DOCSLIB.ORG

Uvic Thesis Template

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Uvic Thesis Template Remembering the Mycenaeans: How the Ancient Greeks Repurposed their Prehistoric Past by Trevor Van Damme BA, University of Victoria, 2010 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Greek and Roman Studies Trevor Van Damme, 2012 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Remembering the Mycenaeans: How the Ancient Greeks Repurposed their Prehistoric Past by Trevor Van Damme B.A.Hons., University of Victoria, 2010 Supervisory Committee Dr. R. Brendan Burke, (Department of Greek and Roman Studies) Supervisor Dr. Geoffrey Kron, (Department of Greek and Roman Studies) Departmental Member iii Abstract Supervisory Committee Dr. R. Brendan Burke, (Department of Greek and Roman Studies) Supervisor Dr. Geoffrey Kron, (Department of Greek and Roman Studies) Departmental Member This thesis argues that in Archaic and Classical Greece (700-336 B.C.E.), the construction of social and civic identities relied on the redeposition and repurposing of older artifacts, including architecture, dating from the Mycenaean period (1600-1100 B.C.E.). By considering the distribution of Mycenaean artifacts in later contexts, this work aims to demonstrate that discernible patterns emerge. From 1000 to 700 B.C.E., the deposition is primarily limited to private burials, but from 700 to 336 B.C.E. deposition switches to sanctuaries, as there is a shift from constructing familial identities to communal identities. This process is intimately linked with the emergence of the political institution known as the polis. Interacting with the prehistoric ruins dotting their landscape, both by building on them, as well as imitating them, the ancient Greeks engaged in the process of memory modification. Because these ruins served as the loci of memory, their survival or loss had a profound effect on historical narratives. Nowhere is this more apparent than in ancient Athens. By tracing the development of Athenian interaction with Mycenaean artifacts and architecture, this thesis demonstrates the profound role Athens’ prehistoric past had on the construction of a singular Athenian identity. iv Table of Contents Supervisory Committee ...................................................................................................... ii Abstract .............................................................................................................................. iii Table of Contents ............................................................................................................... iv List of Tables ...................................................................................................................... v List of Figures .................................................................................................................... vi Abbreviations ..................................................................................................................... ix Acknowledgments............................................................................................................... x Introduction ......................................................................................................................... 1 Chapter 1 – Flames from Embers ....................................................................................... 8 Chapter 2 – Prehistoric Presents: Repurposing Bronze Age Artifacts as Votive Objects 37 Chapter 3 – Shvmata in the Plain: Constructing Landscapes of Memory ........................ 63 Chapter 4 – Athens and Autochthony ............................................................................... 91 Conclusion ...................................................................................................................... 122 Tables .............................................................................................................................. 124 Illustrations ..................................................................................................................... 125 Bibliography ................................................................................................................... 148 Appendix – Greek Chronology ....................................................................................... 175 v List of Tables Table 1 - Literary attested hero bone transferrals ........................................................... 124 vi List of Figures Figure 1 - Map showing extent of Mycenaean culture ................................................... 125 Source: " Mycenaean culture and archaeology." Brill’s New Pauly. Brill Online , 2012. Retrieved on 27 July 2012 <http://referenceworks.brillonline.com/entries/brill-s-new-pauly/mycenaean- culture-and-archaeology-e813850> Figure 2 - View of Grave Circle A at Mycenae .............................................................. 126 Source: Personal Photo. Figure 3 - Plan of Mycenaean megaron and Building T at Tiryns ................................. 126 Source: Maran 2010, 730, Figure. 54.2. Figure 4 - Reconstruction of the Heröon of Lefkandi..................................................... 127 Source: Popham et al. 1993, Pl. 28. Figure 5 - Bronze Krater from Lefkandi ......................................................................... 127 Source: Popham et al. 1993, Pls. 18 & 19. Figure 6 - LH IIIA Piriform Jar (bottom center) found in Protogeometric Tomb .......... 