Market Report Can Be Read Here
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Recording Industry in Japan 2016 Contents
RIAJ YEARBOOK 2016 Statistics Trends The Recording Industry in Japan 2016 Contents Overview of Production of Recordings and Digital Music Sales in 2015 ........................... 1 Statistics by Format (Unit Basis — Value Basis) ........................................................................ 4 1. Total Recorded Music — Production on Unit Basis.................................................................... 4 2. Total Audio Recordings — Production on Unit Basis .................................................................. 4 3. Total CDs — Production on Unit Basis ...................................................................................... 4 4. Total Recorded Music — Production on Value Basis ................................................................. 5 5. Total Audio Recordings — Production on Value Basis ............................................................... 5 6. Total CDs — Production on Value Basis .................................................................................... 5 7. CD Singles — Production on Unit Basis .................................................................................... 6 8. 5" CD Albums — Production on Unit Basis ............................................................................... 6 9. Music Videos — Production on Unit Basis ................................................................................ 6 10. CD Singles — Production on Value Basis .................................................................................. 7 11. 5" CD -
Tiffcom2o2o Market Report Topics トピックス
TIFFCOM2O2O MARKET REPORT TOPICS トピックス TIFFCOM2020 was held in an all-online format to accommodate the "New Normal". TIFFCOM2020 explored the possibility of a new content market in an on-demand environment that is not restricted by time and space. TIFFCOM2020は、新しい生活様式に合わせたオール・オンラインでの開催を実施。時間と空間に囚われないオンデマンドな環境下で新たなコンテンツマーケットの可能性を探りました。 ONLINE BUSINESS ONLINE BOOTH MATCHING By adopting a virtual booth(VR), we provided a one- In order to provide benefi cial business opportunities for stop environment for buyers to obtain various content exhibitors and buyers, we provided search functions information and exhibitor information stress-free. such as detailed searches by industry and category, and recommendations based on registered information. バ ーチャルブ ース(VR)を採用し、ストレスフリーでの各種コンテンツ情 報や出展者情報が、ワンストップで入手できる環境を提供。 業種やカテゴリーによる詳細検索、登録情報に基づいたレコメンド検索 機能といった、出展者とバイヤーとの有益な商談機会に繋がる環境を提 供。 Search Participants Exhibitor Details 2 16 ONLINE SCREENING ONLINE SEMINAR Provided an online screening service that connected Featured 18 seminars highlighting the latest trends and exhibitors and buyers in a secure environment(DRM). personalities in film, TV, and streaming platforms.The Equipped with a search function with detailed keynote speaker was Jim Gianopulos, Chairman and categorization and convenient functions for content CEO of Paramount Pictures. matching. 映画、TV、配信といった各ジャンルの最新テーマや人物にスポットを当 セキュアな環境下(DRM)での出展者とバイヤーを繋ぐオンラインスクリ てた18プログラムを実施。キーノートには、ジム・ジアノプロス氏(パラ ーニングサービスを提供。細かくカテゴリ分けされた検索機能やコンテ マウント・ピクチャーズ会長兼CEO)が登壇。 ンツマッチングに便利な機能を採用。 SUMMARY 総括 TIFFCOM2020 was -
1Q FY2016 Presentation Material
