DOCSLIB.ORG

1970.10.29 in Concert–BBC Radio 1, Paris Theatre London, England

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1970.10.29 in Concert–BBC Radio 1, Paris Theatre London, England 1970.10.29 In Concert–BBC Radio 1, Paris Theatre London, England U.K. Broadcast - Dec. 27 + 30, 1970 Joni Mitchell 01. That Song About The Midway 02. The Gallery 03. Hunter 04. River 05. My Old Man 06. The Priest 07. Carey Joni Mitchell w/James Taylor, guitar and, * vocal 08. A Case Of You 09. California 10. For Free 11. The Circle Game * 12. You Can Close Your Eyes * Two additional songs were recorded but not included in the broadcast program. Both Sides, Now Big Yellow Taxi ________________________________________________________________ 1972 BBC Rock Hour - U.S. Syndicated Radio Series An edited version of the BBC Radio 1 Concert recorded at the Paris Theatre on Oct. 29, 1970. Joni Mitchell 01. That Song About The Midway 02. The Gallery James Taylor 03. Rainy Day Man * 04. Steamroller Blues * Joni Mitchell 05. The Priest 06. Carey James Taylor 07. Carolina On My Mind * Joni Mitchell w/James Taylor, guitar and vocal 08. California 09. For Free 10. The Circle Game 11. You Can Close Your Eyes * Recorded during the 'James Taylor In Concert' BBC2 Television program. Broadcast on Nov. 16, 1970 PAGE 19- BBC Radio and *************~********~*****~*~*********** ' Colour TV Stations THE HOLIDAY'-S SOUNDS Radio Wavelengths: by Richard Williams East Anglia Metres (kHz) Ra dio 1: 247 (1,214) SATURDAY , _ hear organist Arnold Richardson lost youth remembered to many Radio 2 : 1,500 (200) Rosko Show (12.0 Radio 1). What playing the master's La n<itivite an eye. Try putting on a black Radio 3 : 464 ( 647) Radio 4: 276 (1 ;088) better way to start the week than du Seigneur, for Messiaen is a polo-neck, a denim shirt. and 202 (1 ,484) (.Cromer). 330 (908) to ·bop to the_ Wild Ang~ls, the · chief source of inspiration for the Cuban-heel boots to watch it. VHF (!VIHz) R2 _ , R3 R4 Jazz Club (12.5 Radios l and 2). BELMONT .:. 88 .8 . 90 .9 93. l Soft's keyboard man Mike Ratle·dge. Cambridge 88 .9 91.l 93.3 -In any case, . it's beautiful music. Mike Osborne was voted top Brit­ Northa mpton 88.9 91.10 93 .3 ish altojst in the 1970 M e'lody PETERBOROUGH 90.1 92.3 94.5 **********************' TAC OLNESTQN 89 .7 91.9 94 .1 WEDNESDAY: Maker ·Jazz Poll. He's a strong, WROTHAM 89.1 91.3 0 93.5 The Spi nners at the Phil (10.50 emotional plaY,er with a streak of Ma in stations are shown fn CAPITALS. BBCl). The Spinners have played vivid lyricis111 in his soul, and his Other stations a re low-powered relay to sold-out houses for months now, trio is .completed by the diminu­ sta tions w hich d o not serve.wide a reas. 0 Ster eophon y (Radio 3 only). Stereo and· this concert -at- the Liverpool tive · bassist Harry Miner and. program m es a r e a t pres ent availa ble_ Philharmonic, their home ground, South African drummer Louis fr om the following tra n smitter s : Brighton , Dover , Wrotha m , Oxford, should prove typical of their very Moholo, who swings harder than Sut ton Coldfield, Northa mpton, Holme -·enjoyable perfor~ances . anyorie in the country. ' Moss, Kenda l, Morecambe Bay, Sca r­ borough , a nd Sheffield. Further infor­ excellent rock and roll revivalists. ********************** John Peel Concert (7 .0 Radio 1). m a tion from: Engineerin g Informa­ l'he interesting point ab.out the CHRISTMAS EVE - Jonf ~itchell ... arid what more tion Dept. , Broadca sting House, London WlA lAA. band is that they reproduce live Movin' Along with Aridy Williams the sound of the old records, with (12.0 BB~l). Guests include Burt virtually no bass and lots of hiss. Coloui Television Bacharach, Jose Feliciano, and Channels BB Cl BBC2 One almost expects to hear the Bill Medley, formerly l_lalf of the Aldeb urgh 26 needle stiGking. BELMONT .. (1971) 28 Righteous Brothers (the best half). SA NDY HEATH .. (1971) 27 EdandZed (12.25 BBCl). Perhaps Cliff Richard Show (7.30 BBCl). SUDBURY ... (1970) 44 pop's best comic is ex-Bonzo Dog _ TACOLNESTON .. 