128 Source: Snodgrass 1971, 75, Fig. 34. Figure 7 - LH IIIC Hydria Used as Sema for Protogeometric Tomb.............................. 128 Source: Lambrinoudakis 1988, Fig. 9. Figure 8 - Mycenaean spear point found in eighth century B.C.E. grave at Eretria ....... 129 Source: Bérard 1970. Figure 9 - Map of Menelaion and environs .................................................................... 129 Source: Catling 1976/77, 26, Fig. 2. Figure 10 - Late Geometric louterion with abduction scene ........................................... 130 Source: Langdon 2006, 206, Fig. 1. Figure 11 - Mykonos Vase showing the capture of Troy ............................................... 130 Source: Caskey 1976, Pl.3 Fig. 15 Figure 12 - Mycenaean bronzes repurposed as votive objects ....................................... 131 Source: Kalligas 1980, Pin. 157 & 158. Figure 13 - Coin depicting Zeus Labradeus .................................................................... 131 CoinArchives. Retrieved 29 July 2012 <http://www.coinarchives.com/a/lotviewer.php?LotID=497727&AucID=893&Lo t=620&Val=c4b8c1d822bc70fa4eb6e5fa035a7911> Figure 14 – A selection of figurines from the Temple of Athena Pronaia at Delphi ...... 132 Source: Müller 1992, 483, Fig. 18. Figure 15 - Stratigraphy of Ayia Irini shrine (note head on Geometric floor level) ....... 132 Source: Caskey 1986, 9, Fig. 1. Figure 16 - Ayia Irini head in situ ................................................................................... 133 Source: Gorogianni 2011, 644, Fig. 6. Figure 17 - Seventh century B.C.E temple at Mycenae .................................................. 133 Source: Klein 1997, 251, Fig. 2. Figure 18 - The citadel of Mycenae from a distance ...................................................... 134 Source: Personal photo. Figure 19 - The Argive Heraion temple terrace .............................................................. 134 vii Source: Personal photo. Figure 20 - Detailed view of temple terrace (note difference between eighth century B.C.E. architecture [top] and fifth century B.C.E. [bottom] ........................................... 135 Source: Personal photo. Figure 21 - Corinthian aryballos in imitation of a Mycenaean stirrup jar ...................... 135 Source: Boardman et al. 1976, Pl. 4, Fig. 6. Figure 22 - Plan of Pelopeion at Olympia ...................................................................... 136 Source: Rambach 2002, 184, Abb. 6. Figure 23 - State plan of Ophelteion at Nemea............................................................... 136 Source: Bravo 2006, 444, Fig. 2. Figure 24 - Plan of Sanctuary of Athena at Sounion ...................................................... 137 Source: Dinsmoor, Jr. 1974, pg. 38. Figure 25 - Rubble facing on Pelopeion tumulus at Olympia ........................................ 137 Source: Rambach 2002, 185, Abb. 7. Figure 26 - Votive plaque from Sounion showing helmsman ........................................ 138 Source: Cook 1934/1935, Pl. 40b. Figure 27 - Thick layer of burnt material overlying tumulus at Olympia ...................... 138 Source: Kyrieleis 2002, 217, Abb. 3. Figure 28 - Ruins of Arcadian Gate at Messene ............................................................. 139 Source: B. Burke, personal photo. Figure 29 - Arcadian Gate at Messene restored .............................................................. 139 Source: Blouet 1831, Pl. 44. Figure 30 - Tomb of Clytemnestra at Mycene ................................................................ 140 Source: Personal photo. Figure 31 - Theatre retaing wall at Messene ................................................................... 140 Source: Personal photo. Figure 32 - Plan of Erechtheion showing phases of construction ................................... 141 Source: Holland 1924, Pl. VII. Figure 33 - Remaining traces of the Mycenaean fortifications of Athens ...................... 141 Source:
Load more

Recommended publications
  • Lord Elgin and the Ottomans: the Question of Permission
    Yeshiva University, Cardozo School of Law LARC @ Cardozo Law Articles Faculty 2002 Lord Elgin and the Ottomans: The Question of Permission David Rudenstine Benjamin N. Cardozo School of Law, david.rudenstine@yu.edu Follow this and additional works at: https://larc.cardozo.yu.edu/faculty-articles Part of the Law Commons Recommended Citation David Rudenstine, Lord Elgin and the Ottomans: The Question of Permission, 23 Cardozo Law Review 449 (2002). Available at: https://larc.cardozo.yu.edu/faculty-articles/167 This Article is brought to you for free and open access by the Faculty at LARC @ Cardozo Law. It has been accepted for inclusion in Articles by an authorized administrator of LARC @ Cardozo Law. For more information, please contact christine.george@yu.edu, ingrid.mattson@yu.edu. LORD ELGIN AND THE OTTOMANS: THE QUESTION OF PERMISSION David Rudenstine* In the early morning light on July 31, 1801, a ship-carpenter, five crew members, and twenty Athenian laborers "mounted the walls" of the Parthenon and with the aid of ropes and pulleys detached and lowered a sculptured marble block depicting a youth and centaur in combatJ The next day the group lowered a second sculptured marble from the magnificent templet Within months, the workers had lowered dozens of additional marble sculptures, and within a few years, most of the rest of the Parthenon's priceless marbles were removed.^ These fabulous marbles, sculptured during the age of Pericles'' under the guiding hand of Phidias' out of fine white Pentelic marble quarried ten miles from Athens and hauled by ox-cart to the Acropolis,® had remained on the Parthenon for 2,200 years before being removed.
