2019 Book Catalog...(632KB)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
Rezensionen Für
Rezensionen für Edition Ferenc Fricsay (IV) – P. I. Tchaikovsky: Piano Concerto No. 2 & F. Liszt: Piano Concerto No. 1 aud 95.499 4022143954992 Audiophile Audition December 2008 (Gary Lemco - 2008.12.21) A truly happy discovery for the connoisseur, these inscriptions, one live (the... Full review text restrained for copyright reasons. CD Compact Marzo 2009 (Emili Blasco - 2009.03.01) Audite Edición Ferenc Fricsay Audite Edición Ferenc Fricsay Full review text restrained for copyright reasons. Die Tonkunst Juli 2013 (Tobias Pfleger - 2013.07.01) Edition Ferenc Fricsay – Werke von Haydn, Mozart, Beethoven, Rossini, Bizet, Brahms, Strauß, Verdi, Bartók u. a. Edition Ferenc Fricsay – Werke von Haydn, Mozart, Beethoven, Rossini, Bizet, Brahms, Strauß, Verdi, Bartók u. a. Full review text restrained for copyright reasons. page 1 / 7 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de Fanfare Issue 32:5 (May/June 2009) (Lynn René Bayley - 2009.05.01) Pairing Romantic pianist Cherkassky and post-modern conductor Fricsay doesn’t even seem, on paper, like a good idea, let alone a recipe for success. As a pupil of Josef Hoffman and a representative of an older school that believed in impromptu changes to one’s performance approach, Cherkassky rode for 70 years on a wing and a prayer, while Fricsay came from the school of rehearse-exactly-as-you-play. Moreover, Cherkassky’s rhythmic and emotional freedom also seemed at odds with Fricsay’s insistence on written tempos and rhythms. The reason Deutsche Grammophon didn’t release the 1951 recording of the Tchaikovsky appears to be that someone at the label was disappointed by the sound of the orchestra. -
This Month's Highlights Release Date - Friday 30Th November 2018
DECEMBER 2018 DEALER INFORMATION SERVICE: NO. 323 THIS MONTH'S HIGHLIGHTS RELEASE DATE - FRIDAY 30TH NOVEMBER 2018 Download this month's information here: www.selectmusic.co.uk - USERNAME: dealer • PASSWORD: select All orders must be received a week prior to release date. Orders are shipped on the Wednesday preceding release date Please click on a label below to be directed to its relevant page. Thank you. CDs Accentus Music Hortus APR Kairos Arco Diva Melodiya BIS Orfeo Claudio Records Paladino Music Continuo Classics Profil CPO Prophone Dacapo Raumklang DB Productions Resonus Classics Delos Rondeau Production Divox Somm Recordings Doremi Sono Luminus Drama Musica Steinway & Sons Dynamic Toccata Classics Edition S Tudor Fondamenta Varese Sarabande Gramola Wergo DVDs Accentus Music Dynamic C Major Entertainment Vai Select Music and Video Distribution Limited Unit 8, Salbrook Industrial Estate, Salbrook Road, Salfords Redhill RH1 5GJ Tel: 01737 645600 • Fax: 01737 644065 • E: [email protected] • E: [email protected] • Twitter: @selectmusicuk Highlight of the Month Pascal Dusapin À quia; Aufgang; Wenn du dem Wind … Nicolas Hodges, Carolin Widmann, Natascha Petrinsky, Orchestre National des Pays de la Loire, Pascal Rophé BIS2262 £9.00 SACD 30/11/18 BIS About this Release Pascal Dusapin has composed a number of works for the stage, one of the more recent being the opera Penthesilea, after the play by Heinrich von Kleist. From the opera he has also fashioned Wenn Du dem Wind…, the concert suite which opens this disc. Although beginning and ending with a single line from a solo harp, throughout its course takes the listener through the extremes of love, war and the demands of inflexible laws. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Divine Art Recordings Group Reviews Portfolio
