Alchemy: the Black Art Introduction
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Alchemy Journal Vol.7 No.2
Alchemy Journal Vol.7 No.2 Vol.7 No.2 Autumn 2006 CONTENTS ARTICLES Fulcanelli's Identity The Alchemical Art Planetary Attributions of Plants FEATURES New Releases From the Fire Announcements Lectures EDITORIAL From the Editor Submissions Subscriptions Resources Return to Top Some of the reliable information that we know about Fulcanelli comes from the Prefaces written by Canseliet, while other information comes The Illustration above was drawn by artist-alchemist Juliene Champagne. It is from a 1926 French edition of Fulcanelli: Mystery of the from such other Cathedrals sources as various interviews that were http://www.alchemylab.com/AJ7-2.htm (1 of 19)11/1/2006 10:14:47 PM Alchemy Journal Vol.7 No.2 Fulcanelli's Most Likely Identity - Part I later conducted with Canseliet. It almost seems as though Canseliet deliberately By Christer Böke and John Koopmans left behind a number of tantalizing clues. Editor’s Note: This article is being published in as a two part series. In Part I, the authors summarize what is known about Fulcanelli based on primary sources of information provided by his trusted confidant, Eugene Canseliet, establish an approach they will use to review whether or not several proposed candidates are in fact the true identify of the famous and mysterious Master Alchemist, and attempt to establish the date of his birth and “departure” or death. Part II of the article, to be published in the next issue of the Journal, reveals the authors’ belief about the likelihood of these candidates actually being Fulcanelli and presents their proposed answer to the question: Who was Fulcanelli? Introduction ARTICLES The 20th century Master Alchemist, Fulcanelli, is well-known to the alchemical community through the two highly regarded books that bear his name: Le Mystère des Cathédrales (1926), and Les Demeures Fulcanelli's Identity Philosophales (1930). -
Alchemical Culture and Poetry in Early Modern England
Alchemical culture and poetry in early modern England PHILIP BALL Nature, 4–6 Crinan Street, London N1 9XW, UK There is a longstanding tradition of using alchemical imagery in poetry. It first flourished at the end of the sixteenth century, when the status of alchemy itself was revitalised in European society. Here I explain the reasons for this resurgence of the Hermetic arts, and explore how it was manifested in English culture and in particular in the literary and poetic works of the time. In 1652 the English scholar Elias Ashmole published a collection of alchemical texts called Theatrum Chymicum Britannicum, comprising ‘Several Poeticall Pieces of Our Most Famous English Philosophers’. Among the ‘chemical philosophers’ represented in the volume were the fifteenth-century alchemists Sir George Ripley and Thomas Norton – savants who, Ashmole complained, were renowned on the European continent but unduly neglected in their native country. Ashmole trained in law, but through his (second) marriage to a rich widow twenty years his senior he acquired the private means to indulge at his leisure a scholarly passion for alchemy and astrology. A Royalist by inclination, he had been forced to leave his London home during the English Civil War and had taken refuge in Oxford, the stronghold of Charles I’s forces. In 1677 he donated his impressive collection of antiquities to the University of Oxford, and the building constructed to house them became the Ashmolean, the first public museum in England. Ashmole returned to London after the civil war and began to compile the Theatrum, which was intended initially as a two-volume work. -
Liber Nv Svb Figvrâ Xi V
LIBER NV SVB FIGVRÂ XI V A!A! Publication in Class D (for Winners of the Ordeal X.) Imprimatur: ! ! ! . V.V.V.V.V. N. Fra. A ! A ! O.M. 7°= 4° 000 . This is the Book of the Cult of the Infinite Without. 00 . The Aspirant is Hadit. Nuit is the infinite expansion of the Rose; Hadit the infinite contraction of the Rood. ( Instruction of V.V.V.V.V. ) 0. First let the Aspirant learn in his heart the First Chapter of the Book of the Law . (Instruction of V.V.V.V.V. ) 1. Worship, i.e. , identify thyself with, the Khabs, the secret Light within the Heart. Within this, again, unextended is Hadit. This is the first practice of Meditation ( ccxx. I. 6 and 21 ). 2. Adore and understand the Rim of the Stélé of Revealing. “Above, the gemmed azure is The naked splendour of Nuit; She bends in ecstasy to kiss The secret ardours of Hadit.” This is the first practice of Intelligence ( ccxx. I. 14 ). 3. Avoid any act of choice or discrimination. This is the first practice of Ethics ( ccxx. I. 22 ). 4. Consider of six and fifty that 50 #" 6 = 0.12 . 0 the circumference, Nuit. the centre, Hadit. 1 the unity proceeding, Ra-Hoor-Khuit. 2 the world of illusion. Nuit thus comprehends All in None. Also 50 + 6 = 56 = 5 + 6 = 11 , the key of all Rituals. And 50 $ 6 = 300 , the Spirit of the Child within. (Note N#i$ = 72 , the Shemhamphorash and the Quinaries of the Zodiac, etc. -
