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Alchemy Journal Vol.7 No.2
Alchemy Journal Vol.7 No.2 Vol.7 No.2 Autumn 2006 CONTENTS ARTICLES Fulcanelli's Identity The Alchemical Art Planetary Attributions of Plants FEATURES New Releases From the Fire Announcements Lectures EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top Some of the reliable information that we know about Fulcanelli comes from the Prefaces written by Canseliet, while other information comes The Illustration above was drawn by artist-alchemist Juliene Champagne. It is from a 1926 French edition of Fulcanelli: Mystery of the from such other Cathedrals sources as various interviews that were http://www.alchemylab.com/AJ7-2.htm (1 of 19)11/1/2006 10:14:47 PM Alchemy Journal Vol.7 No.2 Fulcanelli's Most Likely Identity - Part I later conducted with Canseliet. It almost seems as though Canseliet deliberately By Christer Böke and John Koopmans left behind a number of tantalizing clues. Editor’s Note: This article is being published in as a two part series. In Part I, the authors summarize what is known about Fulcanelli based on primary sources of information provided by his trusted confidant, Eugene Canseliet, establish an approach they will use to review whether or not several proposed candidates are in fact the true identify of the famous and mysterious Master Alchemist, and attempt to establish the date of his birth and “departure” or death. Part II of the article, to be published in the next issue of the Journal, reveals the authors’ belief about the likelihood of these candidates actually being Fulcanelli and presents their proposed answer to the question: Who was Fulcanelli? Introduction ARTICLES The 20th century Master Alchemist, Fulcanelli, is well-known to the alchemical community through the two highly regarded books that bear his name: Le Mystère des Cathédrales (1926), and Les Demeures Fulcanelli's Identity Philosophales (1930). -
Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
Fundamentals of Alchemy\374
Alchemia This is a long page, but the three texts below are well worth the read, I have some ending comments that I wish to share. These examples are of the Beginning stages of our Art. The first is a famous tract entitled the Secret Book . Written in the sixteenth century by someone named Artephius, who claims that at the time of his little tract he had lived about a thousand years (do remember that the Stone does not give eternal physical life, for one must pass through the three stages of life at some point, but cleanses the body of disease and fortifies it so one might live much longer than expected). This secret book is one of the most revealing texts explaining the entire process and the first process both at the same time. It is clear, concise and to the point. Note however that there is apparently no order or explanations as to which stage and substance he is writing about. It is left entirely up to the "clever young Philosopher" to discover. As we Philosophers progress and read more and more of the great texts, it becomes clearer and more precise (all of the true texts agreeing with one another albeit with different analogies and allegories). One begins to see themes suddenly arising apparently out of nowhere, a burst of new enlightenment arises and what was hidden before, becomes clear. The second text was written by John Pontanus who also claimed to find the Stone, and his text is to the point of one substance: the Sophic Fire or Secret fire . -
Verse and Transmutation History of Science and Medicine Library
Verse and Transmutation History of Science and Medicine Library VOLUME 42 Medieval and Early Modern Science Editors J.M.M.H. Thijssen, Radboud University Nijmegen C.H. Lüthy, Radboud University Nijmegen Editorial Consultants Joël Biard, University of Tours Simo Knuuttila, University of Helsinki Jürgen Renn, Max-Planck-Institute for the History of Science Theo Verbeek, University of Utrecht VOLUME 21 The titles published in this series are listed at brill.com/hsml Verse and Transmutation A Corpus of Middle English Alchemical Poetry (Critical Editions and Studies) By Anke Timmermann LEIDEN • BOSTON 2013 On the cover: Oswald Croll, La Royalle Chymie (Lyons: Pierre Drobet, 1627). Title page (detail). Roy G. Neville Historical Chemical Library, Chemical Heritage Foundation. Photo by James R. Voelkel. Library of Congress Cataloging-in-Publication Data Timmermann, Anke. Verse and transmutation : a corpus of Middle English alchemical poetry (critical editions and studies) / by Anke Timmermann. pages cm. – (History of Science and Medicine Library ; Volume 42) (Medieval and Early Modern Science ; Volume 21) Includes bibliographical references and index. ISBN 978-90-04-25484-8 (hardback : acid-free paper) – ISBN 978-90-04-25483-1 (e-book) 1. Alchemy–Sources. 2. Manuscripts, English (Middle) I. Title. QD26.T63 2013 540.1'12–dc23 2013027820 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. ISSN 1872-0684 ISBN 978-90-04-25484-8 (hardback) ISBN 978-90-04-25483-1 (e-book) Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. -
A Lexicon of Alchemy
