Bhagavad-Gita Chapter-4
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Devotional Practices (Part -1)
Devotional Practices (Part -1) Hare Krishna Sunday School International Society for Krishna Consciousness Founder Acarya : His Divine Grace AC. Bhaktivedanta Swami Prabhupada Price : $4 Name _ Class _ Devotional Practices ( Part - 1) Compiled By : Tapasvini devi dasi Vasantaranjani devi dasi Vishnu das Art Work By: Mahahari das & Jay Baldeva das Hare Krishna Sunday School , , ,-:: . :', . • '> ,'';- ',' "j",.v'. "'.~~ " ""'... ,. A." \'" , ."" ~ .. This book is dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, the founder acarya ofthe Hare Krishna Movement. He taught /IS how to perform pure devotional service unto the lotus feet of Sri Sri Radha & Krishna. Contents Lesson Page No. l. Chanting Hare Krishna 1 2. Wearing Tilak 13 3. Vaisnava Dress and Appearance 28 4. Deity Worship 32 5. Offering Arati 41 6. Offering Obeisances 46 Lesson 1 Chanting Hare Krishna A. Introduction Lord Caitanya Mahaprabhu, an incarnation ofKrishna who appeared 500 years ago, taught the easiest method for self-realization - chanting the Hare Krishna Maha-mantra. Hare Krishna Hare Krishna '. Krishna Krishna Hare Hare Hare Rama Hare Rams Rams Rama Hare Hare if' ,. These sixteen words make up the Maha-mantra. Maha means "great." Mantra means "a sound vibration that relieves the mind of all anxieties". We chant this mantra every day, but why? B. Chanting is the recommended process for this age. As you know, there are four different ages: Satya-yuga, Treta-yuga, Dvapara-yuga and Kali-yuga. People in Satya yuga lived for almost 100,000 years whereas in Kali-yuga they live for 100 years at best. In each age there is a different process for self realization or understanding God . -
Time Structure of Universe Chart
Time Structure of Universe Chart Creation of Universe Lifespan of Universe - 1 Maha Kalpa (311.040 Trillion years, One Breath of Maha-Visnu - An Expansion of Lord Krishna) Complete destruction of Universe Age of Universe: 155.52197 Trillion years Time remaining until complete destruction of Universe: 155.51803 Trillion years At beginning of Brahma's day, all living beings become manifest from the unmanifest state (Bhagavad-Gita 8.18) 1st day of Brahma in his 51st year (current time position of Brahma) When night falls, all living beings become unmanifest 1 Kalpa (Daytime of Brahma, 12 hours)=4.32 Billion years 71 71 71 71 71 71 71 71 71 71 71 71 71 71 Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas Chaturyugas 1 Manvantara 306.72 Million years Age of current Manvantara and current Manu (Vaivasvata): 120.533 Million years Time remaining for current day of Brahma: 2.347051 Billion years Between each Manvantara there is a juncture (sandhya) of 1.728 Million years 1 Chaturyuga (4 yugas)=4.32 Million years 28th Chaturyuga of the 7th manvantara (current time position) Satya-yuga (1.728 million years) Treta-yuga (1.296 million years) Dvapara-yuga (864,000 years) Kali-yuga (432,000 years) Time remaining for Kali-yuga: 427,000 years At end of each yuga and at the start of a new yuga, there is a juncture period 5000 years (current time position in Kali-yuga) "By human calculation, a thousand ages taken together form the duration of Brahma's one day [4.32 billion years]. -
HINDU GODS and GODDESSES 1. BRAHMA the First Deity of The
HINDU GODS AND GODDESSES 1. BRAHMA The first deity of the Hindu trinity, Lord Brahma is considered to be the god of Creation, including the cosmos and all of its beings. Brahma also symbolizes the mind and intellect since he is the source of all knowledge necessary for the universe. Typically you’ll find Brahma depicted with four faces, which symbolize the completeness of his knowledge, as well as four hands that each represent an aspect of the human personality (mind, intellect, ego and consciousness). 2. VISHNU The second deity of the Hindu trinity, Vishnu is the Preserver (of life). He is believed to sustain life through his adherence to principle, order, righteousness and truth. He also encourages his devotees to show kindness and compassion to all creatures. Vishnu is typically depicted with four arms to represent his omnipotence and omnipresence. It is also common to see Vishnu seated upon a coiled snake, symbolizing the ability to remain at peace in the face of fear or worry. 3. SHIVA The final deity of the Hindu trinity is Shiva, also known as the Destroyer. He is said to protect his followers from greed, lust and anger, as well as the illusion and ignorance that stand in the way of divine enlightenment. However, he is also considered to be responsible for death, destroying in order to bring rebirth and new life. Shiva is often depicted with a serpent around his neck, which represents Kundalini, or life energy. 4. GANESHA One of the most prevalent and best-known deities is Ganesha, easily recognized by his elephant head. -
