The Elegance of the Past
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Fashion Design
FIND YOUR DIFFERENCE Milano Master course Master Diploma IED FASHION DESIGN MILANO | BARCELONA | CAGLIARI | COMO | FIRENZE | MADRID | RIO DE JANEIRO | ROMA | SÃO PAULO | TORINO | VENEZIA th EDITION 19 “ELEGANT IS NOT WHAT Visiting Pitti Uomo at Florence YOU WEAR, AND IT’S NOT ABOUT HOW YOU WEAR IT, BUT IT’S MORE ABOUT WHO YOU ARE.” ALBER ELBAZ Title Master Diploma IED in Fashion Design Coordinator Fabio Di Nicola Starting date January Duration 1 year, full-time Location Milan Language English Students from the previous editions of the Master course collaborated with: MASTER COURSE IN FASHION DESIGN Photo by M. Siracusano “Fashion is changing and developing faster nowadays. Everything is on the move and needs to be refreshed constantly. The Master in Fashion Design aims at post graduate students who already have skills in fashion but need to upgrade their vision and enhance their abilities. A fashion designer today has to bring new ideas, new perspectives but also has to know how to create the fashion idea and make it real. The Master in Fashion Design ambitions are: create young professionals, aware of the fashion industry and ready to face the fashion world. Through different workshops, with real professionals, students will approach different experiences and various themes, going into deep every subject. Also the Master wants to develop the designers’ personality, the unique taste and the personal perspectives of the students to better define their personality both as creators and artists.” Fabio Di Nicola OVERVIEW IED Masters constitute an experience that allows students to explore concepts and develop projects aimed at the definition of their own professional identity. -
Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
EU Brochure Digital EN.Indd
WHERE ITALIAN FIDENZA VILLAGE CONNECT STYLE REIGNS Add style to your holiday with a day of shopping at Fidenza Village. Located in the heart of Italy in the beautiful Emilia Download the free Village app. Romagna region just one hour drive from Milan, Bologna and the Lake Garda, Fidenza Village is home to more than Connect with us on Facebook, Twitter and Instagram. 100 boutiques of Italian and international brands offering savings of up to 70% on the recommended retail price. Free Wi-Fi. THE BOUTIQUES Alviero Martini 1A Classe · Angelico · Armani Asics · Aspesi · Baldinini · Barlumeria · Belstaff Beretta · Blumarine · Boggi · Braccialini Brooks Brothers · Ca’ Puccino · Calef · Calvin Klein Calvin Klein Collection · Calvin Klein Underwear Camper · Carlo Pazolini · Cesare Paciotti Class Roberto Cavalli · Coach · Coccinelle · Columbia Colombo · Corso Roma · Desigual · Diesel Dirk Bikkembergs · Dolce & Gabbana · Duvetica Elena Mirò · Elisabetta Franchi · Ermenegildo Zegna SHOP & EARN Etro · Facis · Ferrari Store · Fossil · Fratelli Rossetti Frette · Furla · Gallo · Guess · Gutteridge · Hackett Earn miles whenever you shop at Fidenza Village with our airline Lagostina - Home & Cook · Hostaria Delle Terre Verdiane partners. Ask the Fidenza Village Tourist Information Centre for more information and to convert your shopping into miles. Hugo Boss · Illy · Hour Passion · Ixos Malloni · Jeckerson La Perla · Lacoste · Les Copains · Levi’s · Lindt · Loewe For every Euro you spend while shopping Malìparmi · Marni · Massimo Rebecchi · Michael Kors in Fidenza Village, one award mile will Missoni · Modus Profumerie · Napapijri · Ottica Avanzi be credited to your Miles & More mileage account. You can also spend your Miles & More award miles on the Fidenza Village O bag · Pal Zileri · Patrizia Pepe · Paul Smith · Pinko Gift Card. -
