DOCSLIB.ORG

Gianandrea Noseda, Conductor the Recording Activity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gianandrea Noseda, Conductor the Recording Activity Gianandrea Noseda, conductor The recording activity Enric Granados (1867 - 1916) Goyescas (Opera in three tableaux) Orquesta de Cadaques / Coral de Bilbao TRITO’, 1997 Aria - The Opera Album Andrea Bocelli, Orchestra of the Maggio Musicale Fiorentino PHILIPS, 1998 Ottorino Respighi (1879-1936) La Boutique fantasque, P 120, La pentola magica, P 129, Prelude and Fugue, P 158 BBC Philharmonic CHANDOS, 2002 Xavier Montsalvatge (1912-2002) Tribute to Montsalvatge (Sortilegi – Sinfonietta-concerto - Metamorfosi de concert) Orquesta de Cadaques TRITO’, 2002 Anna Netrebko - Opera Arias Wiener Staatsopernchor / Wiener Philharmoniker DEUTSCHE GRAMMOPHON, 2003 Sergey Prokofiev (1891-1953) The Tale of the Stone Flower, Op. 118 (Complete ballet) – 2 CD BBC Philharmonic CHANDOS, 2003 Mieczyslaw Karlowicz (1876-1909) Bianca da Molena, Serenade for String Orchestra, Op. 2, 'Rebirth' Symphony, Op. 7 BBC Philharmonic CHANDOS, 2003 Franz Schubert (1797-1828) Sinfonia n. 9 in do magg. «La Grande» D 944, Ouverture in mi min. D 648 BBC Philharmonic PARAGON, 2004 Luigi Dallapiccola (1904-1975) Tartiniana (1951) – Due Pezzi (1947) – Piccola musica notturna (1954) - Frammenti Sinfonici dal Balletto 'Marsia' (1942-43; 1947) - Variazioni per Orchestra (1953-54) James Ehnes violin* / BBC Philharmonic CHANDOS, 2004 Antonín Dvorak (1841-1904) Concerto for Piano and Orchestra, Op. 33 (B 63) (1876)* - Concerto for Violin and Orchestra, Op. 53 (B 96) James Ehnes violin / Rustem Hayroudinoff piano / BBC Philharmonic CHANDOS, 2004 Franz Liszt (1811-1886) Symphonic Poems, Volume 1 / Ce qu'on entend sur la montagne, S 95 - Tasso: Lamento e Trionfo, S 96 - Les Preludes, S 97 - Orpheus, S 98 BBC Philharmonic CHANDOS, 2004 Mieczyslaw Karlowicz (1876-1909) Returning Waves, Op. 9 - A Sorrowful Tale, Op. 13 - Episode at a Masquerade, Op. 14 BBC Philharmonic CHANDOS, 2005 Dmitri Shostakovich (1906-1975) Suite on Words of Michelangelo, Op. 145° Six Romances on Verses by Raleigh, Burns and Shakespeare, Op. 140 Ildar Abdrazakov bass / BBC Philharmonic CHANDOS, 2005 Franz Liszt (1811-1886) Symphonic Poems, Volume 2 / Eine Fast-Symphonie in drei Charakterbildern (nach Goethe), S 108 - Von der Wiege bis zum Grabe, S 107 BBC Philharmonic CHANDOS, 2005 Ottorino Respighi (1879-1936) Burlesca, P 59 (1906) - Preludio, corale e fuga, P 30 (1901) - Rossiniana, P 148 (1925) – Five Études- tableaux, P 160 (1930) BBC Philharmonic CHANDOS, 2005 Robert Schumann (1810-1856) Celloconcerto in A min. op. 129 (1850) – Symphony nr. 2 in C maj. op.61 (1846) Enrico Dindo, cello / BBC Philharmonic PARAGON, 2006 Fauré / Maurice Ravel / Georges Bizet MAURICE RAVEL (1875-1937) - Pavane pour une infante défunte / GABRIEL FAURÉ (1845-1924) - Suite de Pelléas et Melisande, op. 80 - Pavane, op. 50 / GEORGES BIZET (1838-1875) – Symphony in C major Orquesta de Cadaques TRITO, 2006 