Lord and Lady – Bryti and Deigja
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Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil
Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil Published in: Lund Archaeological Review 2010 Link to publication Citation for published version (APA): Petersson, B. (2010). Travels to Identity – Viking Rune Carvers of Today. Lund Archaeological Review, Vol. 15- 16(2009-2010), 71-86. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. -
Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil
Travels to Identity – Viking Rune Carvers of Today Petersson, Bodil Published in: Lund Archaeological Review 2010 Link to publication Citation for published version (APA): Petersson, B. (2010). Travels to Identity – Viking Rune Carvers of Today. Lund Archaeological Review, Vol. 15- 16(2009-2010), 71-86. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. -
The Tourist's Book of Runestones
The tourist’s book of runestones c:\documenti\runstenar\runresa\italyUSA\010106 1 c:\documenti\runstenar\runresa\italyUSA\010106 2 CONTENTS Sweden Italy The USA Runmaster Eriksgata References c:\documenti\runstenar\runresa\italyUSA\010106 3 SWEDEN c:\documenti\runstenar\runresa\italyUSA\010106 4 SOME NAMES Ålstorp Stentoften Getinge Fallo Vestra Strö Runamo Kareby Eksjö Stora Harrie Björkeporp Velanda Nömme Östra Gårdstånga Skällenäs Månstadskulle Björkö Holmby Karlevi Störa Västölet Brahe k:a Hällestad Resmo Södra Kedum Kumlaby Skårby Björn Flisa Ryda Brahe sk:a Dagstorp Seby Levene Ödeshög Örja Sandby Sparlösa Häggestad Holmby Gårdby Slädene Heda Bösarp Bjärby Håle Rök Allhelgona Lerkaka Särestad Kvarntorp Lundagård Bogby Kållands-Åsaka Svanshal Gårdstånga 2 Bägby Skalunda Haddestad Valleberga Köping Råda Kumla Skivarp Tings Flisa Källby-Hallar Gärdlösa Norra Nöbbelöv Transjö Husaby Karleby Gårdstånga 3 Sandsjö Sunnevad Harstad Valkärra Ingelige Hög Leksberg Väderstad Hjärup Nöbbele Karleby Ekeby Vismarlöv Enet Stora Ek Strålsnäs Fosia Sjöbylund Frölunda Grönlund Fuglie Växsjö Mellongarden Sörby Fuglie Hög Aringsås Norra Lundby Högby Bösarp Ivla Dagsnäs Västra Skrukeby Jordberga Bolmaryd Norra Vånga Axstad Tulltorp Rörbro Postgården Bjälbo Östra Bräkentorp Härlingstorp Appuna Vämmenhög Replösa Ballstorp Hov Sjörup Tuna Larvs Hed Vadstena Västra Nöbbelöv Ryssby Bitterna Vestra Stenby Solberga Skaftarp Skånum Kälvesten Orsjö Runstensholm Vårkumla Vinnerstad Rydsgård Nävelsjö Olsbro Fornåsa Skårby Vetlanda Bröstig Örevad Bjärnäs Bäckseda -
Signs and Symbols Represented in Germanic, Particularly Early Scandinavian, Iconography Between the Migration Period and the End of the Viking Age
Signs and symbols represented in Germanic, particularly early Scandinavian, iconography between the Migration Period and the end of the Viking Age Peter R. Hupfauf Thesis submitted for the degree of Doctor of Philosophy, University of Sydney, 2003 Preface After the Middle Ages, artists in European cultures concentrated predominantly on real- istic interpretations of events and issues and on documentation of the world. From the Renaissance onwards, artists developed techniques of illusion (e.g. perspective) and high levels of sophistication to embed messages within decorative elaborations. This develop- ment reached its peak in nineteenth century Classicism and Realism. A Fine Art interest in ‘Nordic Antiquity’, which emerged during the Romantic movement, was usually expressed in a Renaissance manner, representing heroic attitudes by copying Classical Antiquity. A group of nineteenth-century artists, including Dante Gabriel Rossetti, Holman Hunt and Everett Millais founded the Pre-Raphaelite Brotherhood. John Ruskin, who taught aesthetic theory at Oxford, became an associate and public defender of the group. The members of this group appreciated the symbolism and iconography of the Gothic period. Rossetti worked together with Edward Burne-Jones and William Morris. Morris was a great admirer of early Scandinavian cultures, and his ideas were extremely influential for the development of the English Craft Movement, which originated from Pre-Raphaelite ideology. Abstraction, which developed during the early twentieth century, attempted to communicate more directly with emotion rather then with the intellect. Many of the early abstract artists (Picasso is probably the best known) found inspiration in tribal artefacts. However, according to Rubin (1984), some nineteenth-century primitivist painters appreciated pre-Renaissance European styles for their simplicity and sincerity – they saw value in the absence of complex devices of illusio-nist lighting and perspective. -
