALUATION_OF_PROTECTIVE_COATINGS_FOR_BRASS_ IN_INDOOR_ENVIRONMENTS_WITH_AN_EMPHASIS_ON_BOULLE_MARQUETRY

Heginbotham, Arlen. 2014. “Bronzes Dorés: A Technical Approach to Examination and Authentication of French Gilt Bronze.” In French Bronze Sculpture: Materials and Techniques 16th -18th Century, edited by David Bourgarit, Jane Bassett, Francesca Bewer, Geneviéve Bresc-Bautier, Philippe Malgouyres, and Guilhem Scharf. London: Archetype. 150–65.

Chao, Raina, Arlen Heginbotham, Lynn Lee, and Giacomo Chiari. 2014. “Materials and Techniques of Gilding on a Suite of French Eighteenth-Century Chairs.” Studies in Conservation 59: 102–12. https://doi.org/10.1179/2047058413Y.0000000084

Lee, Lynn, Jane Bassett, and Anne-Lise Desmas. 2014. “Technical Analysis of the J. Paul Getty Museum’s 18th Century Genoese ‘Christ Child’: An Example of a Variation in Regional Practice.” In Polychrome Sculpture: Tool Marks, Construction Techniques, Decorative Practice and Artistic Tradition, Proceedings of Three Interim Meetings of ICOM-CC Working Group Sculpture, Polychromy, and Architectural Decoration. Paris: ICOM-CC. 24–31. http://www.icom- cc.org/ul/cms/fck-uploaded/documents/Polychrome%20Sculpture%20Papers%202010- 2013/POLYCHROME%20SCULPTURE%20Vol%202%20Glasgow_comp1.pdf

2013 Wolfe, Julie. 2013. “Three Brushstrokes: Re-Creating Roy Lichtenstein’s Early Techniques for Outdoor Painted Sculpture.” In Conserving Outdoor Painted Sculpture: Proceedings from the Interim Meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, The Netherlands, edited by Lydia Beerkens and Tom Learner. Los Angeles: The Getty Conservation Institute. 43–53.

2012 Bassett, Jane, and Mari-Tere Alvarez. 2011. “Process and Collaboration in a Seventeenth-Century Polychrome Sculpture: Luisa Roldán and Tomás de Los Arcos.” Getty Research Journal, no. 3: 15–32. https://www.jstor.org/stable/23005385. Farrar, B. J. 2012. “Short Communication: Improved Mounting System for An Ancient Bronze Torso of a Youth.” Journal of the American Institute for Conservation 51 (1): 15–25. https://doi.org/10.1179/019713612804480844.

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Mitton, Mark, and B.J. Farrar. 2012. “Safeguarding Experimental Materials, Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950-1970.” Conservation Wiki. Accessed July 1, 2019. http://www.conservation- wiki.com/w/images/d/d9/Mitton%2C_Mark_-_Safe_Guarding_Art_work_made_from_Experimental_Materials_.pdf.

Heginbotham, Arlen, Heinrich Piening, Clara von Engelhardt, Cecily M. Grzywacz, Gary Hughes, and Michael Smith. 2012. “Revelations of Color in the Marquetry of J. F Oeben.” Poster presented at IIC Vienna Congress, The Decorative: Conservation and the Applied Arts, Sept. 10-14, 2012. https://www.researchgate.net/publication/274253460_Revelations_of_Color_in_the_Marquetry_of_J_F_Oeben.

2011 Bassett, Jane. 2011. “Visual Evidence: Notes on Four Bronze Portrait Busts by Gian Lorenzo Bernini.” Sculpture Journal 20 (January): 129–34. https://doi.org/10.3828/sj.2011.13. Heginbotham, Arlen, Aniko Bezur, Michel Bouchard, Jeffrey M. Davis, Katherine Eremin, James H. Frantz, Lisha Glinsman, et al. 2011. “An Evaluation of Inter-Laboratory Reproducibility for Quantitative XRF of Historic Copper Alloys.” In Metal 2010: Proceedings of the Interim Meeting of the ICOM-CC Metal Working Group, October 11-15, 2010, Charleston, South Carolina, USA, edited by Paul Mardikian, Claudia Chemello, Christopher Watters, and Peter Hull. Clemson: Clemson University Press. 244–55.

