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TRANSEUROPA FESTIVAL 2011 Edinburgh
2011 NETWORK BEYOND THENATION CULTURE EQUALITY, DEMOCRACY, 15 DEMOCRACY, DEMOCRACY, EQUALITY, CULTURE BEYOND THE STATE NATION MAY 6 MAY BEYOND THENATION CULTURE EQUALITY, DEMOCRACY, NETWORK 2011 15 DEMOCRACY, DEMOCRACY, EQUALITY, CULTURE BEYOND THE STATE NATION MAY 6 MAY NETWORK DEMOCRACY, EQUALITY, CULTURE BEYOND THE NATION Supported by Printed by European Alternatives. July 2011 Graphic design LLdesign.it This catalogue is printed under a Creative Commons Attribution-ShareAlike-NonCommercial license. You are free to republish, remix, tweak, and build upon our work non-commercially, as long as you credit the original source and license any new creations under identical terms. PEOPLE WHO MADE Members of Nic Greaves Alexander Mirchev TRANSEUROPA FESTIVAL TRANSEUROPA Adrien Gros Adam Mizeracki POSSIBLE Network Noel Hatch Grégory Moricet Michal Havran Alina Muller European Alternatives Staff Angela Anton Katarzyna Holda Pablo Navazo Luigi Cascone Ramya Arnold Joanna Holda Eleonora Nestola Claudia Cassano Margaux Baleriaux Anna Ignasiak Hana Novotna Elena Dalibot Nishi Begum Mariya Ivancheva Stanimir Panayotov Federico Guerrieri Jakub Biernat Paulina Kempisty Simona Patrizi Emanuele Guidi Mélanie Boulland Tomek Kitlinski Annamaria Pazsint Tilman Hartley Friedrich Brandi Diana Kolczewska Diletta Pignedoli Lia Hernández Pérez Eva Brugnettini Sofia Kostyuchenko Szymon Pietrasiewicz Maeva Kokodoko Silvia Bruzzi Magdalena Kowalczyk Zdravka Primova Séverine Lenglet Daphne Buellesbach Stefan Krastev Wojcieh Pytkowski Giulio Marseglia Georgiana But -
The Budapest Carnivals
THE BUDAPEST CARNIVALS HX 632 Al W9 uojyt-7^0 TIRANA, I960 &.x m m THE BUDAPEST CAR NIVA LS THE «NAIM FRASHERI» PUBLISHING HOUSE TIRANA. 1968 LIBRARY ^ UNivtKsnrUNIVERSITY ui-OF ALBERTA3 THE COUNTER-REVOLUTIONARY BUDAPEST MEETING — A NEW TREACHEROUS STEP OF THE KHRUSHCHOVITE REVISIONISTS The revisionist leaders of Europe and of some other parties which mainly depend on them, will meet on February 26 in Budapest around the Khrushchovite leaders of the Soviet Union to discuss the ^preliminary arrangements for the new world communist forum*. In a previous article we have explained in detail the counter-revolutionary aims of this meeting and its purposes to oppose the re¬ volutionary and anti-imperialist struggle of the people. Today we shall dwell only on some aspects of the confused, contradictory and desperate at¬ mosphere, characterizing the revisionist pack on the threshold of a meeting for which the Soviet revisionists have not spared either big propaganda words or numerous material means. The Brezhnev-Kosygin clique has for several years tried through flattery, pressure, fraud and threats, to organize a big revisionist parade that would acclaim its line and recognize it as a supreme guide of the international communist movement*. It has pinned great hopes on this meeting which it has regarded as the promised land. In the first place, 3 being under the constant pressure of the people’s masses and upright communists, because of the incompatibility with its treacherous course of res¬ toration of capitalism at home and of collaboration with imperialism abroad, the revisionist leadership of the Soviet Union is seeking to deceive the Soviet people by telling them that its line cannot but be «Marxist-Leninist», since it has been ap¬ proved also at a large communist meeting which was attended by so many parties. -
Supplemental Infomation Supplemental Information 119 U.S