A Lexicon of Alchemy by Martin Rulandus the Elder Translated by Arthur E. Waite John M. Watkins London 1893 / 1964 (250 Copies) A Lexicon of Alchemy or Alchemical Dictionary Containing a full and plain explanation of all obscure words, Hermetic subjects, and arcane phrases of Paracelsus. by Martin Rulandus Philosopher, Doctor, and Private Physician to the August Person of the Emperor. [With the Privilege of His majesty the Emperor for the space of ten years] By the care and expense of Zachariah Palthenus, Bookseller, in the Free Republic of Frankfurt. 1612 PREFACE To the Most Reverend and Most Serene Prince and Lord, The Lord Henry JULIUS, Bishop of Halberstadt, Duke of Brunswick, and Burgrave of Luna; His Lordship’s mos devout and humble servant wishes Health and Peace. In the deep considerations of the Hermetic and Paracelsian writings, that has well-nigh come to pass which of old overtook the Sons of Shem at the building of the Tower of Babel. For these, carried away by vainglory, with audacious foolhardiness to rear up a vast pile into heaven, so to secure unto themselves an immortal name, but, disordered by a confusion and multiplicity of barbarous tongues, were ingloriously forced. In like manner, the searchers of Hermetic works, deterred by the obscurity of the terms which are met with in so many places, and by the difficulty of interpreting the hieroglyphs, hold the most noble art in contempt; while others, desiring to penetrate by main force into the mysteries of the terms and subjects, endeavour to tear away the concealed truth from the folds of its coverings, but bestow all their trouble in vain, and have only the reward of the children of Shem for their incredible pain and labour. -
Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook Is the Property Of
Alpha Chi Sigma Sourcebook A Repository of Fraternity Knowledge for Reference and Education Academic Year 2013-2014 Edition 1 l Alpha Chi Sigma Fraternity Sourcebook, 2013-2014 This Sourcebook is the property of: ___________________________________________________ ___________________________________________________ Full Name Chapter Name ___________________________________________________ Pledge Class ___________________________________________________ ___________________________________________________ Date of Pledge Ceremony Date of Initiation ___________________________________________________ ___________________________________________________ Master Alchemist Vice Master Alchemist ___________________________________________________ ___________________________________________________ Master of Ceremonies Reporter ___________________________________________________ ___________________________________________________ Recorder Treasurer ___________________________________________________ ___________________________________________________ Alumni Secretary Other Officer Members of My Pledge Class ©2013 Alpha Chi Sigma Fraternity 6296 Rucker Road, Suite B | Indianapolis, IN 46220 | (800) ALCHEMY | [email protected] | www.alphachisigma.org Click on the blue underlined terms to link to supplemental content. A printed version of the Sourcebook is available from the National Office. This document may be copied and distributed freely for not-for-profit purposes, in print or electronically, provided it is not edited or altered in any -
What Painting Is “A Truly Original Book
More praise for What Painting Is “A truly original book. It will make you look at paintings differently and think about paint differently.”—Boston Globe “ This is a novel way of considering paintings, and excitingly different from standard art criticism.”—Atlantic Monthly “The best books often introduce new worlds. What Painting Is exposes the reader to painting materials, brushstroke techniques, and alchemy of all things, in a book filled with rich descriptions and illuminating insight. Read this and you’ll never look at paintings in the same way again.”— Columbus Dispatch “ James Elkins, his academic laces untied, traces a mysterious, evocation and an utterly convincing parallel between two spirits grounded in the earth—alchemy and painting. The author is an alchemist of ideas, and a painter. His openness to the love of quicksilver and sulfur, to putrefying animal excretions, and his expertise in imprimaturas, his feeling for the mysteries of the brushstroke —all of these allow him to concoct a heady elixir.” —Roald Hoffmann, Winner of the Noble Prize in Chemistry, 1981 What Painting Is How to Think about Oil Painting, Using the Language of Alchemy James Elkins Routledge New York • London Published in 2000 by Routledge 29 West 35th Street New York, NY 10001 This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE Copyright © 1999 by Routledge All rights reserved. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Secret Book (Liber Secretus), by Artephius
INDEX Alchemical Manuscript Series Volume One: Triumphal Chariot of Antimony, by Basil Valentine Triumphal Chariot of Antimony by Basil Valentine is considered to be a masterpiece of chemical literature. The treatise provides important advances in the manufacture and medical action of chemical preparations, such as, metallic antimony, solutions of caustic alkali, the acetates of lead and copper, gold fulminate and other salts. Accounts of practical laboratory operations are clearly presented. Instructions in this book are noteworthy, as they provide weights and proportions, a rarity in alchemical literature. Volume Two: Golden Chain of Homer, by Anton Kirchweger, Part 1 Frater Albertus was once asked if he could only have one book on alchemy, which would it be? He answered that it would be the Golden Chain of Homer. This collection of books written by several authors and printed in various editions, was first printed in 1723. Concepts of Platonic, Mosaic, and Pythagorean philosophy provide extensive instruction in Cosmic, Cabbalistic, and laboratory Alchemical Philosophy. Volume Three: Golden Chain of Homer, by Anton Kirchweger, Part 2 Frater Albertus was once asked if he could only have one book on alchemy, which would it be? He answered that it would be the Golden Chain of Homer. This collection of books written by several authors and printed in various editions, was first printed in 1723. Concepts of Platonic, Mosaic, and Pythagorean philosophy provide extensive instruction in Cosmic, Cabbalistic, and laboratory Alchemical Philosophy. Volume Four: Complete Alchemical Writings, by Isaac Hollandus, Part 1 Complete Alchemical Writings was written by father and son Dutch adepts, both named Isaac Hollandus. -
