Christian Encounters with the Fierce Goddesses of Hinduism
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Treecuts : Video Classics
the meaning of a compulsion to endure this primitive race with Visual images of elephants, tigers, leopards, water buffalo, and Death. It ends with producer Bill Marpet in the bull ring, trembling in birds weave through the tape, powerful metaphors for states of being his boots but gamely waving a cloth before a bull calf. He grins and in life and death and the hereafter. Throughout, Reeves questions waves, now a participant as well as observer of this age-old ritual. what is real, what is lasting, what is meaningful. What can a poor man do? SABDA is his answer. Dan Reeves came to international prominence with his award- winning autobiographical tape, SMOTHERING DREAMS. Eager to sepa- Sabda rate from his searing memories of the Vietnam war, Reeves's recent have been more poetic, revealing Dan Reeves tapes, such as Haiku and Amida, by the profound influence of Eastern philsophy, religion, and an on his 1984. 15 min. color, work. Distributor: EAI. Formats: 314", VHS, Beta. Credits; ProducerlPhotographerlEditor Dan Reeves Associate ProducerlSound Recordist Debra Schweitzer Post-production Assistant Selected Treecuts Larry Mishkin CMX EditorlDigital Video Effects Richard Feist Post- Production Facility Matrix Video. Thanks Lillian R. Katz, Larry by Steina Mishkin, Marcia Dickerson, Marilyn and Bob Schweitzer, 185 Cor- poration. "Kabir's Song" translated 1981 . 6 min. color & b/w. by Swami Chidvilasananda; po- Vasulkas. Format: '14". -try by Nammalvar translated by A. K. Ramanujan; by Kabir, trans- Distributor: The lated by Linda Hess; by Basavanna, translated by A. K. Ramanujan; Awards: Ithaca Video Festival 5y Ramprasad Sen, translated by Leonard Nathan and Clinton Seely. -
The Lion : Mount of Goddess Durga
Orissa Review * October - 2004 The Lion : Mount of Goddess Durga Pradeep Kumar Gan Shaktism, the cult of Mother Goddess and vast mass of Indian population, Goddess Durga Shakti, the female divinity in Indian religion gradually became the supreme object of 5 symbolises form, energy or manifestation of adoration among the followers of Shaktism. the human spirit in all its rich and exuberant Studies on various aspects of her character in variety. Shakti, in scientific terms energy or our mythology, religion, etc., grew in bulk and power, is the one without which no leaf can her visual representation is well depicted in stir in the world, no work can be done without our art and sculpture. It is interesting to note 1 it. The Goddess has been worshipped in India that the very origin of her such incarnation (as from prehistoric times, for strong evidence of Durga) is mainly due to her celestial mount a cult of the mother has been unearthed at the (vehicle or vahana) lion. This lion is usually pre-vedic civilization of the Indus valley. assorted with her in our literature, art sculpture, 2 According to John Marshall Shakti Cult in etc. But it is unfortunate that in our earlier works India was originated out of the Mother Goddess the lion could not get his rightful place as he and was closely associated with the cult of deserved. Siva. Saivism and Shaktism were the official In the Hindu Pantheon all the deities are religions of the Indus people who practised associated in mythology and art with an animal various facets of Tantra. -
Devotional Practices (Part -1)