118 Supplemental Infomation Supplemental Information 119 U.S. Department of State Locations Embassy Abidjan, Côte d’Ivoire Dushanbe, Tajikistan Abu Dhabi, United Arab Emirates Freetown, Sierra Leone Accra, Ghana Gaborone, Botswana Addis Ababa, Ethiopia Georgetown, Guyana Algiers, Algeria Guatemala City, Guatemala Almaty, Kazakhstan Hanoi, Vietnam Amman, Jordan Harare, Zimbabwe Ankara, Turkey Helsinki, Finland Antananarivo, Madagascar Islamabad, Pakistan Apia, Samoa Jakarta, Indonesia Ashgabat, Turkmenistan Kampala, Uganda Asmara, Eritrea Kathmandu, Nepal Asuncion, Paraguay Khartoum, Sudan Athens, Greece Kiev, Ukraine Baku, Azerbaijan Kigali, Rwanda Bamako, Mali Kingston, Jamaica Bandar Seri Begawan, Brunei Kinshasa, Democratic Republic Bangkok, Thailand of the Congo (formerly Zaire) Bangui, Central African Republic Kolonia, Micronesia Banjul, The Gambia Koror, Palau Beijing, China Kuala Lumpur, Malaysia Beirut, Lebanon Kuwait, Kuwait Belgrade, Serbia-Montenegro La Paz, Bolivia Belize City, Belize Lagos, Nigeria Berlin, Germany Libreville, Gabon Bern, Switzerland Lilongwe, Malawi Bishkek, Kyrgyzstan Lima, Peru Bissau, Guinea-Bissau Lisbon, Portugal Bogota, Colombia Ljubljana, Slovenia Brasilia, Brazil Lomé, Togo Bratislava, Slovak Republic London, England, U.K. Brazzaville, Congo Luanda, Angola Bridgetown, Barbados Lusaka, Zambia Brussels, Belgium Luxembourg, Luxembourg Bucharest, Romania Madrid, Spain Budapest, Hungary Majuro, Marshall Islands Buenos Aires, Argentina Managua, Nicaragua Bujumbura, Burundi Manama, Bahrain Cairo, Egypt Manila, -
Directors Lounge Contemporary Art and Media
Directors Lounge contemporary art and media how to submit Directors Lounge contemporary art and media www.directorslounge.net Deadline: 25 December 2013! Read the FAQ You would like to be part of DL[X]? Great! First, submit your work by using our submission form (required). Feel free to e-mail us additional info along with a few words about your person. In order to make selection possible, we will need a screenable copy, preferably a H264 encoded .mp4 or QT (.mov) file. You may also send DVD-compatible mpeg or VOB files. Please include at least two stills of the film or photographs of the work (min. width 700px). If you work with unusable codecs or would like to send us uncompressed files, please get in touch before doing so. .wmv is not acceptable. AC3 is not acceptable. No preview-copies, no watermarks. Due to the short time frame, we must insist to provide screen versions from the onset. • Youtube / Vimeo / download links or filesharing services are fine as long as they do not need any registration/login and down- loading is enabled. Only direct download links. As with other ways of submitting, we need screenable versions, SD (640 x 360) files are not aceptable. We will disregard any submission that does not fit this criteria without further notice! • Animated gifs can be sent by e-mail or by using this page. (You´ll need to be on tumblr.) Make sure it is no larger than 1MB and no more than 500 pixels wide. • Videos can be uploaded via FTP to our servers. -
What We Once Were
PRESS RELEASE MURATCENTOVENTIDUE ARTECONTEMPORANEA WHAT WE ONCE WERE Rita Casdia, Cristiano De Gaetano, Elisabetta Di Sopra, Lello Gelao, Kaia Hugin, Kaja Leijon, Cristina Pavesi Galleria Muratcentoventidue Artecontemporanea is pleased to present What we once were , a group exhibition featuring works by Rita Casdia, Cristiano De Gaetano, Elisabetta Di Sopra, Lello Gelao, Kaia Hugin, Kaja Leijon, Cristina Pavesi. The exhibition proposes an original comparison of works which, through different languages, address a common theme, childhood, representing the spirit, the vulnerability, the playfulness, the unpredictability, the restlessness and the dignity of children. Rita Casdia’s work studies the basic mechanisms that govern feelings, focusing mainly on the dynamics generated by emotional connections and sexuality. The artist explores emotional worlds that evolve through a broken and uninhibited narrative structure in which she mixes references from classic iconography, random elements, everyday banality, but also from her experience and her dreams. Video animation, drawing, and sculpture co-exist in her installations and articulate an expressive universe rooted in the complex emotional and symbolic content she brings to it. The artist presents a series of extremely synthetic drawings , done with gel ink on paper, essential in the lines and contents where elements of the child's imagination appear, easy to read, and presented with multiple stratifications of meaning. There is a work by Cristiano De Gaetano, one of the most interesting talents of the new generations of Apulian artists, who unfortunately passed away in 2013, and to whom the Pascali Museum recently dedicated a tribute through an anthology exhibition. His wide production ranged from sculpture to photography, and from painting to video. -