Heginbotham, Arlen, and Michael Schilling. 2011. “New Evidence for the Use of Southeast Asian Raw Materials in Seventeenth Century Japanese Export Lacquer.” In East Asian Lacquer: Material Culture, Science and Conservation, edited by Shayne Rivers, Rupert Faulkner, and Boris Pretzel. London: Archetype. 92-106.

2010 Bassett, Jane. 2010. “Book Review: Marjory Trusted (Ed.), The Making of Sculpture: The Materials and Techniques of European Sculpture.” Sculpture Journal 19 (2): 268–69. https://doi.org/10.3828/sj.2010.18.

Considine, Brian B, Julie Wolfe, Katrina Posner, and Michel Bouchard. 2010. Conserving Outdoor Sculpture: The Stark Collection at the Getty Center. Los Angeles: Getty Conservation Institute.

Makau, Ariana, and Jane Bassett. 2010. “Conservation of the Stained-Glass Collection at the J. Paul Getty Museum: A Collaboration between Museum and Private Conservators.” In The Art of Collaboration Stained-Glass Conservation in the Twenty-First Century: Papers Presented at the Forum for the Conservation Stained Glass, the International Committee of the Corpus Vitrearum for the Conservation of Stained Glass, Held at the Metropolitan Museum of Art, New York, 1-3 June 2009, edited by Mary Bradley Shepard, Lisa Pilosi, and Sebastian Strobl. London: H. Miller. 85–90

Wolfe, Julie, Michel Bouchard, and Christian Degrigny. 2010. “Testing for Localized Electrochemical Cleaning of Two 17th-Century Gilt Silver Decorative Objects.” Poster presented at ICOM-CC Metals Working Group, October 11-15, 2010, Charleston, SC. https://doi.org/10.13140/RG.2.1.4662.1044.

2009 Bewer, Francesca, David Bourgarit, and Jane Bassett. 2009. “French Bronzes (16th-18th Centuries): Notes on Technique.” In Cast in bronze: French sculpture from Renaissance to revolution, by Geneviève Bresc-Bautier, Guilhem Scherf, and James David Draper. Paris: Musée du Louvre Éditions: Somogy Art Publishers. 28–41.

Farrar, B.J., and Jeffery Maish. 2009. “A Preliminary Review of Some Alternatives to PhillySeal R Epoxy for Conservation and Mountmaking.” Western Association of Art Conservation Newsletter 31 (1): 11–15. https://cool.conservation- us.org/waac/wn/wn31/wn31-1/wn31-103.pdf.

Pousset, Didier, Christine Locatelli, and Arlen Heginbotham. 2009. “Du développement de méthodes non intrusives pour l’étude dendrochronologique du mobilier, à l’expertise de cabinets Renaissance.” Techne : la science au service de l’histoire de l’art et des civilisations. 29.

Rivenc, Rachel, and Alan Phenix. 2009. “The identification of paints used on modern and contemporary outdoor sculpture.” In Art d’aujourd’hui, patrimoine de demain: conservation et restauration des œuvres contemporaines: 13es Journees d’etudes de la SFIIC (Section francaise de l’Institut international de conservation). Champs-sur-Marne: International Institute for Conservation of Historic and Artistic Works.

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Wolfe, Julie. 2009. “Effects of Bulking Paraloid B-72 for Marble Fills.” Journal of the American Institute for Conservation 48 (2): 121–40. http://www.jstor.org/stable/27784659.

2008 Bassett, Jane. 2008. The Craftsman Revealed: Adriaen de Vries, Sculptor in Bronze. Los Angeles: Getty Conservation Institute. http://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/craftsman_revealed_vl.pdf

Heginbotham, Arlen, Herant Khanjian, Rachel Rivenc, and Michael Schilling. 2008. “A Procedure for the Efficient and Simultaneous Analysis of Asian and European Lacquers in Furniture of Mixed Origin.” In Preprints of the 15th Triennial ICOM-CC Conference, 22-26 September 2008, New Delhi, edited by Janet Bridgeland. Allied Publishers Pvt Ltd. 2:608– 16. https://www.icom-cc-publications-online.org/PublicationDetail.aspx?cid=26bbbf6b-580f-4a00-bfce-4f37a8fae4b3

