DOCSLIB.ORG

Fall Symposium

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fall Symposium 206 West State Street FIRST Suite 300 CLASS THE DECORATIVE Media, PA 19063 INDICIA ARTS TRUST 610.627.4970 HERE Fall Symposium www.decorativeartstrust.org ON THE WATER: SALEM & THE NORTH SHORE September 15 - 19, 2021 The Decorative Arts Trust Invites You To Attend ON THE WATER: SALEM & THE NORTH SHORE njoy a wonderful coastal New England experience on Massachusetts’s North Shore, a region abounding with historic houses and impressive collections. Founded in 1629, Salem, the “City of Peace,” is of great importance. EThe second oldest settlement in New England (four years before Boston), Salem contains a rich maritime history built on international trade. This vibrant, pedestrian-friendly port town is best known for the infamous Witchcraft Trials of 1692 but features a bevy of beautifully preserved architecture, ranging from the late 17th century onward. Participants registering for the pre- and post-symposium tours will have the opportunity to explore the larger region, from Newburyport to Marblehead. SYMPOSIUM SCHEDULE Thursday, September 16, 6:00 - 9:00 pm Salem Waterfront Hotel Welcoming Remarks and Opening Program Sponsored by: The Jonathan L. Fairbanks Lecture A 40-Year Contribution to the Decorative Arts of Salem A conversation with Dean Lahikainen, The Carolyn and Peter Lynch Curator of American Decorative Art, Peabody Essex Museum (PEM), and Elizabeth Lahikainen, upholstery conservator Hosted by Karina Corigan, Associate Director for Collections and the H.A. Crosby Forbes Curator of Asian Export Art, PEM Opening Reception (Continued) Clockwise from top left: Beauport, Castle Hill, Custom House, Coffin House, Salem from above Friday, September 17, 9:00 am - 5:00 pm Saturday, September 18, 9:00 am - 5:00 pm Out and About in Salem Peabody Essex Museum Following introductory lectures on Salem’s development and architecture, Sneak Preview: The Putnam Galleries of Native and American Art we depart from the Salem Waterfront Hotel for a day exploring an array of Sarah Chasse, Associate Curator for Exhibitions and Research historic houses. A team of architectural historians orchestrates a sequence of walking tours to orient us to the scope of the town. At mid-day, we break for Japanomania: Japanese Art Goes Global lunch at Hamilton Hall, an important building designed in 1805 by Salem’s Karina Corigan, Associate Director for Collections and the H.A. Crosby premier Federal-era architect and master woodcarver, Samuel McIntire, Forbes Curator of Asian Export Art which features his famous flexible spring ballroom floor. While enjoying lunch, we hear about the Remond family, the African American caterers who In American Waters: Maritime Art operated the Hall in the 19th century. Dan Finamore, Associate Director for Exhibitions and the Russell W. Knight Curator of Maritime Art and History The tour includes a splendid selection of houses. A masterpiece of Federal architecture by Samuel McIntire, the interior of the Gardner-Pingree Lunch is served in the historic East India Marine Hall where we benefit House (1804) features lavishly-carved woodwork including fireplace from remarks on the East India Marine Society by George Schwartz, mantels, cornices, internal window shutters, and stairway balustrades. Associate Curator for Exhibitions and Research. The Pickering House is Salem’s oldest house, built in 1660 by settler John In the afternoon, we have the privilege of curator-guided tours at the Pickering, an English immigrant carpenter. The house’s library contains Peabody Essex Museum, enjoying an exclusive behind-the-scenes Revolutionary War documents, artifacts, and portraits, and the dining room exploration of new galleries and special exhibitions. The curatorial showcases entertaining in the early 1800s. The garden features a variety of staff shares how they reinterpreted this renowned collection to tell compel- historic trees. ling stories about the ongoing cultural exchanges between Salem and the wider world. We have the opportunity to delve into installations of the Samuel McIntire designed the Peirce-Nichols House (c. 1782) in a museum’s world-class holdings of Asian export art, fashion and design, transitional style between the late-Georgian and early-Federal modes and maritime art, American decorative arts, and a special visit to Yin Yu Tang, then remodeled portions