Swagger Like Us: Black Millennials' Perceptions of 1990S Urban Brands
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2018 Swagger like us: Black millennials’ perceptions of 1990s urban brands Courtney Danielle Johnson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Material Culture Commons, and the Fashion Design Commons Recommended Citation Johnson, Courtney Danielle, "Swagger like us: Black millennials’ perceptions of 1990s urban brands" (2018). Graduate Theses and Dissertations. 16600. https://lib.dr.iastate.edu/etd/16600 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Swagger like us: Black millennials’ perceptions of 1990s urban brands by Courtney Danielle Johnson A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Apparel, Merchandising and Design Program of study committee: Eulanda A. Sanders, Co-major Professor Kelly L. Reddy-Best, Co-major Professor Tera Jordan The student author, whose presentation of the scholarship herein was approved by the program of study committee, is solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2018 Copyright © Courtney Danielle Johnson, 2018. All rights reserved. ii DEDICATION This thesis is dedicated to Black folks. -
Стиль2009 Весна Лето 2 Апреля 2009 Номер 58 (02)
Стиль2009 весна лето 2 апреля 2009 номер 58 (02) Коммерсантъ мужские коллекции №4113 с момента возобновления издания Цветные тематические страницы №17–48 являются составной частью газеты «Коммерсантъ» Рег. №01243 22 декабря 1997 года. Распространяются только в составе газеты. emporio.Style(2_1).indd 1 3/23/09 5:27:55 PM emporio.Style(2_1).indd 2 3/23/09 5:29:00 PM СОДЕРЖАНИЕ СТИЛЬ апреЛЬ 2009 IMAXTREE БРЕмя БЕлОгО (22) В чем пережить лето. БесстрашНАя НЕБРЕЖНОСть (24) Тенденции нового сезона. Под зНАкОм кАчествА (26) Ярмарка Pitti Immagine Uomo БЕлый (28) чЕРНый (30) УзкИЕ БРюкИ (32) ШирокИЕ штАНы (33) гЕОмЕтРИя (34) ДлИННАя рубахА (36) ОткРытАя шЕя (37) ПлАщИ (38) ЖИлЕты (39) ЗасучЕННыЕ рукАвА (40) ПодвЕРНУтыЕ штАНИНы (41) клЕткА (42) ПОлОСкА (43) СУмкИ (44) ОБУвь (46) IMAXTREE IMAXTREE IMAXTREE IMAXTREE IMAXTREE IMAXTREE глав ный ре дак тор еле на ну си но ва | ди зайн-про ект ана то лий гу сев | фэшн-ре дак тор ма ри на про хо ро ва | глав ный ху дож ник де нис лан дин | бильд-ре дак тор ма рия ло ба но ва | вы пу ска ю щий ре дак тор на та лия даш ков ская | ре дак тор еле на гах | кор рек тор ири на пет тин гилл | ди рек тор по рек ла ме ид «ком мер сантъ» ека те ри на куз не цо ва | ди рек ция по рек ла ме: от дел про даж на деж да ер мо лен ко e-ma il: er mo len ko@kom mer sant.ru | от дел раз ме ще ния на талья чу па хи на e-ma il : chu pa hi na@ kom mer sant.ru | (499)943 9108 | (499)943 9110 | (499)943 9112 | (495)101 2353 Коммерсантъ Стиль апрель 2009 20 etro.Style(1_1).indd 1 3/23/09 5:32:07 PM Летом, когда невозможно спрятаться под броней паЛьто, выбор костюма — деЛо особенно ответственное. -
The Evolution of Streetwear
The Evolution of Streetwear The newfound reality of Streetwear and its luxury-like management Trabalho Final na modalidade de Dissertação apresentado à Universidade Católica Portuguesa para obtenção do grau de mestre em Marketing por Miguel Lobo de Macedo sob orientação de Professora Doutora Joana César Machado Universidade Católica, Faculdade de Economia e Gestão, Maio de 2015 Acknowledgements Máximo 1 página (facultativo) Abstract Purpose: To explore the critical dimensions of successful streetwear brands and how they garner customers’ attention, devotion and regard for the brand. Ultimately, the goal is to compare the anatomy of a streetwear brand to that of a luxury fashion brand and analyze the main differences and similarities between the two in order to understand how a streetwear brand, Supreme, operates in its