Mazurek, Joy, Giacomo Chiari, Arlen Heginbotham, and Michael Schilling. 2008. “An Antibody Assay to Characterize Binding Media in Paint.” In Preprints of the 15th Triennial ICOM-CC Conference, 22-26 September 2008, New Delhi, edited by J. Bridgland. Paris: International Council of Museums. 2:849–56. https://www.icom-cc-publications- online.org/PublicationDetail.aspx?cid=5139a98e-7ad0-4a36-a226-e78f8d3a797d

Wilson, Gillian, Charissa Bremer-David, Jeffrey Weaver, Brian Considine, and Arlen Heginbotham. 2008. French Furniture and Gilt Bronzes : Baroque and Régence : Catalogue of the J. Paul Getty Museum Collection. Los Angeles: J. Paul Getty Museum.

Bassett, Jane. 2008. “Adriaen de Vries, Master Craftsman: Aspects of the Artist’s Technique.” In Neue Beiträge Zu Adriaen de Vries: Vorträge Des Adriaen de Vries Symposiums Vom 16. Bis 18. April 2008 in Stadthagen Und Bückeburg, edited by Sigmund Adelmann and Dorothea Diemer. Bielefeld: Verlag für Regionalgeschichte. 195–214.

Bassett, Jane. 2007. “Thermoluminescence Dating for European Sculpture: A Consumer’s Guide.” In AIC Objects Specialty Group Postprints, American Institute for Conservation 35th Annual Meeting, Richmond, VA, edited by Virginia Greene and Lisa Bruno. Washington D.C.: AIC. 14:32–46. http://resources.conservation-us.org/osg- postprints/postprints/v08/wolfe/. Armendariz, David, BJ Farrar, McKenzie Lowry, and Jerry Podany. 2008. “Seismic Mount Making: A Review of the Protection of Objects in the J. Paul Getty Museum from Earthquake Damage.” In Advances in the Protection of Museum Collections from Earthquake Damage Papers from a Symposium Held at the J. Paul Getty Museum at the Villa on May 3- 4, 2006, edited by Jerry Podany. Los Angeles: J. Paul Getty Museum. 45–70. Bassett, Jane. 2008. “French Sculpture Technical Notes.” In French Art of the Eighteenth Century at the Huntington, edited by Shelley M Bennett and Carolyn Sargentson. New Haven: Yale Univ. Press. 454–525.

2007 Jeffrey Levin, Julie Wolfe, Penny Balkin Bach, David R. Collens, and John Griswold. 2007. “Shared Responsibility: A Discussion about the Conservation of Outdoor Sculpture.” Conservation Perspectives, The GCI Newsletter 22 (2). http://www.getty.edu/conservation/publications_resources/newsletters/22_2/dialogue.html. Arlen Heginbotham. 2007. “Hercules and Hippolyta Reinterpreted: A Technical Study of Two Sculptures on a Remarkable Cabinet by André-Charles Boulle.” Beiträge Zur Erhaltung von Kunst- Und Kulturgut 1 (2): 33–44. https://www.researchgate.net/publication/274253333_Hercules_and_Hippolyta_Reinterpreted_A_Technical_Study_of_Tw o_Sculptures_on_a_Remarkable_Cabinet_by_Andre-Charles_Boulle

2006 Heginbotham, Arlen, and Didier Pousset. 2006. “The Practical Application of Dendrochronology to Furniture.” In AIC Wooden Artifacts Group Postprints, American Institute for Conservation 34th Annual Meeting, Providence, RI. Vol. 20. Washington D.C.: AIC. https://www.researchgate.net/publication/228693337_The_Practical_Application_of_Dendrochronology_to_Furniture_The _Case_of_the_J_Paul_Getty_Museum's_Renaissance_Burgundian_Cabinet.

Heginbotham, Arlen, Victoria Millay, and Michael Quick. 2006. “The Use of Immunofluorescence Microscopy and Enzyme- Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists’ Materials.” Journal of the American Institute for Conservation 45 (2): 89–105. https://doi.org/10.1179/019713606806112522.