of the house in a full Neoclassical taste 20 years the only complete Qing Dynasty house outside China. later. The estate originally swept down to the North River, where Captain Jerathmiel Peirce could dock his ship at the foot of his own property. The Phillips House (c. 1821) sits on Salem’s famed Chestnut Street. Remodeled by the Phillips family shortly after purchasing the house in 1911, the dwelling combines a Federal exterior with a Colonial Revival interior. The kitchen, pantry, and a domestic staff bedroom present a rarely seen picture of how great houses were adapted to meet modern conveniences. FUNDRAISER FOR THE TRUST’S EMERGING SCHOLARS PROGRAM AT THE HOME OF JONATHAN LORING Friday, September 17, 6:00 pm We are honored by the kind invitation to visit the home of Sunday, September 19, 9:00 am - 12:00 pm Jonathan Loring, perched high above Salem Sound in Prides Salem Waterfront Hotel Crossing. A long-time member of the Decorative Arts Trust and an enthusiastic supporter of the Emerging Scholars Program, Will the Real Mr. King Please Stand Up? Cabinetmaker William King Jonathan is a descendant of multiple Salem ship captains. His of Salem Kemble Widmer, Independent Historian, and Brock Jobe, Professor 1940s house contains fine examples of Boston, North Shore, and Emeritus of American Decorative Arts, Winterthur Portsmouth furniture, and a distinctive art collection, including Boston-area artists of the 20th and 21st centuries, 18th century The Art of Japanning: A Look Beyond the 18th Century maps, and an extensive representation of watercolors by the Christine Thomson, Furniture Conservator, and Tara Cederholm, Georgian-era English artist, Thomas Rowlandson. Curator, The Crosby Company Please join us for a wonderful evening of connoisseurship and John A.H. Sweeney Emerging Scholar Lecture conviviality as we toast to our host’s hospitality and lend support “Out on the Waters!”: Image and Meaning in an Indian Princess Ship to the Trust’s efforts to encourage the next generation of curators Figurehead and academics through a growing series of grants, scholarships, Sybil F. Johnson, PhD Candidate, Boston University and internships. In 2021, more than four dozen graduate The Marie Zimmerman Emerging Scholar Lecture students and young professionals will benefit from the Trust’s “Turn to Nature”: Joseph Everett Chandler’s Colonial Revival Transforma- Emerging Scholars Program in spite of the continued hindrances tion of Stevens-Coolidge House & Gardens of the pandemic. Katharine F. Grant, Curatorial Fellow, The Trustees of Reservations Symposium concludes PRE-SYMPOSIUM OPTIONAL TOURS Wednesday and Thursday, September 15 - 16 Option 1 Option 2 Departing Salem for Beverly, our first stop is atLong Hill (1916), a Colonial Departing Salem for North Andover, we reach Stevens-Coolidge Place, Revival brick house containing early-19th-century interiors from a Federal- an 18th-century farm that was adapted as a rural retreat in the 19th century. style Charleston mansion. This stately dwelling was the summer home of This summer home received an elegant Colonial Revival makeover by Joseph noted author and editor Ellery Sedgwick and his family until 1978. The five Chandler on behalf of John Gardner Coolidge. Our visit highlights the tre- acres of cultivated grounds are laid out in a series of garden “rooms” that mendous cataloguing and preservation project that has revitalized the house. blend seamlessly into the surrounding woodlands. The Historic New England curatorial staff takes us for an exclusive look Castle Hill (1928) near Ipswich is part of a 2,100-acre estate that features inside their collections storage and conservation labs in Haverhill. incredible gardens, sweeping views of the Atlantic, and the summer home This newly renovated, state-of-the-art facility houses the organization’s of Mr. and Mrs. Richard T. Crane, Jr. The talented Chicago architect David exemplary decorative arts collection. Adler and the renowned Olmsted Brothers designed the house and land- Following lunch, we continue to Newburyport, which was first settled in scape, respectively. The ornate terraced gardens feature a magnificent grass 1635 and grew to prominence in the 18th century through shipbuilding and mall, the recently rejuvenated Italian Rose Garden, and the delightful mercantile activity. Casino, where we enjoy lunch. A 1797 Federal house was undergoing extensive restoration