Stanimir Panayotov: Curriculum Vitae Dec 2016
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Praxis, International Edition, 1969, No. 3-4.Pdf
PRAXIS A PHILOSOPHICAL JOURNAL Editorial Board B r a n k o B o š n ja k , D a n k o G r l ić , M il a n K a n g r g a I v a n K u v a č ić , G a jo P e t r o v ić , R u d i S u p e k , P r e d r a g V r a n ic k i Editora-in-Chief G a jo P e t r o v ić a n d R u d i S u p e k Editorial Secretary B r a n k o D e s p o t Advisory Board K o sta s A x e l o s (Paris), A l f r e d J. A y e r (O xford), Z y g m u n d B a u m a n n (Tel-Aviv), N o r m a n B ir n b a u m (Amherst), E r n s t B l o c h (Tubingen), T h o m a s B o t t o m o r e (Brighton), U m b e r t o C e r r o n i (Ro m a), M la d e n Č a l d a r o v ić (Z agreb), R o b e r t S. C o h e n (Boston), V e l jk o C v je t ič a n in (Z agreb), B o ž id a r D e b e n ja k (Ljubljana), Mi- h a il o Đ u r ić (Beograd), M a r v in F a r b e r (Buffalo), M u h a m e d F i l i- p o v ić (Sarajevo), V l a d im ir F il ip o v ić (Z agreb), E u g e n F in k (Frei burg), I v a n F o c h t (Sarajevo), E r ic h F r o m m (Mexico City), L u c ie n G o l d m a n n (Paris), A n d r e G o r z (Paris), J u r g e n H a b er m a s (F ran k furt), E r ic h H e in t e l (W ien), A g n es H e l l e r (Budapest), B esim I brahimpašić (Sarajevo), M it k o I l ie v s k i (Skopje), L eszek K o l a - k o w s k i (Warszawa), V e l jk o K o r a ć (Beograd), K a r e l K o sik (Praha), A n d r ija K r e š ić (Beograd), H e n r i L e fe b v r e (Paris), G e o r g L u - ka cs (Budapest), S e r g e M a l l e t (Paris), H e r b e r t M a r c u s e (San Diego), M ih a il o M a r k o v ić (Beograd), V o jin M il ić (Beograd), E n zo P a c i (M ilano), H o w a r d L. -
TRANSEUROPA FESTIVAL 2011 Edinburgh
2011 NETWORK BEYOND THENATION CULTURE EQUALITY, DEMOCRACY, 15 DEMOCRACY, DEMOCRACY, EQUALITY, CULTURE BEYOND THE STATE NATION MAY 6 MAY BEYOND THENATION CULTURE EQUALITY, DEMOCRACY, NETWORK 2011 15 DEMOCRACY, DEMOCRACY, EQUALITY, CULTURE BEYOND THE STATE NATION MAY 6 MAY NETWORK DEMOCRACY, EQUALITY, CULTURE BEYOND THE NATION Supported by Printed by European Alternatives. July 2011 Graphic design LLdesign.it This catalogue is printed under a Creative Commons Attribution-ShareAlike-NonCommercial license. You are free to republish, remix, tweak, and build upon our work non-commercially, as long as you credit the original source and license any new creations under identical terms. PEOPLE WHO MADE Members of Nic Greaves Alexander Mirchev TRANSEUROPA FESTIVAL TRANSEUROPA Adrien Gros Adam Mizeracki POSSIBLE Network Noel Hatch Grégory Moricet Michal Havran Alina Muller European Alternatives Staff Angela Anton Katarzyna Holda Pablo Navazo Luigi Cascone Ramya Arnold Joanna Holda Eleonora Nestola Claudia Cassano Margaux Baleriaux Anna Ignasiak Hana Novotna Elena Dalibot Nishi Begum Mariya Ivancheva Stanimir Panayotov Federico Guerrieri Jakub Biernat Paulina Kempisty Simona Patrizi Emanuele Guidi Mélanie Boulland Tomek Kitlinski Annamaria Pazsint Tilman Hartley Friedrich Brandi Diana Kolczewska Diletta Pignedoli Lia Hernández Pérez Eva Brugnettini Sofia Kostyuchenko Szymon Pietrasiewicz Maeva Kokodoko Silvia Bruzzi Magdalena Kowalczyk Zdravka Primova Séverine Lenglet Daphne Buellesbach Stefan Krastev Wojcieh Pytkowski Giulio Marseglia Georgiana But -
University of Texas at Austin Theatre and Dance Department T D 388L
University of Texas at Austin Theatre and Dance Department T_D 388L Figure and Fabric Rendering Spring 2014 26830 Undergraduate/27030 Graduate INSTRUCTOR: KAREN MANESS OFFICE: PAC 3.208 (on the 3rd floor, above the paint shop) OFFICE HOURS: By appointment OFFICE PHONE: 471-9145 E-MAIL: [email protected] T.A.: James Ogden OFFICE: WIN B.204 OFFICE HOURS: By appointment E-MAIL: [email protected] CLASS INFO: WIN B.204 Monday 6:00-9:00 painting lab (independent practice, attendance recorded) Thursday 6:00-9:00 painting class Friday 2:00-6:00 painting class Pre-requisite: Life drawing. Painting experience is a plus but not required. Course Objectives: The objective of this course is to introduce students to the principals of figure and fabric painting from life. It is designed to develop manual skills in drawing and painting and increase one’s understanding of quickly