    [Show full text]
  • Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
    i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods.
    [Show full text]
  • Archaic Eretria
    ARCHAIC ERETRIA This book presents for the first time a history of Eretria during the Archaic Era, the city’s most notable period of political importance. Keith Walker examines all the major elements of the city’s success. One of the key factors explored is Eretria’s role as a pioneer coloniser in both the Levant and the West— its early Aegean ‘island empire’ anticipates that of Athens by more than a century, and Eretrian shipping and trade was similarly widespread. We are shown how the strength of the navy conferred thalassocratic status on the city between 506 and 490 BC, and that the importance of its rowers (Eretria means ‘the rowing city’) probably explains the appearance of its democratic constitution. Walker dates this to the last decade of the sixth century; given the presence of Athenian political exiles there, this may well have provided a model for the later reforms of Kleisthenes in Athens. Eretria’s major, indeed dominant, role in the events of central Greece in the last half of the sixth century, and in the events of the Ionian Revolt to 490, is clearly demonstrated, and the tyranny of Diagoras (c. 538–509), perhaps the golden age of the city, is fully examined. Full documentation of literary, epigraphic and archaeological sources (most of which have previously been inaccessible to an English-speaking audience) is provided, creating a fascinating history and a valuable resource for the Greek historian. Keith Walker is a Research Associate in the Department of Classics, History and Religion at the University of New England, Armidale, Australia.
    [Show full text]
  • Although Crete Seems to Have Been First Inhabited in the Palaeolithic (Strasser Et Al
    Although Crete seems to have been first inhabited in the Palaeolithic (Strasser et al. 2010), another colonization of the island occurred at the end of the Neolithic (Broodbank and Strasser 1991). From then, the internal chronology of Crete follows two systems, a ceramic development (Early, Middle, and Late Minoan with internal subdivisions) and a system based on architectural phases: Prepalatial (EM–MM IA, c.3000–1900 ), Protopalatial (MM IB–II, 1900–1750), Neopalatial (MM III–LM IB, 1750–1490), Final Palatial (LM II–IIIA:2/B1, 1490–1300), and Post Palatial (LM IIIB–C, 1300–1100). The last two periods comprise Mycenaean Crete. The Cretan “Hieroglyphic” and Linear A scripts were developed in the Protopalatial period (Godart and Olivier 1996; Younger 2005); Linear A survives into the Neopalatial period (Godart and Olivier 1976–1985; Younger 2000); and Linear B writes Greek in the Final Palatial period (Killen and Olivier 1989). There are three main ways of identifying females in Aegean art: costume, hairstyle (following age grades), and skin color in fresco. Females are always clothed (males may be nude) and women are often depicted in elaborate “court” dress (see below), textiles made of wool that were also exported to Egypt and the Near East. The fairly consistent Egyptian color conven- Blakolmer 2004, 2012) was also followed in Minoan fresco (Hood 1985). people before the Malia Workshop (MM II). There are few representations of women on pot- tery but females are prominent in the frescoes. Texts give us limited information. In Linear B women were denoted by the logogram *102 MUL .