Tirana - Durrës Region: Upgrade of the Electricity Transmission Network
Tirana - Durrës Region: Upgrade of the Electricity Transmission Network Project Financing WBIF Grant TA3-ALB-ENE-01 € 577,000 WBIF Grant WB4-ALB-ENE-01 € 577,605 OST Own Contribution € 5,000,000 KFW Loan € 40,000,000 Total € 46,154,605 Total Grants € 1,154,605 Total Loans € 40,000,000 Project Description This project will enable the construction of a reliable electricity transmission system in Tirana and neighbouring region, towards Durres. Specifically, it will entail: construction a 220 kV double circuit line from SS Tirana 2 to Rrashbull, a new 220/220 kV substation in Rrogozhina as well as power transformer upgrade in SS Rrashbull. construction of a new 220/110 kV substation (SS Tirana 3) with an installed capacity of 120 MVA (Sauk area) and the reinforcement 110 kV Tirana ring. The improvements will reduce electricity losses as well as power cuts, which regularly affect 50% of the region's residents and 30% of its private businesses. Current air pollution caused by the diesel generators used during power outages is also expected to decrease. The WBIF has allocated more than €1,100,000 as EU grant to the preparation of feasibility studies, including preliminary designs, for these two developments. Results and Benefits encourage economic growth in the Tirana area due to better electricity supply and reduced load shedding afford the electricity supply load growth rate which, for Tirana areas, is about 5.8% yearly (average one for the period 2003-2008) normalize supply of unsupplied load which actually for sub-urban areas is about 10-15% -
Roger Warren Beebe Home Address Departmental Address 1385 Hamlet St
Roger Warren Beebe home address departmental address 1385 Hamlet St. Department of Art Columbus, OH 43201 258 Hopkins Hall (805) 471-2055 128 N. Oval Mall email: [email protected] Columbus, OH 43210 EMPLOYMENT Professor, Department of Art, The Ohio State University (June 2017-present) Graduate Chair (January 2018-Present) Associate Professor, Department of Art, The Ohio State University (January 2014-June 2017) Associate Professor, Film and Media Studies, English Department, The University of Florida (August 2006-December 2013) Assistant Professor, Film and Media Studies, English Department, The University of Florida (August 2000-July 2006) EDUCATION graduate Duke University, Ph.D. in Literature/Film and Media Studies, Durham, NC (1994-2000) University of California at Berkeley, Berkeley, California (Summer 1994, Summer 1993) The Ecole Normale Supérieure, Paris, France (1993-1994) undergraduate Amherst College, Amherst, Massachusetts (1989-1993) B.A. in Romance Languages. Magna cum laude. Phi Beta Kappa. Université de Grenoble, Grenoble, France (1990-1991) FILMS and VIDEOS Lineage (for Norman McLaren) (2019, 4-projector 16mm film performance, duration variable) de rerum natura (2019, iPhone video and 3 x 16mm projectors, 18:00) Amazonia (2018/9, super 8mm, 16mm, and found video, 25:00) The Comic Sans Video (2018, HD video, 8:00) A Metaphor for the End of Just About Everything (2016, HD video, 3:00) Tiger, Tiger (music video) (2016, 16mm on HD video, 4:45) SOUNDFILM coda (2016, 6-projector 16mm film performance, 6:30) Needle in the Sway -
Albania 2020 Report
