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Petronius and the Anatomy of Fiction
PETRONIUS AND THE ANATOMY OF FICTION Petronius’ Satyricon, long regarded as the first novel of the western tradition, has always sparked controversy. It has been puzzled over as a strikingly modernist riddle, elevated as a work of exemplary comic realism, condemned as obscene and repackaged as a moral- ity tale. This innovative reading of the surviving portions of the work shows how the Satyricon fuses the anarchic and the classic, the comic and the disturbing, and presents readers with a labyrinth of narratorial viewpoints. Victoria Rimell argues that the surviving fragments are connected by an imagery of disintegration, focused on a pervasive Neronian metaphor of the literary text as a human or animal body. Throughout, she discusses the limits of dominant twentieth-century views of the Satyricon as bawdy pantomime, and challenges prevailing restrictions of Petronian corporeality to mate- rial or non-metaphorical realms. This ‘novel’ emerges as both very Roman and very satirical in its ‘intestinal’ view of reality. is a lecturer in classics at Girton College, Cambridge, and was previously a junior research fellow at Univer- sity College, Oxford. She studied at Cambridge and London and has taught at the Universities of London, Oxford and Cambridge and at the Open University. She also worked as a journalist for two years. Her published work so far has dealt with Roman elegy and satire. PETRONIUS AND THE ANATOMY OF FICTION VICTORIA RIMELL Girton College, Cambridge CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521815864 © Victoria Rimell 2002 This publication is in copyright. -
Satyricon of Petronius Arbiter
Satyricon of Petronius Arbiter Translated by Firebaugh Satyricon of Petronius Arbiter Table of Contents Satyricon of Petronius Arbiter..........................................................................................................................1 Translated by Firebaugh..........................................................................................................................1 INTRODUCTION...................................................................................................................................5 I................................................................................................................................................................6 II THE AUTHOR....................................................................................................................................6 III REALISM...........................................................................................................................................8 IV FORGERIES OF PETRONIUS.........................................................................................................9 VOLUME 1.ADVENTURES OF ENCOLPIUS AND HIS COMPANIONS................................................11 CHAPTER THE FIRST.........................................................................................................................11 CHAPTER THE SECOND...................................................................................................................12 CHAPTER THE THIRD.......................................................................................................................12 -
Notice to Batavia Township Taxpayers: Assessed Values for 2021
NOTICE TO BATAVIA TOWNSHIP TAXPAYERS: ASSESSED VALUES FOR 2021 Valuation date (35 ILCS 200/9-95): January 1, 2021 Required level of assessment (35 ILCS 200/9-145): 33.33% Valuation based on sales from (35 ILCS 200/1-155): 2018, 2019 & 2020 Publication is hereby made for equalized assessed valuations for real property in this township in accordance with 35 ILCS 200/12-10. As required by 35 ILCS 200/9-210 and 35 ILCS 200/10-115, the following equalization factors have been applied to bring the assessments to the statutorily required three- year median level of 33.33%: Farm Land and Farm Improvements: 1.0000 Residential, Commercial and Industrial: 1.0196 Other Land and Improvements: 1.0196 Farm Home Site and Dwelling: 1.0196 Pursuant to 35 ILCS 200/10-115, the Farm Land assessments for the 2021 assessment year will increase by 10% of the preceding year’s median cropped soil productivity index as certified by the Illinois Department of Revenue with data provided by the Farmland Assessment Technical Advisory Board resulting in a $35.21 per acre increase for each soil productivity index. Questions about these valuations should be directed to: Tammy Kavanaugh 131 Flinn St 630-879-1323 www.bataviatownship.com Office hours are: Monday – Friday, 8:00am to 4:00pm Property in this Township, other than farmland and coal, is to be assessed at a 33.33% median level of assessment, based on the fair cash value of the property. You may check the accuracy of your assessment by dividing your assessment by the median level of assessment. -