Franz Liszt (1811-1886) Symphonic Poems, Volume 3 / Mazeppa, S 100 - Héroïde funèbre, S 102 - Prometheus, S 99 – Ferstklänge, S 101 BBC Philharmonic CHANDOS, 2006 Bedrich Smetana (1824-1884) Symphonic Poems, Volume 1 / Wallenstein's Camp - Richard III - Hakon Jarl - The Fisherman - The Peasant Woman - Prague Carnival - Fanfares for Shakespeare's 'Richard III' - Grand Overture in D major - March for the Shakespeare Festival BBC Philharmonic CHANDOS, 2007 - Gramophone Editor's Choice Sergey Rachmaninoff (1873-1943) Francesa da Rimini, Op. 25 (An opera in two scenes with prologue and epilogue) BBC Philharmonic CHANDOS, 2007 Gustav Mahler (1860-1911) Symphony No. 10 BBC Philharmonic CHANDOS, 2008 Isaac Albéniz (1860 - 1909) Evocación – Triana – Lavapiés Orquesta de Cadaques TRITO’, 2008 Sergei Rachmaninoff (1873-1943) The Isle of the Dead, Op. 29 - Symphony ('Youth Symphony') - Symphony No. 1, Op. 13 BBC Philharmonic CHANDOS, 2008 BBC Music Magazine Choice of the Month (Symphonic) Dmitri Shostakovich (1906-1975) Symphony no.4 in C minor, Op.43 Orquesta de Cadaques TRITO’, 2008 Franz Liszt (1811-1886) Symphonic Poems, Volume 4 / Hungaria – Hamlet – Hunnenschlacht - Die Ideale) BBC Philharmonic CHANDOS, 2008 Johannes Brahms (1833–1897) The Four Symphonies Orquesta de Cadaques TRITO’, 2009 Published on BBC Music Magazine Prokofiev – War and peace (excerpts) / Symphony nr. 5 BBC Philharmonic (2003) Ravel – L’heure espagnole BBC Philharmonic (2004) MP3s available from the site www.chandos.net Franz Schubert Symphony No. 8 (Unfinished) D759 BBC Philharmonic (2001) Antonín Dvorak The Golden Spinning Wheel Symphony No. 8 BBC Philharmonic (2001) Sergey Prokofiev War and Peace (Overture - Waltz for the New Year's Eve Ball - Waltz: 'Since we met') Symphony No. 5 in B flat, Op.100 BBC Philharmonic (2002) Franz Schubert Overture in E minor, D648 Symphony No. 9 (Great), D944 BBC Philharmonic (2003) Ludwig van Beethoven Complete Symphonies Symphony No. 1 in C major op. 21 Symphony No. 2 in D major Op.36 Symphony No. 3 in E flat major Op.55 'Eroica' Symphony No. 4 in B flat major Op.60 Symphony No. 5 in C minor Op.67 Symphony No. 6 in F major Op. 68 'Pastoral Symphony No. 7 in A major Op.92 Symphony No. 8 in F major Op.93 Symphony No. 9 in D minor Op.125 Hillevi Martinpelto, soprano Karen Cargill, contralto Paul Nilon, tenor Alastair Miles, bass BBC Philharmonic / City of Birmingham Symphony Chorus (2005) Peter Ilyich Tchaikovsky - Complete Symphonies Symphony No. 1 in G minor, Op. 13 'Winter Daydreams' Symphony No. 2 in C minor, Op. 17 'Little Russian' Symphony No. 3 in D major, Op. 29 'Polish' Symphony No. 4 in F minor, Op. 36 Symphony No. 5 in E minor, Op. 64 Symphony No. 6 in B minor, Op. 74 'Pathétique' Manfred Symphony, Op. 58 BBC Philharmonic (2006/7) Robert Schumann Symphony No. 2 BBC Philharmonic (2006) Robert Schumann Symphony No. 1 BBC Philharmonic (2007) Robert Schumann Symphony No. 4 BBC Philharmonic (2007) Edited by : Ettore F. Volontieri @ INTERARTS RIVIERA SA (January 2009) .