niche market. By using a case study approach, this study plans on analyzing the newfound reality of streetwear, the reasons for its unprecedented consumption and what the biggest brands in this industry do in order to appeal, constantly, to different crowds: the devoted followers and the fashion-driven consumers. With this in mind, the study intends to validate the relevancy of these streetwear labels in today’s luxury fashion markets. Findings: The aspirational consumer of today’s streetwear will be the aspirational consumer of the eventual luxury market of tomorrow. I understand that there is still a lot to be studied within this streetwear industry but believe to have validated the importance of these brands in the purchasing intention of today’s consumers, by deconstructing the brands. Three important levels of analysis cement my study. -
How Fashion Erased the Politics of Streetwear in 2017
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-15-2017 Mask On: How Fashion Erased the Politics of Streetwear in 2017 Frances Sola-Santiago How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/219 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Mask On: How Fashion Erased the Politics of Streetwear in 2017 By Frances Sola-Santiago Hip-hop culture dominated the fashion zeitgeist in 2017. From a Louis Vuitton and Supreme collaboration to Gucci’s support of Harlem designer Dapper Dan’s store reopening, the fashion industry welcomed Black culture into the highest echelons of high fashion. Rapper Cardi B became the darling of New York Fashion Week in September after being rejected by designers throughout most of her career. Marc Jacobs traded the runway for the street, staging a show that included bucket hats, oversized jackets, and loads of corduroy on a large number of models of color. But while the industry appeared to diversify by acknowledging the indomitable force of hip-hop culture, it truly didn’t. The politics of hip-hop and Black culture were left out of the conversation and the players behind-the-scenes remained a homogeneous mass of privileged white Westerners. Nearly every high fashion brand this year capitalized on streetwear— a style of clothing born out of hip-hop culture in marginalized neighborhoods of New York City and Los Angeles, and none recognized the historical, cultural, and political heritage that made streetwear a worldwide phenomenon, symbolizing power and cool. -
Brands We Love
Brands We Love # D I N T DENIM 3.1 PHILLIP LIM DANSKO IRO NICOLE MILLER THEORY AG 360 CASHMERE DAVID YURMAN ISABEL MARANT NILI LOTAN THE GREAT AGOLDE We Do Not Accept: DEREK LAM ISSEY MIYAKE NO 6 STORE THE ROW AMO DL1961 NORTH FACE TIBI CITIZENS OF HUMANITY ABERCROMBIE & FITCH H&M A DOLCE & GABBANA TIFFANY & CO CURRENT/ELLIOTT AMERICAN APPAREL HOLLISTER ACNE STUDIOS AMERICAN EAGLE HOT TOPIC DONNA KARAN J TOCCA DL1961 ANN TAYLOR AG INC DOSA J BRAND O TOD’S FRAME ANGIE JACLYN SMITH AGL DRIES VAN NOTEN J CREW OBAKKI TOM FORD GOLDSIGN APT 9 JOE BOXER AGOLDE DVF JAMES PERSE OFFICINE CREATIVE TOP SHOP HUDSON ATTENTION JUICY COUTURE ALAIA JEAN PAUL GAULTIER OPENING CEREMONY AX PARIS LAND’S END TORY BURCH J BRAND BANANA REPUBLIC ALC OSCAR DE LA RENTA LOVE 21 JIL SANDER TRINA TURK JOES BDG LUX ALEXANDER MCQUEEN E JIMMY CHOO LEVIS BEBE MAX STUDIO ALEXANDER WANG EILEEN FISHER JOIE MOTHER BLUES METAPHOR BONGO ALICE & OLIVIA EMANUEL UNGARO P U MOUSSY MISS ME PAIGE CANDIE’S MISS TINA ANNA SUI ELIZABETH & JAMES UGG PAIGE CANYON RIVER PARKER MOSSIMO ANN DEMEULEMEESTER EMILIO PUCCI K ULLA JOHNSON R13 CATALINA NICKI MINAJ ANTHROPOLOGIE BRANDS ENZA COSTA KATE SPADE PATAGONIA RE/DONE CATHY DANIELS OLD NAVY ATM ERDEM PIERRE HARDY CHAPS ROCK & REPUBLIC SIMON MILLER CHARLOTTE RUSSE AUTUMN CASHMERE EVERLANE PRADA ROUTE 66 V CHIC ROXY AVANT TOI L PROENZA SCHOULER VALENTINO CHICOS L’AGENCE SAG HARBOR VANESSA BRUNO ATHLETIC CHRISTINALOVE SIMPLY VERA WANG F LANVIN VELVET ALO COVINGTON SO... CROFT & BARROW FENDI LEM LEM R VERONICA BEARD ATHLETA SONOMA LEVIS RACHEL COMEY DAISY FUENTES SOFIA VERGARA B FIORENTINI + BAKER VERSACE LULULEMON DANSKIN LOEFFLER RANDALL RAG & BONE STUDIO TAHARI BABATON FREE PEOPLE VICTORIA BECKHAM OUTDOOR VOICES ECOTE TARGET BALENCIAGA FRYE LOEWE RAILS VINCE NORTH FACE ELLE URBAN OUTFITTERS ETC.. -
