The Scottish National Players
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Trish Reid, Theatre & Scotland (Houndmills
Ian Brown, editor, The Edinburgh Companion to Scottish Drama (Edinburgh: Edinburgh University Press, 2011); Trish Reid, Theatre & Scotland (Houndmills: Palgrave Macmillan, 2013) Alan Riach What might be described as the conventional wisdom about Scottish drama is summed up in the first two sentences of chapter 10 of Marshall Walker’s book, Scottish Literature since 1707 (1996): ‘There is no paucity of Scottish theatrical heritage, but there is a shortage of durable Scottish plays. Drama is the genre in which Scottish writers have shown least distinction.’ It is a judgement that has been perpetuated over generations but only relatively recently has the necessary scholarship and engagement been advanced, by both academics and theatre practitioners, to interrogate the assumptions that lie behind it. Walker refers to ‘the circumstances of theatrical history’ and questions of suppression and censorship, the Reformation, the removal of the court to London in 1603, the Licensing Act of 1737, and concludes his introduction to the chapter by saying that despite familiar references to Allan Ramsay, John Home, Joanna Baillie, and the vitality of folk, music-hall and variety theatre, nothing much happens between Sir David Lyndsay in the sixteenth century and the ‘return’ of Scottish drama in the twentieth century. Most of his chapter then goes on to discuss incisively and refreshingly the achievements of J.M. Barrie, James Bridie and John McGrath but the context he sketches out is barren. As a summary, there is some brutal truth in this, but as an appraisal of the whole complex story, there is much more to be said, and much more has been discovered and made public in the decades since Walker’s book appeared. -
A Critical Survey of Neil M. Gunn's Drama Richard Price
Studies in Scottish Literature Volume 29 | Issue 1 Article 11 1996 Choosing a Play: A Critical Survey of Neil M. Gunn's Drama Richard Price Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Price, Richard (1996) "Choosing a Play: A Critical Survey of Neil M. Gunn's Drama," Studies in Scottish Literature: Vol. 29: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol29/iss1/11 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Richard Price Choosing a Play: A Critical Survey of Neil M. Gunn's Drama Neil M. Gunn, one of the principal Scottish novelists of the twentieth cen tury, began writing plays from the mid-1920s, and continued to write drama and (especially latterly) radio dramatizations up until the 1960s. It is the aim of this essay to look again at this much-neglected aspect of Gunn's work, to demon strate how his drama tried to appeal to as wide an audience as possible, how it was both a didactic and political drama, and yet how it contained elements which can be securely described as "experimental." This is not to evade the generally accepted view that the formal nature of Gunn's plays tends to be less innovative than his novels, nor the view that his overall stagecraft was undeveloped. -
MR GILLIE by James Bridie
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The first London production in over 60 years MR GILLIE by James Bridie. Directed by Jenny Eastop. Set and Costumes Designed by Anna Yates. Presented by Mercurius in association with Neil McPherson for the Finborough Theatre. Cast: David Bannerman. Andrew Cazanave Pin. Emma D’Inverno. Ross Dunsmore. Caitlin Fielding. Drew Paterson. Malcolm Rennie. Andy Secombe. "I find most good men occupied in designing and strengthening cages. I do not like cages. I think that the few minutes between the door of the cage and the jaws of the cat make life worth living." In a new production commissioned by the Finborough Theatre and continuing their rediscovery of James Bridie, one of the West End’s most successful dramatists of the 1930s and 1940s, the first London production since its 1950 premiere of Mr Gillie runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 25 June 2017 (Press Night: Monday, 26 June 2017 at 7.30pm). Village headmaster William Gillie is killed by the furniture van coming to take away his possessions, as he is being evicted from his home when his school is closed down. He has spent his entire teaching career fighting the Education Board’s narrow idea of schooling, trying to inspire his pupils to strive for great creative lives. Having lost his school and his home and with none of his pupils quite finding the wings to fly free, his life is examined by a heavenly Procurator and Judge. -