Load more

Recommended publications
  • THE ESSENTIAL Yan Pascal Tortelier
    CHAN 241-32 THE ESSENTIAL Margaret Fingerhut piano Ulster Orchestra • BBC Philharmonic 32 Yan Pascal Tortelier 33 CCHANHAN 2241-3241-32 BBook.inddook.indd 332-332-33 222/8/062/8/06 110:27:030:27:03 Paul Dukas (1865 –1935) COMPACT DISC ONE 1 Fanfare pour précéder ‘La Péri’ * 1:55 2 La Péri * 17:40 Poème dansé en un tableau 3 Lipnitzki / Lebrecht Music & Arts Lipnitzki / Lebrecht Photo Library L’Apprenti sorcier * 11: 31 Scherzo d’après une ballade de Goethe Symphony in C major † 41: 00 in C-Dur • en ut majeur 4 I Allegro non troppo vivace, ma con fuoco 14:41 5 II Andante espressivo e sostenuto 14:51 6 III Allegro spiritoso 11:18 TT 72:21 COMPACT DISC TWO 1 Polyeucte † 15:03 Overture after Corneille Andante sostenuto – Allegro non troppo vivace – Andante espressivo – Mouvement du 1er allegro – Andante sostenuto Paul Dukas 3 CCHANHAN 2241-3241-32 BBook.inddook.indd 22-3-3 222/8/062/8/06 110:26:530:26:53 The Essential Paul Dukas Sonate ‡ 47:43 ‘A good provision of sunlight’: this was in the rigid Conservatoire mould? Dukas’s in E minor • in e-Moll • en mi mineur how one nineteenth-century French critic offi cial advice to young conductors betrayed 2 I Modérément vif – expressif et marqué 12:04 described the ‘compositional palette’ of not a shred of poetry: 3 II Calme – un peu lent – très soutenu 12:49 Emmanuel Chabrier, and that vivid double There is only one secret in conducting an imagery of light and colour recurs throughout orchestra: the right hand should be raised, 4 III Vivement, avec légèreté 8:38 much writing on French music of the period.
    [Show full text]
  • 12 August 2021
    12 August 2021 12:01 AM Franz Berwald (1796-1868) Fantasia on 2 Swedish Folksongs for piano (1850-59) Lucia Negro (piano) SESR 12:10 AM Giacomo Puccini (1858-1924) Intermezzo (excerpt from 'Manon Lescaut' between Acts 2 and 3) BBC Philharmonic, Gianandrea Noseda (conductor) GBBBC 12:15 AM Ludwig van Beethoven (1770 - 1827) Romance in F major Op 50 (orig. for violin and orchestra) Taik-Ju Lee (violin), Young-Lan Han (piano) KRKBS 12:25 AM Richard Wagner (1813-1883), Mathilde Wesendonck (author) Wesendonck-Lieder for voice and orchestra Jane Eaglen (soprano), Bergen Philharmonic Orchestra, Juanjo Mena (conductor) NONRK 12:47 AM Marin Marais (1656-1728) Les Folies d'Espagne Lise Daoust (flute) CACBC 12:57 AM Anonymous Yo me soy la morenica Olga Pitarch (soprano), Accentus Austria, Thomas Wimmer (director) DEWDR 01:00 AM Joseph Bologne Chevalier de Saint-Georges (1745-1799) Violin Concerto in D major (Op 3 no 1) (1774) Linda Melsted (violin), Tafelmusik Orchestra, Jeanne Lamon (conductor) CACBC 01:22 AM Jean Sibelius (1865-1957) 6 Impromptus, Op 5 Juhani Lagerspetz (piano) FIYLE 01:38 AM Heikki Suolahti (1920-1936) Sinfonia Piccola (1935) Finnish Radio Symphony Orchestra, Kari Tikka (conductor) FIYLE 02:01 AM Wolfgang Amadeus Mozart (1756-1791) Overture to The Marriage of Figaro, K.492 Swedish Radio Symphony Orchestra, Patrik Ringborg (conductor) SESR 02:05 AM Wolfgang Amadeus Mozart (1756-1791), Lorenzo Da Ponte (librettist) 'Dove sono i bei momenti' - Countess' aria from The Marriage of Figaro. K.492 Christina Nilsson (soprano), Swedish
