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A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. PRESERVING LGBTQ HISTORY The chapters in this section provide a history of archival and architectural preservation of LGBTQ history in the United States. An archeological context for LGBTQ sites looks forward, providing a new avenue for preservation and interpretation. This LGBTQ history may remain hidden just under the ground surface, even when buildings and structures have been demolished. THE PRESERVATION05 OF LGBTQ HERITAGE Gail Dubrow Introduction The LGBTQ Theme Study released by the National Park Service in October 2016 is the fruit of three decades of effort by activists and their allies to make historic preservation a more equitable and inclusive sphere of activity. The LGBTQ movement for civil rights has given rise to related activity in the cultural sphere aimed at recovering the long history of same- sex relationships, understanding the social construction of gender and sexual norms, and documenting the rise of movements for LGBTQ rights in American history. -
City of Gloucester Community Preservation Committee
CITY OF GLOUCESTER COMMUNITY PRESERVATION COMMITTEE BUDGET FORM Project Name: Masonry and Palladian Window Preservation at Beauport, the Sleeper-McCann House Applicant: Historic New England SOURCES OF FUNDING Source Amount Community Preservation Act Fund $10,000 (List other sources of funding) Private donations $4,000 Historic New England Contribution $4,000 Total Project Funding $18,000 PROJECT EXPENSES* Expense Amount Please indicate which expenses will be funded by CPA Funds: Masonry Preservation $13,000 CPA and Private donations Window Preservation $2,200 Historic New England Project Subtotal $15,200 Contingency @10% $1,520 Private donations and Historic New England Project Management $1,280 Historic New England Total Project Expenses $18,000 *Expenses Note: Masonry figure is based on a quote provided by a professional masonry company. Window figure is based on previous window preservation work done at Beauport by Historic New England’s Carpentry Crew. Historic New England Beauport, The Sleeper-McCann House CPA Narrative, Page 1 Masonry Wall and Palladian Window Repair Historic New England respectfully requests a $10,000 grant from the City of Gloucester Community Preservation Act to aid with an $18,000 project to conserve a portion of a masonry wall and a Palladian window at Beauport, the Sleeper-McCann House, a National Historic Landmark. Project Narrative Beauport, the Sleeper-McCann House Beauport, the Sleeper-McCann House, was the summer home of one of America’s first professional interior designers, Henry Davis Sleeper (1878-1934). Sleeper began constructing Beauport in 1907 and expanded it repeatedly over the next twenty-seven years, working with Gloucester architect Halfdan M. -
Salem for All Ages: Needs Assessment Results
Salem for All Ages: Needs assessment results Prepared by the Center for Social & Demographic Research on Aging Gerontology Institute, University of Massachusetts Boston In partnership with The City of Salem NOVEMBER 2016 Acknowledgements We acknowledge with gratitude our partnership with the City of Salem and members of its Salem for All Ages Leadership Team including Kimberly Driscoll, Mayor of Salem, Patricia Zaido, resident leader, Christine Sullivan, resident leader, Dominick Pangallo, Chief of Staff, Mayor’s Office, Meredith McDonald, Director, Salem Council on Aging, Tricia O’Brien, Superintendent, Salem Department of Parks, Recreation and Community Services. This effort could not be completed without the guidance and expertise from Mike Festa, Massachusetts State Director at AARP, Kara Cohen, Community Outreach Director at AARP of Massachusetts, and the Jewish Family & Children’s Services organization. Specifically, the efforts of Kathy Burnes, Division Director of Services for Older Adults and program coordinator, Kelley Annese, who completed the Salem for All Ages report. The support from North Shore Elder Services has been phenomenal and so we would like to thank Executive Director Paul Lanzikos and Katherine Walsh who serves as Chair of the Board of Director. We recognize the excellence of our research assistance from University of Massachusetts students Molly Evans, Naomi Gallopyn, Maryam Khaniyan, and Ceara Somerville. Most importantly, we are grateful to all of the residents and leaders in Salem who gave of their time to -
The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints. -
2012 Annual Report of the National Endowment for the Humanities