Devotional Practices (Part -1) Hare Krishna Sunday School International Society for Krishna Consciousness Founder Acarya : His Divine Grace AC. Bhaktivedanta Swami Prabhupada Price : $4 Name _ Class _ Devotional Practices ( Part - 1) Compiled By : Tapasvini devi dasi Vasantaranjani devi dasi Vishnu das Art Work By: Mahahari das & Jay Baldeva das Hare Krishna Sunday School , , ,-:: . :', . • '> ,'';- ',' "j",.v'. "'.~~ " ""'... ,. A." \'" , ."" ~ .. This book is dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, the founder acarya ofthe Hare Krishna Movement. He taught /IS how to perform pure devotional service unto the lotus feet of Sri Sri Radha & Krishna. Contents Lesson Page No. l. Chanting Hare Krishna 1 2. Wearing Tilak 13 3. Vaisnava Dress and Appearance 28 4. Deity Worship 32 5. Offering Arati 41 6. Offering Obeisances 46 Lesson 1 Chanting Hare Krishna A. Introduction Lord Caitanya Mahaprabhu, an incarnation ofKrishna who appeared 500 years ago, taught the easiest method for self-realization - chanting the Hare Krishna Maha-mantra. Hare Krishna Hare Krishna '. Krishna Krishna Hare Hare Hare Rama Hare Rams Rams Rama Hare Hare if' ,. These sixteen words make up the Maha-mantra. Maha means "great." Mantra means "a sound vibration that relieves the mind of all anxieties". We chant this mantra every day, but why? B. Chanting is the recommended process for this age. As you know, there are four different ages: Satya-yuga, Treta-yuga, Dvapara-yuga and Kali-yuga. People in Satya yuga lived for almost 100,000 years whereas in Kali-yuga they live for 100 years at best. In each age there is a different process for self realization or understanding God . -
Time Structure of Universe Chart
Time Structure of Universe Chart Creation of Universe Lifespan of Universe - 1 Maha Kalpa (311.040 Trillion years, One Breath of Maha-Visnu - An Expansion of Lord Krishna) Complete destruction of Universe Age of Universe: 155.52197 Trillion years Time remaining until complete destruction of Universe: 155.51803 Trillion years At beginning of Brahma's day, all living beings become manifest from the unmanifest state (Bhagavad-Gita 8.18) 1st day of Brahma in his 51st year (current time position of Brahma) When night falls, all living beings become unmanifest 1 Kalpa (Daytime of Brahma, 12 hours)=4.32 Billion years 71 71 71 71 71 71 71 71 71 71 71 71 71 71 Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas 1 Manvantara 306.72 Million years Age of current Manvantara and current Manu (Vaivasvata): 120.533 Million years Time remaining for current day of Brahma: 2.347051 Billion years Between each Manvantara there is a juncture (sandhya) of 1.728 Million years 1 Chaturyuga (4 yugas)=4.32 Million years 28th Chaturyuga of the 7th manvantara (current time position) Satya-yuga (1.728 million years) Treta-yuga (1.296 million years) Dvapara-yuga (864,000 years) Kali-yuga (432,000 years) Time remaining for Kali-yuga: 427,000 years At end of each yuga and at the start of a new yuga, there is a juncture period 5000 years (current time position in Kali-yuga) "By human calculation, a thousand ages taken together form the duration of Brahma's one day [4.32 billion years]. -
HINDU GODS and GODDESSES 1. BRAHMA the First Deity of The
HINDU GODS AND GODDESSES 1. BRAHMA The first deity of the Hindu trinity, Lord Brahma is considered to be the god of Creation, including the cosmos and all of its beings. Brahma also symbolizes the mind and intellect since he is the source of all knowledge necessary for the universe. Typically you’ll find Brahma depicted with four faces, which symbolize the completeness of his knowledge, as well as four hands that each represent an aspect of the human personality (mind, intellect, ego and consciousness). 2. VISHNU The second deity of the Hindu trinity, Vishnu is the Preserver (of life). He is believed to sustain life through his adherence to principle, order, righteousness and truth. He also encourages his devotees to show kindness and compassion to all creatures. Vishnu is typically depicted with four arms to represent his omnipotence and omnipresence. It is also common to see Vishnu seated upon a coiled snake, symbolizing the ability to remain at peace in the face of fear or worry. 3. SHIVA The final deity of the Hindu trinity is Shiva, also known as the Destroyer. He is said to protect his followers from greed, lust and anger, as well as the illusion and ignorance that stand in the way of divine enlightenment. However, he is also considered to be responsible for death, destroying in order to bring rebirth and new life. Shiva is often depicted with a serpent around his neck, which represents Kundalini, or life energy. 4. GANESHA One of the most prevalent and best-known deities is Ganesha, easily recognized by his elephant head. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