62 55 Debut performance of the latest WALTHAM 58 64 Roger Spear, who trundles his edition of the . Shadows, now West Runton ... 26 Giant Kinetic Wardrobe · arou:qd Where BBCl- is available in Colour called-Marvin, Welch, and Farrar. you may find your black and white · the country single-handed. It's full Edwin Hawkins Singers (5.0 picture is improved by wa tching the of his_robots, most of which don't • Colour Channel on 625 lines (as for BBC2). The Haw kills Singers don't BBC2) . Please .. consult- your local work or go haywire, and like a h.ave an the earthy roughness . of is there to say about this consum ~ supplier. Dates in brackets -represent true clown he ha~ a - whiff of a pukka gospel choir, but they mate-· craftswoman of the best the anticipated year of service. tragedy about him, too. make up for it with subtle use images to be found in pop? . BBC Colour trade tests Disco 2 (11.5 BBC2). Most of the of dynamics and some excellent . Monday-Saturday: 9.0 am-7.0 pm show will be devoted to Elton ********************** 10.0 am Service Information; 10.20 soloists. Here they'll .be seen sing­ MONDAY Colour Receiver Installation film; 11.0 John, the newest rock sensation ing in Coventry Cathedral, -which · The Cole Porter Story (8.1 Radios (Sat only)- Colour film ; . H .30 Service following _his recent triumphant Information ; 11.35 Colour film; 12.5 shoul.d provide a piquant setting 1 and 2). Valuable to those who pm <f olour film; 2.5 (Sat only) Colour American ·tour in which he was for their fervour. weren't around when this music film; 2.30 Service· Information; 2.35 acclaimed by most of the music's was written. - Colour film ; 3.10 Colour film; 3.30 *CHRISTMAS***~***************** DAY Colour film ; 4.30 ·Colour Receiver aristocracy: from Bob Dylan and ******** ***********~** Instalfation film (Mon-Fri only): 5.30 The Band to Al Kooper, Leon The Pentangle (10.40 BBC2). WEDNESDAY Calour fihn; 6.15 (Mon-Fri only) Tun­ Filmed in and around a country ing Information ·followed by Colour Russell, and Paul Simon. Night Ride (12.5 Radios ·1 and 2). film; (Sat only) Colour -film. (Subject church near Cambridge, they sing .Genesis recently produced ·a mag­ fo prog r a mme commitments and en­ ********************** g ineering work.) SUNDAY and play four of their' own com~ nificent album - they are capable Omnibus (10.15 .BBCl). Did you positions which reflect the early, of using the full panoply of rock ever wonder what people did be­ pagan ro9ts of Christmas. and orchestral -effects to surround BBC Publications fore there were rock concerts? '********************** some excellent songs. Further Education Omnibus recreates a mid-Victorian BOXING DAY ********~*******~ ***** BB Cl 'musical evening,' in which all the Rosko Show -(12.0 Radio 1). Live NEW YEAR'S DAY Hardy Heating International, 15s performances by The Roy Young Folk on Friday How to Form a Playgroup, 9s , . members of the family would (7.2 ·Radios 1 and Si dice cosi (Italian for· beginners) play the popular music of the day Band. Young is a vintage rocker, 2). Featuring Shirley and Dolly Books 1 a nd 2 -5s each but now he's grown his hair, he's 12in LP Records 1, 2, and 3 22s 7d each for their own -entertainment. No