rendering an image. We will focus on defining line, form, weight, value, structure, color mixing and composition. We will discuss aesthetic sensibilities and move towards setting a tone or mood within a painting. The course will familiarize students with various painting tools and methods to create depth, light, and balance within the painted form. Goals: Increase comfort level of working quickly with paint to express design ideas. Each class session you will have the opportunity to paint several sketch studies and some full-length larger paintings. You will be asked to produce several small paintings from life for each Monday, Thursday, Friday session. Select your favorite 5 paintings each week. 25 paintings will be due for review at the end of each 5-week session. -
The Praxis School's Marxist Humanism and Mihailo Marković's
The Praxis School’s Marxist Humanism and Mihailo Marković’s Theory of Communication Christian Fuchs Fuchs, Christian. 2017. The Praxis School’s Marxist Humanism and Mihailo Marković’s Theory of Communication. Critique 45 (1-2): 159-182. Full version: http://www.tandfonline.com/doi/full/10.1080/03017605.2016.1268456 Abstract <159:> Mihailo Marković (1923-2010) was one of the leading members of the Yugoslav Praxis Group. Among other topics, he worked on the theory of communication and dialectical meaning, which makes his approach relevant for a contemporary critical theory of communication. This paper asks: How did Mihailo Marković conceive of communication? Marković turned towards Serbian nationalism and became the Vice-President of the Serbian Socialist Party. Given that nationalism is a particular form of ideological communication, an ideological anti-praxis that communicates the principle of nationhood, a critical theory of communication also needs to engage with aspects of ideology and nationalism. This paper therefore also asks whether there is a nationalist potential in Marković’s theory in particular or even in Marxist humanism in general. For providing answers to these questions, the article revisits Yugoslav praxis philosophy, the concepts of praxis, communication, ideology and nationalism. It shows the importance of a full humanism and the pitfalls of truncated humanism in critical theory in general and the critical theory of communication in particular. Taking into account complete humanism, the paper introduces the concept of praxis communication. Keywords: praxis, praxis philosophy, Yugoslavia, Praxis School, Praxis Group, Mihailo Marković, critical theory of communication, Marxist theory, humanism, nationalism, ideology, praxis communication 1. Introduction The Praxis Group was a community of scholars in Yugoslavia. -
Rituals and Repetitions: the Displacement of Context in Marina Abramović’S Seven Easy Pieces
RITUALS AND REPETITIONS: THE DISPLACEMENT OF CONTEXT IN MARINA ABRAMOVIĆ’S SEVEN EASY PIECES by Milena Tomic B.F.A., York University, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Fine Arts – Art History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2008 © Milena Tomic, 2008 Abstract This thesis considers Seven Easy Pieces, Marina Abramović’s 2005 cycle of re-performances at the Guggenheim Museum, as part of a broader effort to recuperate the art of the 1960s and 1970s. In re-creating canonical pieces known to her solely through fragmentary documentation, Abramović helped to bring into focus how performances by Joseph Beuys, Bruce Nauman, Gina Pane, Vito Acconci, Valie Export, and herself were being re-coded by the mediating institutions. Stressing the production of difference, my analysis revolves around two of the pieces in detail. First, the Deleuzian insight that repetition produces difference sheds light on the artist’s embellishment of her own Lips of Thomas (1975) with a series of Yugoslav partisan symbols. What follows is an examination of the enduring role of this iconography, exploring the 1970s Yugoslav context as well as the more recent phenomenon of “Balkan Art,” an exhibition trend drawing upon orientalizing discourse. While the very presence of these works in Tito’s Yugoslavia complicates the situation, I show how the transplanted vocabulary of body art may be read against the complex interweaving of official rhetoric and dissident activity. I focus on two distinct interpretations of Marxism: first, the official emphasis on discipline and the body as material producer, and second, the critique of the cult of personality as well as dissident notions about the role of practice in social transformation. -
