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Transforming Legal Aid: Next Steps
TRANSFORMING LEGAL AID: NEXT STEPS (CP ....../2013) CONSULTATION RESPONSE BY TREASURY COUNSEL TO THE CROWN AT THE CENTRAL CRIMINAL COURT st 31 October 2013 1 OVERVIEW By this Consultation Paper, Transforming Legal Aid: Next Steps, H.M. Government has indicated that it rejects or can ignore much of the content of the thousands of Consultation Responses to its April Paper CP14/2013, particularly as to the future effect on the supply and quality of criminal advocacy services from the proposed changes to legal aid funding. Instead, this second stage: Treats as settled the principle of massive (30%) reductions to VHCC fees, but from a mistaken base and with no good policy justification; Seeks only to consult on the mechanism for introducing further big reductions in fees for Crown Court advocacy (the AGFS changes); Assumes that these changes will have no effect on the provision of advocacy services; and At the same time, suggests that those effects are unquantifiable and so invites consultee assistance as to their impact. The Treasury Counsel team at the Old Bailey considers that: (1) These proposals come as publicly funded fees for criminal advocacy are in the middle of a very steep, downward trajectory (25% savings over 4 years and continuing), the end point and consequences of which are neither complete nor known or understood by policymakers; (2) The current commercial state of the criminal Bar is precarious, as a result of previous policy implementation, so that even small changes in income will now have very significant effects; -
Trish Reid, Theatre & Scotland (Houndmills
Ian Brown, editor, The Edinburgh Companion to Scottish Drama (Edinburgh: Edinburgh University Press, 2011); Trish Reid, Theatre & Scotland (Houndmills: Palgrave Macmillan, 2013) Alan Riach What might be described as the conventional wisdom about Scottish drama is summed up in the first two sentences of chapter 10 of Marshall Walker’s book, Scottish Literature since 1707 (1996): ‘There is no paucity of Scottish theatrical heritage, but there is a shortage of durable Scottish plays. Drama is the genre in which Scottish writers have shown least distinction.’ It is a judgement that has been perpetuated over generations but only relatively recently has the necessary scholarship and engagement been advanced, by both academics and theatre practitioners, to interrogate the assumptions that lie behind it. Walker refers to ‘the circumstances of theatrical history’ and questions of suppression and censorship, the Reformation, the removal of the court to London in 1603, the Licensing Act of 1737, and concludes his introduction to the chapter by saying that despite familiar references to Allan Ramsay, John Home, Joanna Baillie, and the vitality of folk, music-hall and variety theatre, nothing much happens between Sir David Lyndsay in the sixteenth century and the ‘return’ of Scottish drama in the twentieth century. Most of his chapter then goes on to discuss incisively and refreshingly the achievements of J.M. Barrie, James Bridie and John McGrath but the context he sketches out is barren. As a summary, there is some brutal truth in this, but as an appraisal of the whole complex story, there is much more to be said, and much more has been discovered and made public in the decades since Walker’s book appeared. -
A Critical Survey of Neil M. Gunn's Drama Richard Price