Alchemical Journey Into the Divine in Victorian Fairy Tales
Studia Religiologica 51 (1) 2018, s. 33–45 doi:10.4467/20844077SR.18.003.9492 www.ejournals.eu/Studia-Religiologica Alchemical Journey into the Divine in Victorian Fairy Tales Emilia Wieliczko-Paprota https://orcid.org/0000-0001-8662-6490 Institute of Polish Language and Literature University of Gdańsk [email protected] Abstract This article demonstrates the importance of alchemical symbolism in Victorian fairy tales. Contrary to Jungian analysts who conceived alchemy as forgotten knowledge, this study shows the vivid tra- dition of alchemical symbolism in Victorian literature. This work takes the readers through the first stage of the alchemical opus reflected in fairy tale symbols, explains the psychological and spiritual purposes of alchemy and helps them to understand the Victorian visions of mystical transforma- tion. It emphasises the importance of spirituality in Victorian times and accounts for the similarity between Victorian and alchemical paths of transformation of the self. Keywords: fairy tales, mysticism, alchemy, subconsciousness, psyche Słowa kluczowe: bajki, mistyka, alchemia, podświadomość, psyche Victorian interest in alchemical science Nineteenth-century fantasy fiction derived its form from a different type of inspira- tion than modern fantasy fiction. As Michel Foucault accurately noted, regarding Flaubert’s imagination, nineteenth-century fantasy was more erudite than imagina- tive: “This domain of phantasms is no longer the night, the sleep of reason, or the uncertain void that stands before desire, but, on the contrary, wakefulness, untir- ing attention, zealous erudition, and constant vigilance.”1 Although, as we will see, Victorian fairy tales originate in the subconsciousness, the inspiration for symbolic 1 M. Foucault, Fantasia of the Library, [in:] Language, Counter-Memory, Practice: Selected Essays and Interviews, D.F. -
Secret Traditions in the Modern Tarot: Folklore and the Occult Revival
Secret Traditions in the Modern Tarot: Folklore and the Occult Revival I first encountered the evocative images of the tarot, as no doubt many others have done, in T. S. Eliot’s The Waste Land. This led to Pamela Coleman Smith’s tarot deck, and from there to the idiosyncratic writings of A.E. Waite with its musings on the Grail, on ‘secret doctrines’ and on the nature of mystical experience. Revival of interest in the tarot and the proliferation of tarot decks attests to the vibrancy of this phenomenon which appeared in the context of the eighteenth century occult revival. The subject is extensive, but my topic for now is the development of the tarot cards as a secret tradition legend in Britain from the late 1880’s to the 1930’s. (1) During this period, ideas about the nature of culture drawn from folklore and anthropological theory combined with ideas about the origins of Arthurian literature and with speculations about the occult nature of the tarot. These factors working together created an esoteric and pseudo-academic legend about the tarot as secret tradition. The most recent scholarly work indicates that tarot cards first appeared in Italy in the fifteenth century, while speculations about their occult meaning formed part of the French occult revival in the late eighteenth century. (Dummett 1980, 1996 ) The most authoritative historian of tarot cards, the philosopher Michael Dummett, is dismissive of occult and divinatory interpretations. Undoubtedly, as this excellent works points out, ideas about the antiquity of tarot cards are dependent on assumptions made at a later period, and there is a tendency among popular books to repeat each other rather than use primary sources. -
The Tarot of the Bohemians : the Most Ancient Book in the World