0. Table of Contents 1. Overview of Quarterly Consolidated Financial Results 2. Business Forecast for FY2016 3. Internet Advertisement Business 4. Game Business 5. Media Business 6. Up-front Investment 7. Summary 1 1. Overview of Quarterly Consolidated Financial Results Overview of Quarterly Consolidated Financial Results (October 2015-December 2015) 2 1. Overview of Quarterly Consolidated Financial Results [Highlights] FY2016 1Q Consolidated Marked a record high. Financial Sales: 74.0 billion yen up 16.7% year-on-year Results OP: 12.9 billion yen up 3.6% year-on-year Sales and profit growth rates remained high. Ad Business Sales: 39.2 billion yen up 17.8% year-on-year OP: 3.3 billion yen up 16.5% year-on-year The performance of major titles is favorable. Game Sales: 29.7 billion yen up 50.7% year-on-year Business OP: 8.8 billion yen up 84.9% year-on-year Release of AmebaFRESH! in Jan. and AbemaTV in Apr. Media Sales: 5.8 billion yen down 4.1% year-on-year Business OP : 0.6 billion yen up 2.1x year-on-year 3 1. Overview of Quarterly Consolidated Financial Results [Quarterly Consolidated Sales] Unit: billion yen 74.0 69.2 Record high results 63.4 60.5 61.1 60.0 Up 16.7% year-on-year 57.7 52.4 51.2 43.7 42.2 40.8 41.3 39.2 40.0 38.0 35.9 33.7 32.1 30.6 30.9 28.7 29.1 26.3 24.2 24.6 21.4 20.0 0.0 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q FY2010 FY2011 FY2012 FY2013 FY2014 FY2015 FY2016 4 1. -
Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
Supplemental Information
Supplemental Information for the Consolidated Financial Results for the Third Quarter Ended December 31, 2017 2017 年度第 3 四半期連結業績補足資料 February 2, 2018 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Unit sales of key products 主要製品販売台数 3 ■ Sales to customers by geographic region (to external customers) 地域別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 4 ■ Amortization of film costs 繰延映画製作費の償却費 4 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費 4 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 4 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes accelerated depreciation expense) セグメント別構造改革費用 5 ■ Period-end foreign exchange rates 期末為替レート 5 ■ Inventory by segment セグメント別棚卸資産 5 ■ Film costs (balance) 繰延映画製作費(残高) 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Goodwill by segment セグメント別営業権 6 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 6 Music Segment Supplemental Information (English only) 7 ■ Recorded Music 7 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music projects - Noteworthly projects ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered Pictures Segment Supplemental Information (English only) 8 ■ Pictures Segment Aggregated U.S. Dollar Information 8 - Pictures segment sales and operating revenue and operating income (loss) - Sales by category and Motion Picture Revenue breakdown - Film costs breakdown ■ Motion Pictures 9 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. -
Reception Hosted by the Okinawa G8 Summit Support Council [PDF]
Reference Materials Social Event: Welcome Reception OUTLINE ■Name of Event: Social Event of the Kyushu-Okinawa Summit 2000 "Welcome Reception for Summit Leaders" ■Hosting Organization: Okinawa G8 Summit Host Preparation Council ■Date: July 22, 2000 (Saturday) ■Time: 18:45 - 20:15 ■Venue: Hotel Nikko Naha Grand Castle, "Shuri Hall" Address: 1-132-1 Shuri Yamagawa-cho, Naha, Okinawa ■Participants: Summit leaderss Invited guests from the public (300 people) ■Welcome Reception Turning the Eyes of the World on Okinawa, Sending the Spirit of Okinawa to the World The Okinawa G8 Summit Host Preparation Council will host a welcome reception for the Summit leaders visiting Okinawa for the Kyushu-Okinawa Summit Meeting. From the days of old, Okinawa has been known to the world as the "land of courtesy and cordiality." The people of Okinawa will warmly welcome the Summit leaders in this reception, which features Okinawa's unique culture and regal traditional performing arts that were developed in the age of the Ryukyu Kingdom through trade and interaction with various Asian cultures. The Summit theme song, "NEVER END," which reflects contemporary Okinawa will also be performed. RECEPTION PROGRAM 1.Welcome ●Traditional Okinawan dress The Summit leaders will be welcomed by two high school students dressed in the traditional attire of the Ryukyu Kingdom of old. The clothing is made of bingata fabric whose bright color reminds of Okinawa. ■Welcomers: Yukino Matsuda and Takashi Toma, students of the Okinawa Prefectural Urasoe High School ●Traditional Okinawan music The reception features traditional Okinawan music performed with typical Okinawan instruments: the sa n s h i n (three-stringed plucked lute), ko t o (13-string zither), fu e (Japanese-style flute), ta i k o (J a p a n e s e - style drums), and k o k y u (three-stringed bowed lute). -