The Rök Runestone and the End of the World. Futhark 9–10
The Rök Runestone and the End of the World Per Holmberg (University of Gothenburg), Bo Gräslund (Uppsala University), Olof Sundqvist (Stockholm University), and Henrik Williams (Uppsala University) Abstract The Rök runestone from central middle Sweden, dated to around 800 CE, is famous, among other things, for a supposed reference to the emperor Theodo ric the Great. This study proposes instead that the inscription deals with an anxiety triggered by a son’s death and the fear of a new climate crisis similar to the catastrophic one after 536 CE. Combining perspectives and findings from semiotics, philology, archaeology, and history of religion, the study presents a completely new interpretation which follows a unified theme, showing how the monument can be understood in the sociocultural and religious context of early Viking Age Scandinavia. The inscription consists, according to the pro posed interpretation, of nine enigmatic questions. Five of the questions con cern the sun, and four of them, it is argued, ask about issues related to the god Odin. A central finding is that there are relevant parallels to the inscription in early Scandinavian poetry, especially in the Eddic poem Vafþrúðnismál. Keywords: Rök, runestones, Viking Age, riddles, Eddic poetry, skaldic poetry, climate crisis he Rök runestone (Ög 136) is the most famous runic monument of Tthe Viking Age. It was erected c. 800 CE in a prosperous agricultural district in today’s central middle Sweden by Varinn as a memorial to his son Vāmōðʀ. Except for one damaged line, its more than 700 runes and other characters are still clearly legible, and cover all five visible sides of a fiveton granite slab, over two and a half meters high above the ground. -
The Background of the Odal Rights: an Archaeological
DANISH JOURNAL OF ARCHAEOLOGY, 2017 VOL. 6, NO. 2, 118–132 https://doi.org/10.1080/21662282.2017.1371440 RESEARCH ARTICLE The background of the odal rights: an archaeological discussion Torun Zachrisson Department of Archaeology and Classical Studies, Stockholm University, Stockholm, Sweden ABSTRACT ARTICLE HISTORY The age and origin of the odal rights known from medieval times in Sweden and Norway are Received 27 April 2017 debated. Archaeologists tend to view them as old and a part of the pre-Christian society, whereas Accepted 22 August 2017 historians and legal historians view them as established after Christianity was introduced, KEYWORDS mirroring canonical laws. In Viking Age runic inscriptions from the eleventh century in the lake Runic inscriptions; property Mälaren valley in Sweden, from late tenth to eleventh century in south-western Norway, the term rights; odal; burial mounds; odal, inherited family land occurs together with other expressions concerning landed property. allodial land; burial rights; Furthermore, two runestones in Småland and Hälsingland in Sweden, c. 650 km apart, each lineage enumerate five earlier ancestors in a male lineage, the sponsor himself being the sixth genera- tion. As these runic inscriptions were made in different parts of Scandinavia during the late tenth and eleventh century, this indicates that the term and concept odal was widespread already before the canonic laws of the early medieval period were introduced, and quite possibly belongs to an older inheritance structure. The aim of this article is a renewed discussion focussing on the runological sources where the term and concept odal can be found in the Viking Age Scandinavian society (c. -
This Is the Published Version of a Paper