Studies in Scottish Literature Volume 29 | Issue 1 Article 11 1996 Choosing a Play: A Critical Survey of Neil M. Gunn's Drama Richard Price Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Price, Richard (1996) "Choosing a Play: A Critical Survey of Neil M. Gunn's Drama," Studies in Scottish Literature: Vol. 29: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol29/iss1/11 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Richard Price Choosing a Play: A Critical Survey of Neil M. Gunn's Drama Neil M. Gunn, one of the principal Scottish novelists of the twentieth cen tury, began writing plays from the mid-1920s, and continued to write drama and (especially latterly) radio dramatizations up until the 1960s. It is the aim of this essay to look again at this much-neglected aspect of Gunn's work, to demon strate how his drama tried to appeal to as wide an audience as possible, how it was both a didactic and political drama, and yet how it contained elements which can be securely described as "experimental." This is not to evade the generally accepted view that the formal nature of Gunn's plays tends to be less innovative than his novels, nor the view that his overall stagecraft was undeveloped. -
An Inventory of Literature on the Relation Between Drug Use, Impaired Driving and Traffic Accidents
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Documentation Centre on Drug Use E.M.C.D.D.A. DRUGS MISUSE RESEARCH DIVISION HEALTH RESEARCH BOARD An Inventory of Literature on the Relation between Drug Use, Impaired Driving and Traffic Accidents CT.97.EP.14 Research Team: Colin Gemmell Trinity College, Dublin Rosalyn Moran Drugs Misuse Research Division, Health Research Board James Crowley Professor, Transport Policy Research Institute, University College Dublin Richeal Courtney Medical Expert, for the Health Research Board EMCDDA: Lucas Wiessing February 1999 Please use the following citation: European Monitoring Centre for Drugs and Drug Addiction. An Inventory of Literature on the Relation betweenDrug Use, Impaired Driving and Traffic Accidents. (CT.97.EP.14) Lisbon: EMCDDA, February 1999. Contact Details Drugs Misuse Research Division Health Research Board 73 Lower Baggot Street Dublin 2 Ireland European Monitoring Centre for Drugs and Drug Addiction Rua Cruz de Santa Apolónia 23/25 1100, Lisboa Portugal. Further copies of this bibliography can be obtained from the EMCDDA at the above address. CREDITS Principal Researchers Ms Rosalyn Moran, Project Leader, Health Research Board Professor James Crowley, Professor, Transport Policy Research Institute, UCD Dr Richeal Courtney, Medical Expert, on behalf of the Health Research Board Research Assistants Colin Gemmell (Synthesis and Final Reports) Sarah Heywood (Literature Search and Collaborative Network) For the EMCDDA Lucas Wiessing -
MR GILLIE by James Bridie
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The first London production in over 60 years MR GILLIE by James Bridie. Directed by Jenny Eastop. Set and Costumes Designed by Anna Yates. Presented by Mercurius in association with Neil McPherson for the Finborough Theatre. Cast: David Bannerman. Andrew Cazanave Pin. Emma D’Inverno. Ross Dunsmore. Caitlin Fielding. Drew Paterson. Malcolm Rennie. Andy Secombe. "I find most good men occupied in designing and strengthening cages. I do not like cages. I think that the few minutes between the door of the cage and the jaws of the cat make life worth living." In a new production commissioned by the Finborough Theatre and continuing their rediscovery of James Bridie, one of the West End’s most successful dramatists of the 1930s and 1940s, the first London production since its 1950 premiere of Mr Gillie runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 25 June 2017 (Press Night: Monday, 26 June 2017 at 7.30pm). Village headmaster William Gillie is killed by the furniture van coming to take away his possessions, as he is being evicted from his home when his school is closed down. He has spent his entire teaching career fighting the Education Board’s narrow idea of schooling, trying to inspire his pupils to strive for great creative lives. Having lost his school and his home and with none of his pupils quite finding the wings to fly free, his life is examined by a heavenly Procurator and Judge. -
Neil Gunn's Creation of a 'Meta-Novel' of the Highlands