Neil Gunn's Creation of a 'Meta-Novel' of the Highlands
DEPARTMENT OF SCOTTISH LITERATURE UNIVERSITY OF GLASGOW DOCTORAL THESIS CHRISTOPHER JOHN LAWSON STOKOE Closing the Circle: Neil Gunn's creation of a 'meta-novel' of the Highlands. Date of submission - 6th March 2007 4 C.J. L. Stokoe, March 2007 ý14)_)'e i. )Z '! '_ ý' i/ . f' 2 A riý'l '70 914 CILjc, ý 140 (o %ý ý dJ 4a ou - LýL 4s .r" " rj ý VLS 1rý_ri 2/\g: iii ý Lý ß-42. L.... " zýtj-ýl 3 °- t -. ý"r ýw % "ý1 . s .aý. _ 3 t, ýý t.,40-cjl , -TL ýV4 tA Lr &1 Lit . ~. Or 14 W ý-*ý ýa ý ý,r 44 ýwý 'ý _7M I ý" sjj. Az { º I O Ii -11 .. 14 LL I jJ_t4 r iiu /I' __ c) £L4 r CIA. Leh ý^(v ý- " `. i ýi: º, IL it L,. -a LJ . C)D-C-1 ,..ýý ..ý 4 ABSTRACT Whilst researchinghis bibliography of Neil M Gunn, the writer found photocopies of papers said to have been in Gunn's desk at the time of his death, amongst which were copies of both sides of a handwritten sheet' torn from a loose- leaf notebook. This document, produced in responseto perceived criticism by Eric Linklater, offers a unique insight into Gunn's view of his literary achievement at the end of his novel-writing career. In it Gunn sets out the theoretical concept of all his twenty novels being components of a single, composite, 'Novel of the Highlands', an abstract concept referred to in this thesis as a'meta-novel'. -
Inventory Acc.12942 Marillyn Gray / Gateway Theatre Papers
Acc.12942 January 2009 Inventory Acc.12942 Marillyn Gray / Gateway Theatre Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, (1925-1997) of Scottish actor and theatre director Marillyn Gray (1930-2006) referred to as MG in the inventory. The collection chiefly relates to the Gateway Theatre, (1953-1965) in which Marillyn Gray was a regular performer. The Gateway papers came into her care at some point after the theatre closed possibly entrusted to her by, or after the death of, Sadie Aitken (1905-85) Gateway Theatre General Manager, some of whose papers are in the collection. Marillyn Gray was born in Edinburgh, attending Trinity Academy. After serving her apprenticeship at Perth Repertory theatre she had her first major role in 1951 with the Glasgow Citizens’ Spindrift written by Naomi Mitchison and Denis Macintosh, playing alongside Duncan Macrae and Fulton MacKay. Thereafter she became a stalwart at the Gateway Theatre in Edinburgh. She also worked for many years with Jimmy Logan’s variety shows, and made numerous appearances on radio and television. She later taught at the Drama Department of Queen Margaret College in Edinburgh, directing a number of their productions. The Gateway was gifted to the Church of Scotland by local businessman A.G. Anderson in 1944. Under the stewardship of director Rev George Candlish and manager Sadie Aitken it was officially opened as a theatre in October 1946 showing films and inviting companies such as Perth Theatre, Dundee Rep, Glasgow Citizens, and the Scottish National Players to visit. -
You Can Download This Book Here in Pdf Format