    [Show full text]
  • Gianandrea Noseda CHAN 10298 BOOK.Qxd 14/9/06 2:16 Pm Page 2
    CHAN 10298 Booklet cover 9/13/05 12:19 PM Page 1 CHAN 10298 CHANDOS Returning Waves A Sorrowful Tale Episode at a Masquerade BBC Philharmonic Gianandrea Noseda CHAN 10298 BOOK.qxd 14/9/06 2:16 pm Page 2 Mieczysl/aw Karl/owicz (1876–1909) Returning Waves, Op. 9 24:00 Symphonic poem 1 Andante – 4:25 2 [Andante] – 2:02 3 Andante assai – 5:36 4 Andantino – 6:35 5 Andante 5:22 6 A Sorrowful Tale, Op. 13 10:19 (Preludes to Eternity) Lento lugubre – Moderato assai – Tempo I – Moderato giocoso – Tempo I Episode at a Masquerade, Op. 14 25:00 Symphonic poem 7 Allegro maestoso – Molto agitato – A tempo – Andante – 6:52 8 Molto lento – 7:54 9 Andante – 1:47 10 Allegro maestoso – Molto agitato – Molto largamente – 3:47 11 Molto lento 4:39 TT 59:39 BBC Philharmonic Yuri Torchinsky leader Gianandrea Noseda Mieczyslaw⁄ Karlowicz⁄ 3 CHAN 10298 BOOK.qxd 14/9/06 2:16 pm Page 4 by step, while the work’s tonal scheme revolves subtitle – Preludes to Eternity – hint at the Karl/owicz: Returning Waves and other works almost entirely around mediant relationships. consolation of Nirvana already expressed in The main sections are linked by transitional Eternal Songs. Uncharacteristically, Karlowicz⁄ material featuring a fanfare, initially on trumpet, initially wished to introduce a gunshot at the The Polish composer Mieczyslaw⁄ Karlowicz⁄ his torpor as he gazed at ‘lifeless ice crystals which clearly denotes the onset of the climax. In fact, as early as the second (1876–1909) finished the first of his six on the window pane’, coincidentally an image subject’s recollections.
    [Show full text]
  • Colorful Characters
    Livermore-Amador Symphony Lara Webber, Music Director & Conductor Arthur P. Barnes, Music Director Emeritus Saturday, February 23, 2019, 8 p.m. Bankhead Theater, Livermore Colorful Characters William Tell Overture Gioachino Rossini (1792–1868) Cello Concerto No. 1 Joseph Haydn in C major, Hob. VIIb/1—1st movement (1732–1809) Alexander Canicosa-Miles, soloist Soirées Musicales Benjamin Britten Suite of Movements from Rossini (1913–1978) I. March II. Canzonetta III. Tirolese IV. Bolero V. Tarantella INTERMISSION with entertainment in the lobby by Element 116 Piano Concerto No. 1 Franz Liszt in E-flat major (1811–1886) Daniel Mah, soloist Billy the Kid Suite Aaron Copland (1900–1990) Introduction: The Open Prairie Street in a Frontier Town Mexican Dance and Finale Prairie Night (Card Game) Gun Battle Celebration (after Billy’s Capture) Billy’s Death The Open Prairie Again The audience and performers are invited to enjoy cookies, cider, coffee, and sparkling wine in the lobby after the concert at a reception hosted by the Livermore-Amador Symphony Guild. Music Director position underwritten by the Chet and Henrietta Fankhauser Trust Orchestra Conductor Cello Horn Lara Webber Peter Bedrossian Christine-Ann Immesoete Principal Principal First Violin Alan Copeland James Hartman Sara Usher Aidan Epstein Bryan Waugh Concertmaster Nathan Hunsuck H. Robert Williams Juliana Zolynas Hildi Kang Assistant Trumpet Concertmaster Joanne Lenigan Paul Pappas Michael Portnoff Norman Back Principal Feliza Bourguet String Bass Bob Bryant Judy Eckart Markus Salasoo