when we last The 18th-century Cogswell’s Grant in Essex was the summer home of visited, including returning both exterior and interiors to original paint colors pioneering American folk and decorative arts collectors Bertram K. and and installing historic window glass. That daunting task is now complete, Nina Fletcher Little. The rooms overflow with beautiful and curious 18th- allowing a study of the couples’ collection of mid-to-late-18th-century furni- and 19th-century objects that the Little’s amassed over 60 years, offering a ture documented to Salem and the North Shore. unique and important perspective on early Americana collecting. The Cushing House (1678) is a 21-room Federal house decked out with Perched on Gloucester’s Eastern Point, Beauport is an enchanting Arts fine furnishings and decorative pieces from the region. Collections of portraits, and Crafts-style cottage with a heralded collection of decorative arts. The silver, needlework, clocks, and early photographs are displayed, not to home of Henry Davis Sleeper, one of the country’s first professional interior mention the impressive holdings highlighting Newburyport’s early trade designers, Beauport was enormously influential on Henry Francis du Pont with China. as he set out to reimagine Winterthur. Touring its maze of rooms offers a romantic exploration of design and history. Our visit concludes with a The day concludes with a reception hosted by Trust Governor Tara reception in the garden overlooking Cape Ann.
Load more

Recommended publications
  • A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
    Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. PRESERVING LGBTQ HISTORY The chapters in this section provide a history of archival and architectural preservation of LGBTQ history in the United States. An archeological context for LGBTQ sites looks forward, providing a new avenue for preservation and interpretation. This LGBTQ history may remain hidden just under the ground surface, even when buildings and structures have been demolished. THE PRESERVATION05 OF LGBTQ HERITAGE Gail Dubrow Introduction The LGBTQ Theme Study released by the National Park Service in October 2016 is the fruit of three decades of effort by activists and their allies to make historic preservation a more equitable and inclusive sphere of activity. The LGBTQ movement for civil rights has given rise to related activity in the cultural sphere aimed at recovering the long history of same- sex relationships, understanding the social construction of gender and sexual norms, and documenting the rise of movements for LGBTQ rights in American history.
    [Show full text]
  • City of Gloucester Community Preservation Committee
    CITY OF GLOUCESTER COMMUNITY PRESERVATION COMMITTEE BUDGET FORM Project Name: Masonry and Palladian Window Preservation at Beauport, the Sleeper-McCann House Applicant: Historic New England SOURCES OF FUNDING Source Amount Community Preservation Act Fund $10,000 (List other sources of funding) Private donations $4,000 Historic New England Contribution $4,000 Total Project Funding $18,000 PROJECT EXPENSES* Expense Amount Please indicate which expenses will be funded by CPA Funds: Masonry Preservation $13,000 CPA and Private donations Window Preservation $2,200 Historic New England Project Subtotal $15,200 Contingency @10% $1,520 Private donations and Historic New England Project Management $1,280 Historic New England Total Project Expenses $18,000 *Expenses Note: Masonry figure is based on a quote provided by a professional masonry company. Window figure is based on previous window preservation work done at Beauport by Historic New England’s Carpentry Crew. Historic New England Beauport, The Sleeper-McCann House CPA Narrative, Page 1 Masonry Wall and Palladian Window Repair Historic New England respectfully requests a $10,000 grant from the City of Gloucester Community Preservation Act to aid with an $18,000 project to conserve a portion of a masonry wall and a Palladian window at Beauport, the Sleeper-McCann House, a National Historic Landmark. Project Narrative Beauport, the Sleeper-McCann House Beauport, the Sleeper-McCann House, was the summer home of one of America’s first professional interior designers, Henry Davis Sleeper (1878-1934). Sleeper began constructing Beauport in 1907 and expanded it repeatedly over the next twenty-seven years, working with Gloucester architect Halfdan M.