EXPLORING THE HUMAN ENDEAVOR NATIONAL ENDOWMENT FOR THE HUMANITIES 2ANNU0AL1 REP2ORT CHAIRMAN’S LETTER August 2013 Dear Mr. President, It is my privilege to present the 2012 Annual Report of the National Endowment for the Humanities. For forty-seven years, NEH has striven to support excellence in humanities research, education, preservation, access to humanities collections, long-term planning for educational and cultural institutions, and humanities programming for the public. NEH’s 1965 founding legislation states that “democracy demands wisdom and vision in its citizens.” Understanding our nation’s past as well as the histories and cultures of other peoples across the globe is crucial to understanding ourselves and how we fit in the world. On September 17, 2012, U.S. Representative John Lewis spoke on the steps of the Lincoln Memorial about freedom and America’s civil rights struggle, to mark the 150th anniversary of Abraham Lincoln’s preliminary Emancipation Proclamation. He was joined on stage by actors Alfre Woodward and Tyree Young, and Howard University’s Afro Blue jazz vocal ensemble. The program was the culmination of NEH’s “Celebrating Freedom,” a day that brought together five leading Civil War scholars and several hundred college and high school students for a discussion of events leading up to the Proclamation. The program was produced in partnership with Howard University and was live-streamed from the Smithsonian’s National Museum of American History to more than one hundred “watch parties” of viewers around the nation. Also in 2012, NEH initiated the Muslim Journeys Bookshelf—a collection of twenty-five books, three documentary films, and additional resources to help American citizens better understand the people, places, history, varieties of faith, and cultures of Muslims in the United States and around the world. -
Decorative Arts’
Beyond terminology, or, the limits of ‘decorative arts’ Deborah L. Krohn George Kubler invites the reader to imagine a unified approach to the study of things in the first lines of his classic The Shape of Time, published in 1962: ‘Let us suppose that the idea of art can be expanded to embrace the whole range of man- made things, including all tools and writing in addition to the useless, beautiful, and poetic things of the world.’1 Following Kubler’s suggestion, supposing, in this case, that all ‘man-made things’ fall under the category of art, then the distinction implied by the question, ‘What is the role of the decorative arts within art historical discourse?’ loses much of its force. I’d like to tweak this question, posed here by Christina Anderson and Catherine Futter, to read something like ‘Do the various perspectives on cultural artefacts generated within material culture studies make the historical distinction between decorative arts and fine arts obsolete or redundant?’2 I will look first at the history of the term ‘decorative arts’ and what it has come to mean as a field of academic study as well as a collecting area. I will then reflect on an exhibition that I co-organized at the Bard Graduate Center Gallery in 2013 as a case study in both the utility and limitations of the category of decorative arts in the current intellectual climate. At the heart of this discussion is a firm conviction that the exploration of the forms of cultural production that populate our environment must not be fragmented by arbitrary and ill-defined categories. -
Decorative Arts & Contemporary Ceramics
Decorative Arts & Contemporary Ceramics Contemporary Arts & Decorative I Montpelier Street, London I 13 November 2019 I Montpelier Street, 25323 Decorative Arts & Contemporary Ceramics Montpelier Street, London I 13 November 2019 Decorative Arts and Contemporary Ceramics Montpelier Street, London | Wednesday 13 November 2019, at 1pm BONHAMS BIDS ENQUIRIES FURNITURE & FURNISHINGS Montpelier Street +44 (0) 20 7447 7447 Mark Oliver Whilst we take every care in Knightsbridge +44 (0) 20 7447 7401 fax Tel:+44 (0) 20 7393 3856 cataloguing furniture which has London SW7 1HH [email protected] [email protected] been upholstered we offer no bonhams.com guarantee as to the originality of Please note that bids should Duane Kahlhamer the wood covered by fabric or VIEWING be submitted no later than 24 Tel: +44 (0) 20 7393 3860 upholstery. hours before the sale. New [email protected] Sunday 10 November bidders must also provide proof All furniture and furnishings 11am – 3pm of identity when submitting bids. Emily Mayson produced after 1 January 1950, Monday 11 November Failure to do this may result in Tel: +44 (0) 20 7393 3997 comprising an element of soft 9am – 4.30pm your bids not being processed. [email protected] furnishing, is strictly regulated Tuesday 12 November by statute law in the interests of 9am – 4.30pm Live online bidding is [email protected] safety. Such items in the sale Wednesday 13 November available for this sale were not originally supplied for 9am – 11am Please email [email protected] PRESS ENQUIRIES use in a private home or now with “Live bidding” in the subject offered solely as works of art. -