Thirteenth Plate
Thirteenth Plate When examining this thirteenth plate the reader will imme- diately notice that it closely resembles the tenth plate with its partition between the practical and the symbolical parts of the image. We can conclude that there have been six consecutive plates that appear in pairs. Each pair at first glance seems identical but this is not quite the case, as we have pointed out earlier, and neither is it the case for this plate. Upon closer examination a number of suprising discrepancies will come to light. Let us have a closer look at the man who simultaneously pours out two flasks, each into one of the two plates of the scale. Now only two asterisks appear in the flask in his right hand whilst the one he is holding in his left hand shows no more than a tiny sun instead of the flosculus it was marked with previously. The two little signs which have disappeared and which have remained inside the recipient together constitute the famous re, in other words, two thirds of rer and half of the initial rere. It is not our intention here to try and complicate or obscure the earlier mentioned elucidation by Fulcanelli on this matter. Jacob Sulat’s teachings, to which we rigorously adhere, preceded the Mystery of the Cathedrals by two and a half centuries. The book of the Master refers to the compost and it is this same enigma to which the Lallemant hotel and the tenth and thirteenth engravings of the Mutus Liber refer. This compost is the term used in ancient treatises for the philosophic composite which is ready to raise itself and go through the progression that is ponderable both in terms of colour and sound and which is in perfect harmony with the progressive growth of the external or elementary fire. -
Roger Bacon: the Christian, the Alchemist, the Enigma
University at Albany, State University of New York Scholars Archive History Honors Program History 2019 Roger Bacon: The Christian, the Alchemist, the Enigma Victoria Tobes University at Albany, State University of New York Follow this and additional works at: https://scholarsarchive.library.albany.edu/history_honors Part of the History Commons Recommended Citation Tobes, Victoria, "Roger Bacon: The Christian, the Alchemist, the Enigma" (2019). History Honors Program. 12. https://scholarsarchive.library.albany.edu/history_honors/12 This Undergraduate Honors Thesis is brought to you for free and open access by the History at Scholars Archive. It has been accepted for inclusion in History Honors Program by an authorized administrator of Scholars Archive. For more information, please contact [email protected]. 1 Roger Bacon: The Christian, the Alchemist, the Enigma By: Victoria Tobes [email protected] An honors thesis presented to the Department of History, University at Albany, State University of New York in partial fulfillment of the requirements for graduation with Honors in History. Advisors: Dr. Patrick Nold and Dr. Mitch Aso 5/12/2019 2 ABSTRACT: This paper explores the life and work of 13th century English Franciscan friar, Roger Bacon in light of the spiritual-religious practice of alchemy. Bacon’s works in pertinence to alchemy reflect his belonging to a school of intellectual thought known as Hermeticism; which encompasses the practice of alchemy. Bacon can be placed among other philosophic practitioners of alchemy throughout history; allowing for expanded insight into the life of this medieval scholar. Throughout history, Bacon’s most well-known work, the Opus Majus, has been interpreted in a variety of ways. -
The 'Ingendered' Stone: the Ripley Scrolls and The
The “Ingendred” Stone: The Ripley Scrolls and the Generative Science of Alchemy Author(s): Aaron Kitch Source: Huntington Library Quarterly , Vol. 78, No. 1 (Spring 2015), pp. 87-125 Published by: University of Pennsylvania Press Stable URL: https://www.jstor.org/stable/10.1525/hlq.2015.78.1.87 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms University of Pennsylvania Press is collaborating with JSTOR to digitize, preserve and extend access to Huntington Library Quarterly This content downloaded from 139.140.119.171 on Mon, 25 Jan 2021 17:36:36 UTC All use subject to https://about.jstor.org/terms notes and documents The “Ingendred” Stone: The Ripley Scrolls and the Generative Science of Alchemy Aaron Kitch %&$& Acquired at auction in 1958 from the library of C. W. Dyson Perrins, the Huntington Library’s Ripley scroll (HM 30313) is one of the most ornate and esoteric illuminated manuscripts of early modern England. Much remains unknown about the iconology and historical context of the Ripley scrolls, of which approximately twenty remain worldwide. The self-consciously archaic scroll at the Huntington draws on a range of contemporary sources, including emblem books, heraldic imagery, and illuminated alchemical manuscripts from the fifteenth cen- tury, such as the Rosarium philosophorum and the Aurora consurgens.