CONTENTS CONTENTS ADAM DRINAN The Men of the Rocks 294 BERNARD PERGUSSON Across the Chindwin 237 JAMES PERGUSSON Portrait of a Gentleman 3" G S FRASER The Black Cherub 82 SIR ALEXANDER GRAY A Father of SociaUsm loi Scotland 3i9 NEIL M GUNN Up from the Sea 114 The Little Red Cow 122 GEORGE CAMPBELL HAY Ardlamont 280 To a Loch Fyne Fisherman 280 The Smoky Smirr o Rain 281 MAURICE LINDSAY The Man-in-the-Mune 148 Willie Wabster 148 Bum Music 149 ERIC LINKLATER Rumbelow 132 Sealskin Trousers 261 HUGH MACDIARMID Wheesht, Wheesht 64 Blind Man's Luck 64 Somersault 5^ vi CONTENTS Sabine 65 O Wha's been Here 197 Bonnie Broukit Baim 198 COLIN MACDONALD Lord Leverhulme and the Men of Lewis 189 COMPTON MACKENZIE The North Wind 199 MORAY MCLAREN The Commercial Traveller 297 DONALD G MACRAE The Pterodactyl and Powhatan's Daughter 309 BRUCE MARSHALL A Day with Mr Migou 38 GEORGE MILLAR Stone Walls . 170 NAOMI MITCHISON Samund's Daughter 85 EDWIN MUIR In Orkney 151 In Glasgow 158 In Prague 161 The Good Town 166 WILL OGILVIE The Blades of Harden 259 ALEXANDER SCOTT The Gowk in Lear 112 GEORGE SCOTT-MONCRIEFF Lowland Portraits 282 vii CONTENTS SYDNEY GOODSIR SMITH ; ACKNOWLEDGMENTS Thanks are due, and are hereby tendered, to the following authors and publishers for permission to use copyright poems and extracts from the volumes named hereunder : John Allan and Messrs Methuen & Co Ltd for Farmer's Boy ; George Blake and William CoUins, Sons and Co Ltd for The Ship- builders ; Jonathan Cape Ltd for three poems from Collected Poems by Lilian Bowes Lyon ; James -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
"Enhanced Filmography." Hitchcock's Appetites
McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C. -
Glasgow Unity Theatre and the Significance of Robert Mitchell's Scottish Adaptation of the Lower Depths
'By Policy a Native Theatre': Glasgow Unity Theatre and the Significance of Robert Mitchell's Scottish Adaptation of The Lower Depths Bill Findlay Glasgow Unity Theatre was established in 1940 and staged its first production in January 1941. It was formed through the amalgamation of a number of left-wing amateur companies in the city: the Workers' Theatre Group, the Clarion Players, the Glasgow (formerly Scottish Labour College) Players, the Transport Players, and the Jewish Institute Players.1 For the first few years Unity functioned as an amateur company but at the end of the war in 1945 it decided to form a professional company as London Unity had done. Thereafter there were two Unity companies, one amateur, whose productions were mainly directed by Donald MacBean formerly of the Transport Players and one professional under the directorship of Robert Mitchell of the Glasgow Players.2 In keeping with its roots in socialist amateur theatre groups with a strong working-class base, such as those from which MacBean and Mitchell came, Unity's personnel were, as stated in the company's magazine Scots Theatre, 'drawn from the ranks of ordinary working people, whose background and everyday life is identical with the masses who form its audience'.3 Robert Macauley Mitchell exemplified this, being an electrician by trade, 'and during the war a [trade union] convenor in one of Scotland's largest factories'.4 Mitchell has been credited with leading Glasgow Unity to turn professional and, through his appointment as full-time director of the professional wing of the company, with winning for it 'an outstanding reputation that surpassed momentarily the standing of its London counterpart'.5 The first production in the début professional season at the Athenaeum Theatre in Glasgow in April 1945 was Maxim Gorki's The Lower Depths, adapted and directed by Mitchell. -
The Glasgow Academy WW2 Roll of Honour
The Glasgow Academy WW2 Roll of Honour From the onset of the second World War in Sept 1939 until the formal end in Sept 1945, the Glasgow Academy suffered a great many losses during the conflict. The following is a list of the former pupils who were casualties and as far as we have been able to, includes information and photographs to tell the stories of these men. In some case, we have little or no information about some of these individuals, so please get in touch if you have anything which could help us fill in the gaps and help us tell their stories. Email: [email protected] 1 Flt Sgt Herbert Philips Adams Biography He was a Sergeant Pilot in the RAF. Herbert Adams, a son of the well-known golf professional, was posted as missing on 19th April of this year (1941). Royal Air Force 17 Jan 1916-9th Mar Son of David Adams The Chronicle Volunteer Reserve 1941 Esq, and of Margaret Adams, of Bearsden, (RAFVR) Age: 25 Glasgow Image: Memorial New Kilpatrick