DEPARTMENT OF SCOTTISH LITERATURE UNIVERSITY OF GLASGOW DOCTORAL THESIS CHRISTOPHER JOHN LAWSON STOKOE Closing the Circle: Neil Gunn's creation of a 'meta-novel' of the Highlands. Date of submission - 6th March 2007 4 C.J. L. Stokoe, March 2007 ý14)_)'e i. )Z '! '_ ý' i/ . f' 2 A riý'l '70 914 CILjc, ý 140 (o %ý ý dJ 4a ou - LýL 4s .r" " rj ý VLS 1rý_ri 2/\g: iii ý Lý ß-42. L.... " zýtj-ýl 3 °- t -. ý"r ýw % "ý1 . s .aý. _ 3 t, ýý t.,40-cjl , -TL ýV4 tA Lr &1 Lit . ~. Or 14 W ý-*ý ýa ý ý,r 44 ýwý 'ý _7M I ý" sjj. Az { º I O Ii -11 .. 14 LL I jJ_t4 r iiu /I' __ c) £L4 r CIA. Leh ý^(v ý- " `. i ýi: º, IL it L,. -a LJ . C)D-C-1 ,..ýý ..ý 4 ABSTRACT Whilst researchinghis bibliography of Neil M Gunn, the writer found photocopies of papers said to have been in Gunn's desk at the time of his death, amongst which were copies of both sides of a handwritten sheet' torn from a loose- leaf notebook. This document, produced in responseto perceived criticism by Eric Linklater, offers a unique insight into Gunn's view of his literary achievement at the end of his novel-writing career. In it Gunn sets out the theoretical concept of all his twenty novels being components of a single, composite, 'Novel of the Highlands', an abstract concept referred to in this thesis as a'meta-novel'. -
Inventory Acc.12942 Marillyn Gray / Gateway Theatre Papers
Acc.12942 January 2009 Inventory Acc.12942 Marillyn Gray / Gateway Theatre Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, (1925-1997) of Scottish actor and theatre director Marillyn Gray (1930-2006) referred to as MG in the inventory. The collection chiefly relates to the Gateway Theatre, (1953-1965) in which Marillyn Gray was a regular performer. The Gateway papers came into her care at some point after the theatre closed possibly entrusted to her by, or after the death of, Sadie Aitken (1905-85) Gateway Theatre General Manager, some of whose papers are in the collection. Marillyn Gray was born in Edinburgh, attending Trinity Academy. After serving her apprenticeship at Perth Repertory theatre she had her first major role in 1951 with the Glasgow Citizens’ Spindrift written by Naomi Mitchison and Denis Macintosh, playing alongside Duncan Macrae and Fulton MacKay. Thereafter she became a stalwart at the Gateway Theatre in Edinburgh. She also worked for many years with Jimmy Logan’s variety shows, and made numerous appearances on radio and television. She later taught at the Drama Department of Queen Margaret College in Edinburgh, directing a number of their productions. The Gateway was gifted to the Church of Scotland by local businessman A.G. Anderson in 1944. Under the stewardship of director Rev George Candlish and manager Sadie Aitken it was officially opened as a theatre in October 1946 showing films and inviting companies such as Perth Theatre, Dundee Rep, Glasgow Citizens, and the Scottish National Players to visit. -
You Can Download This Book Here in Pdf Format
CONTENTS CONTENTS ADAM DRINAN The Men of the Rocks 294 BERNARD PERGUSSON Across the Chindwin 237 JAMES PERGUSSON Portrait of a Gentleman 3" G S FRASER The Black Cherub 82 SIR ALEXANDER GRAY A Father of SociaUsm loi Scotland 3i9 NEIL M GUNN Up from the Sea 114 The Little Red Cow 122 GEORGE CAMPBELL HAY Ardlamont 280 To a Loch Fyne Fisherman 280 The Smoky Smirr o Rain 281 MAURICE LINDSAY The Man-in-the-Mune 148 Willie Wabster 148 Bum Music 149 ERIC LINKLATER Rumbelow 132 Sealskin Trousers 261 HUGH MACDIARMID Wheesht, Wheesht 64 Blind Man's Luck 64 Somersault 5^ vi CONTENTS Sabine 65 O Wha's been Here 197 Bonnie Broukit Baim 198 COLIN MACDONALD Lord Leverhulme and the Men of Lewis 189 COMPTON MACKENZIE The North Wind 199 MORAY MCLAREN The Commercial Traveller 297 DONALD G MACRAE The Pterodactyl and Powhatan's Daughter 309 BRUCE MARSHALL A Day with Mr Migou 38 GEORGE MILLAR Stone Walls . 170 NAOMI MITCHISON Samund's Daughter 85 EDWIN MUIR In Orkney 151 In Glasgow 158 In Prague 161 The Good Town 166 WILL OGILVIE The Blades of Harden 259 ALEXANDER SCOTT The Gowk in Lear 112 GEORGE SCOTT-MONCRIEFF Lowland Portraits 282 vii CONTENTS SYDNEY GOODSIR SMITH ; ACKNOWLEDGMENTS Thanks are due, and are hereby tendered, to the following authors and publishers for permission to use copyright poems and extracts from the volumes named hereunder : John Allan and Messrs Methuen & Co Ltd for Farmer's Boy ; George Blake and William CoUins, Sons and Co Ltd for The Ship- builders ; Jonathan Cape Ltd for three poems from Collected Poems by Lilian Bowes Lyon ; James -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