Sretenovic Dejan Red Horizon
Dejan Sretenović RED HORIZON EDITION Red Publications Dejan Sretenović RED HORIZON AVANT-GARDE AND REVOLUTION IN YUGOSLAVIA 1919–1932 kuda.org NOVI SAD, 2020 The Social Revolution in Yugoslavia is the only thing that can bring about the catharsis of our people and of all the immorality of our political liberation. Oh, sacred struggle between the left and the right, on This Day and on the Day of Judgment, I stand on the far left, the very far left. Be‑ cause, only a terrible cry against Nonsense can accelerate the whisper of a new Sense. It was with this paragraph that August Cesarec ended his manifesto ‘Two Orientations’, published in the second issue of the “bimonthly for all cultural problems” Plamen (Zagreb, 1919; 15 issues in total), which he co‑edited with Miroslav Krleža. With a strong dose of revolutionary euphoria and ex‑ pressionistic messianic pathos, the manifesto demonstrated the ideational and political platform of the magazine, founded by the two avant‑garde writers from Zagreb, activists of the left wing of the Social Democratic Party of Croatia, after the October Revolution and the First World War. It was the struggle between the two orientations, the world social revolution led by Bolshevik Russia on the one hand, and the world of bourgeois counter‑revolution led by the Entente Forces on the other, that was for Cesarec pivot‑ al in determining the future of Europe and mankind, and therefore also of the newly founded Kingdom of Serbs, Cro‑ ats and Slovenes (Kingdom of SCS), which had allied itself with the counter‑revolutionary bloc. -
Hermeneutic Responsibility: Vattimo, Gadamer, and the Impetus of Interpretive Engagement
Duquesne Studies in Phenomenology Volume 1 Issue 1 Hermeneutics Today Article 4 April 2020 Hermeneutic Responsibility: Vattimo, Gadamer, and the Impetus of Interpretive Engagement Theodore George Texas A&M University, [email protected] Follow this and additional works at: https://dsc.duq.edu/dsp Recommended Citation George, T. (2020). Hermeneutic Responsibility: Vattimo, Gadamer, and the Impetus of Interpretive Engagement. Duquesne Studies in Phenomenology, 1 (1). Retrieved from https://dsc.duq.edu/dsp/vol1/ iss1/4 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Duquesne Studies in Phenomenology by an authorized editor of Duquesne Scholarship Collection. H ERMENEUTIC R ESPONSIBILITY VATTIMO, GADAMER, AND THE IMPETUS OF INTERPRETIVE ENGAGEMENT THEODORE GEORGE Texas A&M University Few fields of study have drawn more attention to questions of responsibility—moral, social, and political—than contemporary Continental philosophy. In recent writings, Gianni Vattimo has returned to focus on his radical, even revolutionary hermeneutical considerations of responsibility.1 Within this context, his Gifford Lectures and related essays (published as Of Reality: The Purposes of Philosophy) address questions of hermeneutic responsibility elicited by the renewed philosophical interest in realism in our times. For Vattimo, as we shall see, it is our hermeneutical responsibility to resist, even to engage in interpretive conflict against, what he will describe as the “temptation of realism.” Both within the discipline of philosophy and in larger spheres of society and politics, realism is often lauded not only as, say, a metaphysical position but, moreover, as an ideal or even as an attitude.2 ‘Realism’ often stands for belief in the progress of knowledge through research in the sciences, suspicion of intellectual sophistication that obscures the facts, and, accordingly, trust in sound common sense. -
Hermeneutic Communism : from Heidegger to Marx / Gianni Vattimo Ands Antiago Zabala