http://www.diva-portal.org This is the published version of a paper published in Lund Archaeological Review. Citation for the original published paper (version of record): Petersson, B. (2009) Travels to identity: Viking rune carvers of today. Lund Archaeological Review, 15: 71-86 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-42338 Travels to Identity Viking Rune Carvers of Today BY BODIL PETERSSON Petersson, Bodil. 2009. Travels to Identity: Viking Rune Carvers of Today. Lund Archaeological Abstract Review 15 (2009), pp. 71–86. This text deals with the phenomenon of today’s rune carvers in the Nordic area. By using symbols of antiquity in their craftsmanship, the rune carvers revive an act that is histori- cally significant and bears aspects of identity in the past as well as today. Why do people carve and erect runes stones today? When and where is it done? What are the explicit or implicit purposes? The text tries to answer these questions by elucidating the role of a past society in today’s world. It is obvious that the rune carving is mainly done in the Nordic area, but the ideas emanating from the Viking Age are also spread all over the world, as the rune stones are also erected in other countries, for example in Germany, the Netherlands, Poland and Canada. The identity project is mainly about creating an individual lifestyle. It is concluded that the past plays an important role in connecting people and supporting small-scale perspectives, crafts and sustainable development in harmony with the past. -
Viking Heritage 1-2002
VV king king HeritageHeritagemagazine 1/2002 DESTINATION DESTINATION VIKING VIKING NORTH SEA BALTIC SEA Viking Heritage Magazine 1/02 IN THIS ISSUE Glimpses of Viking-Age women in runic Editorial inscriptions 3–6 Here at Viking Heritage we often get the question "What was the Freyja – a goddess of love and war 7–8 role of women in the Viking Age?" This is not surprising, because Images of Women and Femininity on when studying the Vikings usually only men are seen; the strong, Gotlandic Picture Stones 9–11 wild seafarers and warriors remain at the forefront. But half of the Report from the Viking Project in Ale population, the women, are harder to catch a glimpse of, their County, Sweden 11 conditions of life are in shadow. In this first issue of the year, we Where have all the Vikings gone… are happy to present you with some very interesting articles that CCC-Paper 12–14 will discuss and shed some light in these otherwise quite hidden The woman on the wagon – Pagan corners of the Viking Age. Scandinavian burials in a Christian perspective CCC-Paper 15–18 The second theme of this issue deals with the time of transition The Gotlandic farm – a history of 2000 years CCC-Paper 19–21 when the Viking Age meets the European Middle Ages and what this meeting brings forth. This is a time of great change that also Vasalles or seniores? The old nobility and new power structures in post- includes a new view of women - and men! conquest Estonia CCC-Paper 22–24 Viking Longboat Races 2001 – World For the new year, Viking Heritage intends to go on making -
Runic and Latin Written Culture: Co-Existence and Interaction of Two Script Cultures in the Norwegian Middle Ages
Eberhard Karls Universität Tübingen Deutsches Seminar Abteilung für Skandinavistik Magisterarbeit Runic and Latin Written Culture: Co-Existence and Interaction of Two Script Cultures in the Norwegian Middle Ages Eingereicht von Stephanie Elisabeth Baur zur Erlangung des Grades Magistra Artium im Fachbereich Nordische Philologie Eingereicht am: 14. Juni 2011 1. Gutachterin: Prof. Dr. Stefanie Gropper 2. Gutachterin: Prof. Dr. Antje Wischmann TABLE OF CONTENTS 1 INTRODUCTION 1 2 CHANGING PERSPECTIVES IN RUNOLOGICAL RESEARCH: A HISTORICAL OVERVIEW 6 2.1 Prelude: Medieval Theoretical Treatments of Runes 7 2.2 Early Modern Runological Research 8 2.3 The 19th Century: The Beginnings of Modern Runology 10 2.4 Runological Research in the 20th Century 13 2.5 Paradigmatic Change: From Magic Script to Functional Writing System 14 3 METHOD AND CLASSIFICATION 18 3.1 Some Preliminary Remarks on Runology and Method 18 3.2 Basic Methodological Procedures 19 3.3 Principles for Transliteration 21 3.4 Identification of Runic Inscriptions: The Corpus Editions 24 3.5 Latin Runic Inscriptions 27 3.6 Definition of Terms 28 3.7 The Two-Script Culture of the Norwegian Middle Ages: 30 Establishing the Cultural Background 8 4 TWO SCRIPT SYSTEMS IN CONTACT: LEVELS OF IMPACT 38 4.1 Script System: Changes in the Fuþark 39 4.1.1 Preliminaries: The Concept behind the Viking Age Runes 40 4.1.2 Expansion of the Fuþark: Strategies and Motivation 43 4.1.3 Preliminary Conclusion 55 4.2 Writing Conventions: Consequences for Runic Orthography and Punctuation 57 4.2.1 Preliminaries: -