    [Show full text]
  • Il Recupero Dell'antico Nell'opera Di Ottorino
    SCUOLA DI DOTTORATO IN STORIA E CRITICA DEI BENI ARTISTICI , MUSICALI E DELLO SPETTACOLO XXII CICLO IL RECUPERO DELL’ANTICO NELL’OPERA DI OTTORINO RESPIGHI E L’ARCHIVIO DOCUMENTARIO ALLA FONDAZIONE “GIORGIO CINI” DI VENEZIA Coordinatore: prof. ALESSANDRO BALLARIN Supervisore: prof. ANTONIO LOVATO Dottoranda: MARTINA BURAN DATA CONSEGNA TESI 30 giugno 2010 2 A Riccardo e Veronica 3 4 INDICE PREMESSA ………………………………………..…………………………..……. p. 9 I. IL FONDO “OTTORINO RESPIGHI ” ………………………………………… » 13 1. Configurazione originaria del fondo ………………………………………… » 14 2. Interventi di riordino …………………………………………………………. » 16 3. Descrizione del contenuto ……………………………………………………. » 20 II. RITRATTO DI OTTORINO RESPIGHI ……………………………..……..... » 31 1. L’infanzia e le prime opere …………………………………………………... » 32 2. I primi passi verso il recupero dell’antico …………………………………… » 35 3. L’incontro con Elsa …………………………………………………………... » 38 4. Le trascrizioni di musiche antiche e Casa Ricordi …………………………... » 40 5. Il “periodo gregoriano” ……………………………………………………... » 42 6. L’incontro con Claudio Guastalla …………………………………………… » 44 7. Le opere ispirate al gregoriano ……………………………………………… » 46 8. La nomina all’Accademia d’Italia e il Manifesto…………………………….. » 48 9. La fiamma e l’elaborazione dell’Orfeo ………………………………………. » 53 10. Lucrezia ……………………………………………………………………... » 58 III. IL CONTESTO ………………………………………..………………...……… » 63 1. Il recupero dell’antico ………………………………………………………... » 63 1.1 La rinascita del gregoriano …………………………………………. » 64 1.2 Angelo De Santi, Giovanni Tebaldini e Lorenzo Perosi …………….
    [Show full text]
  • Editors Choice As of 04182020
    VBODA Editors Choice Listing for 2019 4/18/2020 id record_nu record_nu composer arranger title publisher category Entry_Date grade regrade Editors mber mber_old _num Choice 14109 1614109 13956 Balmages, B. ** Rippling Watercolors FJH Music Co. BAND 2016 3 1 2394 1602394 2390 Benson, W. ** Ginger Marmalade Carl Fischer BAND 2003 3 1 4838 1604838 4833 Bach, J. S ** Leidzen, E. Jesu, Joy of Man's Desiring Carl Fischer BAND 1948‐1995 4 1 4839 1604839 4834 Bach, J. S. ** Reed, A. Jesu, Joy of Man's Desiring C.L. Barnhouse BAND 1948‐1995 4 1 4830 1604830 4825 Bach, J. S. ** Hardt, V. Chorale and Fugue in F Minor Tempo BAND 1948‐1995 4 1 4831 1604831 4826 Bach, J. S. ** Topolewski, T. Chorale in C Minor Kjos BAND 2013 4 1 4834 1604834 4829 Bach, J. S. ** Keenan, R. Fugue in G Minor (The Little) Pro‐(Belwin) BAND 1948‐1995 4 1 4837 1604837 4832 Bach, J. S. ** Hindsley, M. Jesu, Joy of Man's Desiring MH BAND 1948‐1995 4 1 4841 1604841 4836 Bach, J. S. ** Custer, C. Little Fugue HL BAND 1948‐1995 4 1 4844 1604844 4839 Bach, J. S. ** Grainger, P. O Mensch, Bewein' Dein' Sunde Gross RS‐(WA) BAND 1948‐1995 4 1 4847 1604847 4842 Bach, J. S. ** Moehlmann, R. Prelude & Fugue in D Minor FitzSimons Company BAND 2014 4 1 4849 1604849 4844 Bach, J. S. ** Cailliet, L. Prelude & Fugue in G Minor Carl Fischer BAND 1948‐1995 4 1 4850 1604850 4845 Bach, J. S. ** Moehlmann, R. Prelude & Fugue in G Minor Kalmus BAND 1948‐1995 4 1 4852 1604852 4847 Bach, J.