Hermeneutic c o m m u n i s m insurrections: Critical Studies in Religion, Politics, and Culture insurrections: Critical Studies in Religion, Politics, and Culture slavoj Žižek, clayton crockett, creston Davis, Jeffrey W. robbins, editors the intersection of religion, politics, and culture is one of the most discussed areas in theory today. it also has the deepest and most wide- ranging impact on the world. insurrections: critical studies in religion, politics, and culture will bring the tools of philosophy and critical the- ory to the political implications of the religious turn. the series will address a range of religious traditions and political viewpoints in the united states, europe, and other parts of the world. without advocating any specific religious or theological stance, the series aims nonetheless to be faithful to the radical emancipatory potential of religion. After the Death of God, John D. caputo and Gianni Vattimo, edited by Jeffrey W. robbins The Politics of Postsecular Religion: Mourning Secular Futures, Ananda Abeysekara Nietzsche and Levinas: “After the Death of a Certain God,” edited by Jill stauffer nda Bettina Bergo Strange Wonder: The Closure of Metaphysics and the Opening of Awe, mary-Jane rubenstein Religion and the Specter of the West: Sikhism, India, Postcoloniality, and the Politics of Translation, Arvind mandair Plasticity at the Dusk of Writing: Dialectic, Destruction, Deconstruction, catherine malabou Anatheism: Returning to God After God, richard Kearney Rage and Time: A Psychopolitical Investigation, -
Transeuropa Journal Transeuropa Festival 2012
TRANSEUROPA MAY 9 20 2012 + JOURNAL JUNE 2 3 THE OFFICIAL JOURNAL www.transeuropafestival.eu OF THE TRANSEUROPA FESTIVAL 2012 www.euroalter.com A FESTIVAL OF A COMMON SPACE FOR AMSTERDAM LONDON EUROPEAN EUROPEAN ALTERNATIVES BARCELONA LUBLIN BELGRADE PARIS ALTERNATIVES BERLIN PRAGUE (DEMOCRACY, THE TRANSNATIONAL BOLOGNA ROME EQUALITY, FESTIVAL OF CULTURE, BRATISLAVA SOFIA CULTURE ARTS AND POLITICS CLUJ-NAPOCA WARSAW BEYOND THE NATION STATE) BETWEEN TRANSLATION TRANSEUROPA as we move: AND ACTION FESTIVAL: HOW DO migration, A TRANSNATIONAL YOU SPELL borders NEW FORMS ‘CRISIS’? OF POLITICAL MOBILISATION REPLACING AUSTERITY and social Transeuropa Festival is an annual political WITH DEMOCRACY change MOBILISATION and cultural festival taking place in 14 cities across Europe. As every year, this The European economic crisis, most The act of migrating extends far beyond The various protests, occupations and politically engaged festival is grounded in associated with Greece in the minds the act of moving across a geographical viral internet campaigns that have seized the contemporary global and European of the population, is also expressed in space. Within the borders of Europe, the imagination of the media and many context and organised by activists from terms deriving from ancient Greek: krisis migrants are increasingly mobilising in citizens since the Arab uprisings in 2010- throughout the continent. In perhaps no literally meant “to decide, to judge”, and response to discrimination and socio- 2011 challenge the current system of previous year has the context seemed the term was used for a turning point in economical marginalisation to demand power by articulating alternative political more apposite for a festival promoting a disease, the critical moment of going their rights. -
Curriculum Vitae
Curriculum Vitae SANTIAGO ZABALA ICREA Research Professor at the Pompeu Fabra University Director of UPF Center for Vattimo’s Archives and Philosophy Prof. Dr. Santiago Zabala ICREA Research Professor Pompeu Fabra University Department of Humanities Ramon Trias Fargas, 25-27 (office 20.238) 08005 Barcelona Catalonia (Spain) [Tel.] +34 93 542 1636 [Fax.] +34 93 542 16 20 Web Page: www.santiagozabala.com Email: [email protected] Date of Birth, 27th June 1975. Passport (Italian): YA0042314 ICREA Research Professor | ORCID-ID | ScopusID | ResearcherID (Web of Science) | Google Scholar Profile | UPF Scientific output AREA OF SPECIALIZATION Aesthetics, Continental Philosophy, Hermeneutics, Political Philosophy. Butler, Derrida, Gadamer, Heidegger, Rorty, Tugendhat, Vattimo. AREAS OF COMPETENCE Analytic Philosophy, Philosophy of Religion, Phenomenology, Pragmatism, Arendt, Marx, Latour, Lévinas, Ricoeur, Wittgenstein, Žižek. EDUCATION Pontifical Lateran University of Rome, Ph.D., Philosophy (summa cum laude), 2006 Dissertation: The Remains of Being: Hermeneutic Ontology after Metaphysics Dissertation Committee: Antonio Livi (Chair), Philip Larrey, Leonardo Messinese. University of Turin, Laurea, Philosophy, 2002 Dissertation: The Hermeneutic Nature of Analytic Philosophy. A study of Ernst Tugendhat Dissertation Committee: Gianni Vattimo (Chair), Giuseppe Riconda, Ugo Ugazio. International Schools of Vienna - Geneva, International Baccalaureate, 1995 Languages, English, German, Italian, Spanish, French, Catalan. AWARDS AND HONORS - Accreditation of Advanced Research – issued by AQU Catalunya, 2019. - Alexander von Humboldt Post-Doctoral Fellowship in Philosophy at the University of Potsdam, 2008-9. PUBLICATIONS A. Authored Books - Being at Large: Freedom in the Age of Alternative Facts, Montreal: McGill-Queen’s University Press, 2020. Santiago Zabala Vitae 2 - Spanish translation by Belen Nasini, El ser anda suelto. -
Borislav Mikulić
Poietic Notion of Practice and Its Cultural Context Praxis Philosophy in the Political, Theoretical and Artistic Turmoils in the 1960s1 221 Borislav MIKULIĆ Abstract: The aim of this essay is to present the philosophy of praxis as a theoretical medium which embodies the aspects of the high and popular cul- ture in the 1960s in Croatia and former Yugoslavia. The first part deals with the topic of the lack of references to praxis in the recent contribution to the ethnography of socialism and cultural studies as a symptom of scientific reduc- tionism; in the second part some arguments are presented for the relevance of philosophy in general and praxis in particular, as a (meta-)cultural form. The third part presents and comments the conflict regarding the theory of reflection, which has marked the thinking in different theoretical fields in the 1950s, and which became the foundational event for the praxis itself. The author is trying to provide a philosophically immanent political interpretation of the paradox that the philosophical/theoretical criticism of Stalinism leads philosophy to a direct conflict with the political apparatus in power which has itself carried out the same critique during dramatic political process in 1948. In the final part, the text points out, on the one hand, to the philosophical theorem of sponta- neity in art as a fundament of the praxis concept of autonomy of the subject, and on the other, to the striking lack of references, within the mainstream of praxis, to the avant-garde political conception of art of the EXAT 51 group from early 1950s; the text outlines the reasons for interpretation of this meta- theory of art as a political anticipation of praxis. -
Towards a Critical Hermeneutics of Populism
Critical Hermeneutics, special (2019) Articolo presentato il 25/5/2019 Biannual International Journal of Philosophy Articolo accettato il 27/5/2019 http://ojs.unica.it/index.php/ecch/index Articolo pubblicato il 1/6/2019 ISSN 2533-1825 (on line); DOI 10.13125/CH/3711 Towards a Critical Hermeneutics of Populism Gonçalo Marcelo Abstract This paper aims to define and set the goals of what it calls a ‘Critical Hermeneutics of Populism’. Starting with the diagnosis of the ascent of rightwing populism being directly tied with the democratic legitimation deficit and the social problems caused by neoliberal policies, it assesses populist phenomena through the lens of hermeneutics. It argues that populism is not an entirely irrational phenomenon and that in spite of some common features of its intrinsic logic, substantive differences ex- ist between left (or progressive) political proposals and their rightwing, exclusionary counterparts. The paper claims that only an assessment of the discourses, values, and practices put forward by each political proposal that can be dubbed ‘populist’ will reveal its perils and prom- ises, and help distinguish which types of populism are lethal to liberal democracy, and which can actually help to deepen it. Finally, it argues that given the interpretative and potentially transformative features of Hermeneutics, a Critical Hermeneutics of populism might be the ap- proach providing us with the best tools to operate such distinctions. Keywords: Critical Theory, democracy, hermeneutics, populism 1. Introduction There is hardly a more urgent matter for social and political theory today than tackling the newfound force of populism. My aim in this paper is to lay the ground for what could be called a critical hermeneu- tics of the various, widespread phenomena of populism.