Asher Benjamin As an Architect in Windsor, Vermont
Summer 1974 VOL. 42 NO.3 The GpROCEEDINGS of the VERMONT HISTORICAL SOCIETY This famous architect built a meetinghouse and three private houses in Windsor before he left for Boston in 1802 ... Asher Benjamin as an Architect in Windsor, Vennont By JOHN QUINAN N August of 1802 the architect Asher Benjamin wrote from Boston to I Gideon Granger, the Postmaster General of the United States, seeking aid in obtaining a commission for a marine hospital in that city. Benjamin's letter identifies by name and location most of his first eight commissions - a rare and unusual document in American architectural history which enables us to trace his path northward from Hartford, Con necticut, to Windsor, Vermont. Benjamin wrote, in part: "Sir, I have since I left Suffield Conn. built the following houses, Viz. Samuel Hinckley, Northampton, William Coleman's Greenfield, Luke Baldwin's Esq., Brookfield, and a Meeting House and three other large houses in Windsor, Vermont, The Academy at Deerfield. l Most of these commissions have not fared very well. The Deerfield Academy building (Memorial Hall, 1798-1799) was altered sufficiently during the nineteenth century to obscure much of its original character. The Baldwin and Hinckley houses (both c.17%) were demolished early in the twentieth century and are lost to us, and it seems that the William Coleman house in Greenfield (1797) (Fig. 6) is the sole survivor of Benjamin's first decade of practice. But what of the four unnamed build ings in Windsor? Are they identifiable? Do they still stand in Windsor? Have they any special interest or significance? The four Windsor buildings are identifiable despite the fact that the three houses have been demolished and the meetinghouse has been altered I. -
Map 1A - Newburyport, Newbury, Rowley - Skirting the End of the Airport's Grassy Runway BAY CIRCUIT TRAIL Route (CAUTION: This Is an Active Runway
Disclaimer and Cautions: The Bay Circuit Alliance, as the advocate and promoter of the Bay Circuit Trail, expressly disclaims responsibility for injuries or damages that may arise from using the trail. We cannot guarantee the accuracy of maps or completeness of warnings about hazards that may exist. Portions of the trail are along roads or train tracks and involve crossing them. Users should pay attention to traffic and walk on the shoulder of roads facing traffic, not on the pavement, cross only at designated locations and use extreme care. Children and pets need to be closely monitored and under control. Refuge headquarters across the road. The BCT continues from the south side of the road just at the end of the Plum Island airport (an historic site). A signboard here usually has brochures about the BCT in Newbury. Proceed south on the Eliza Little Trail , Map 1A - Newburyport, Newbury, Rowley - skirting the end of the airport's grassy runway BAY CIRCUIT TRAIL route (CAUTION: this is an active runway. Keep to the (as shown on map dated March 2013) edge and keep dogs on leash ). Then go right on a (text updated May 2014) cart rd through high grass and through the fields of the Spencer-Peirce-Little Farm (bicycles not The BCT often follows pre-existing local trails; BCT- allowed). specific blazing is a work in progress and may be sparse 2.5 Pass through a gate south (left) of the historic in segments. We encourage you to review and carry Spencer-Peirce-Little Manor House , open to the corresponding local maps on your BCT walk. -
VERTICAL FILE A-CH Abbott Rock Acid Spill (Salem)