IBSOLUTE KET TO OCCULT SCIENCE THE TAROT ÜF THE BOHEMIANS The Most Ancient Book in the World FOR THE USE OF INITIATES By papus TRANSLATED BY A. P. MORTON SECOND EDITION REVISED, WITH PREFACE B Y A. E. WAITE ILLUSTRATED WITH N UMEROU S PLATES AND WOODCUTS LONDON WILLIAM RIDER & SON, LIMITED 164 ALDERSGATE STREET, E.C. 1910 Absolute Key to Oocult Science Frontispicce 2) BVÜ W Wellcome Libraty i forthe Histôry standing Il and ififcteï -, of Medi Printed by Ballantyne, HANSON &* Co. At the Ballantyne Press, Edinburgh PREFACE TO THE ENGLISH TRANSLATION An assumption of some kind being of common con- venience, that the line of least résistance may be pursued thereafter, I will open the présent considéra- tion by assuming that those who are quite unversed in the subject hâve referred to the pages which follow, and hâve thus become aware that the Tarot, on its external of that, side, is the probable progenitor playing-cards ; like these, it has been used for divination and for ail but that behind that is understood by fortune-telling ; this it is held to hâve a higher interest and another quality of importance. On a simple understanding, it is of allegory; it is of symbolism, on a higher plane; and, in fine, it is of se.cret doctrine very curiously veiled. The justification of these views is a different question; I am concerned wit>h ihe statement of fact are and this being said, I can that such views held ; pass to my real business, which" is in part critical and in part also explanatory, though not exactly on the elementary side. -
Verse and Transmutation History of Science and Medicine Library
Verse and Transmutation History of Science and Medicine Library VOLUME 42 Medieval and Early Modern Science Editors J.M.M.H. Thijssen, Radboud University Nijmegen C.H. Lüthy, Radboud University Nijmegen Editorial Consultants Joël Biard, University of Tours Simo Knuuttila, University of Helsinki Jürgen Renn, Max-Planck-Institute for the History of Science Theo Verbeek, University of Utrecht VOLUME 21 The titles published in this series are listed at brill.com/hsml Verse and Transmutation A Corpus of Middle English Alchemical Poetry (Critical Editions and Studies) By Anke Timmermann LEIDEN • BOSTON 2013 On the cover: Oswald Croll, La Royalle Chymie (Lyons: Pierre Drobet, 1627). Title page (detail). Roy G. Neville Historical Chemical Library, Chemical Heritage Foundation. Photo by James R. Voelkel. Library of Congress Cataloging-in-Publication Data Timmermann, Anke. Verse and transmutation : a corpus of Middle English alchemical poetry (critical editions and studies) / by Anke Timmermann. pages cm. – (History of Science and Medicine Library ; Volume 42) (Medieval and Early Modern Science ; Volume 21) Includes bibliographical references and index. ISBN 978-90-04-25484-8 (hardback : acid-free paper) – ISBN 978-90-04-25483-1 (e-book) 1. Alchemy–Sources. 2. Manuscripts, English (Middle) I. Title. QD26.T63 2013 540.1'12–dc23 2013027820 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. ISSN 1872-0684 ISBN 978-90-04-25484-8 (hardback) ISBN 978-90-04-25483-1 (e-book) Copyright 2013 by Koninklijke Brill NV, Leiden, The Netherlands. -
Acknowledgments P. Xi Encountering the Scarlet Goddess P. 1 Western Esotericism, Occultism, and Magic P
Acknowledgments p. xi Encountering the Scarlet Goddess p. 1 Western Esotericism, Occultism, and Magic p. 6 Notes on Methodology p. 8 Technicalities and Demarcations p. 10 Outline of the Book p. 12 Divine Women, Femmes, and Whores: The Theorization of Multiple Femininities p. 17 Feminism and Sex: Passion, Prostitution, and Pleasure p. 18 Difference, Divinity, and Multiple Femininities p. 19 Fem(me)ininity and Vulnerable Subversion p. 23 "The Sex That Is Not One": The Concept of Plural Femininities p. 26 The Scarlet Goddess and the Wine of Her Fornications: Crowley, Babalon, and the Femmep. 35 Fatale 1898-1909 Good, Bad, and Scarlet: Femininities of the Fin-de-Siècle p. 36 Scripture and Scourging: The King James Bible and Pariah Femininities before Babalon p. 39 "Fresh Blossoms from the Heart of Hell": Jezebel and the Influence of Decadence p. 39 "The Work of Wickedness": The Scarlet Woman in Liber AL vel Legis (1904) p. 43 "Into Unguessed Abysses": Lola of the Infernal Bliss p. 46 "I Was Really Being Married": Pain and Erotic Submission in Crowley's Early Work p. 49 The Dancing God and the Pyramid Gateway: Babalon in The Vision and the Voice p. 51 Dancers, Bulls, and Amphoras: Babalon below the Abyss p. 52 Enter the Mother of Abominations: Babalon above the Abyss p. 55 The Daughter and the Blasphemy: Babalon beyond the City of the Pyramids p. 58 Enthroned in Eternity: Babalon in the 2nd Aethyr p. 63 Erotic Destruction and Pariah Femininities: Blood, Receptivity, and Reframed p. 65 Whoredom Yielding Peaches and Women with Whips: Babalon, Crowley, and Magical Systematizationp. -
The Philosopher's Stone