The Asàrotos Òikos Mosaic As an Elite Status Symbol 5
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert Ehud Fathy The asàrotos òikos mosaic as an elite status symbol 5 The asàrotos òikos mosaic as an elite status symbol Ehud Fathy Tel Aviv University Recibido: 31/03/2017 / Evaluado: 25/04/2017 / Aprobado: 08/05/2017 Abstract: This article focuses on theasarotos oikos theme in roman mosaics, and aims at exploring the social significance these depictions have held during the late Imperial age, and their relation to the proceedings of the banquet. This study suggests that disguised symbolism and erudite references rest behind the representation of these seemingly daily objects, which could only be fully understood by members of the Roman cultural elite, who possessed the proper education for the task. The mosaic served as a starting point for the elitist practice of an erudite discourse and as a reminder of the brevity of life. Keywords: asàrotos òikos, unswept floor, roman elitist art, Heraclitus mosaic, carpe diem, roman banquet, Sosos of Pergamon. ne of the less common themes of roman mosaics is the asàrotos òikos or «unswept floor», depicting titbits of a luxurious meal, scattered evenly onO the room’s floor. According to Pliny this theme was originally created by the mosaicist Sosos in Pergamon,1 presumably in the second century BCE.2 1. This contribution is part of the author's doctoral thesis carried out at Tel Aviv University under the supervision of Dr. Talila Michaeli. I would like to express my gratitude to Dr. -
Cato, Roman Stoicism, and the American 'Revolution'
Cato, Roman Stoicism, and the American ‘Revolution’ Katherine Harper A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. Arts Faculty, University of Sydney. March 27, 2014 For My Parents, To Whom I Owe Everything Contents Acknowledgements ......................................................................................................... i Abstract.......................................................................................................................... iv Introduction ................................................................................................................... 1 Chapter One - ‘Classical Conditioning’: The Classical Tradition in Colonial America ..................... 23 The Usefulness of Knowledge ................................................................................... 24 Grammar Schools and Colleges ................................................................................ 26 General Populace ...................................................................................................... 38 Conclusions ............................................................................................................... 45 Chapter Two - Cato in the Colonies: Joseph Addison’s Cato: A Tragedy .......................................... 47 Joseph Addison’s Cato: A Tragedy .......................................................................... 49 The Universal Appeal of Virtue ........................................................................... -
Pliny the Elder and the Problem of Regnum Hereditarium*
Pliny the Elder and the Problem of Regnum Hereditarium* MELINDA SZEKELY Pliny the Elder writes the following about the king of Taprobane1 in the sixth book of his Natural History: "eligi regem a populo senecta clementiaque, liberos non ha- bentem, et, si postea gignat, abdicari, ne fiat hereditarium regnum."2 This account es- caped the attention of the majority of scholars who studied Pliny in spite of the fact that this sentence raises three interesting and debated questions: the election of the king, deposal of the king and the heredity of the monarchy. The issue con- cerning the account of Taprobane is that Pliny here - unlike other reports on the East - does not only use the works of former Greek and Roman authors, but he also makes a note of the account of the envoys from Ceylon arriving in Rome in the first century A. D. in his work.3 We cannot exclude the possibility that Pliny himself met the envoys though this assumption is not verifiable.4 First let us consider whether the form of rule described by Pliny really existed in Taprobane. We have several sources dealing with India indicating that the idea of that old and gentle king depicted in Pliny's sentence seems to be just the oppo- * The study was supported by OTKA grant No. T13034550. 1 Ancient name of Sri Lanka (until 1972, Ceylon). 2 Plin. N. H. 6, 24, 89. Pliny, Natural History, Cambridge-London 1989, [19421], with an English translation by H. Rackham. 3 Plin. N. H. 6, 24, 85-91. Concerning the Singhalese envoys cf. -