Kalisantarana Upanishad | the Spiritual Scientist
7/17/2014 Kalisantarana Upanishad | The Spiritual Scientist Kalisantarana Upanishad Posted by Chaitanya Charan das • May 16, 2012 • Printer-friendly TEXT 1 hari aum dvaparante narada brahmanam jagam katham bhagavan gam paryatankalim santareyamiti hari—Lord Hari; aum—the transcendental sound vibration; dvaparante—at the end of Dvapara-yuga; narada—Narada Muni; brahmanam—Lord Brahma; jagam—went; katham—to ask by what means; bhagavan—incarnation of Krishna (here as Gunavatar); gamparyatan—traveling all over the earth; kali—Kali-yuga; santareyam—how shall I be able to swim across nicely; iti—by what TRANSLATION Hari Aum! At the end of Dvapara-yuga, after traveling all over the earth, Narada Muni went to Lord Brahma and asked him, “Oh, Lord! How will I be able to swim across this ocean known as Kali-yuga?” TEXT 2 sahauvaca brahma sadhu prustosmi sarva sruti rahasyam gopyam tacchruna yena kali samsaram tarisyasi sa—he; ha—indeed; uvaca—spoke; brahma—Lord Brahma; sadhu— devotee who speaks; prusta—asked; asmi—I am; sarva—(for the benefit of) all; sruti—Vedic scriptures (that which is heard); rahasyam am—the essential secret; gopyam—worth concealing; tat—that; chruna—listen; yena—by which; kali—Kali-yuga; samsaram—the world at that stage; tarisyasi—swim across TRANSLATION http://www.thespiritualscientist.com/2012/05/kalisantarana-upanishad/#printpreview 1/6 7/17/2014 Kalisantarana Upanishad | The Spiritual Scientist Lord Brahma said, “Your words will benefit all mankind. Listen to the essential secret of the Vedic scriptures, which is concealed -
Importance of Epoch of Kali Yuga
1 of 5 c The Importance of Epoch of Kaliyuga In the ancient texts of our Nation, time is measured both in Micro and Macroscopic units. Puranic Texts like Vishnu Puranam (1:3:8 to 10) and Sreemad Bhagavatam (3:11:33) describe Macro Time. Varivasya Rahasyam (vv.12cd, 13 & 16 cd) describes Micro Time. In the same way, Astronomical texts like Surya Siddhanta 1:11 to 27, Maha Aryabhatta Siddhanta 1:15 to 20, Brahma Sphuta Siddhanta 1:4 to 14, Vatesvara Siddhanta 1:7 to 10 and Siddhanta Siromani 1: 5 to 27 mention the Time Division in Micro as well as Macroscopic units. These Puranic and Astronomical texts describe that the life time of Brahma is 432,00,00,000 x 2 x 360 x 100 years, i.e. 3,11,04,000,00,00,000 human years. The smallest unit of time mentioned in these ancient texts is Truti i.e. 1/1,12,500 second. Life time of Brahma has 2 x 360 x 100 Kalpa. One Kalpa has 432 Crore human years and of 14 Manvantra of 30,84,48,000 human years, including Sandhi period. One Manvantra has 71 Mahayuga and their Sandhi period. Sandhi Period is equal to 17,28,000 human years (Years of Kruta or Satya yuga). One Mahayuga is of 43,20,000 human years, i.e.17,28,000 years of Kruta + 12,96,000 years of Treta + 8,64,000 years of Dvapara + 4,32,000 human years of Kali yuga. Here, 360 human years are equal to one Divya year which is again equal to 12 Pitru years. -
Kali Stotram Herself
“The mind can disentangle itself from worldliness if, through Her grace, She makes it turn toward Kali Stotram Herself. Only then does it become devoted to the lotus feet of the Divine Mother.” Hymns to Goddess Kali ~ Sri Ramakrishna Paramahamsa In India there has been an unbroken tradition of worshiping God in the form of the Divine Mother Kali for many thousands of years. Kali is She from whom all are born and into whom all must eventually return. She is the ultimate power of creation and destruction, and pervades every aspect of the universe. While Her iconography and mythology have deep mystical and symbolic meaning, Her essence is simple: transformation. Loving Her transforms our lives. She annihilates limitations, purifies hearts, fills lives with joy and protects Her children in ways understandable only to those who worship and depend on Her. Kali is the Goddess of the Tantric tradition, which is characterized by dynamic spiritual practices aimed at transforming consciousness. Primary among these is the devotional recitation of mantras and hymns. Chanting gives expression to the heart’s innate longing for the Divine while awakening subtle energies within the body and mind. This collection of rare hymns to Goddess Kali is being made available with the prayer that they will be approached with humility, devotion, and unselfishness. Translated by Swami Bhajanananda Saraswati © 2012 Kali Mandir www.kalimandir.org Gayatri Mantra for Goddess Kali Meditation on Dakshina Kali This meditation mantra is found in Kali Tantra and Tanta Sara. Dhyana mantras are recited to sonically invoke and mentally visualize the subtle forms of deities before meditation and worship. -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