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Hinton, Jack, and Arlen Heginbotham. 2006. “Rediscovering a Sixteenth-Century Burgundian Cabinet at the J. Paul Getty Museum.” Burlington Magazine 148 (1239): 390–99. https://www.researchgate.net/publication/259797054_Rediscovering_a_Sixteenth- Century_Burgundian_Cabinet_at_the_J_Paul_Getty_Museum

2005 Wolfe, Julie, and Talitha O’Connor. 2005. “Properties of Fillers in Putties Based on Acryloid B-72.” In AIC Objects Specialty Group Postprints, American Institute for Conservation 33rd Annual Meeting, Minneapolis, MN, edited by Virginia Greene and Patricial Griffin. Washington D.C.: AIC. 12:91–117. http://resources.conservation-us.org/osg- postprints/postprints/v12/wolfe/.

Duhamel du Monceau, M. (1769) 2005. “The Art of Making Various Kinds of Glues by M. Duhamel Du Monceau.” Translated by Arlen Heginbotham. Wooden Artifacts Group of the American Institution for Conservation Postprints Archive. Accessed July 1, 2019. http://www.wag-aic.org/gluemaking.pdf.

Muchnic, Suzanne. 2005. “A Cabinet, an Egg and an Antibody.” Los Angeles Times. Accessed September 4, 2005. https://www.latimes.com/archives/la-xpm-2005-sep-04-ca-conservation4-story.html.

2004 Wolfe, Julie. 2004. “Fabrication of 18th- and 19th-century gilt bronzes and their care in France.” In Furniture In France, Wooden Artifacts Groupm American Institute for Conservation, 110-113.

Ellis, Lisa and Arlen Heginbotham. 2004. “An evaluation of four barrier-coating and epoxy combinations in the structural repair of wooden objects.” Journal of the American Institute for Conservation 43 (1): 23–37. https://doi.org/10.1179/019713606806112522.

2003 Marsden, Johnathan and Jane Bassett. 2003. “Cellini’s other Satyr for the Porte Doree at Fontainebleau.” Burlington Magazine 145 (1205): 552-63.

2001 Julie Wolfe. 2001. “Considerations for the Structural Stabilization of Deteriorated Industrial Rubber” In AIC Objects Specialty Group Postprints, American Institute for Conservation 29th Annual Meeting, Dallas, TX, edited by Virginia Greene and Lisa Bruno. Washington D.C.: AIC. 8:77–96. http://resources.conservation-us.org/osg- postprints/postprints/v08/wolfe/.

2000 Considine, Brian, and Michel Jamet. 2000. “The Fabrication of Gilt Bronze Mounts for French Eighteenth-Century Furniture.” In Gilded Metals: History, Technology and Conservation, edited by Terry Drayman-Weisser. London: Archetype Publications. 283–95.

Severson, Kent, Stephen Koob, Julie Wolfe, Perry Choe, Stephanie Hornbeck, Sarah Mcgregor Howarth, and Anthony Sigel. 2000. “Recovery of Unbacked Mosaics From a Storage Depot Fire at the Sardis Excavations, Turkey.” Journal of the American Institute for Conservation 39 (1): 3–13. https://doi.org/10.1179/019713600806113374

1997 Bassett, Jane, Peggy Fogelman, J. Paul Getty Museum (Los Angeles), and Victoria and Albert Museum (Londres). 2007. Looking at European Sculpture: A Guide to Technical Terms. Los Angeles, CA: J. Paul Getty Museum. https://shop.getty.edu/products/looking-at-european-sculpture-978-0892362912

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1996 Moyer, Cynthia, and Gordon Hanlon. 1996. “Conservation of the Darnault Mirror: An Acrylic Emulsion Compensation System.” Journal of the American Institute for Conservation 35 (3): 185–96. https://doi.org/10.2307/3179781

1995 Scott, David A., Jerry Podany and Brian B. Considine, eds. 1994. Ancient & Historic Metals: Conservation and Scientific Research. Marina del Rey, CA: Getty Conservation Intsitute. http://www.getty.edu/conservation/publications_resources/pdf_publications/ancientmetals.html

Godla, Joseph, and Gordon Hanlon. 1995. “Some Applications of Adobe Photoshop for the Documentation of Furniture Conservation.” Journal of the American Institute for Conservation 34 (3): 157–72. https://doi.org/10.2307/3179537

1992 Shore, Sharon K., Linda A. Strauss, Brian Considine, and Arie Wallert. 1992. “Appendix: The Technical Examination of a Pair of Embroidered Panels.” The J. Paul Getty Museum Journal 20: 107–12. https://www.jstor.org/stable/4166626

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