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Alchemy Journal Vol.7 No.2
Alchemy Journal Vol.7 No.2 Vol.7 No.2 Autumn 2006 CONTENTS ARTICLES Fulcanelli's Identity The Alchemical Art Planetary Attributions of Plants FEATURES New Releases From the Fire Announcements Lectures EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top Some of the reliable information that we know about Fulcanelli comes from the Prefaces written by Canseliet, while other information comes The Illustration above was drawn by artist-alchemist Juliene Champagne. It is from a 1926 French edition of Fulcanelli: Mystery of the from such other Cathedrals sources as various interviews that were http://www.alchemylab.com/AJ7-2.htm (1 of 19)11/1/2006 10:14:47 PM Alchemy Journal Vol.7 No.2 Fulcanelli's Most Likely Identity - Part I later conducted with Canseliet. It almost seems as though Canseliet deliberately By Christer Böke and John Koopmans left behind a number of tantalizing clues. Editor’s Note: This article is being published in as a two part series. In Part I, the authors summarize what is known about Fulcanelli based on primary sources of information provided by his trusted confidant, Eugene Canseliet, establish an approach they will use to review whether or not several proposed candidates are in fact the true identify of the famous and mysterious Master Alchemist, and attempt to establish the date of his birth and “departure” or death. Part II of the article, to be published in the next issue of the Journal, reveals the authors’ belief about the likelihood of these candidates actually being Fulcanelli and presents their proposed answer to the question: Who was Fulcanelli? Introduction ARTICLES The 20th century Master Alchemist, Fulcanelli, is well-known to the alchemical community through the two highly regarded books that bear his name: Le Mystère des Cathédrales (1926), and Les Demeures Fulcanelli's Identity Philosophales (1930). -
Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
Complete Works Of
The Complete Works Of PHILIPPUS THEOPHRASTUS PARACELSUS The Coelum Philosophorum, Or Book Of Vexations by PHILIPPUS THEOPHRASTUS PARACELSUS The Book Concerning The Tincture Of The Philosophers by PHILIPPUS THEOPHRASTUS PARACELSUS The Treasure Of Treasures For Alchemists by PHILIPPUS THEOPHRASTUS PARACELSUS The Aurora Of The Philosophers by PHILIPPUS THEOPHRASTUS PARACELSUS Alchemical Catechism by PHILIPPUS THEOPHRASTUS PARACELSUS ~ 1 ~ THE COELUM PHILOSOPHORUM, OR BOOK OF VEXATIONS; By PHILIPPUS THEOPHRASTUS PARACELSUS. THE SCIENCE AND NATURE OF ALCHEMY, AND WHAT OPINION SHOULD BE FORMED THEREOF. Regulated by the Seven Rules or Fundamental Canons according to the seven commonly known Metals; & containing a Preface with certain Treatises and Appendices. THE PREFACE OF THEOPHRASTUS PARACELSUS TO ALL ALCHEMISTS AND READERS OF THIS BOOK. YOU who are skilled in acquainted with this art, it Alchemy, and as many would be altogether others as promise yourselves superfluous to recur to these great riches or chiefly desire same subjects in the present to make gold and silver, book, although the use of which Alchemy in different such signs, names, and ways promises and teaches; characters at the proper time equally, too, you who is by no means without willingly undergo toil and advantage. vexations, and wish not to But herein will be noticed be freed from them, until another way of treating you have attained your Alchemy different from the rewards, and the fulfillment previous method, and of the promises made to deduced by Seven Canons you; experience teaches this from the sevenfold series of every day, that out of the metals. This, indeed, will thousands of you not even not give scope for a one accomplishes his desire. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
Secret Book (Liber Secretus), by Artephius