    [Show full text]
  • Il Fondo Respighi
    AD 49 Archivio di Stato di Milano FONDO RESPIGHI Per la richiesta indicare: FONDO: RESPIGHI PEZZO N.: 1 (serie Musica, Carteggio, Documenti e Allegati) 2 (serie Fotografie. Attenzione: limitazioni per la consultazione di questa cartella. Le fotografie si consultano normalmente nella riproduzione digitale) ASMi Fondo Respighi Riordino e inventariazione a cura di Mariagrazia Carlone, Archivista di Stato Milano, maggio 2010 Revisione: marzo 2019 ASMi Fondo Respighi Indice generale Introduzione Fondo Respighi. p. 1 Storia archivistica, Contenuto, Criteri di ordinamento Soggetti produttori. 2 Ottorino Respighi, Elsa Respighi Olivieri Sangiacomo Bibliografia 3 Inventario 1. Serie “Musica” 4 2. Serie “Fotografie” 6 3. Serie “Carteggio” 37 4. Serie “Documenti” 51 Appendice : trascrizioni (lettere e documenti) 53 Indici Indice dei nomi 80 Indice delle opere musicali 85 Indice dei luoghi 87 Allegati 89 ASMi Fondo Respighi Fondo Respighi Storia archivistica. Il Fondo Respighi, già di proprietà dello studio bibliografico “L’Arengario” di Gussago (BS), è stato acquistato nel 2004 dalla Soprintendenza Archivistica per la Lombardia, previa approvazione del Ministero per i Beni e le Attività Culturali, e destinato all’Archivio di Stato di Milano. Il materiale è giunto contenuto in buste di plastica dentro tre raccoglitori da ufficio ad anelli e in una cartelletta di plastica per gli autografi musicali. I documenti, numerati a uno a uno, erano distribuiti nelle serie: “Archivio fotografico”, “Carteggio”, “Materiale vario” e “Autografi musicali”. A loro volta, le prime tre serie erano organizzate in varie sotto-serie. Corredavano il tutto alcune pagine dattiloscritte anonime, prive di dati identificativi o di indicazioni cronologiche, in cui si illustravano sommariamente i contenuti dei raccoglitori e si offriva la trascrizione di alcune lettere.