The Philosopher’s Stone Dennis William Hauck, Ph.D., FRC Dennis William Hauck is the Project Curator of the new Alchemy Museum, to be built at Rosicrucian Park in San Jose, California. He is an author and alchemist working to facilitate personal and planetary transformation through the application of the ancient principles of alchemy. Frater Hauck has translated a number of important alchemy manuscripts dating back to the fourteenth century and has published dozens of books on the subject. He is the founder of the International Alchemy Conference (AlchemyConference.com), an instructor in alchemy (AlchemyStudy.com), and is president of the International Alchemy Guild (AlchemyGuild. org). His websites are AlchemyLab.com and DWHauck.com. Frater Hauck was a presenter at the “Hidden in Plain Sight” esoteric conference held at Rosicrucian Park. His paper based on that presentation entitled “Materia Prima: The Nature of the First Matter in the Esoteric and Scientific Traditions” can be found in Volume 8 of the Rose+Croix Journal - http://rosecroixjournal.org/issues/2011/articles/vol8_72_88_hauck.pdf. he Philosopher’s Stone was the base metal into incorruptible gold, it could key to success in alchemy and similarly transform humans from mortal Thad many uses. Not only could (corruptible) beings into immortal (incor- it instantly transmute any metal into ruptible) beings. gold, but it was the alkahest or universal However, it is important to remember solvent, which dissolved every substance that the Stone was not just a philosophical immersed in it and immediately extracted possibility or symbol to alchemists. Both its Quintessence or active essence. The Eastern and Western alchemists believed it Stone was also used in the preparation was a tangible physical object they could of the Grand Elixir and aurum potabile create in their laboratories. -
Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
Introduction to Lunar Thelema.Pdf
TTeemmppllee OOrrddeerr TTeeiittaannaass Do what thou wilt shall be the whole of the Law. I introduce all of you to a fascinating new occult tradition, developed out of many different branches of the very ancient Tree of the Sacred Wisdom, and I will endeavor here to expound its intricacies. We approach Thelema from an entirely new perspective, but one which is born of four things: potent magical lineages wedded into one, tremendous unification and harmonization of various existing Thelemic traditions, genuine magical intervention, and a unique new doctrinal perspective. First: potent magical lineages welded into one. One among us of the new Lunar-Yonic tradition of Thelema not only knew Alex Sanders, King of Witches, very personally, but he also received from the Witch-King many magical gifts, a tremendous magical inheritance 1 obviously to be expected from such real intimacy with such an amazing magical personage. As for myself, you know my story so I need not rehash it. But I am magically related to and inspired by the greatest of Scarlet Women, Lea Hirsig. Our movement, small and seemingly insignificant as it is, brings together these two historically great magical lineages, into a magical machine of some interest. Second, our movement, the Scarlet tradition of Thelema, or Lunar Thelema, based in the Temple Order Teitanas, is actually an amalgamation of all Thelemic traditions. We accept as inspiration the writings of Marcelo Ramos Motta. We embrace the wisdom of Grady McMurtry. We devotedly cherish the keys of doctrine, and the pearls without price, handed down to us by Kenneth Grant. -
Experimental Film
source guides experimental film National Library experimental film 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv INTRODUCTION . .1 GENERAL REFERENCES . .1 FOCUS ON: DEREK JARMAN . .4 CHRIS MARKER . .6 MARGARET TAIT . .10 CASE STUDIES: ANGER, BRAKHAGE, AND WARHOL . .12 KENNETH ANGER . .13 STAN BRAKHAGE . .17 ANDY WARHOL . .23 Compiled by: Christophe Dupin Stephen Gordon Ayesha Khan Peter Todd Design/Layout: Ian O’Sullivan Project Manager: David Sharp © 2004 BFI National Library, 21 Stephen Street, London W1T 1LN 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i BFI National Library All the materials referred to in this guide are available for consultation at the BFI National Library. If you wish to visit the reading room of the library and do not already hold membership, you will need to take out a one-day, five-day or annual pass. Full details of access to the library and charges can be found at: www.bfi.org.uk/filmtvinfo/library BFI National Library Reading Room Opening Hours: Monday 10.30am - 5.30pm Tuesday 10.30am - 8.00pm Wednesday 1.00pm - 8.00pm Thursday 10.30am - 8.00pm Friday 10.30am - 5.30pm If you are visiting the library from a distance or are planning to visit as a group, it is advisable to contact the Reading Room librarian in advance (tel.