    [Show full text]
  • Salem for All Ages: Needs Assessment Results
    Salem for All Ages: Needs assessment results Prepared by the Center for Social & Demographic Research on Aging Gerontology Institute, University of Massachusetts Boston In partnership with The City of Salem NOVEMBER 2016 Acknowledgements We acknowledge with gratitude our partnership with the City of Salem and members of its Salem for All Ages Leadership Team including Kimberly Driscoll, Mayor of Salem, Patricia Zaido, resident leader, Christine Sullivan, resident leader, Dominick Pangallo, Chief of Staff, Mayor’s Office, Meredith McDonald, Director, Salem Council on Aging, Tricia O’Brien, Superintendent, Salem Department of Parks, Recreation and Community Services. This effort could not be completed without the guidance and expertise from Mike Festa, Massachusetts State Director at AARP, Kara Cohen, Community Outreach Director at AARP of Massachusetts, and the Jewish Family & Children’s Services organization. Specifically, the efforts of Kathy Burnes, Division Director of Services for Older Adults and program coordinator, Kelley Annese, who completed the Salem for All Ages report. The support from North Shore Elder Services has been phenomenal and so we would like to thank Executive Director Paul Lanzikos and Katherine Walsh who serves as Chair of the Board of Director. We recognize the excellence of our research assistance from University of Massachusetts students Molly Evans, Naomi Gallopyn, Maryam Khaniyan, and Ceara Somerville. Most importantly, we are grateful to all of the residents and leaders in Salem who gave of their time to
    [Show full text]
  • The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
    The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints.
    [Show full text]
  • 2012 Annual Report of the National Endowment for the Humanities
    EXPLORING THE HUMAN ENDEAVOR NATIONAL ENDOWMENT FOR THE HUMANITIES 2ANNU0AL1 REP2ORT CHAIRMAN’S LETTER August 2013 Dear Mr. President, It is my privilege to present the 2012 Annual Report of the National Endowment for the Humanities. For forty-seven years, NEH has striven to support excellence in humanities research, education, preservation, access to humanities collections, long-term planning for educational and cultural institutions, and humanities programming for the public. NEH’s 1965 founding legislation states that “democracy demands wisdom and vision in its citizens.” Understanding our nation’s past as well as the histories and cultures of other peoples across the globe is crucial to understanding ourselves and how we fit in the world. On September 17, 2012, U.S. Representative John Lewis spoke on the steps of the Lincoln Memorial about freedom and America’s civil rights struggle, to mark the 150th anniversary of Abraham Lincoln’s preliminary Emancipation Proclamation. He was joined on stage by actors Alfre Woodward and Tyree Young, and Howard University’s Afro Blue jazz vocal ensemble. The program was the culmination of NEH’s “Celebrating Freedom,” a day that brought together five leading Civil War scholars and several hundred college and high school students for a discussion of events leading up to the Proclamation. The program was produced in partnership with Howard University and was live-streamed from the Smithsonian’s National Museum of American History to more than one hundred “watch parties” of viewers around the nation. Also in 2012, NEH initiated the Muslim Journeys Bookshelf—a collection of twenty-five books, three documentary films, and additional resources to help American citizens better understand the people, places, history, varieties of faith, and cultures of Muslims in the United States and around the world.