Durham E-Theses
Durham E-Theses A catalogue and re-evaluation of the Urnes style in England Owen, Olwyan Anne How to cite: Owen, Olwyan Anne (1979) A catalogue and re-evaluation of the Urnes style in England, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10298/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ABSTRACT The first part contains a study of the methodological approaches used in the analysis of the Urnes style, and they are subsequen• tly applied to the Urnes material in Scandinavia. The Scandinavian style is discussed in relation to the different objects and monu• ments on which it- appears, and a dating is attempted. Against this background, in part two the English material is discussed, accord• ing to the medium in which it is executed, and an English version of the style is defined. -
Futhark: International Journal of Runic Studies 6 (2015)
Futhark International Journal of Runic Studies Main editors James E. Knirk and Henrik Williams Assistant editor Marco Bianchi Vol. 6 · 2015 Published with financial support from the Nordic Publications Committee for Humanist and Social Sciences Periodicals (NOP-HS) © Contributing authors 2016 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License All articles are available free of charge at http://www.futhark-journal.com A printed version of the issue can be ordered through http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274828 Editorial advisory board: Michael P. Barnes (University College London), Klaus Düwel (University of Göttingen), Lena Peterson (Uppsala University), Marie Stoklund (National Museum, Copenhagen) Typeset with Linux Libertine by Marco Bianchi University of Oslo Uppsala University ISSN 1892-0950 Contents Foreword ..................................................................................................................................................... 5 Staffan Fridell. Tendenser i skrifttecknens utveckling: Alfabet och runor . 7 Levi Damsma and Arjen Versloot. Vowel Epenthesis in Early Germanic Runic Inscriptions ......................................................................................................................... 21 Per Holmberg. Svaren på Rökstenens gåtor: En social semiotisk analys av menings skapande och rumslighet ..................................................................................... 65 Magnus Källström. Gravhällsfragmentet -
Reading Runes 2014. Program and Abstracts
CONTENTS The Organising Committee ... 2 Lilla Kopár ....................................... 36 Program ..................................... 3 Jana Krüger ..................................... 37 Tuesday, Sept. 2 .............................. 4 Jurij Kuzmenko .............................. 38 Wednesday, Sept. 3 ........................ 6 Lennart Lind ................................... 39 Thursday, Sept. 4 ............................ 8 Cecilia Ljung ................................... 40 Excursions. Friday, Sept. 5 ........... 10 Alexander K. Lykke ....................... 41 Mikael Males ................................... 42 Keynote Lecture Abstracts ..... 11 Edith Marold ................................... 43 Helmer Gustavson ......................... 11 Bernard Mees .................................. 44 James E. Knirk ................................ 13 Klaus Johan Myrvoll ..................... 45 Michael Lerche Nielsen ................ 14 Alessandro Palumbo ..................... 46 Session Abstracts ...................... 16 Sofia Pereswetoff-Morath ............ 47 Christiane Zimmermann .............. 16 Peter Pieper ..................................... 48 Cecilia Ljung & Marjolein Stern 17 Roland Schuhmann ....................... 50 Paper Abstracts ......................... 18 Inmaculada Senra-Silva ................ 51 Gunnar Andersson & Kerstin O. Terje Spurkland .............................. 52 Näversköld .................................. 18 Rikke Steenholt Olesen ................ 53 Michael P. Barnes..........................