VERTICAL FILE A-CH Bertram Field Abbott Rock Bertram, John Acid Spill (Salem) Bertram Home for Aged Men Agganis, Harry Bewitched Statue Almshouse Bibliographies Almy’s American Model Gallery Biographies Andrew-Safford House Bicentennial (Salem) Annadowne Family (aka Amadowne) Bicentennial Monument Arbella Bike Path Architecture, Salem Black History Armory (Salem) Armory Park Black Picnic Artsalem Blaney Street Wharf Art Colloquim (Salem) Blubber Hollow Authors (Salem) Boat Business Ayube, Sgt. James Bold Hathorne (Ballad) Bands, Salem Brass Boston Gas Storage Tank Banks Barry, Brunonia (Author) Boston, Massachusetts Baseball Boston Street Batchelder, Evelyn B. Longman (sculptor) Bowditch, Nathaniel Beane, Rev. Samuel Bowditch Park Bell, Alexander Graham Bowling, Billiards and Bookies Belle, Camille (Ma Barker Boys and Girls Club Benson, Frank W. (artist) Bradbury, Benjamin Bentley, William Bradbury, Thomas Bernard, Julia (artist) Bradstreet, Anne Cat Cove Marine Lab Bridge Street Cemeteries Broderick, Bill Central Street Brookhouse Home VERTICAL FILE CH-G Brown, Joshua (shipbuilder) Challenger Program (Little League program) Chamber of Commerce Browne, Ralph Chamberlain, Benjamin M. (jeweler) Smith & Brunson, Rick (athlete) Chamberlain Buczko, Thaddeus Chandler, Joseph Charter, Salem of Buffum, Robert Charter Commission Burnham, Craig (inventor) Charter Street Burial Ground Businesses (#1) Chesapeake and Shannon (Battle) Businesses (#2) Chestnut Street Bypass Road Chestnut Street Days Cabot, Joseph (House) Children’s Island Children’s -
Historic House Museums
HISTORIC HOUSE MUSEUMS Alabama • Arlington Antebellum Home & Gardens (Birmingham; www.birminghamal.gov/arlington/index.htm) • Bellingrath Gardens and Home (Theodore; www.bellingrath.org) • Gaineswood (Gaineswood; www.preserveala.org/gaineswood.aspx?sm=g_i) • Oakleigh Historic Complex (Mobile; http://hmps.publishpath.com) • Sturdivant Hall (Selma; https://sturdivanthall.com) Alaska • House of Wickersham House (Fairbanks; http://dnr.alaska.gov/parks/units/wickrshm.htm) • Oscar Anderson House Museum (Anchorage; www.anchorage.net/museums-culture-heritage-centers/oscar-anderson-house-museum) Arizona • Douglas Family House Museum (Jerome; http://azstateparks.com/parks/jero/index.html) • Muheim Heritage House Museum (Bisbee; www.bisbeemuseum.org/bmmuheim.html) • Rosson House Museum (Phoenix; www.rossonhousemuseum.org/visit/the-rosson-house) • Sanguinetti House Museum (Yuma; www.arizonahistoricalsociety.org/museums/welcome-to-sanguinetti-house-museum-yuma/) • Sharlot Hall Museum (Prescott; www.sharlot.org) • Sosa-Carrillo-Fremont House Museum (Tucson; www.arizonahistoricalsociety.org/welcome-to-the-arizona-history-museum-tucson) • Taliesin West (Scottsdale; www.franklloydwright.org/about/taliesinwesttours.html) Arkansas • Allen House (Monticello; http://allenhousetours.com) • Clayton House (Fort Smith; www.claytonhouse.org) • Historic Arkansas Museum - Conway House, Hinderliter House, Noland House, and Woodruff House (Little Rock; www.historicarkansas.org) • McCollum-Chidester House (Camden; www.ouachitacountyhistoricalsociety.org) • Miss Laura’s -
Department of Asian Art the Metropolitan Museum of Art
DEPARTMENT OF ASIAN ART THE METROPOLITAN MUSEUM OF ART On view March 2–5, 2017 Asian Art at 100: A History in Photographs http://www.metmuseum.org/exhibitions/listings/2015/asian-art-history-in-photographs Mike Hearn and Monika Bincsik Astor Forecourt, Gallery 209 Celebrating the Arts of Japan: The Mary Griggs Burke Collection http://www.metmuseum.org/exhibitions/listings/2015/celebrating-the-arts-of-japan John Carpenter Arts of Japan, The Sackler Wing Galleries, Galleries 223–231 From the Imperial Theater: Chinese Opera Costumes of the 18th and 19th Centuries http://www.metmuseum.org/exhibitions/listings/2016/from-the-imperial-theater Denise Leidy & Pengliang Lu Florence and Herbert Galleries for Chinese Decorative Arts, Gallery 220 Cinnabar: The Chinese Art of Carved Lacquer, 14th to 19th Century http://www.metmuseum.org/exhibitions/listings/2016/cinnabar Denise Leidy Florence and Herbert Galleries for Chinese Decorative Arts, Gallery 221 Colors of the Universe: Chinese Hardstone Carvings http://www.metmuseum.org/exhibitions/listings/2016/colors-of-the-universe Jason Sun Florence and Herbert Galleries for Chinese Decorative Arts, Gallery 222 Splendors in Korean Art http://www.metmuseum.org/exhibitions/listings/2016/splendors-of-korean-art Soyoung Lee Arts of Korea, Gallery 233 Show and Tell: Stories in Chinese Painting http://www.metmuseum.org/exhibitions/listings/2016/show-and-tell Shi-yee Liu Chinese Painting and Calligraphy, Galleries 210–216 Celebrating the Year of the Rooster http://www.metmuseum.org/exhibitions/listings/2017/year-of-the-rooster Gallery 207 An Artist of Her Time: Y.G. Srimati and the Indian Style John Guy South Asian Special Exhibition Gallery, Florence and Herbert Irving Galleries for the Arts of South and Southeast Asia, Gallery 251 .