    [Show full text]
  • London's Symphony Orchestra
    London Symphony Orchestra Living Music Sunday 28 February 2016 7pm Barbican Hall ROMEO AND JULIET Shostakovich Violin Concerto No 2 INTERVAL Berlioz Romeo and Juliet – Suite London’s Symphony Orchestra Gianandrea Noseda conductor Janine Jansen violin Part of shakespeare400.org Concert finishes approx 9pm 2 Welcome 28 February 2016 Welcome Living Music Kathryn McDowell In Brief Welcome to this evening’s LSO concert conducted LSO 2016/17 SEASON NOW ON SALE by Gianandrea Noseda. Last week we were delighted to announce that he will take up the position of Booking is now open for the LSO’s 2016/17 season. Principal Guest Conductor from August 2016 (for Full listings for all concerts taking place between further information see page 3). September 2016 and July 2017 can be found on the LSO website, along with details on how to This concert is part of our Shakespeare 400 series purchase tickets. of concerts and events celebrating the great playwright’s influence on music in the year marking lso.co.uk/201617season the quatercentenary of his death. For this final instalment of the series, Gianandrea Noseda will conduct a suite featuring orchestral movements SHAKESPEARE 400 from Berlioz’s magnum opus, Romeo and Juliet. The LSO’s Shakespeare celebrations form part of In the first half the Orchestra will be joined by Shakespeare 400, a consortium of leading cultural violinist Janine Jansen, who has long been a friend of and educational organisations, coordinated the LSO, for a performance of Shostakovich’s Violin by King’s College London, marking the 400th Concerto No 2. In 2016/17 Janine Jansen will be the anniversary of Shakespeare’s death.
    [Show full text]
  • Respighi Ottorino
    RESPIGHI OTTORINO Compositore e strumentista italiano (Bologna 9 VI 1879 - Roma 18 IV 1936) 1 Nato da una famiglia di musicisti (il nonno Tommaso era organista del duomo di Fidenza) fu avviato alla musica dal padre, ottimo pianista e didatta. Iscritto al liceo musicale di Bologna (1891), studiò violino con F. Sarti, diplomandosi nel 1899, e contemporaneamente seguì le lezioni di contrappunto e fuga di C. Dall'Olio e di composizione di L. Torchi e G. Martucci. Nel 1900 fu a Pietroburgo, come orchestrale nella stagione operistica italiana dei teatri imperiali e conobbe Rimskij-Korsakov dal quale ebbe varie lezioni di composizione rimaste essenziali (come dichiarò lo stesso Respighi) per la sua formazione artistica. Tornato a Bologna, si diplomò in composizione nel 1901. L'anno dopo tornò in Russia come prima viola dell'Opera di Pietroburgo e vi rimase nove mesi, prendendo contatto con l'ambiente artistico che faceva capo ad A. Benois (il figlio Nicola sarà poi uno degli scenografi più cari a Respighi). Nel 1903 ritornò in Italia e l'anno dopo fu eseguita dal pianista F. Ivaldi a Bologna, sotto la direzione di B. Mugellini, la sua Fantasia in Sol minore per pianoforte ed orchestra che ottenne notevole successo. Nel 1905 la sua opera Re Enzo fu rappresentata dagli studenti dell'università di Bologna ed in quello stesso anno Respighi entrò come viola nel quintetto Mugellini per il quale compose il Quintetto in Fa. Nel 1908 R. Ferrari diresse al Metropolitan di New York il Notturno per orchestra e A. Nikish, a Berlino, la sua trascrizione per orchestra del Lamento di Arianna di Monteverdi.