Church 2 Captain William S Aird Biography William, born in Coatbridge, graduated in Medicine from Glasgow University in 1940 Following graduation he joined the medical th corps and served in India and then in Burma Royal Army Medical 23 Feb 1912-10 Son of Dr Robert where he died dysentery and malaria on his Corps May 1943 Aird, MB, ChB , and Agnes Motherwell way to jail, following capture by the Age: 21 Japanese. Niven Aird, of Glasgow MB, ChB (Glasgow) 3 Sgt Alistair William Aitken Biography Alistair Aitken left the Academy in 1940, he played for the 1st XV, and headed the bowling averages in that year. -
Newsletterissue 8 Spring 2014
NEWSLETTERIssue 8 Spring 2014 Society News Newsletter Contents Issue 8 Spring 2014 2 Society News 3 Society People 4 2013 AGM 5 2014 AGM 6 Mackintosh and the Scottish Playgoers Company 9 GSA Library Windows 10 Mackintosh clocks restored 11 Buildings Update 12 Events round-up www.crmsociety.com www.mackintosh.org.uk This is a view of the main stairwell in Windyhill looking towards the large candelabrum, which was re-created by Cover image: Mackintosh clock © GSA Conservationist and Stained Glass Artists, Rab MacInnes and Linda Cannon. © Stuart Robertson Donation of books from John Gerrard architects talking about their views on We have received a very welcome donation Mackintosh. of books from one of our members, John Gerrard. The books range from photographs These books are all available in the of Victorian Glasgow to Art Nouveau from Mackintosh Church in the Resource centre. Vienna and Prague. On behalf of all members we would like to thank John for his very generous and Of particular note is a rare catalogue helpful donation. of Mackintosh’s and Margaret’s work shown in the 1933 Memorial Exhibition, a reconstruction, reproduced in 1983. Unfortunately there are no photographs in Special recognition this publication but it does have detailed goes to Margaret descriptions of each work. Craston, a part- time employee and Other highlights include a beautifully a volunteer, who illustrated book called ‘Architects of the retired last year Arts and Crafts movement’, by Margaret after more than Richardson,1983. Frank Worsdall’s ‘A eight years with the Glasgow Keek Show: glimpses of City Society. -
Place of 1 100 Famous Scots Lily Seafield Geddes & Gosset Lomond
Author Place of # Title First Name Last Name Publisher Publication Year Category 1 100 Famous Scots Lily Seafield Geddes & Gosset Lomond Biography Wm. Collins Sons and 2 101 Scottish songs Norman Buchan Company Glasgow, Scotland 1962 Music 3 1066 - The Year of the Conquest David Howarth Dorset Press New York 1978 England 4 1066 The Year of the Conquest David Howarth Barnes & Noble New York 1993 England 1745 A Military History of the Last Jacobite 5 Rising Stuart Reid Sarpedon New York 1996 Military Glasgow Museum & Art 6 18811745: British Charles Census Edward and Stuart National and theIndex: Jacobites Robert C. Woosnam-SavageFamilyGallery Search/Church of Glasgow 1995 History England, Scotland, Wales, Channel Islands, Isle Jesus Christ of Latter-Day 7 of Man and Royal Navy (CD Rom Disks) Saints 2000 Genealogy 8 18th Century Highlanders Stuart Reid Osprey Print Botley UK 1993 Military 9 18th Century Highlanders (Man-at-arms series) Stuart Reid Osprey Publications London 1993 Military 44 Irish Short Stories: an anthology of Irish short 10 fiction from Yeats to Frank O'Connor Konecky & Konecky Old Saybrook, CT Fiction Anchor Books, a division 11 44 Scotland Street Alexander McCall Smith of Random House New York 2005 Fiction 45' Rising: The Diary of Euphemia Grant, 12 Scotland 1745-1746 Frances Mary Hendry Scholastic London 2001 Childrens 45' Rising: The Diary of Euphemia Grant, 13 Scotland 1745-1746 Frances Mary Hendry Scholastic London 2001 Childrens A Catered Christmas Cookie Exchange: A 14 Mystery with Recipes Isis Crawford Kensington Books New York 2014 Fiction 15 Above London Robert W. Cameron Cameron and Company San Francisco, CA 1980 England 16 Acts of King Arthur and His Noble Knights John Steinbeck Ballantine Books New York 1976 Fiction Charles S.