PIANO SONATAS Ludwig van Beethoven (1770-1827) Piano Sonata No. 27 in E minor, Op. 90 13:08 1 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 6:03 2 II. Nicht zu geschwind und sehr singbar vorzutragen 7:05 Alexander Scriabin (1872-1915) 3 Piano Sonata No. 10, Op. 70 12:57 Sergei Prokofiev (1891-1953) Piano Sonata No. 2 in D minor, Op. 14 20:55 4 I. Allegro non troppo — più mosso — tempo primo 6:34 5 II. Scherzo: Allegro marcato 2:32 6 III. Andante 6:11 7 IV. Vivace — moderato — vivace 5:37 bonus tracks: Claude Debussy (1862-1918) Estampes 16:00 8 I. Pagodes 6:27 9 II. La soirée dans Grenade 5:18 10 III. Jardins sous la pluie 4:14 total playing time: 63:01 NATALIA ANDREEVA piano The Music I recorded these piano sonatas and “Estampes” at different stages of my life. It was a long journey: practicing, performing, teaching and doing the research… all helped me to create my own mental pictures and images of these piano masterpieces. Beethoven: Piano Sonata No. 27 in E minor,Op. 90 “Why do I write? What I have in my heart must come out; and that is why I compose.” Those are famous words of the composer.1 There is a 4-5 year gap between Beethoven’s Piano Sonata Op. 81a (completed in 1809) and Op. 90, composed in 1814. The Canadian pianist Anton Kuetri (who has recorded Beethoven’s complete Piano Sonatas) wrote: “For four years Beethoven wrote no sonatas, symphonies or string quartets. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946
Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8. -
DMITRI SHOSTAKOVICH Live Moscow 1951 – 1963 DMITRI SHOSTAKOVICH 24 Preludes and Fugues for Piano, Op
SVIATOSLAV RICHTER EMIL GILELS TATJANA NIKOLAYEVA DMITRI SHOSTAKOVICH live Moscow 1951 – 1963 DMITRI SHOSTAKOVICH 24 Preludes and Fugues for Piano, Op. 87 1 DMITRI SHOSTAKOVICH 1906 – 1975 CD 2 Preludes and Fugues Nos. 11 – 20 BONUS CD 1 Tatjana Nikolayeva rec. Studio Moscow 1962 Sviatoslav Richter plays in Prague Studio December 3 – 4, 1956 Preludes and Fugues Nos. 1 – 10 BONUS 1. Prelude and Fugue No. 11 in B major 3'28 11. Prelude and Fugue No. 7 in A major 3'01 Emil Gilels, Studio Moscow 1955 Sviatoslav Richter plays live in Warsaw Sviatoslav Richter plays live in Teatr Muzyczny „Roma” November 24, 1954 1. Prelude and Fugue No. 1 in C major 7'05 Moscow March 14, 1963 Total time CD 2: 78'55 Four Preludes and Fugues – 2. Prelude and Fugue No. 12 in G sharp minor* 8'53 Sviatoslav Richter plays live in Moscow Suite of Sviatoslav Richter unpublished * November 9, 1956 11. Prelude and Fugue No. 4 in E minor* 7'56 Tatjana Nikolayeva rec. Studio Moscow 1962 2. Prelude and Fugue No. 2 in A minor 2'15 12. Prelude and Fugue No.7 in A major* 3'07 3. Prelude and Fugue No. 13 in F sharp major 9'36 3. Prelude and Fugue No. 3 in G major 3'33 13. Prelude and Fugue No.17 in A flat major* 5'22 Sviatoslav Richter plays live in Kiev June 9, 1963 Sviatoslav Richter plays live in 14. Prelude and Fugue No.12 in G sharp minor* 7'41 4. Prelude and Fugue No. -
SVIATOSLAV RICHTER Plays Rakhmaninov & Prokofiev 11 CD
Special Guests Mstislav Rostropovich Kurt Sanderling Kirill Kondrashin SVIATOSLAV RICHTER plays Rakhmaninov & Prokofiev 11 CD PH19052 St 1d, 19.11.2019 Bildquelle: verlag U1 Freigabe 16.9.19 Hänssler Farbunverbindlich. Keine Druckdaten. Bildrechte: vorhanden? Gesamt-Freigabe SPIESZDESIGN 20190903b Änderung gegenüber Vorentwurf: Korr 11 CD SVIATOSLAV RICHTER plays Rakhmaninov & Prokofiev CD 1 CD 2 CD 3 9 Etude Tableau No. 7 in C minor, Op. 39 – Sergei Rakhmaninov (1873 – 1943) Sergei Rakhmaninov (1873 – 1943) Sergei Rakhmaninov (1873 – 1943) Lento lugubre 6'23 23/06/1950 Moscow – live Piano Concerto No. 1 in F-sharp minor, Op. 1 Piano Concerto No. 2 in C minor, Op. 18 Eight Etudes-Tableaux Op. 33, Nos. 8, 4, 5 Op. 39, 10 „Melodie“ No. 3 E major Op. 3 vers. 1892 (Version 2/1917) 06/02/1959 Moscow – live* Nos. 1, 2, 3, 4, 9 (from Morceaux de Fantaisie)* 5'44 09/03/1949 Moscow – Studio (8 Etudes -Tableaux Suites of Sviatoslav Richter) 1 I Moderato 11'30 Adagio sostenuto 1 I Vivace – Moderato 12'11 2 II Adagio sostenuto 11'39 1 Etude Tableau No. 8 in C-sharp minor, Op. 33 – 10/01/1952 Moscow – live 2 II Andante cantabile 5'56 3 III Allegro scherzando 11'24 Grave* 3'00 11 „Liebesfreud“ – Paraphrase in C major of 3 III Allegro vivace 7'38 State Symphony Orchestra USSR Early 1950‘s Moscow – live Fritz Kreislers Valse „Love‘s Joy“* 5'49 Symphony Orchestra USSR Kurt Sanderling 2 Etudes Tableau No. 4 in D minor, Op.33 – 1947 Moscow – live Oleg Agarkov Moderato* 3'09 BONUS Early 1950‘s Moscow – live BONUS BONUS Piano Concerto No. -