Where You Can Discover Content from Different Regions of Japan
Where you can discover content from different regions of Japan Asia TV Forum & Market 2016 Contents 02 “REGIONS OF JAPAN” ‒ Who we are 16 Kyushu Asahi Broadcasting Co., Ltd. 03 Sapporo: City of Films 17 Fukuoka Broadcasting System corporation 04 Hokkaido Broadcasting Co.,Ltd. 18 Saga: A countryside of JAPAN 05 The Sapporo Television Broadcasting Co.,Ltd. 19 69'ners FILM 06 Hello Earth Inc. 20 Okinawa: Tropical Side of Japan 07 Niigata: Welcome to the Snow Country 21 Contact List 08 Niigata Sogo Television Co.,Ltd. 09 Television Niigata Network Co., Ltd. Sapporo 10 Niigata Television Network 21,Inc 11 Kyoto:‘OMOTENASHI’ is a word for KYOTO. Niigata 12 Kyoto Broadcasting System Co., Ltd. Kyoto 13 Mainichi Broadcasting System, Inc. Fukuoka Saga 14 Jupiter Telecommunications Co., Ltd. 15 Fukuoka: Compact and livable city, Fukuoka Okinawa The icons represent following genres Tra Travel Var Variety Food Food Kids Kids Edu Education Doc Documentary Dra Drama Ani Animation Film Film Clu Culture Sce Scenery Other Other Genre 01 “REGIONS OF JAPAN” ‒ Who we are The“REGIONS OF JAPAN” booth is organized by Screen Authority Sapporo (SAS) ; the official film commission to Sapporo City, Hokkaido. We are a showcase from which you can discover the charms from various regions of Japan. Each region has its own distinctive history, lifestyle and cuisine. We bring together 18 companies from 6 regions; Sapporo, Niigata, Kyoto, Fukuoka, Saga and Okinawa. The special feature of our booth is the diversity of regions and the cooperative work between public and private sectors. Not only will you find TV programs, films and animations, but you will also meet future co-productions partners and gateways to local governing bodies. -
Genshiken Season Two 2 Free Ebook
FREEGENSHIKEN SEASON TWO 2 EBOOK Shimoku Kio | 200 pages | 21 Mar 2013 | Kodansha America, Inc | 9781612622422 | English | New York, United States Genshiken - Wikipedia The Society for the Study of Modern Visual Culture, otherwise known as Genshiken, is now under the charge of a more confident Sasahara. Things have changed in between semesters, and the otaku club now has a new otaku-hating member named Ogiue. Sasahara's initial goal of starting a doujin circle and selling those fan-made magazines at the next Comic Festival becomes a reality, but reality is a cruel master Afterward, the club is abuzz with talk about Tanaka and Ohno's relationship, which takes a hesitant step forward. Source: Media Blasters. Hide Ads Login Sign Up. Genshiken 2. Edit What would you like to edit? Add to My List. Add to Favorites. Buy on Manga Store. Synonyms: Gendai Shikaku Bunka Kenkyuukai 2. Type: TV. Premiered: Fall Licensors: Media Blasters. Studios: Arms. Score: 7. Ranked: 2 2 based on the top anime page. Ranked Popularity Members 71, Fall TV Arms. Preview Manga. More characters. Genshiken Season Two 2 staff. Edit Opening Theme. Edit Ending Genshiken Season Two 2. More reviews Reviews. Jan 1, Overall Rating : Jul 23, Overall Rating : 8. Jun 11, Overall Rating : 7. Mar 27, Overall Rating : 9. More discussions. More featured articles. Your harem or reverse harem anime isn't worth the time of day if it doesn't have a tsundere in it. But what is a tsundere, where did the term originate, and why are they everywhere? Read on to find out! More recommendations. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