MILAN FASHION WEEK 18Th-24Th September 2018 Calendario Definitivo - Milano, 6 Settembre 2018 - Aggiornamento Al 18/09/18 FASHION SHOWS Wednesday 19 Sep
MILAN FASHION WEEK 18th-24th September 2018 Calendario definitivo - Milano, 6 settembre 2018 - aggiornamento al 18/09/18 FASHION SHOWS Wednesday 19 Sep. Thursday 20 Sep. Friday 21 Sep. Saturday 22 Sep. Sunday 23 Sep. Monday 24 Sep. 09:30 MAX MARA 09:30 TOD'S * 09:30 SALVATORE FERRAGAMO * 09:30 MARNI 09:30 ULTRÀCHIC VIA SENATO, 10 VIA PALESTRO, 14 PIAZZA AFFARI, 6 VIALE UMBRIA, 42 Supported by CNMI PIAZZA DUOMO - SCALONE 10:30 ALBERTO ZAMBELLI 10:30 GENNY 10:30 BLUMARINE 10:30 GABRIELE COLANGELO ARENGARIO 10:30 GIORGIO ARMANI ** VIA OLONA, 6 BIS PIAZZA DUOMO - SCALONE VIA SENATO, 10 PIAZZA DUOMO - SCALONE 10:30 CHIKA KISADA ARENGARIO ARENGARIO VIA BERGOGNONE, 59 Supported by CNMI 11:30 BYBLOS * 11:30 ANTONIO MARRAS * VIA OLONA, 6 BIS VIALE GORIZIA, 14 11:30 TIZIANO GUARDINI * VIA OLONA, 6 BIS 11:30 STELLA JEAN Presented by Mercedes-Benz VIA OLONA, 6 BIS VIA OLONA, 6 BIS 12:30 LAURA BIAGIOTTI 11:30 ATSUSHI NAKASHIMA * 12:30 CONFERENZA STAMPA GREEN 12:30 SPORTMAX 12:30 ROBERTO CAVALLI VIA RIVOLI, 6 VIA OLONA, 6 BIS CARPET FASHION AWARDS 12:30 FENDI VIA TURATI, 34 VIA VALTELLINA, 7 ITALIA 2018 VIA SOLARI, 35 13:15 CALCATERRA 13:15 SIMONETTA RAVIZZA 13:15 FILA * 13:15 BROGNANO PIAZZA DUOMO - SCALONE VIA MARINA, 10 VIA SAVONA, 56 VIA BERGOGNONE, 26 ARENGARIO 14:00 ARTHUR ARBESSER 14:00 ERMANNO SCERVINO 14:00 ANTEPRIMA VIA DELL'APRICA, 12 14:00 ETRO CORSO VENEZIA, 16 VIA SAN LUCA, 3 VIA PIRANESI, 14 15:00 JIL SANDER 15:00 LUISA BECCARIA 15:00 MSGM 15:00 PHILOSOPHY DI LORENZO 15:00 UJOH VIA POPOLI UNITI, 11/13 VIA PALESTRO, 16 VIA MECENATE, 84 -
2019 Financial Results Confirm Good Momentum for the Group
2019 FINANCIAL RESULTS CONFIRM GOOD MOMENTUM FOR THE GROUP Breganze (Italy), March 10, 2020. The 2019 financial results proved particularly positive for OTB, the Italian fashion group and parent company of Diesel, Maison Margiela, Marni, Viktor&Rolf, Amiri, Staff International and Brave Kid. The group’s turnover exceeded 1.5 billion euro, coming in at 1,530 million, up 6,4% compared to 2018, and growing in all businesses, channels (retail grew by 9%), and regions. Consolidated EBITDA landed at 190 million euro, while EBIT was positive at 18 million, with a significant change in trend compared to the previous year. The group’s net financial position improved further reaching 124 million euro (excluding any IFRS16 effect), confirming the strong capitalization of the group, and its ability to support future growth. 2019 saw important investments such as the acquisition of a stake in Amiri, an increased stake in Viktor&Rolf (from 51% to 70%), and the opening of over 70 single brand stores around the world. DIESEL returned to growth, recording a 2.6% increase in turnover and intensifying the reorganization of its distribution network. It opened 45 single brand stores with a new interior design concept, moving many existing stores to locations more consistent with the brand positioning, and closing those no longer in line with strategy and expected results. In the wholesale channel, the company continued its work of selecting strategic partners, while e-commerce recorded growth of 24.3% for the direct channel which, added to the indirect e-commerce business, made the total online business account for over 11% of the brand’s turnover. -