INDEX Alchemical Manuscript Series Volume One: Triumphal Chariot of Antimony, by Basil Valentine Triumphal Chariot of Antimony by Basil Valentine is considered to be a masterpiece of chemical literature. The treatise provides important advances in the manufacture and medical action of chemical preparations, such as, metallic antimony, solutions of caustic alkali, the acetates of lead and copper, gold fulminate and other salts. Accounts of practical laboratory operations are clearly presented. Instructions in this book are noteworthy, as they provide weights and proportions, a rarity in alchemical literature. Volume Two: Golden Chain of Homer, by Anton Kirchweger, Part 1 Frater Albertus was once asked if he could only have one book on alchemy, which would it be? He answered that it would be the Golden Chain of Homer. This collection of books written by several authors and printed in various editions, was first printed in 1723. Concepts of Platonic, Mosaic, and Pythagorean philosophy provide extensive instruction in Cosmic, Cabbalistic, and laboratory Alchemical Philosophy. Volume Three: Golden Chain of Homer, by Anton Kirchweger, Part 2 Frater Albertus was once asked if he could only have one book on alchemy, which would it be? He answered that it would be the Golden Chain of Homer. This collection of books written by several authors and printed in various editions, was first printed in 1723. Concepts of Platonic, Mosaic, and Pythagorean philosophy provide extensive instruction in Cosmic, Cabbalistic, and laboratory Alchemical Philosophy. Volume Four: Complete Alchemical Writings, by Isaac Hollandus, Part 1 Complete Alchemical Writings was written by father and son Dutch adepts, both named Isaac Hollandus. -
Thirteenth Plate
Thirteenth Plate When examining this thirteenth plate the reader will imme- diately notice that it closely resembles the tenth plate with its partition between the practical and the symbolical parts of the image. We can conclude that there have been six consecutive plates that appear in pairs. Each pair at first glance seems identical but this is not quite the case, as we have pointed out earlier, and neither is it the case for this plate. Upon closer examination a number of suprising discrepancies will come to light. Let us have a closer look at the man who simultaneously pours out two flasks, each into one of the two plates of the scale. Now only two asterisks appear in the flask in his right hand whilst the one he is holding in his left hand shows no more than a tiny sun instead of the flosculus it was marked with previously. The two little signs which have disappeared and which have remained inside the recipient together constitute the famous re, in other words, two thirds of rer and half of the initial rere. It is not our intention here to try and complicate or obscure the earlier mentioned elucidation by Fulcanelli on this matter. Jacob Sulat’s teachings, to which we rigorously adhere, preceded the Mystery of the Cathedrals by two and a half centuries. The book of the Master refers to the compost and it is this same enigma to which the Lallemant hotel and the tenth and thirteenth engravings of the Mutus Liber refer. This compost is the term used in ancient treatises for the philosophic composite which is ready to raise itself and go through the progression that is ponderable both in terms of colour and sound and which is in perfect harmony with the progressive growth of the external or elementary fire. -
Roger Bacon: the Christian, the Alchemist, the Enigma
University at Albany, State University of New York Scholars Archive History Honors Program History 2019 Roger Bacon: The Christian, the Alchemist, the Enigma Victoria Tobes University at Albany, State University of New York Follow this and additional works at: https://scholarsarchive.library.albany.edu/history_honors Part of the History Commons Recommended Citation Tobes, Victoria, "Roger Bacon: The Christian, the Alchemist, the Enigma" (2019). History Honors Program. 12. https://scholarsarchive.library.albany.edu/history_honors/12 This Undergraduate Honors Thesis is brought to you for free and open access by the History at Scholars Archive. It has been accepted for inclusion in History Honors Program by an authorized administrator of Scholars Archive. For more information, please contact [email protected]. 1 Roger Bacon: The Christian, the Alchemist, the Enigma By: Victoria Tobes [email protected] An honors thesis presented to the Department of History, University at Albany, State University of New York in partial fulfillment of the requirements for graduation with Honors in History. Advisors: Dr. Patrick Nold and Dr. Mitch Aso 5/12/2019 2 ABSTRACT: This paper explores the life and work of 13th century English Franciscan friar, Roger Bacon in light of the spiritual-religious practice of alchemy. Bacon’s works in pertinence to alchemy reflect his belonging to a school of intellectual thought known as Hermeticism; which encompasses the practice of alchemy. Bacon can be placed among other philosophic practitioners of alchemy throughout history; allowing for expanded insight into the life of this medieval scholar. Throughout history, Bacon’s most well-known work, the Opus Majus, has been interpreted in a variety of ways. -