The Heritage of India Series Bengali Lyrics
T HE HERITAGE O F INDIA SERIES Z A IA T he Right Reverend V . S . A R H , LL . D . o . ( Cantab . Bisho p of D rnakal A A . D . itt . J . N . F R QU H R , M . A , L A lready publi c/zed. h M A he of udd sm . SA UND R T Heart B i K J . E S , . M M A A o . A I s ka J CPH L , A E W C c u d . RINC I P L P R CY R N In ian Painting P B O , al tta . 2 d e d E A s u . I C B . Kanare e Literat re , n P R E , h T h am S m . A . I e s k ya yste BERR EDA LE KE ITH , D . Litt . h N M A m of M S . I C O L CNI C L M .A . Psal s arat a aints O , , D Litt . A s o of d u . A Hi t ry Hin i Literat re F . E KE Y , M D . Litt . m - T he M m ms . A . RRI DAL L Kar a i a a BE E E KEITH , D . C . D . Litt . m of the S mi S . I N B UR B A H ns Ta a e a n s GS , . y l ivit i t F K Y , nd I M a G . E . PH LLI P S , A . Ra r M C . b ind an at h T o . -
Kalisantarana Upanishad | the Spiritual Scientist
7/17/2014 Kalisantarana Upanishad | The Spiritual Scientist Kalisantarana Upanishad Posted by Chaitanya Charan das • May 16, 2012 • Printer-friendly TEXT 1 hari aum dvaparante narada brahmanam jagam katham bhagavan gam paryatankalim santareyamiti hari—Lord Hari; aum—the transcendental sound vibration; dvaparante—at the end of Dvapara-yuga; narada—Narada Muni; brahmanam—Lord Brahma; jagam—went; katham—to ask by what means; bhagavan—incarnation of Krishna (here as Gunavatar); gamparyatan—traveling all over the earth; kali—Kali-yuga; santareyam—how shall I be able to swim across nicely; iti—by what TRANSLATION Hari Aum! At the end of Dvapara-yuga, after traveling all over the earth, Narada Muni went to Lord Brahma and asked him, “Oh, Lord! How will I be able to swim across this ocean known as Kali-yuga?” TEXT 2 sahauvaca brahma sadhu prustosmi sarva sruti rahasyam gopyam tacchruna yena kali samsaram tarisyasi sa—he; ha—indeed; uvaca—spoke; brahma—Lord Brahma; sadhu— devotee who speaks; prusta—asked; asmi—I am; sarva—(for the benefit of) all; sruti—Vedic scriptures (that which is heard); rahasyam am—the essential secret; gopyam—worth concealing; tat—that; chruna—listen; yena—by which; kali—Kali-yuga; samsaram—the world at that stage; tarisyasi—swim across TRANSLATION http://www.thespiritualscientist.com/2012/05/kalisantarana-upanishad/#printpreview 1/6 7/17/2014 Kalisantarana Upanishad | The Spiritual Scientist Lord Brahma said, “Your words will benefit all mankind. Listen to the essential secret of the Vedic scriptures, which is concealed -
Importance of Epoch of Kali Yuga
1 of 5 c The Importance of Epoch of Kaliyuga In the ancient texts of our Nation, time is measured both in Micro and Macroscopic units. Puranic Texts like Vishnu Puranam (1:3:8 to 10) and Sreemad Bhagavatam (3:11:33) describe Macro Time. Varivasya Rahasyam (vv.12cd, 13 & 16 cd) describes Micro Time. In the same way, Astronomical texts like Surya Siddhanta 1:11 to 27, Maha Aryabhatta Siddhanta 1:15 to 20, Brahma Sphuta Siddhanta 1:4 to 14, Vatesvara Siddhanta 1:7 to 10 and Siddhanta Siromani 1: 5 to 27 mention the Time Division in Micro as well as Macroscopic units. These Puranic and Astronomical texts describe that the life time of Brahma is 432,00,00,000 x 2 x 360 x 100 years, i.e. 3,11,04,000,00,00,000 human years. The smallest unit of time mentioned in these ancient texts is Truti i.e. 1/1,12,500 second. Life time of Brahma has 2 x 360 x 100 Kalpa. One Kalpa has 432 Crore human years and of 14 Manvantra of 30,84,48,000 human years, including Sandhi period. One Manvantra has 71 Mahayuga and their Sandhi period. Sandhi Period is equal to 17,28,000 human years (Years of Kruta or Satya yuga). One Mahayuga is of 43,20,000 human years, i.e.17,28,000 years of Kruta + 12,96,000 years of Treta + 8,64,000 years of Dvapara + 4,32,000 human years of Kali yuga. Here, 360 human years are equal to one Divya year which is again equal to 12 Pitru years. -