Milano City of Leonardo
MARCH 2013 THE COMPLETE GUIDE TO GO® Milan ® wheremilan.com MILANO CITY OF LEONARDO MARCH ALL YOU CAN DO IN this citY font cohin bold Recommendedlogo nuovo_35x35.pdf 7-05-2008 by 21:36:47 WHERE MILAN PROJECT IS ENDORSED BY TOWARDS Clefs d’Or Clefs d’Or Shopping, Dining and Entertainment Clefs d’Or “L o” don’T miss What’S neW in the citY e Chiavi d’Or Associazione Lombarda CONTAINS GENERAL AND THEMATIC MAPS OF MILAN Portieri d’Albergo Le Chiavi d’Oro Milan March 2013 where tip the guide 18 SHOPPING Boutiques & Passion Shops Listings Major shopping areas and our choice of the best speciality stores 44 DINING Dining Listings Listings by type of cuisine 55 ENTERTAINMENT Entertainment & Nightlife Listings The latest information about how to enjoy your stay in Milan 58 MUSEUMS & ATTRACTIONS Museums & Attractions Listings Major sightseeing attractions plus museums HEADover and events 60 ESSENTIALS HEELS Transport and useful information for spring... Tips for getting around and about in the city 62 MAP Milan map At Fidenza Village, one of the nine ® Chic Outlet Shopping Villages in Europe, "Leonardo 3 - Il Mondo di Leonardo", Piazza della Scala, entrance from the spring / summer collections are Galleria Vittorio Emanuele II. Le Sale del Re. 1 March - 31 July 2013. now in the boutiques. New colours, new materials, new ideas for your style. ALSO INSIDE 06 Calendar More than 100 luxury outlet boutiques including 08 Hot Venues Armani, Baldinini, Brooks Brothers, Desigual, 4 Leonardo Comes to Life in Milan 16 Enjoy Lugano Diesel, Furla, Lacoste, Missoni, Pal Zileri, Paul The new exhibition “Leonardo3” is a not-to-be-missed opportunity to 42 Welcome to Brera Smith, Swarovski, Timberland, Vilebrequin rediscover masterpieces that are famed throughout the world 46 Golden Restaurants and many more, at prices reduced by up to 70%* all year round. -
Urban Representation in Fashion Magazines
Chair of Urban Studies and Social Research Faculty of Architecture and Urbanism Bauhaus-University Weimar Fashion in the City and The City in Fashion: Urban Representation in Fashion Magazines Doctoral dissertation presented in fulfillment of the requirement for the degree of Doctor philosophiae (Dr. phil.) Maria Skivko 10.03.1986 Supervising committee: First Supervisor: Prof. Dr. Frank Eckardt, Bauhaus-University, Weimar Second Supervisor: Prof. Dr. Stephan Sonnenburg, Karlshochschule International University, Karlsruhe Thesis Defence: 22.01.2018 Contents Acknowledgements ................................................................................................................................. 5 Thesis Introduction .................................................................................................................................. 6 Part I. Conceptual Approach for Studying Fashion and City: Theoretical Framework ........................ 16 Chapter 1. Fashion in the city ................................................................................................................ 16 Introduction ....................................................................................................................................... 16 1.1. Fashion concepts in the perspective ........................................................................................... 18 1.1.1. Imitation and differentiation ................................................................................................ 18 1.1.2. Identity