    [Show full text]
  • Decorative Arts’
    Beyond terminology, or, the limits of ‘decorative arts’ Deborah L. Krohn George Kubler invites the reader to imagine a unified approach to the study of things in the first lines of his classic The Shape of Time, published in 1962: ‘Let us suppose that the idea of art can be expanded to embrace the whole range of man- made things, including all tools and writing in addition to the useless, beautiful, and poetic things of the world.’1 Following Kubler’s suggestion, supposing, in this case, that all ‘man-made things’ fall under the category of art, then the distinction implied by the question, ‘What is the role of the decorative arts within art historical discourse?’ loses much of its force. I’d like to tweak this question, posed here by Christina Anderson and Catherine Futter, to read something like ‘Do the various perspectives on cultural artefacts generated within material culture studies make the historical distinction between decorative arts and fine arts obsolete or redundant?’2 I will look first at the history of the term ‘decorative arts’ and what it has come to mean as a field of academic study as well as a collecting area. I will then reflect on an exhibition that I co-organized at the Bard Graduate Center Gallery in 2013 as a case study in both the utility and limitations of the category of decorative arts in the current intellectual climate. At the heart of this discussion is a firm conviction that the exploration of the forms of cultural production that populate our environment must not be fragmented by arbitrary and ill-defined categories.
    [Show full text]
  • Decorative Arts & Contemporary Ceramics
    Decorative Arts & Contemporary Ceramics Contemporary Arts & Decorative I Montpelier Street, London I 13 November 2019 I Montpelier Street, 25323 Decorative Arts & Contemporary Ceramics Montpelier Street, London I 13 November 2019 Decorative Arts and Contemporary Ceramics Montpelier Street, London | Wednesday 13 November 2019, at 1pm BONHAMS BIDS ENQUIRIES FURNITURE & FURNISHINGS Montpelier Street +44 (0) 20 7447 7447 Mark Oliver Whilst we take every care in Knightsbridge +44 (0) 20 7447 7401 fax Tel:+44 (0) 20 7393 3856 cataloguing furniture which has London SW7 1HH [email protected] [email protected] been upholstered we offer no bonhams.com guarantee as to the originality of Please note that bids should Duane Kahlhamer the wood covered by fabric or VIEWING be submitted no later than 24 Tel: +44 (0) 20 7393 3860 upholstery. hours before the sale. New [email protected] Sunday 10 November bidders must also provide proof All furniture and furnishings 11am – 3pm of identity when submitting bids. Emily Mayson produced after 1 January 1950, Monday 11 November Failure to do this may result in Tel: +44 (0) 20 7393 3997 comprising an element of soft 9am – 4.30pm your bids not being processed. [email protected] furnishing, is strictly regulated Tuesday 12 November by statute law in the interests of 9am – 4.30pm Live online bidding is [email protected] safety. Such items in the sale Wednesday 13 November available for this sale were not originally supplied for 9am – 11am Please email [email protected] PRESS ENQUIRIES use in a private home or now with “Live bidding” in the subject offered solely as works of art.
    [Show full text]
  • Asher Benjamin As an Architect in Windsor, Vermont
    Summer 1974 VOL. 42 NO.3 The GpROCEEDINGS of the VERMONT HISTORICAL SOCIETY This famous architect built a meetinghouse and three private houses in Windsor before he left for Boston in 1802 ... Asher Benjamin as an Architect in Windsor, Vennont By JOHN QUINAN N August of 1802 the architect Asher Benjamin wrote from Boston to I Gideon Granger, the Postmaster General of the United States, seeking aid in obtaining a commission for a marine hospital in that city. Benjamin's letter identifies by name and location most of his first eight commissions - a rare and unusual document in American architectural history which enables us to trace his path northward from Hartford, Con­ necticut, to Windsor, Vermont. Benjamin wrote, in part: "Sir, I have since I left Suffield Conn. built the following houses, Viz. Samuel Hinckley, Northampton, William Coleman's Greenfield, Luke Baldwin's Esq., Brookfield, and a Meeting House and three other large houses in Windsor, Vermont, The Academy at Deerfield. l Most of these commissions have not fared very well. The Deerfield Academy building (Memorial Hall, 1798-1799) was altered sufficiently during the nineteenth century to obscure much of its original character. The Baldwin and Hinckley houses (both c.17%) were demolished early in the twentieth century and are lost to us, and it seems that the William Coleman house in Greenfield (1797) (Fig. 6) is the sole survivor of Benjamin's first decade of practice. But what of the four unnamed build­ ings in Windsor? Are they identifiable? Do they still stand in Windsor? Have they any special interest or significance? The four Windsor buildings are identifiable despite the fact that the three houses have been demolished and the meetinghouse has been altered I.