    [Show full text]
  • Collins Magic in the Ancient Greek World.Pdf
    9781405132381_1_pre.qxd 30/10/2007 12:09 Page i Magic in the Ancient Greek World 9781405132381_1_pre.qxd 30/10/2007 12:09 Page ii Blackwell Ancient Religions Ancient religious practice and belief are at once fascinating and alien for twenty-first-century readers. There was no Bible, no creed, no fixed set of beliefs. Rather, ancient religion was characterized by extraordinary diversity in belief and ritual. This distance means that modern readers need a guide to ancient religious experience. Written by experts, the books in this series provide accessible introductions to this central aspect of the ancient world. Published Magic in the Ancient Greek World Derek Collins Religion in the Roman Empire James B. Rives Ancient Greek Religion Jon D. Mikalson Forthcoming Religion of the Roman Republic Christopher McDonough and Lora Holland Death, Burial and the Afterlife in Ancient Egypt Steven Snape Ancient Greek Divination Sarah Iles Johnston 9781405132381_1_pre.qxd 30/10/2007 12:09 Page iii Magic in the Ancient Greek World Derek Collins 9781405132381_1_pre.qxd 30/10/2007 12:09 Page iv © 2008 by Derek Collins blackwell publishing 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Derek Collins to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher.
    [Show full text]
  • On the Excavations of the Zeus Temple of Alabanda
    Anatolia Antiqua Revue internationale d'archéologie anatolienne XXII | 2014 Varia On the Excavations of the Zeus Temple of Alabanda Suat Ateşlier Electronic version URL: http://journals.openedition.org/anatoliaantiqua/315 Publisher IFEA Printed version Date of publication: 1 January 2014 Number of pages: 247-254 ISBN: 9782362450136 ISSN: 1018-1946 Electronic reference Suat Ateşlier, « On the Excavations of the Zeus Temple of Alabanda », Anatolia Antiqua [Online], XXII | 2014, Online since 30 June 2018, connection on 20 April 2019. URL : http:// journals.openedition.org/anatoliaantiqua/315 Anatolia Antiqua TABLE DES MATIERES Emma BAYSAL, A preliminary typology for beads from the Neolithic and Chalcolithic levels of Barcın Höyük 1 William ANDERSON, Jessie BIRKETT-REES, Michelle NEGUS CLEARY, Damjan KRSMANOVIC et Nikoloz TSKVITINIDZE, Archaeological survey in the South Caucasus (Samtskhe-Javakheti, Georgia): Approaches, methods and first results 11 Eda GÜNGÖR ALPER, Hellenistic and Roman period ceramic finds from the Balatlar Church excavations in Sinop between 2010-2012 35 Ergün LAFLI et Gülseren KAN ŞAHİN, Hellenistic ceramics from Southwestern Paphlagonia 51 Oğuz TEKİN, Weights of Lysimachea from the Tekirdağ Museum and various collections 145 Oğuz TEKİN, Three weights of Lampsacus 155 Julie DALAISON et Fabrice DELRIEUX, La cité de Néapolis-Néoclaudiopolis : histoire et pratiques monétaires 159 Martine ASSENAT et Antoine PEREZ, Amida 4. Constance II et Amida 199 Sencan ALTINOLUK et Nilüfer ATAKAN, Abrasax: A magical gem in the Istanbul
    [Show full text]
  • The Stones and the Bones: Contemporary Issues in Cultural Property
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2007 The Stones and the Bones: Contemporary Issues in Cultural Property Christopher Michael Blocker Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Recommended Citation Blocker, Christopher Michael, "The Stones and the Bones: Contemporary Issues in Cultural Property" (2007). Honors Theses. 1950. https://egrove.olemiss.edu/hon_thesis/1950 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact egrove@olemiss.edu. The Stones and the Bones: Contemporary Issues in Cultural Property By Christopher Michael Blocker A thesis submitted to the faculty of The University of Mississippi in paitial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College Oxford May 2007 Approved by Advisor: Professor Aileen Ajootian Reader: Professor Matthew Murray Reader: Professor Nancy Wicker Reader: Professor Charles Gates ackn()wu:d(;i:mi:nts I would like lo lhaiik Dr. Ailccn Ajootian for her help these past four years, as well as Dr. Matthew Murray. Dr. Nauey Wieker. and Dr. Charles Gates, my thesis readers. Ytuir insight has been invaluable. IV ! I How can we live without our lives? How will we know it's us without our past? John Steinbeck—The Grapes of Wrath V ABSTRACT CHRISTOPHER MICHAEL BLOCKER: The Stones and the Bones: Modern Issues in Cultural Property (Under the direction of Aileen Ajootian) Cultural property has recently become an important issue in the international community.