Collins, sisters who treat-- tradi­ BBCl and BBC2 admission charge, and no ._ fighting probably regarded as a revision­ tional songs with love and care. Square 'J.'WO Books l , 2, ·and -3 12s each to get to the bar, either. ist in purist R'n'R drcles. George IV (9.0 BBC2). George's STUDY ON 3 *** * ********** ****~*** guests are Country Fever, . a new: Europe a nd the Indies, 8s . MONDAY****** **************** SUNDAY ish band on the Country side of Help Yourself to English, 7s Rendez-vous a Chaviray, Us In Concert (10.10 BBC2). Mac A Hard Day's Night (4.5 BBCl). Country-Rock, with some,excellent Six Modern Artists; slides 50s Davis is- a tall, drawling Ameri­ Already, the Beatles are couched songs and mellow guitar-playing. Starting Spanish, Book 7s _ 12in LP Records 1 ·a nd 2 30s 2d each can who -wrote ' In the Ghetto ' Star ting German - Reisebiiro Atlas for _Elvis Presley, among other ********************** ' Books 1, 2, and 3 4s each successes. He's a fine singer, Records 1 and 2 24s lld e a ch probably the best interpreter of The Price touch General his own gentle, thoughtful- songs_ Entertaining with Kerr, 10s ~ Jazz in Britai_n (10.50 Radio 3). for Christmas Going for a -Song, 30s Trailers for-this year's,,.Christmas Ask the Family, 5s Michael Garrick ·is perhaps the · The Mind of Man, 45s most idiosyncratic musician . in programmes have been specially Zena Skinner's Radio Times Recipes, 5s British jazz. As a pianist, his style recorded for BBCtv by Alan Price. Seeing Stars, 12s . veers between delicate Romanti­ Tampering with the traditional FOR CHILDREN sometfmes leads to criticism, but The Ped-lar of Swaffham, 21s cism and a heaviness which falls o Jemima!, 12s , just on the right side of"bombast, in feelings of nostalgia, -and their for Alan Price it was a challenge. The Wilkses · (Jackanory), 4s and his compositions show a simi­ first movie was made at the He assembled a: special 12 ~ piece band to accompany his organ and O.btainable through booksellers or by lar distaste for convention.
Load more

Recommended publications
  • Tomasz Konieczny
    Tomasz Konieczny BASSBARITON Altenkamp 40 Tomasz Konieczny 40885 Ratingen, Deutschland Tel.: +49 2102 5889606 Ratingen, 02.10.2014 Mobil.: +49 172 3469559 Fax: +49 321 21247271 E-Mail: [email protected] www.tomasz-konieczny.com AUSGEWÄHLTES REPERTOIR Komponist Oper Partie Sprache Wo und wann zuletzt gesungen Beethoven L. van Fidelio Pizarro Deutsch Nationaltheater Mannheim 2004/05, Burgarena Reinsberg 2008, Dirigent Martin Haselböck, NSO Washington 2012, Dirigent Christoph Eschenbach, Bayerische Staatsoper München 2012, Staatsoper Wien 2013, Dirigent Franz Welser-Möst Berlioz H. Les Troyens Narbal, Französisch Nationaltheater Mannheim 2003-2005, Oper Leipzig 2003/04 Berlioz H. Les Troyens L’Ombre d’Hecto Französisch Nationaltheater Mannheim 2003-2005 Bizet G. Carmen Escamillo Französisch Nationaltheater Mannheim 2002-04, Deutsche Oper am Rhein 2012 - 2013 Britten B. Peter Grimes Balstrode Deutsch Deutsche Oper am Rhein Düsseldorf 2009-11 Dirigent Axel Kober, Deutsche Oper am Rhein 2013, Dirigent Wen-Pin Chien Britten B. Sommernachtstraum Zettel/Bottom Deutsch Deutsche Oper am Rhein 2006/07 Debussy C. Pelleas und Melisande Golaud Französisch Deutsche Oper am Rhein 2007-09 Haendel G.F Acis und Galatea Polyphemus Englisch Burgarena Reinsberg 2010, Dirigent Martin Haselböck Hindemith P. Cardillac Goldhändler Deutsch Staatsoper Wien, Dirigent Franz Welser-Möst, 2010, 2012 Janáček L. Die Sache Makropulos Kolenatý, Dr. Tschechisch Teatro Real Madrid 2008 Massenet J. Cendrillon Pandolfe Französisch Theater Lübeck 2000/01 Mozart W.A. Don Giovanni Commendatore Italienisch Salzburger Festspiele 2014, Dirigent Christoph Eschenbach Mozart W.A. Zauberflöte Sarastro Deutsch Nationaltheater Mannheim 2003-2005, Dirigent Adam Fischer. Staatsoper Stuttgart 2005-2006, Dirigent Lothar Zagrosek Mozart W.A Hochzeit des Figaro Figaro Italienisch Oper Posen (Polen) Polnisch Nyman M.