Piano Sonatas
PIANO SONATAS Ludwig van Beethoven (1770-1827) Piano Sonata No. 27 in E minor, Op. 90 13:08 1 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck 6:03 2 II. Nicht zu geschwind und sehr singbar vorzutragen 7:05 Alexander Scriabin (1872-1915) 3 Piano Sonata No. 10, Op. 70 12:57 Sergei Prokofiev (1891-1953) Piano Sonata No. 2 in D minor, Op. 14 20:55 4 I. Allegro non troppo — più mosso — tempo primo 6:34 5 II. Scherzo: Allegro marcato 2:32 6 III. Andante 6:11 7 IV. Vivace — moderato — vivace 5:37 bonus tracks: Claude Debussy (1862-1918) Estampes 16:00 8 I. Pagodes 6:27 9 II. La soirée dans Grenade 5:18 10 III. Jardins sous la pluie 4:14 total playing time: 63:01 NATALIA ANDREEVA piano The Music I recorded these piano sonatas and “Estampes” at different stages of my life. It was a long journey: practicing, performing, teaching and doing the research… all helped me to create my own mental pictures and images of these piano masterpieces. Beethoven: Piano Sonata No. 27 in E minor, Op. 90 “Why do I write? What I have in my heart must come out; and that is why I compose.” Those are famous words of the composer.1 There is a 4-5 year gap between Beethoven’s Piano Sonata Op. 81a (completed in 1809) and Op. 90, composed in 1814. The Canadian pianist Anton Kuetri (who has recorded Beethoven’s complete Piano Sonatas) wrote: “For four years Beethoven wrote no sonatas, symphonies or string quartets. -
Complementary and Alternative Medicine
THE ENCYCLOPEDIA OF COMPLEMENTARY AND ALTERNATIVE MEDICINE THE ENCYCLOPEDIA OF COMPLEMENTARY AND ALTERNATIVE MEDICINE Tova Navarra, B.A., R.N. Foreword by Adam Perlman, M.D., M.P.H. Siegler Center for Integrative Medicine St. Barnabas Health Care System, Livingston, New Jersey The Encyclopedia of Complementary and Alternative Medicine Copyright © 2004 by Tova Navarra All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Navarra, Tova The encyclopedia of complementary and alternative medicine / Tova Navarra; foreword by Adam Perlman. p.cm. Includes bibliographical references and index. ISBN 0-8160-4997-1 1. Alternative medicine—Encyclopedias. I. Title. R733. N38 2004 615.5'03—dc21 2003043415 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text and cover design by Cathy Rincon Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. For Frederic CONTENTS Foreword ix Preface xiii Acknowledgments xv Introduction xvii Entries A–Z 1 Appendixes 175 Bibliography 251 Index 255 FOREWORD t the age of 16 I began training in martial arts. -
Sonata for Violin and Piano (1952) 19:48 1 I
Galina Ustvolskaya (1919-2006) Complete works for Violin and Piano Sonata for Violin and Piano (1952) 19:48 1 I. (crotchet=112) 2:18 2 II. (crotchet=112) 9:36 3 III. Più mosso 2:25 4 IV. Tempo I 5:28 Duet for Violin and Piano (1964) 29:30 5 I. Espressivo 4:22 6 II. Very rhythmical beat (fugato) 5:47 7 III. Tempo I 2:54 8 IV. Not faster (fugato) 4:49 9 V. Meno mosso 1:20 10 VI. Tempo I 3:00 11 VII. (in tempo) 7:16 Total duration 49:19 Evgeny Sorkin violin | Natalia Andreeva piano The music Introduction and notes by Natalia Andreeva This recording is proudly dedicated to the memory of Galina Ustvolskaya on the 100th anniversary of her birth. “Ustvolskaya did paddle upstream, against one all-powerful current, and never once deviated from her course. That is why she is a Hero, not of, but against the Soviet Union. There was no less desirable music written in the imperium of Stalin and his successors than hers. And every subsequent piece was yet more undesirable, because it was more impossible and inaccessible than the previous one.”1 In 2006, in Chicago, I opened the score of Ustvolskaya’s Fifth Piano Sonata. This was the first of Ustvolskaya’s compositions that I ever started working on. I could not then imagine that it was a beginning of a very long journey: I read countless resources (I had the great advantage of reading both in English and Russian), practiced for hours and hours, performed Ustvolskaya’s works, held lecture-recitals, wrote my PhD thesis dedicated to Ustvolskaya’s piano works, and the list goes on.