    [Show full text]
  • © in This Web Service Cambridge University
    Cambridge University Press 978-1-107-00123-7 - The Art and Archaeology of Ancient Greece Judith M. Barringer Index More information I n d e x Abdalonymos of Sidon. See Alexander tomb of. See Alexandria (Egypt), tombs, Sarcophagus Alexander the Great Achaia, 384 and Zeus, 304 Achaians, 41 , 162 , 163 , 164 , 189 , 199 , 233 Alexandria (Egypt), 281 , 332 , 335 , 340–342 Achilles, 162 , 163 , 395 city plan, 340 and Ajax, 163–164 grotesques, 343 father of Neoptolemos, 299 harbors, 340 and Polyxena, 158 Homereion, 345 and Telephos. See Tegea, temple of Athena library, 340 , 343 Alea Mouseion, 340 , 345 , 350 and Thetis, 221 , 278 Pharos lighthouse, 340 and Troilos, 162 Sarapeion, 340 Actium, Battle of, 322 , 340 , 401 tombs Aemilius Paullus, 371–373 Alexander the Great, 340 Aeneas, 390 , 391 , 395 Moustafa Pasha Tomb I, 341–342 Aeolic order, 85–86 Alkamenes, 252 Afghanistan, 304 . See also Ai Khanoum; Baktria Alkestis, 260 Agamemnon, 41 , 51 Alkmaionidai, 175 agora, 122 . See also Athens, Agora ; Delos, Agora of Al Mina, 71 the Italians; Thasos Altar of Domitius Ahenobarbus, 386–389 Agrippa, Marcus, 401 Amasis (Egyptian pharaoh), 168 Ahuramazda. See Nemrud Dagh Amasis Painter, 167–168 Ai Khanoum, 304 , 328 , 364–367 Amazonomachy, 233 . See also Athens, Aiakos, 200 Akropolis, Lesser Attalid Monument ; Aigina Athens, Akropolis, Parthenon ; Bassai, and Athens, 200–201 temple of Apollo ; Epidauros, temple of coinage, 128 Asklepios ; Halikarnassos, Mausoleion mother of Aiakos, 200 Amazons. See Amazonomachy temple of Aphaia, 200 , 225 , 334 Amyntas. See Olympia, Philippeion Aischylos, 248 Anavysos. See kouroi (sg. kouros), Anavysos Ajax, 199 ancestor cult, 72 and Achilles, 163–164 Anchises, 390 and Kassandra, 189 , 298 Andokides Painter, 169–171 and Odysseus, 164 Antenor, 183 suicide of, 114 , 164 Antigonids, 308 A k r o t i r i .
    [Show full text]
  • Pausanias' Description of Greece
    BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA.
    [Show full text]
  • Heroic Death in Ancient Greek Poetry and Art
    Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2009 The Hero Beyond Himself: Heroic Death in Ancient Greek Poetry and Art Corinne Ondine Pache Trinity University, cpache@trinity.edu Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C.O. (2009). The hero beyond himself: Heroic death in ancient Greek poetry and art. In S. Albersmeier (Ed.), Heroes: Mortals and myths in ancient Greece (pp. 88-107). Walters Art Museum. This Contribution to Book is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact jcostanz@trinity.edu. In all those stories the hero is beyond himself into the next thing, be it those labors of Hercules, or Aeneas going into death. I thought the instant of the one humanness in Virgil's plan of it was that it was of course human enough to die, yet to come back, as he said, hoc opus, hie labor est. That was the Cumaean Sibyl speaking. This is Robert Creeley, and Virgil is dead now two thousand years, yet Hercules and the Aeneid, yet all that industrious wis- dom lives in the way the mountains and the desert are waiting for the heroes, and death also can still propose the old labors. -Robert Creeley, "Heroes" HEROISM AND DEATH The modern mind likes its heroism served with death.
    [Show full text]
  • Ancient Carved Ambers in the J. Paul Getty Museum
    Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication.
    [Show full text]
  • University of Groningen Greek Religion, Hades, Hera And
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Groningen University of Groningen Greek Religion, Hades, Hera and Scapegoat, and Transmigration Bremmer, J.N. Published in: EPRINTS-BOOK-TITLE IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2005 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bremmer, J. N. (2005). Greek Religion, Hades, Hera and Scapegoat, and Transmigration. In EPRINTS- BOOK-TITLE Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 GREEK RELIGION has long been the most important religion for Western European scholars who attempted to gain a better understanding of the phenomenon of religion. Great historians of religion, from Vico and Herder to Friedrich Max Müller, Jane Ellen Harrison and Frazer of The Golden Bough , all steeped themselves in the religious legacy of the Greeks whom they considered superior to all other nations of the past.
    [Show full text]