EUROPEAN COMMISSION Brussels, 6.10.2020 SWD(2020) 354 final COMMISSION STAFF WORKING DOCUMENT Albania 2020 Report Accompanying the Communication from the Commission to the European Parliament, the Council, the European Economic and Social Committee and the Committee of the Regions 2020 Communication on EU Enlargement Policy {COM(2020) 660 final} - {SWD(2020) 350 final} - {SWD(2020) 351 final} - {SWD(2020) 352 final} - {SWD(2020) 353 final} - {SWD(2020) 355 final} - {SWD(2020) 356 final} EN EN Table of Contents 1. INTRODUCTION 3 1.1. Context 3 1.2. Summary of the report 4 2. FUNDAMENTALS FIRST: POLITICAL CRITERIA AND RULE OF LAW CHAPTERS 8 2.1. Functioning of democratic institutions and public administration reform 8 2.1.1 Democracy 8 2.1.2. Public administration reform 14 2.2.1. Chapter 23: Judiciary and fundamental rights 18 2.2.2. Chapter 24: Justice, freedom and security 37 3. FUNDAMENTALS FIRST: ECONOMIC DEVELOPMENT AND COMPETITIVENESS 51 3.1. The existence of a functioning market economy 51 3.2. The capacity to cope with competitive pressure and market forces within the Union 57 4. GOOD NEIGHBOURLY RELATIONS AND REGIONAL COOPERATION 59 5. ABILITY TO ASSUME THE OBLIGATIONS OF MEMBERSHIP 62 5.1. Chapter 1: Free movement of goods 62 5.2. Chapter 2: Freedom of movement of workers 64 5.3. Chapter 3: Right of establishment and freedom to provide services 64 5.4. Chapter 4: Free movement of capital 65 5.5. Chapter 5: Public procurement 67 5.6. Chapter 6: Company law 69 5.7. Chapter 7: Intellectual property law 70 5.8. -
Download Pdf of CV
May 22, 2020 Joshua Mosley (215) 429-9845 • [email protected] 3618 Hamilton Street Philadelphia, PA 19104 http://www.joshuamosley.com EDUCATION 1998 The School of the Art Institute of Chicago, M.F.A. in Art and Technology, Chicago, IL 1996 The School of the Art Institute of Chicago, B.F.A., Chicago, IL 1994 Christ Church College, study abroad program, Canterbury, England 1994 St. Louis Community College at Florissant Valley, A.A. Fine Art, St. Louis, MO TEACHING 2016–Present Professor of Fine Arts. University of Pennsylvania, Weitzman School of Design 2011–2016 Professor and Chair of Fine Arts Department. The dept. includes M.F.A. and B.A. programs, as well as joint-degrees in Visual Studies and Digital Media Design, University of Pennsylvania, School of Design 2008–2011 Acting Chair, Fine Arts Department. University of Pennsylvania, School of Design 2006–2011 Associate Professor of Fine Arts, courses in Animation and Digital Media, MFA Advisor University of Pennsylvania, School of Design 2010 Visiting Associate Professor of Landscape Architecture, Harvard University Graduate School of Design 2000–06 Assistant Professor of Fine Arts, courses in Animation and Digital Media, MFA Advisor University of Pennsylvania, School of Design 1998–00 Instructor, Advanced 3D Animation, Interactive Multimedia, Introduction to Computer Animation, and The Fundamentals of Art and Technology. Taught graduate and undergraduate courses in animation and interac- tive multi-sensory installation. The School of the Art Institute of Chicago Advisor, Cooperative Education Internship Program. Advising of students, coordination with employers, and site visits. SAIC Instructor, Multimedia I, Division of Continuing Studies. -
Fritz Stolberg Artist, Filmmaker
KOMMUNIKATIONDESIGNKONZEPTKUNST Fritz Stolberg Artist, Filmmaker Biography Fritz Stolberg was born in Frankfurt, Germany and lives in Londonfrom where he operates as an artist and filmmaker. His practice follows a process-based approach situated in a dialogue with it’s immediate surroundings often using systems of divination as the main creative agent. Through the use of photo-sensitive media, performance, participatory event-based work, moving image and sound, his practice looks at the nature of light and a discussion around the origin of the visible world. Often seemingly lightheartedly flirting with serious philosophical notions, his films, installations, performances and event-based work gently highlight the thin boundaries between fact and fiction, myth and mystery in the imagination of his audience. His research is informed by a mixture of contemporary continental philosophy, new science, western occultism, eastern philosophies, ideas of utopia and explorations along the thin line that divides the world’s existence from its immanent non-existence. Parallel to his art practice he produces and directs Music- videos and Fashion-films. His work has been shown internationally in exhibitions and film festivals. Education 1994 Apprenticeship in organic farming, Rauer Berg, Gelnhaar, Germany 1995 Introduction to photography through Marc and Alex Hungerbuehler, Brooklyn, N.Y. 1996 Philosophy, Theatre, Film and Media Studies, J.W. Goethe Universität, Frankfurt 1997 Media Foundation course, London College of Printing (now LCC,University of -