    [Show full text]
  • Map 1A - Newburyport, Newbury, Rowley - Skirting the End of the Airport's Grassy Runway BAY CIRCUIT TRAIL Route (CAUTION: This Is an Active Runway
    Disclaimer and Cautions: The Bay Circuit Alliance, as the advocate and promoter of the Bay Circuit Trail, expressly disclaims responsibility for injuries or damages that may arise from using the trail. We cannot guarantee the accuracy of maps or completeness of warnings about hazards that may exist. Portions of the trail are along roads or train tracks and involve crossing them. Users should pay attention to traffic and walk on the shoulder of roads facing traffic, not on the pavement, cross only at designated locations and use extreme care. Children and pets need to be closely monitored and under control. Refuge headquarters across the road. The BCT continues from the south side of the road just at the end of the Plum Island airport (an historic site). A signboard here usually has brochures about the BCT in Newbury. Proceed south on the Eliza Little Trail , Map 1A - Newburyport, Newbury, Rowley - skirting the end of the airport's grassy runway BAY CIRCUIT TRAIL route (CAUTION: this is an active runway. Keep to the (as shown on map dated March 2013) edge and keep dogs on leash ). Then go right on a (text updated May 2014) cart rd through high grass and through the fields of the Spencer-Peirce-Little Farm (bicycles not The BCT often follows pre-existing local trails; BCT- allowed). specific blazing is a work in progress and may be sparse 2.5 Pass through a gate south (left) of the historic in segments. We encourage you to review and carry Spencer-Peirce-Little Manor House , open to the corresponding local maps on your BCT walk.
    [Show full text]
  • VERTICAL FILE A-CH Abbott Rock Acid Spill (Salem)
    VERTICAL FILE A-CH Bertram Field Abbott Rock Bertram, John Acid Spill (Salem) Bertram Home for Aged Men Agganis, Harry Bewitched Statue Almshouse Bibliographies Almy’s American Model Gallery Biographies Andrew-Safford House Bicentennial (Salem) Annadowne Family (aka Amadowne) Bicentennial Monument Arbella Bike Path Architecture, Salem Black History Armory (Salem) Armory Park Black Picnic Artsalem Blaney Street Wharf Art Colloquim (Salem) Blubber Hollow Authors (Salem) Boat Business Ayube, Sgt. James Bold Hathorne (Ballad) Bands, Salem Brass Boston Gas Storage Tank Banks Barry, Brunonia (Author) Boston, Massachusetts Baseball Boston Street Batchelder, Evelyn B. Longman (sculptor) Bowditch, Nathaniel Beane, Rev. Samuel Bowditch Park Bell, Alexander Graham Bowling, Billiards and Bookies Belle, Camille (Ma Barker Boys and Girls Club Benson, Frank W. (artist) Bradbury, Benjamin Bentley, William Bradbury, Thomas Bernard, Julia (artist) Bradstreet, Anne Cat Cove Marine Lab Bridge Street Cemeteries Broderick, Bill Central Street Brookhouse Home VERTICAL FILE CH-G Brown, Joshua (shipbuilder) Challenger Program (Little League program) Chamber of Commerce Browne, Ralph Chamberlain, Benjamin M. (jeweler) Smith & Brunson, Rick (athlete) Chamberlain Buczko, Thaddeus Chandler, Joseph Charter, Salem of Buffum, Robert Charter Commission Burnham, Craig (inventor) Charter Street Burial Ground Businesses (#1) Chesapeake and Shannon (Battle) Businesses (#2) Chestnut Street Bypass Road Chestnut Street Days Cabot, Joseph (House) Children’s Island Children’s
    [Show full text]
  • Historic House Museums