PRIMITIVE POLITICS: LUCAN and PETRONIUS Martha Malamud in Roman Literature, Politics and Morality Are Not Distinct Categories
CHAPTER TWELVE PRIMITIVE POLITICS: LUCAN AND PETRONIUS Martha Malamud In Roman literature, politics and morality are not distinct categories: both are implicated in the construction and maintenance of structures of power. Roman virtues are the basis of the res publica, the body politic. In what follows, I take “politics” in a broad sense: “public or social ethics, that branch of moral philosophy dealing with the state or social organism as a whole.”1 As Edwards puts it, “issues which for many in the pres- ent day might be ‘political’ or ‘economic’ were moral ones for Roman writers, in that they linked them to the failure of individuals to control themselves.”2 What follows is a case study of how Lucan and Petronius deploy a pair of motifs popular in Roman moralizing discourse (primi- tive hospitality, as exemplifi ed by the simple meal, and primitive archi- tecture) in ways that refl ect on the politics of early imperial Rome. Embedded in the moralizing tradition is the notion of decline. Roman virtue is always situated in the past, and visions of the primitive, such as the rustic meal and the primitive hut, evoke comparisons with a corrupted present. These themes are present in Roman literature from an early period. Already by the third century bce, there is a growing preoccupation with a decline in ethical standards attributed to luxury and tied to the expansion of Roman power and changes in Rome’s political structure. Anxiety focused around luxurious foods, clothing, art, and architecture. As Purcell observes of Roman views of their own food history, “[d]iet-history is a subdivision of that much larger way of conceptualizing passing time, the history of moral decline and recovery; indeed, it is a way of indexing that history,”3 and one can say the same of architecture-history. -
Hic Tacitus Lapis: Voice, Audience, and Space in Early Roman Verse-Epitaphs
HIC TACITUS LAPIS: VOICE, AUDIENCE, AND SPACE IN EARLY ROMAN VERSE-EPITAPHS A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Allison Catherine Boex August 2014 © 2014 Allison Catherine Boex HIC TACITUS LAPIS: VOICE, AUDIENCE AND, SPACE IN EARLY ROMAN VERSE-EPITAPHS Allison Catherine Boex, Ph. D. Cornell University 2014 This dissertation sets out to investigate the content, role, and effects of ancient Roman grave-inscriptions; I argue that Roman gravestones and their inscriptions were intended to serve as metonymic markers, stand-ins for their deceased subjects in the land of the living, allowing the dead to engage with the living and the living with the dead. As many previous studies of Roman grave-inscriptions have been undermined by the fact that their authors attempt to address the entire body of Roman epitaphs (a corpus too large and diverse to allow productive study of its entirety), this dissertation focuses on a smaller corpus, the forty-nine extant verse-inscriptions generally assigned to the Roman Republic. In investigating these epitaphs, I focus on the effects of the reading-act and the related issues of voice, audience, and space; my approach is informed by the works of Svenbro (1993) and Vallette-Cagnac (1997) on the reading- act in ancient Greece and Rome respectively, Sourvinou-Inwood’s (1995) study of voice in ancient Greek epitaphs, and Lowrie’s (2006) work on deixis and its effects on the reader’s perception of presence and absence. I argue that the reading-act of the passer-by activates a depiction of the deceased’s life, tied to the stone as the metonymic marker of the deceased; it is through this depiction that the figure of the deceased can engage, implicitly and explicitly, with the living upon each reading of the inscription. -
Gian Biagio Conte Stealing the Club from Hercules