Optimismo Radical PR Final
Optimismo Radical Through September 3 Paulo Bruscky Waltercio Caldas Luis Camnitzer Jota Castro Juan Manuel Echavarria Dario Escobar Patrick Hamilton Artur Lescher Rafael Lozano-Hemmer Marco Maggi Liliana Porter Ana Tiscornia Josée Bienvenu Gallery is pleased to present Optimismo Radical. Bringing together twelve international artists, the exhibition is an invitation to reflect on those two words. Two redundant or contradictory words? Is Radical Optimism the opposite of moderate optimism? Or the opposite of conservative pessimism? The challenge is to articulate a series of questions, to detect some trends and attitudes. Conceived as a project in motion, Optimismo Radical 2 will take place in São Paulo at Galeria Nara Roesler in 2011. Paulo Bruscky was born in Recife, Brazil, where he lives and works. He has actively participated in the Brazilian art scene since the late 1960ʼs. His artistic practice is varied and experimental, combining performance, public interventions, drawings, mail art, video, radio, books and exploring multiple techniques such electrography and Xerox art among others. He was included in the São Paulo Biennial in 1981, 1989 and 2004 and in the Havana Biennial in 1984 and 2009. In 1981, he received a Guggenheim Fellowship. Born in Brazil, Waltercio Caldas lives and works in Rio de Janeiro. Considered one of the most important contemporary Brazilian artists, his work is often related to the Brazilian Neo-Concrete movement of the 1960ʼs. Exhibiting actively since the 1970ʼs he has represented Brazil at Documenta IX (1992); 23rd São Paulo Biennial (1996) and 47th Venice Biennale (1997). He was invited by Robert Storr to be part of the 52nd Venice Biennial (2007). -
PAUL TURANO [email protected]
PAUL TURANO [email protected], www.paulturano.com Education: M.F.A. MASSACHUSETTS COLLEGE OF ART, 1995 Filmmaking. Studied with Dan Eisenberg, Ericka Beckman, Mark Lapore, Saul Levine B.A. HAMPSHIRE COLLEGE, 1991 Film and Video Production, Critical Studies. Studied with Abraham Ravett, Joan Braderman, Abigail Child, Susan Douglas Academic Work Experience: ASSOCIATE PROFESSOR, DEPARTMENT OF VISUAL AND MEDIA ARTS EMERSON COLLEGE: SUMMER 2018 – PRESENT Teaching duties focused on the MFA program and across the undergraduate curriculum and include media production, graduate thesis work, capstone projects and mentoring. ASSISTANT PROFESSOR, DEPARTMENT OF VISUAL AND MEDIA ARTS EMERSON COLLEGE: SUMMER 2012 – SPRING 2018 Teaching duties focused on the MFA program and across the undergraduate curriculum and include media production, graduate thesis work, capstone projects and mentoring. ARTIST-IN-RESIDENCE, DEPARTMENT OF VISUAL AND MEDIA ARTS EMERSON COLLEGE: FALL 2007 – SPRING 2012 Teaching courses in intermediate sync sound narrative filmmaking, introductory 16mm filmmaking, and graduate level film and video production, MFA thesis chair and reader. VISITING FACULTY, ANNENBERG COMMUNICATIONS CENTER PINE MANOR COLLEGE: SPRING 2007 Course in digital movie making. ADJUNCT FACULTY IN COMPUTER ANIMATION ART INSTITUTE OF BOSTON: FALL 2004 Courses in digital animation with Flash, AfterEffects, and Final Cut Pro for individual projects. FULL TIME VISITING FILM FACULTY SCHOOL OF THE MUSEUM OF FINE ARTS: FALL 2000 – FALL 2005 Courses in advanced sync sound, intermediate 16mm film production and digital post-production, optical printing, Super 8 filmmaking, critical screening seminars; graduate MFA thesis and undergraduate advising; Acting Area Coordinator and Representative. FILM STUDIO MANAGER MASSACHUSETTS COLLEGE OF ART: SUMMER 1996 – SUMMER 2000 Roles included maintaining and teaching all aspects of film, animation, video, and computer equipment; organizing department screenings and visiting artists; managing student workers.