The Hindu Deity Durga (PDF)
The Hindu deity Durga victorious over the buffalo demon, 1000–1100 India; Tamil Nadu state Granite The Avery Brundage Collection, B64S10 WHO IS DEPICTED HERE? This is an image of the goddess Durga. She is shown in a triumphant pose as the slayer of the buffalo demon, Mahisha. Durga is a manifestation of the Goddess, who can also appear as the consort Parvati or as a destructive figure Kali. Durga is a powerful manifestation of Parvati and as such appears on her own rather than as a consort of Shiva. Durga appeared when the gods were unable to subdue a demon who was threatening the entire world. Individually, the gods were unable to defeat the demon. They summoned Durga and gave her all their weapons. The battle went on and on, prolonged by the fact that Mahisha continually changed shapes. Finally, Durga was able to cut off his head as the demon emerged from a buffalo. In this scene, the struggle and violence of the combat between Goddess and demon is only subtly suggested. Durga stands victorious over the head of the buffalo, alluding to the famous story but focusing most of the viewers’ attention on the powerful goddess herself. In Hindu imagery, many divine figures are often portrayed with their vehicles, animals associated with them such as the eagle Garuda earlier seen portrayed with the god Vishnu. In the visual arts, gods’ vehicles will often be seen to physically support and transport them. In this sculpture, as well as in other South Indian renditions of the subject, the artist has creatively subverted the idea of vehicle to create a deft suggestion of a mythic story, using a basic iconographic device. -
Kali Stotram Herself
“The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship. -
Sathya Sai Speaks, Volume 41
16. All Are One, Be Alike To Everyone Karma is responsible for the birth, existence, and death of people. It holds sway over all stages of their lives as the very deity of human existence. It is responsible for joy and sorrow. (Telugu poem) eople experience pleasure and pain, sorrow and difficulties in this world. When they experience pleasure, they Pwould say it is due to their deservedness. On the other hand, when they undergo difficulties, they attribute it to their destiny. Really speaking, both pleasure and pain are the result of one’s own actions (karma). “As are the feel- ings, so is the result (Yad bhavam tad bhavathi).” As are the actions, so will be the result. As is the food, so will be the belch. Similarly, the entire world is based on karma. Hence, the karmas performed by people should be sacred. The three facets of the divine female principle It is now Dasara festival time. What is Dasara? The celebration of Dasara festival is meant to purify the ac- tions performed by the dasendriyas (5 senses of action and 5 senses of perception). Every human being in this world has to perform some kind of karma (action). The presiding deity or the driving force behind these actions is Devi (also known as Durga), who is the personification of energy. She is the bestower of all kinds of energy to perform various kinds of karma by the human beings. Goddess Lakshmi bestows various kinds of wealth like money, food grains, gold, different kinds of objects, vehicles for movement, etc., to human beings so that they can lead a happy life in this world.