The 'Ingendered' Stone: the Ripley Scrolls and The
The “Ingendred” Stone: The Ripley Scrolls and the Generative Science of Alchemy Author(s): Aaron Kitch Source: Huntington Library Quarterly , Vol. 78, No. 1 (Spring 2015), pp. 87-125 Published by: University of Pennsylvania Press Stable URL: https://www.jstor.org/stable/10.1525/hlq.2015.78.1.87 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms University of Pennsylvania Press is collaborating with JSTOR to digitize, preserve and extend access to Huntington Library Quarterly This content downloaded from 139.140.119.171 on Mon, 25 Jan 2021 17:36:36 UTC All use subject to https://about.jstor.org/terms notes and documents The “Ingendred” Stone: The Ripley Scrolls and the Generative Science of Alchemy Aaron Kitch %&$& Acquired at auction in 1958 from the library of C. W. Dyson Perrins, the Huntington Library’s Ripley scroll (HM 30313) is one of the most ornate and esoteric illuminated manuscripts of early modern England. Much remains unknown about the iconology and historical context of the Ripley scrolls, of which approximately twenty remain worldwide. The self-consciously archaic scroll at the Huntington draws on a range of contemporary sources, including emblem books, heraldic imagery, and illuminated alchemical manuscripts from the fifteenth cen- tury, such as the Rosarium philosophorum and the Aurora consurgens. -
Infinite Space and Self-Similar Form In
Strudwick 1 Infinite Space and Self-Similar Form in Alchemy and Fractal Geometry By Laura Strudwick I believe that scientific knowledge has fractal properties, that no matter how much we learn, whatever is left, however small it may seem, is just as infinitely complex as the whole was to start with. That, I think, is the secret of the Universe. —Isaac Asimov The psyche speaks in the paradoxical, metaphorical language of opposites. Mythology follows suit. Recently, so do some branches of science and mathematics, particularly chaos theory and fractal geometry. Alchemy, as an experimental precursor to chemistry and also an inner psychic pursuit that foreshadows depth psychology, represents a strange combination of psyche, myth, and science. Alchemy and fractal geometry take the exploration of opposites as their primary subject matter, particularly the themes of zero/infinity and part/whole. Both fields inhabit the tensions of infinite emptiness and self-similar structure. Practitioners in both disciplines search for a reconciliation of opposites through processes that loop back on themselves. As humans seek to know the secrets of the littlest and largest realms, the micro and macrocosms, we also search within ourselves, in the psyche, for parallels. All paths lead both outward and inward. “That which is above is like to that which is below, and that which is below is like to that which is above,” as written in alchemy’s primary sacred text The Emerald Tablet (Linden 28). Strudwick 2 Alchemy uses images to form a symbolic picture of its process and goal. One central image is the uroboros, the snake or dragon eating its tail (Fig. -
Hidden Symbolism of Alchemy and the Occult Arts by Herbert Silberer
The Project Gutenberg EBook of Hidden Symbolism of Alchemy and the Occult Arts by Herbert Silberer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Hidden Symbolism of Alchemy and the Occult Arts Author: Herbert Silberer Release Date: January 9, 2009 [Ebook 27755] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HIDDEN SYMBOLISM OF ALCHEMY AND THE OCCULT ARTS*** Hidden Symbolism of ALCHEMY and the OCCULT ARTS (Formerly titled: Problems of Mysticism and Its Symbolism) by Dr. Herbert Silberer Translated by Smith Ely Jelliffe, M.D., Ph.D. Dover Publications, Inc. New York 1971 Contents Translator's Preface . 3 Part I. The Parable. 5 Section I. The Parable. 5 Section II. Dream And Myth Interpretation. 