References to the Hare Krishna Maha-Mantra
References to the Hare Krishna Maha-Mantra (Collected by Madhavananda Das) 1. References from the followers of Sri Caitanya.................2 2. References predating Sri Caitanya...................................9 3. An excerpt from Nama-tattva Vijnana...........................15 4. Commentaries on the meaning of the maha-mantra.....18 REFERENCES FROM THE FOLLOWERS OF SRI CAITANYA Dhyanacandra Gosvami describes the Hare Krishna maha-mantra in his Gaura Govindarcana-smarana-paddhati (132-136) in the following words, drawing from the Sanat-kumara Samhita: asyaiva kRSNa-candrasya mantrAH santi trayo ’malAH | siddhAH kRSNasya sat-prema-bhakti-siddhi-karA matAH ||131|| tatrAdau mantroddhAro yathA sanat-kumAra-saMhitAyAm-- hare-kRSNau dvir AvRttau kRSNa tAdRk tathA hare | hare rAma tathA rAma tathA tAdRg ghare manuH ||132|| hare kRSNa hare kRSNa kRSNa kRSNa hare hare | hare rAma hare rAma rAma rAma hare hare ||133|| “There are three Krishna-mantras that are very pure and powerful; they are famous for bestowing prema-bhakti on their chanters. A reference for the first mantra is from the Sanat-kumara-samhita: ‘The words Hare Krishna are repeated twice, and then Krishna and Hare are both separately twice repeated. In the same way, Hare Rama, Rama and Hare are twice repeated.’ 1 The mantra is thus: ‘Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare’” asya dhyAnaM yathA tatraiva-- dhyAyed vRndAvane ramye gopa-gobhir alaGkRte | kadamba-pAdapa-cchAye yamunA-jala-zItale || 134 || rAdhayA sahitaM kRSNaM vaMzI-vAdana-tat-param | tribhaGga-lalitaM devaM bhaktAnugraha-kArakam || 135 || vizeSato dazArNo ’yaM japa-mAtreNa siddhi-daH | paJcAGgAny asya mantrasya vijJeyAni manISibhiH || 136 || “The meditation which accompanies this maha-mantra is also found in the Sanat-kumara Samhita: Sri Krishna is sporting in the cooling waters of the Yamuna, or in the shade of a kadamba tree in the beautiful Vrindåvana forest. -
Kali, Untamed Goddess Power and Unleashed Sexuality: A
Journal of Asian Research Vol. 1, No. 1, 2017 www.scholink.org/ojs/index.php/jar Kali, Untamed Goddess Power and Unleashed Sexuality: A Study of the ‘Kalika Purana’ of Bengal Saumitra Chakravarty1* 1 Post-Graduate Studies in English, National College, Bangalore, India * Saumitra Chakravarty, E-mail: [email protected] Abstract This paper attempts to analyse the paradox inherent in the myth of Kali, both in her iconic delineation and the rituals associated with her worship as depicted in the twelfth century Kalika Purana. The black goddess Kali breaks conventional stereotypes of feminine beauty and sexuality in Hindu goddess mythology. She is the dominant sexual partner straddling the prone Siva and the wild warrior goddess drinking demon blood. She is originally depicted as a symbol of uncontrolled fury emerging from the fair, beautiful goddess Ambika in the battle with the demons in older goddess texts. Thereafter she gains independent existence both as the dark, mysterious and sexually demanding version of the more benign and auspicious Parvati and the Primordial Goddess Power pre-dating the Hindu trinity of male gods, the Universal Mother Force which embraces both good and evil, gods and demons in the Kalika Purana. Unlike other goddess texts which emphasize Kali’s role in the battle against the demons, the Kalika Purana’s focus is on her sexuality and her darkly sensual beauty. Equally it is on the heterodoxical rituals associated with her worship involving blood and flesh offerings, wine and the use of sexual intercourse as opposed to Vedic rituals. Keywords kali, female, sexuality, primordial, goddess, paradox 1. -
Hare Krishna Maha-Mantra