    [Show full text]
  • Shostakovich
    SHOSTAKOVICH CELLO CONCERTOS NOS 1 AND 2 ENRICO DINDO cello Danish National Symphony Orchestra GIANANDREA NOSEDA © Lebrecht Music and Photo Library Shostakovich at the Royal Festival Hall, 1960 Dmitry Shostakovich (1906 – 1975) Cello Concertos Cello Concerto No. 1, Op. 107 (1959)* 26:43 E flat Major • in Es-Dur • en mi bémol majeur Dedicated to M.L. Rostropovich 1 I Allegretto 5:57 2 II Moderato 10:50 3 III Cadenza. Allegretto – Allegro – Più mosso 5:10 4 IV Allegro con moto. Poco meno mosso 4:40 3 Cello Concerto No. 2, Op. 126 (1966)† 33:12 Dedicated to Mstislav Rostropovich 5 I Largo 14:09 6 II Allegretto 4:22 7 III Allegretto 14:40 TT 60:11 Enrico Dindo cello Danish National Symphony Orchestra Christina Aastrand leader* Johannes Søe Hansen leader† Gianandrea Noseda 4 Dmitry Shostakovich: Cello Concertos Nos 1 and 2 Cello Concerto No. 1, Op. 107 depths of feeling unheard in Shostakovich’s In the years following his Tenth Symphony output since the First Violin Concerto (1953) Dmitry Shostakovich (1906 – 1975) a decade earlier; and after a massive seems to have made a conscious attempt cadenza, the finale interlocks bitterness and to lighten his style – his Festival Overture, exhilaration. The virtuosity demanded of the film score to The Gadfly, Sixth String Quartet, soloist is considerable, but no more so than Second Piano Concerto, and operetta the virtuosity of the composition itself. Moscow, Cheryomushki are all among his Among the factors contributing to this most tuneful and directly appealing works. rebirth of complexity and profundity were But in 1959, the year of the Cello Concerto, Shostakovich’s enthusiasm for Prokofiev’s the dark shadows that were never entirely Symphony-Concerto for Cello and Orchestra absent from his personal life loomed (a recording of which he reportedly played unusually large.
    [Show full text]
  • Greater San Diego Music Coterie Tenth Anniversary Celebration Sunday, June 27 at 3P.M
    Greater San Diego Music Coterie Tenth Anniversary Celebration Sunday, June 27 at 3p.m. Carroll Canyon Business Park Overture from Leichte Lavallerie (1866) Franz von Suppé (Light Cavalry Overture) (1819-1895) König Stephan (King Stephan), Op. 117 (1812) Ludwig van Beethoven - Overture (1770-1827) - Siegesmarsch (Victory March) - Schlusschor (Final Chorus) Regina Coeli laetare (Queen of heaven, rejoice) Johannes Brahms from 3 Geistliche Chöre (Sacred Songs), Op. 37, No. 3 (1863) (1833-1897) Veni sancte spiritus, K. 47 (1768) Wolfgang Amadeus Mozart (Come Holy Spirit) (1756-1791) Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (1893) Antonín Dvořák IV. Allegro con fuoco (1841-1904) 3 Gedichte (Poems), Op. 29 (1840) Robert Schumann I. Landliches Lied (Country Song) (1810-1856) III. Zigeunerleben (Gypsy Life) Duetto buffo di due gatti (ca. 1816) Gioachino Rossini (A cat duet) (1792-1868) Tarantella Ottorino Respighi from La Boutique fantasque (1919) (1879-1936) Irene Marie Patton, soprano Mary Boles Allen, mezzo-soprano Greater San Diego Chamber Orchestra and Chorus Dr. Angela Yeung, director A free-will donation will be collected at the end of the concert. Donations made payable to the Greater San Diego Music Coterie are tax-deductible as allowable by law. Join our mailing list, and be the first to hear about our upcoming events. Email Dr. Yeung at [email protected], or visit https://gsdmusicoterie.org. Greater San Diego Music Coterie Dr. Angela Yeung, Director Greater San Diego Chamber Orchestra and Chorus Accompanist Flute/Piccolo
    [Show full text]
  • Season 2012-2013
    27 Season 2012-2013 Thursday, December 6, at 8:00 The Philadelphia Orchestra Friday, December 7, at 2:00 Saturday, December 8, Gianandrea Noseda Conductor at 8:00 Denis Matsuev Piano Rachmaninoff Piano Concerto No. 3 in D minor, Op. 30 I. Allegro, ma non tanto II. Intermezzo: Adagio— III. Finale: Alla breve Intermission Rachmaninoff Symphony No. 2 in E minor, Op. 27 I. Largo—Allegro moderato II. Allegro molto III. Adagio IV. Allegro vivace This program runs approximately 2 hours, 10 minutes. These concerts are made possible in cooperation with the Sergei Rachmaninoff Foundation. 3 Story Title 29 The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival. an extraordinary history of Center, Penn’s Landing, artistic leaders in its 112 and other venues.
    [Show full text]