    [Show full text]
  • The Exhibition FEBRUARY 2015 Der Meister Tön' Und Weisen... Heinz Zednik – 50 Jahre Staatsoper
    Der Meister Tön’ und Weisen... Heinz Zednik – 50 Jahre Staatsoper 12.2.–21.9.2015 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 FEBRUARY 2015 The Exhibition In 2015 the music world honours the occasion of two anniversaries of the well-known and popular Austrian tenor Heinz Zednik: he celebrates both his seventy-fifth birthday and five decades as member of the ensemble of the “Haus am Ring”, the Vienna State Opera. On November 5, 1964 the young singer from the Graz Opera gave his first guest performance in Vienna, singing the role of Augustin Moser in Wagner’s Die Meistersinger von Nürnberg; on September 3, 1965 he appeared for the first time as a full member of the ensemble at the Vienna State Opera – as Count Lerma in Verdi’s Don Carlo. In order to showcase Zednik’s impressive repertory the exhibition focuses both on Zednik’s opera performances in Vienna and beyond – in Milan, Bayreuth and New York – and his work outside the field of opera, which comprises operetta, oratories, lieder and Viennese songs. Markus Vorzellner curated the exhibition; Elisabeth Truxa designed the layout. Der Meister Tön’ und Weisen... Heinz Zednik – 50 Jahre Staatsoper 12.2.–21.9.2015 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 Events RECITAL HEINZ ZEDNIK Piano: Konrad Leitner Wednesday, April 22, 7.30 p.m. Tickets € 22, Verein Freunde der Wiener Staatsoper and Ö1 Club € 19, students € 12 Reservations T +43 1 525 24 3460 „A MUSI, A MUSI“ A viennese evening with Heinz Zednik, Peter Hawlicek (contra guitar) und Roland Sulzer (accordeon) Moderation: Markus Vorzellner Wednesday, September 9, 7.30 p.m Tickets € 22, Verein Freunde der Wiener Staatsoper and Ö1 Club € 19, students € 12 Reservations T +43 1 525 24 3460 „…DASS SICH DIE WELT IN EINEM TAG HERUMDREHT“ After a guided tour through the exhibition by curator Markus Vorzellner you are invited to enjoy his anecdotes of personal encounters with Heinz Zednik, complemented by selected audio-clips.
    [Show full text]
  • A Chronology of All Artists' Appearances with the Chamber
    75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 ​ Season, 1938 – 1939 ​ Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 ​ Season, 1939 – 1940 ​ The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 ​ Season, 1940 – 1941 ​ Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian Piano­String Quartet The Coolidge Quartet th 4 ​ Season, 1941 – 1942 ​ The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 ​ Season, 1942 – 1943 ​ The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 ​ Season, 1943 – 1944 ​ The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 ​ Season, 1944 – 1945 ​ The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 ​ Season, 1945 – 1946 ​ The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 ​ Season, 1946 – 1947 ​ The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 ​ Season, 1947 – 1948 ​ Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 ​ Season, 1948 – 1949 ​ The Alma Trio
    [Show full text]
  • Spanish Language Broadcasting Collection
    Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated....................................................