o Hare Krishna Maha-mantra "Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare/ Hare Rama, Hare Rama, Rama HARE KRISHNA, HARE KRISHNA, KRISHNA KRISHNA, HARE HARE Rama, Hare Hare — these 16 names composed HARE RAMA, HARE RAMA, RAMA RAMA, HARE HARE of 32 syllables are the only means to counteract the evil effects of Kali-yuga. In all the Vedas it is seen that to cross the ocean of nescience there is Vedic civilization once worldwide and karma are the cause of suffering, he preached no alternative to the chanting of the holy ahimsa, nonviolence to all living entities. Buddha These words (left) from the Upanishads and Puranas, name." (Kali-santarana Upanishad) was the son of a Vedic king who ruled according to ancient Sanskrit texts were written more than 5,000 the Vedic system, but he ended up rejecting the "Living beings who are entangled in the years ago, when the Vedic civilization extended complicated meshes of birth and death can be authority of the Vedas when some persons argued throughout the world, including China. By the time freed immediately by even unconsciously that the Vedas permit animal killing and flesh eating Buddha's teachings crossed over into China, chanting the holy name of Krishna, which is — "If you say that the Vedas endorse killing and feared by fear personified." (Srimad-Bhagavatam roughly 1,300 years ago, there still remained some eating animals, then I reject the Vedas." His special 1.1.14) traces from a much earlier civilization that had the mission, as an incarnation of Vishnu, the Supreme markings and elements of a Vedic kingdom, but it "If one always chants the holy name of the Lord Lord, was to round up the atheists, all those who lived with great devotion in the evening and in the had long since deteriorated. -
Many Ma's: Goddess in America
Hinduism Many Ma’s: Goddess in America Many Ma’s: Goddess in America Summary: The Goddess in the Hindu faith is known by many names: Parvati (the wife of Shiva), Lakshmi or Bhu Devi (the wife of Vishnu), Durga or Kali, Shakti (meaning power). Her most common name most often used in prayer is Ma, or Mother. The main celebration of the Goddess is Durga Puja, also called Navaratri since it takes place over “Nine Nights.” Ma, or Mother, is also used to refer to women whose lives embody the power of the Divine within the Hindu community. The Goddess goes by many names in the Hindu tradition. She is Parvati, the wife of Shiva. She is Lakshmi or Bhu Devi, the wife of Vishnu. In some cases, her role as a “wife” fades almost completely, and she stands on her own as Durga or as Kali, her many arms and many hands filled with the weapons of all the male gods. She is omnipotent, to be sure. Among her names is Shakti, which means sheer energy or power. Her most common name, however, for those who come to her in prayer is simply Ma, or Mother. Hindus readily see the powerful presence of the Divine to be manifest in female form. Coming before the Supreme God and pressing one’s hands together in prayer, saying, “O Mother!” is common in the Hindu tradition. In America, the Divine Mother is celebrated in many ways. Her main festival is called Durga Puja, taking the name of the goddess Durga. The festival takes place over the course of the “Nine Nights” and is also called Navaratri. -
Envy Makes One Blind
Envy Makes One Blind THE FOLLOWING LECTURE ON SRIMAD-BHAGAVATAM, CANTO 3, CHAPTER 1, QUESTIONS BY VIDURA, TEXT 14, WAS GIVEN BY HIS HOLINESS BHAKTI CARU SWAMI ON 25 MARCH 2008 IN ISKCON UJJAIN, INDIA. Transcription : Her Grace Ranga Radhika Dasi Editing : Ramananda Raya Dasa Audio reference: click here Om Namo Bhagavate Vasudevaya Om Namo Bhagavate Vasudevaya Om Namo Bhagavate Vasudevaya Srimad Bhagavatam, third Canto, first chapter, text fourteen. This chapter is entitled as ‘Questions By Vidura.’ ity ucivams tatra suyodhanena pravriddha-kopa-sphuritadharena asat-kritah sat-sprihaniya-silah kshatta sakarnanuja-saubalena Synonyms: iti — thus; ucivan — while speaking; tatra — there; suyodhanena — by Duryodhana; pravriddha — swollen with; kopa — anger; sphurita — flapping; adharena — lips; asat-kritah — insulted; sat — respectable; sprihaniya-silah — desirable qualities; kshatta — Vidura; sa — with; karna — Karna; anuja — younger brothers; saubalena — with Shakuni. Translation: While speaking thus, Vidura, whose personal character was esteemed by respectable persons, was insulted by Duryodhana, who was swollen with anger and whose lips were trembling. Duryodhana was in company with Karna, his younger brothers and his maternal uncle Shakuni. Purport: It is said that giving good counsel to a foolish person causes the fool to become angry, just as feeding milk to a snake only increases its venomous poison. Saint Vidura was so honorable that his character was looked up to by all respectable persons. But Duryodhana was so foolish that he dared to insult Vidura. This was due to his bad association with Shakuni, his maternal uncle, as well as with his friend Karna, who always encouraged Duryodhana in his nefarious acts. [End of Purport] ity ucivams tatra suyodhanena pravriddha-kopa-sphuritadharena asat-kritah sat-sprihaniya-silah kshatta sakarnanuja-saubalena While speaking thus, Vidura, whose personal character was esteemed by respectable persons, was insulted by Duryodhana, who was swollen with anger and whose lips were trembling.