21 Part II. Analytic Part. 37 Section I. Psychoanalytic Interpretation Of The Parable. 37 Section II. Alchemy. 88 Section III. The Hermetic Art. 113 Section IV. Rosicrucianism And Freemasonry. 133 Section V. The Problem Of Multiple Interpretation. 163 Part III. Synthetic Part. 179 Section I. Introversion And Regeneration. 179 A. Introversion And Intro-Determination. 179 B. Effects Of Introversion. 207 C. Regeneration. 235 Section II. The Goal Of The Work. 256 Section III. The Royal Art. 284 Notes. 317 Bibliography. 326 Index. 344 Footnotes . 371 [ii] This Dover edition, first published in 1971, is an unabridged and unaltered republication of the work originally published by Moffat, Yard and Company, New York, in 1917 under the title Problems of Mysticism and its Symbolism. -
Hermetic Philosophy and Alchemy ~ a Suggestive Inquiry Into the Hermetic Mystery
Mary Anne Atwood Hermetic Philosophy and Alchemy ~ A Suggestive Inquiry into the Hermetic Mystery with a Dissertation on the more Celebrated of the Alchemical Philosophers Part I An Exoteric View of the Progress and Theory of Alchemy Chapter I ~ A Preliminary Account of the Hermetic Philosophy, with the more Salient Points of its Public History Chapter II ~ Of the Theory of Transmutation in General, and of the First Matter Chapter III ~ The Golden Treatise of Hermes Trismegistus Concerning the Physical Secret of the Philosophers’ Stone, in Seven Sections Part II A More Esoteric Consideration of the Hermetic Art and its Mysteries Chapter I ~ Of the True Subject of the Hermetic Art and its Concealed Root. Chapter II ~ Of the Mysteries Chapter III ~ The Mysteries Continued Chapter IV ~ The Mysteries Concluded Part III Concerning the Laws and Vital Conditions of the Hermetic Experiment Chapter I ~ Of the Experimental Method and Fermentations of the Philosophic Subject According to the Paracelsian Alchemists and Some Others Chapter II ~ A Further Analysis of the Initial Principle and Its Education into Light Chapter III ~ Of the Manifestations of the Philosophic Matter Chapter IV ~ Of the Mental Requisites and Impediments Incidental to Individuals, Either as Masters or Students, in the Hermetic Art Part IV The Hermetic Practice Chapter I ~ Of the Vital Purification, Commonly Called the Gross Work Chapter II ~ Of the Philosophic or Subtle Work Chapter III ~ The Six Keys of Eudoxus Chapter IV ~ The Conclusion Appendix Part I An Exoteric View of the Progress and Theory of Alchemy Chapter I A Preliminary Account of the Hermetic Philosophy, with the more Salient Points of its Public History The Hermetic tradition opens early with the morning dawn in the eastern world. -
Alchemy Unveiled
Alchemy Unveiled By Johannes Helmond . A Collection of Sacred Magick | The Esoteric Library | www.sacred-magick.com Alchemy Unveiled Page 2 Notice: This book was originally copyrighted by Gerhard Hanswille and Deborah Brumlich 1991. Rights to translate the original into English and to publish that translation were given to Merker Publishing Co. Ltd in Canada. The original German edition written by Johannes Helmond under the title "Die entschleierte Alchemy", from which the first English translation was taken, was published in 1963 by Rohm Verlag Bietigheim. This version, first prepared in 1996 Alchemy Unveiled Page 3 Alchemy Unveiled For the first time, the Secret of the Philosopher's Stone is being openly explained . by Johannes Helmond fr. R+C By decree of the Order of the hermetic initiated Gold- and Rosicrucians of 1710 Monte Abiegno, MCMLVII, Sol 18o gemini. Translated into English and Edited by Gerard Hanswille and Deborah Brumlich A Collection of Sacred Magick | The Esoteric Library | www.sacred-magick.com Alchemy Unveiled Page 4 CONTENTS Introduction 6 Prologue 8 The Symbolic Language of Alchemy 10 The Subjectum Artis 14 The Primaterialistic Subject 15 The Sulphur of the Philosophers (Sages) 18 The Mercury of the Philosophers 21 The Four Fires of the Alchemists 24 The Receptacle of the Philosophers 27 The Erring Ways of the Pseudo-Alchemists 29 The Process of Magnum Opus 42 I. The Work of Dissolution. The Preparation of the Azoth 50 II. The Main Task or the Main Work. The Task of Cleansing 60 The Preparation of the White Lapis 62 The Preparation of the Red Lapis - "Sow the Gold into the White Foliated Earth!" 71 III.