    [Show full text]
  • Post-World War II Jazz in Britain: Venues and Values 19451970
    University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre).
    [Show full text]
  • About the Exhibition Tenorissimo! Plácido Domingo in Vienna
    Tenorissimo! Plácido Domingo in Vienna May 17th, 2017 - January 8th, 2018 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 About the exhibition An unmistakable dark timbre, highly dramatic expressiveness, an impressive, vast repertoire – all this enraptures the fans of the Spanish crowd-pleaser with waves of enthusiasm. The Theatermuseum celebrates Plácido Domingo on the anniversary of his stage debut: He has been singing at the Vienna State Opera for 50 years. When the Tenor, then still considered as insider tip, made his debut at the State Opera in the title role of Verdi‘s Don Carlo, not only he took stage and cast in storm, but also the hearts of the Viennese audience – a true love relationship, unbroken till today. This performance contributed to an unparalleled career, taking him to the world‘s leading opera houses. Vienna has always been a very special “home port“ for the opera star. Here he performed 30 different roles in 300 shows and was awarded the title Austrian Kammersänger. The exhibition at the Theatermuseum documents the most important appearances of the “Tenorissimo“ in Vienna with original costumes and props, photographs and memorabilia, video and audio samples. The presentation portrays him also as baritone, the role fach on which he concentrated almost exclusively in the past 10 years, and refers to his activities as conductor, taking him regularly to the orchestra pit of the Vienna State Opera since the end of the 1970s. Without hesitation Plácido Domingo can be described as one of the most versatile, curious and longest serving representative of his musical genre.
    [Show full text]
  • Sweet at Top of the Pops
    1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) .........................................................................................................................................................
    [Show full text]
  • The Inspiration Behind Compositions for Clarinetist Frederick Thurston
    THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing.
    [Show full text]
  • BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
    ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient.
    [Show full text]
  • WAGNER Die Walküre
    660172-74 bk Walküre US 17/7/06 10:28 Page 16 3 CDs Recorded at the Staatsoper Stuttgart, Germany, WAGNER on 29th September 2002 and 2nd January 2003. General Director: Prof. Klaus Zehelein Die Walküre Executive Producers: Dr Reinhard Ermen (SWR Radio), Gambill • Jun • Rootering • Denoke • Behle • Vaughn Dr Dietrich Mack (SWR TV) and Paul Smaczny (EuroArts) Staatsoper Stuttgart • Staatsorchester Stuttgart Producer: Thomas Angelkorte Editor: Irmgard Bauer Lothar Zagrosek Engineers: Brigitte Hermann and Karl-Heinz Runde This performance of Die Walküre is the second part of Wagner’s Ring cycle recorded live during Stuttgart Opera’s 2002/2003 season. For the first time in the history of the Ring cycle each of the four operas was staged with separate producers and casts. A production of EuroArts Music International GmbH and Südwestrundfunk in co-operation with ARTE Gefördert von der Medien- und Filmgesellschaft Baden-Württemberg 8.660172-74 16 660172-74 bk Walküre US 17/7/06 10:28 Page 2 Die Walküre Stuttgart Staatsorchester (The Valkyrie) Established in 1589 as the Court Orchestra of Württemberg, the Württemberg Stuttgart State Orchestra has a history The First Day of over four hundred years. Over the generations there have been collaborations with musicians of distinction, among them Leonhard Lechner, the Frobergers, Niccolò Jommelli, Johann Rudolf Zumsteeg, Konradin Kreutzer, of Johann Nepomuk Hummel and Carl Maria von Weber. Berlioz praised the orchestra, when he appeared with it as Der Ring des Nibelungen conductor, and in the 1880s Stuttgart was one of the first to stage the complete Ring cycle, conducted by the then (The Ring of the Nibelung) General Music Director Herman Zumpe, who had assisted Wagner at the first Bayreuth Festival.