Gian Biagio Conte Stealing the Club from Hercules Gian Biagio Conte Stealing the Club from Hercules On Imitation in Latin Poetry An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org Dieses Werk ist lizenziert unter der Creative Commons Attribution- NonCommercial-NoDerivatives 3.0 Lizenz. Weitere Informationen finden Sie unter ISBN 978-3-11-021808-4 http://creativecommons.org/licenses/by-nc-nd/3.0/. e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISBN 978-3-11-047220-2 ISSN 0179-0986 e-ISBN (PDF) 978-3-11-047583-8 e-ISSN 0179-3256 e-ISBN (EPUB) 978-3-11-047415-2 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Library of Congress Cataloging-in-Publication Data Nationalbibliografie; detailed bibliographic data are available in the Internet A CIP catalog record for this book has been applied for at the Library of Congress. at http://dnb.dnb.de. Bibliografische Information der Deutschen Nationalbibliothek © 2017 Walter de Gruyter GmbH, Berlin/Boston Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- Dieses Buch ist als Open-Access-Publikation verfügbar über www.degruyter.com. -
Amii Stewart
Amii Stewart Ha iniziato le lezioni di ballo quando aveva 9 anni. Dopo 8 anni ha vinto una borsa di studi presso la prima scuola delle belle arte a Washington D.C. “Workshops For Careers In The Arts”, perfezionando il suo talento naturale per il ballo, recitazione ed il canto sotto la tutela di Mike Malone, Lewis Johnson, Debbie Allen, Charles Augins, Robert Hooks e Bernice Regan. Dal 1975 al 1978 Musicals “Bubbling Brown Sugar”: come ballerina nelle Compagnie di Miami e Broadway. Poi nella Compagnia di Londra come Interprete, Assistente della Coreografia e della Regia. “Toby Time”: Interprete, New York. “All God’s Children”: Assistente Coreografa, Prima Ballerina nello Special televisivo per il canale londinese BBC. Discografia: L.P. “Knock On Wood”, (otto millioni di dischi venduti, n°1 in tutte le classifiche mondiali.) Video: “Knock On Wood”, “Light My Fire” Premi: “Migliore artista europea per il Disco Music”, Nomina alla Grammy Awards, “Migliore esibizione” nel “Tokyo Music Festival””. Dal 1979 al 1981 Discografia: L.p.:“Paradise Bird”, (più di 500.000 copie vendute,) prodotto da Barry Lang 45 giri: “Jealousy “- “Light My Fire” (premiati con dischi d’oro) prodotto da Barry Lang L.p.: “I’m Gonna Get Your Love”, prodotto da Narada Michael Walden. Tour Promozionale: U.S., Europa, Messico, Sud America, Japone, Canada. Televisione: U.S.: “The Merv Griffin Show”, “The Dinah Shore Show” e “Soul Train”, Presentatrice dello spettacolo “Midnight Special”. U.K.: “The Terry Woogan Show”, “Top Of The Pops”, e “The Royal Command Performance” per la Regina D’Ingilterra. Video : “Paradise Bird”,”Jealousy’‘, My Girl My Guy’ (duetto con Johnny Bristol). -
The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
Collection 13
EARLY EUROPEAN BOOKS Explore the Record of European Life and Culture About Collection 13 Early European Books Collection 13 presents a selection themed around literature, poetry and drama. Items from London’s Wellcome Library, Florence’s Biblioteca Nazionale Centrale, Copenhagen’s Kongelige Bibliotek and The Hague’s Koninklijke Bibliotheek provide a rich assembly of content from across Europe. Supported by key classical and medieval texts, at the heart of Collection 13 is a body of works which document the remarkable flowering of vernacular literatures witnessed during the early modern period. Among the thousands of titles featured are acknowledged literary landmarks, but also less familiar items. Brought together, Collection 13 builds up a picture of the early modern literary scene that embraces ephemeral as well as timeless works, and that strongly accentuates its creative diversity. Collection 13 comes complete with USTC subject classifications to enable and enhance user experience. From Homer to Persius The early modern period was defined by its rediscovery of classical texts, and Collection 13 presents a choice of these ranging from literary giants like Homer and Ovid to more minor figures like Persius (34-62 CE) and Claudian (c.370-c.404 CE). Prose pieces include a 1624 Amsterdam edition of Apuleius (c.124-c.170 CE) which includes his Erasmus (1466-1536) and Philip Melanchthon (1497-1560). Metamorphoses or The Golden Ass, while a 1700 edition of Other Erasmus items include a 1524 edition of Euripides Petronius’ notorious Satyricon is another bawdy inclusion. in Greek and Latin, and a 1507 Aldine printing of the same Classical literature’s rediscovery inevitably involved its Latin translation bound with his own classical imitation, reconstruction, and items featured reflect both advances Ode de laudibus Britanniæ.