Zest for Living in Disaster” –
Developments of Tools to Survive the Disasters –CivilEmpowermentof“ZestforLivinginDisaster”– Survey Report: Developments of Tools to Survive the Disasters – Civil Empowerment of “Zest for Living in Disaster” – Shosuke Sato∗, Fumihiko Imamura∗, Mari Yasuda∗, Motoaki Sugiura∗,∗∗,andRuiNouchi∗,∗∗,∗∗∗ ∗International Research Institute of Disaster Science, Tohoku University Aoba, 468-1 Aramaki, Aoba-ku, Sendai 980-0845, Japan E-mail: [email protected] ∗∗Institute of Development, Aging and Cancer, Tohoku University, Sendai, Japan ∗∗∗Frontier Research Institute for Interdisciplinary Sciences, Tohoku University, Sendai, Japan [Received September 2, 2015; accepted January 4, 2016] This paper introduces practical efforts to reduce lo- plans and enlightening tools to acquire “zest for living.” cal disasters in the “Project on civil empowerment for To summarize those activities and discuss future devel- ‘zest for life during a disaster”’ undertaken by the au- opment, the project involved the “symposium for promot- thors and the three projects that have been developed ing the project on civil empowerment for ‘zest for life and implemented thus far: “Pocket Notebook and during a disaster”’ in the third UN World Congress on Handbook for Family’s Disaster Resilience (MINNA- Disaster Reduction in March 2015. This report describes NO-BOSAI TECHO),” “Pocket Notebook and Hand- “Pocket Notebook and Handbook for Family’s Disas- book for Boys and Girls Disaster Resilience (BOKU- ter Resilience (MINNA-NO-BOSAI TECHO),” “Pocket NO-WATASHI-NO-BOSAI TECHO),” and “SENDAI Notebook and Handbook for Boys and Girls Disaster Re- CAMP (BOSAI CAMP).” These activities were re- silience (BOKU-NO-WATASHI-NO-BOSAI TECHO),” ported on a public forum in the third UN World and “SENDAI CAMP (BOSAI CAMP)” that had been ac- Congress on Disaster Reduction, where the impor- tively undertaken in the project on civil empowerment for tance of involving all citizens in disaster reduction and ‘zest for life during a disaster.’ prevention through projects was recognized in a com- prehensive discussion. -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
The Ryukyuanist a Newsletter on Ryukyu/Okinawa Studies No
The Ryukyuanist A Newsletter on Ryukyu/Okinawa Studies No. 67 Spring 2005 This issue offers further comments on Hosei University’s International Japan-Studies and the role of Ryukyu/Okinawa in it. (For a back story of this genre of Japanese studies, see The Ryukyuanist No. 65.) We then celebrate Professor Robert Garfias’s achievements in ethnomusicology, for which he was honored with the Japanese government’s Order of the Rising Sun. Lastly, Publications XLVIII Hosei University’s Kokusai Nihongaku (International Japan-Studies) and the Ryukyu/Okinawa Factor “Meta science” of Japanese studies, according to the Hosei usage of the term, means studies of non- Japanese scholars’ studies of Japan. The need for such endeavors stems from a shared realization that studies of Japan by Japanese scholars paying little attention to foreign studies of Japan have produced wrong images of “Japan” and “the Japanese” such as ethno-cultural homogeneity of the Japanese inhabiting a certain immutable space since times immemorial. New images now in formation at Hosei emphasize Japan’s historical “internationality” (kokusaisei), ethno-cultural and regional diversity, fungible boundaries, and demographic changes. In addition to the internally diverse Yamato Japanese, there are Ainu and Ryukyuans/Okinawans with their own distinctive cultures. Terms like “Japan” and “the Japanese” have to be inclusive enough to accommodate the evolution of such diversities over time and space. Hosei is a Johnny-come-lately in the field of Japanese studies (Hosei scholars prefer