"Enhanced Filmography." Hitchcock's Appetites
McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C. -
Author and Keyword Index
AUTHOR AND KEYWORD INDEX Author Index Abadie, J. P1 Abraham,T. P47 Afzal, M. S53 Agrawal, A. S3 Agrawal, A. S5 Alexander, R. S32 Allan, C. P22 Anderson, D. P18 Andollol, W. P14 Andrew,T. S41 Anne, L P56 Avella, J. S46 Averin, O. P27 Ayres, P. P23 Backer, R. P6 Ballesteros, S. S25 Balraj, E. S41 Bankson, D. P1 Barnes, A. P47 Barnes, A. P39 Barnes, A. P35 Barnes, A. P32 Barry, M. S32 Baylor, M. P33 Baylor, M. P34 Behonick, G. S39 Bell, S. P50 Benoit, M. S16 Benski, L. P43 Bih, C. P56 Blackwell, W. P43 Blackwell, W. S10 Blum, K. P53 Bodepudi, V. P56 Boehme, D. S49 Borges, C. P58 Bramlett, R. P42 Briglia, E. S46 Bultman, S. P29 Burbach, C. P23 Bush, D. P33 Bush, D. P34 Bynum, N. S23 Callery, P. P41 Callery, P. S51 Callery, P. P50 Callery, R. S12 Capian, Y. S7 Cardona, P. S36 Carr, P. S37 Chao, O. S48 Chaplinsky, L P5 Chaturverdi, A. S36 Chechlacz, R. P12 Cheng, P. S52 Chmara, E. P19 Choo, R. P40 Chronister, C. P26 Cibull, D. P9 Clarke, J. P53 Clay, D. S51 Cochems, A. S44 Cochems, A. S11 Cody, J. P54 Cody, R. S38 Cody, R. P38 Colona, K. P4 Cone, E. P32 Cone, E. P39 Cone, E. P35 Cone, E. S7 Cone, E. S34 Cone, E. P55 Conoley, M. P44 Conoley, M. P15 Couper, F. S41 Cox, D. S21 Cox, D. P30 Coy, D. P5 Crook, D. S9 Crouch, D. P58 Dahn, T. P51 Darwin, W. P55 Datuin, M. P56 Day, D S4 Day, J. -
The Scottish National Players
THE SCOTTISH NATIONAL PLAYERS IN THE NATURE OF AN EXPERIMENT 1913-1934 TWO VOLUMES: VOLUME TWO ©Karen Anne Marshalsay Thesis submitted for the degree of Doctor of Philosophy, Department of Theatre, Film and Television Studies, Faculty of Arts,. University of Glasgow. October 1991. f a_.. :a?. t \- CONTENTS Appendix one: Chronological List of Plays Produced by the 3 Scottish National Players and the Date of the First SNP Production Appendix two: List of Plays Performed by the Scottish 8 National Players, Arranged Alphabetically by Author appendix three: Performances of the Scottish National Players 18 1921-1947 Appendix four: List of People Who Only Acted Once with the 43 Scottish National Players 1921-1934 Appendix five: List of People Who Acted Between One and 47 Nine Times with the Scottish National Players 1921-1934 Appendix six: List of People Who Acted Between Ten and 50 Twenty Times with the Scottish National Players 1921-1934 appendix seven: List of People Who Acted More Than Twenty 51 Times with the Scottish National Players 1921-1934 Appendix eight: People Involved with the Stage Productions of 52 the Scottish National Players 1921-1934 3 APPENDIX ONE CHRONOLOGICAL LIST OF PLAYS PRODUCED BY THE SCOTTISH NATIONAL PLAYERS, AND THE DATE OF THE FIRST SNP PRODUCTION. An asterisk (*) before a play title indicates that the play was being performed for the first time on any stage. *CHATELARD C Stewart Black 13/01/21 *CUTE MCCHEYNE J Laing Waugh & 13/01/21 AP Wilson *GLENFORSA J Brandane & 13/01/21 AW YuiII THE PHILOSOPHER OF Harold Chapin 13/04/21 BUTTERBIGGINS *THE MOTHER George Blake 13/04/21 *THE BAILIE'S NOMINEE David Martin 13/04/21 *CHRIST IN THE KIRKYAIRD Hugh Roberton 31/10/21 *THE CHANGE HOUSE John Brandane 01/11/21 *THE MONEY'S THE THING George Woden 01/11/21 *LET GRAYTOWNFLOURISH Robins Millar 20/12/21 *LUIFFY J Laing Waugh & 20/12/21 AP Wilson *FLEDGLINGS George Blake 24/01/22 *THE JOLLY BEGGARS R Burns 24/01/22 adap.