    HISTORIC HOUSE MUSEUMS Alabama • Arlington Antebellum Home & Gardens (Birmingham; www.birminghamal.gov/arlington/index.htm) • Bellingrath Gardens and Home (Theodore; www.bellingrath.org) • Gaineswood (Gaineswood; www.preserveala.org/gaineswood.aspx?sm=g_i) • Oakleigh Historic Complex (Mobile; http://hmps.publishpath.com) • Sturdivant Hall (Selma; https://sturdivanthall.com) Alaska • House of Wickersham House (Fairbanks; http://dnr.alaska.gov/parks/units/wickrshm.htm) • Oscar Anderson House Museum (Anchorage; www.anchorage.net/museums-culture-heritage-centers/oscar-anderson-house-museum) Arizona • Douglas Family House Museum (Jerome; http://azstateparks.com/parks/jero/index.html) • Muheim Heritage House Museum (Bisbee; www.bisbeemuseum.org/bmmuheim.html) • Rosson House Museum (Phoenix; www.rossonhousemuseum.org/visit/the-rosson-house) • Sanguinetti House Museum (Yuma; www.arizonahistoricalsociety.org/museums/welcome-to-sanguinetti-house-museum-yuma/) • Sharlot Hall Museum (Prescott; www.sharlot.org) • Sosa-Carrillo-Fremont House Museum (Tucson; www.arizonahistoricalsociety.org/welcome-to-the-arizona-history-museum-tucson) • Taliesin West (Scottsdale; www.franklloydwright.org/about/taliesinwesttours.html) Arkansas • Allen House (Monticello; http://allenhousetours.com) • Clayton House (Fort Smith; www.claytonhouse.org) • Historic Arkansas Museum - Conway House, Hinderliter House, Noland House, and Woodruff House (Little Rock; www.historicarkansas.org) • McCollum-Chidester House (Camden; www.ouachitacountyhistoricalsociety.org) • Miss Laura’s
    [Show full text]
  • Department of Asian Art the Metropolitan Museum of Art
    DEPARTMENT OF ASIAN ART THE METROPOLITAN MUSEUM OF ART On view March 2–5, 2017 Asian Art at 100: A History in Photographs http://www.metmuseum.org/exhibitions/listings/2015/asian-art-history-in-photographs Mike Hearn and Monika Bincsik Astor Forecourt, Gallery 209 Celebrating the Arts of Japan: The Mary Griggs Burke Collection http://www.metmuseum.org/exhibitions/listings/2015/celebrating-the-arts-of-japan John Carpenter Arts of Japan, The Sackler Wing Galleries, Galleries 223–231 From the Imperial Theater: Chinese Opera Costumes of the 18th and 19th Centuries http://www.metmuseum.org/exhibitions/listings/2016/from-the-imperial-theater Denise Leidy & Pengliang Lu Florence and Herbert Galleries for Chinese Decorative Arts, Gallery 220 Cinnabar: The Chinese Art of Carved Lacquer, 14th to 19th Century http://www.metmuseum.org/exhibitions/listings/2016/cinnabar Denise Leidy Florence and Herbert Galleries for Chinese Decorative Arts, Gallery 221 Colors of the Universe: Chinese Hardstone Carvings http://www.metmuseum.org/exhibitions/listings/2016/colors-of-the-universe Jason Sun Florence and Herbert Galleries for Chinese Decorative Arts, Gallery 222 Splendors in Korean Art http://www.metmuseum.org/exhibitions/listings/2016/splendors-of-korean-art Soyoung Lee Arts of Korea, Gallery 233 Show and Tell: Stories in Chinese Painting http://www.metmuseum.org/exhibitions/listings/2016/show-and-tell Shi-yee Liu Chinese Painting and Calligraphy, Galleries 210–216 Celebrating the Year of the Rooster http://www.metmuseum.org/exhibitions/listings/2017/year-of-the-rooster Gallery 207 An Artist of Her Time: Y.G. Srimati and the Indian Style John Guy South Asian Special Exhibition Gallery, Florence and Herbert Irving Galleries for the Arts of South and Southeast Asia, Gallery 251 .
    [Show full text]