    [Show full text]
  • KD-ADV49/KD-AVX44 RÉCEPTEUR DVD/CD RECEPTOR CONDVD/CD DVD/CD RECEIVER Pour L’Installationetlesraccordements,Seréféreraumanuelséparé
    ENGLISH DVD/CD RECEIVER RECEPTOR CON DVD/CD RÉCEPTEUR DVD/CD ESPAÑOL KD-ADV49/KD-AVX44 FRANÇAIS For canceling the display demonstration, see page 7. Para cancelar la demonstración en pantalla, consulte la página 7. Pour annuler la démonstration des affichages, référez-vous à la page 7. For installation and connections, refer to the separate manual. For customer Use: Para la instalación y las conexiones, refiérase al manual separado. Enter below the Model No. Pour l’installation et les raccordements, se référer au manuel séparé. and Serial No. which are located on the top or bottom of the cabinet. Retain this information for future INSTRUCTIONS reference. MANUAL DE INSTRUCCIONES MANUEL D’INSTRUCTIONS Model No. Serial No. LVT1797-001B [J/C] CCover_KDADV49AVX44[JC].inddover_KDADV49AVX44[JC].indd 2 008.2.188.2.18 110:45:380:45:38 AAMM Thank you for purchasing a JVC product. Please read all instructions carefully before operation, to ensure your complete understanding and to obtain the best possible performance from the unit. IMPORTANT FOR LASER PRODUCTS 1. CLASS 1 LASER PRODUCT ENGLISH 2. CAUTION: Do not open the top cover. There are no user serviceable parts inside the unit; leave all servicing to qualified service personnel. 3. CAUTION: (For U.S.A.) Visible and/or invisible class II laser radiation when open. Do not stare into beam. (For Canada) Visible and/or invisible class 1M laser radiation when open. Do not view directly with optical instruments. 4. REPRODUCTION OF LABEL: CAUTION LABEL, PLACED OUTSIDE THE UNIT. INFORMATION (For U.S.A.) WARNINGS: This equipment has been tested and found to To prevent accidents and damage comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
    [Show full text]
  • If the Stones Were the Bohemian Bad Boys of the British R&B Scene, The
    anEHEl s If the Stones were the bohemian bad boys of the British R&B scene, the Animals were its working-class heroes. rom the somber opening chords of the than many of his English R&B contemporaries. The Animals’ first big hit “House of the Rising Animals’ best records had such great resonance because Sun,” the world could tell that this band Burdon drew not only on his enthusiasm, respect and was up to something different than their empathy for the blues and the people who created it, but British Invasion peers. When the record also on his own English working class sensibilities. hitP #1 in England and America in the summer and fall of If the Stones were the decadent, bohemian bad boys 1964, the Beatles and their Mersey-beat fellow travellers of the British R&B scene, the Animals were its working- dominated the charts with songs like “I Want to Hold Your class heroes. “We Gotta Get Out of This Place” and “It’s My Hand” and “Glad All Over.” “House of the Rising Sun,” a tra­ Life,” two Brill Building-penned hits for the band, were ditional folk song then recently recorded by Bob Dylan on informed as much by working-class anger as by Burdons his debut album, was a tale of the hard life of prostitution, blues influences, and the bands anthemic background poverty and despair in New Orleans. In the Animals’ vocals underscored the point. recording it became a full-scale rock & roll drama, During the two-year period that the original scored by keyboardist Alan Price’s rumbling organ play­ Animals recorded together, their electrified reworkings of ing and narrated by Eric Burdons vocals, which, as on folk songs undoubtedly influenced the rise of folk-rock, many of the Animals’ best records, built from a foreboding and Burdons gritty vocals inspired a crop of British and bluesy lament to a frenetic howl of pain and protest.
    [Show full text]