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Annabella Skagen Annabella Skagen Doktoravhandlinger ved NTNU, 2015:179 Annabella Skagen Annabella Skagen Fra grevens gård til Prinsens gate Doktoravhandling Teater i Trondhjem 1790–1814 ISBN 978-82-326-1014-3 (trykt utg.) ISBN 978-82-326-1015-0 (elektr. utg.) ISSN 1503-8181 Doktoravhandlinger ved NTNU, 2015:179 ved Doktoravhandlinger NTNU philosophiae doctor philosophiae Avhandling for graden for Avhandling Det humanistiske fakultet Det humanistiske Institutt for kunst- og medievitenskap kunst- for Institutt Norges teknisk-naturvitenskapelige universitet teknisk-naturvitenskapelige Norges Annabella Skagen Fra grevens gård til Prinsens gate Teater i Trondhjem 1790–1814 Avhandling for graden philosophiae doctor Trondheim, juni 2015 Norges teknisk-naturvitenskapelige universitet Det humanistiske fakultet Institutt for kunst- og medievitenskap NTNU Norges teknisk-naturvitenskapelige universitet Avhandling for graden philosophiae doctor Det humanistiske fakultet Institutt for kunst- og medievitenskap © Annabella Skagen ISBN 978-82-326-1014-3 (trykt utg.) ISBN 978-82-326-1015-0 (elektr. utg.) ISSN 1503-8181 Doktoravhandlinger ved NTNU, 2015:179 Trykket av NTNU Grafisk senter Oversikt Innholdsfortegnelse ......................................................................................................................................... i Forord ........................................................................................................................................................... viii Del I: Forskningsfelt, perspektiver og metode .............................................................................................. 1 Kapittel 1. Teater i Trondhjem 1790–1814 ............................................................................................. 1 Kapittel 2. Tradisjonen: Feltets historiografiske beskrivelse .................................................................. 11 Kapittel 3. Historiografisk ståsted: Ny kulturhistorie.............................................................................. 27 Kapittel 4. Teoretiske perspektiver: Privat og offentlig i teater og samfunn .......................................... 44 Kapittel 5. Historiske perspektiver: Patriotisme og borgerdyd i Danmark-Norge ................................ 53 Kapittel 6. Metode og kilder.................................................................................................................... 68 Del II: Fra fyrstespeil til borgerspill: Teater i 1790-årenes Trondhjem..................................................... 83 Kapittel 7. Residensteater mellom selskapelighet og hoffkultur ............................................................ 83 Kapittel 8. Festspill og skuespill i Trondhjem 1790–1799 ..................................................................... 95 Kapittel 9. Endres og Sigrids Brøllup, 1790 ......................................................................................... 113 Kapittel 10. Republikken paa Øen, 1793 ............................................................................................. 124 Kapittel 11. Den taknemmelige Søn, 1794 ........................................................................................... 139 Kapittel 12. General Schlenzheim og Hans Familie, 1795/96 ............................................................. 150 Kapittel 13. 1807: "Et Efterspil" ............................................................................................................. 166 Del III: Borgerlig teaterpraksis i Trondhjem 1800–1814 ........................................................................ 192 Kapittel 14. Det forenede dramatiske Selskab ..................................................................................... 192 Kapittel 15. Det offentlige Theater ....................................................................................................... 214 Kapittel 16. Småbyteater og storpolitikk: Sesongen 1813/14 ............................................................... 242 Del IV: Analyser: Staten ............................................................................................................................ 270 Kapittel 17. Politisk håndverk ............................................................................................................... 270 Kapittel 18. Konge og undersått ............................................................................................................ 286 Kapittel 19. Fedreland i krig og fred ..................................................................................................... 307 Kapittel 20. Syngespill: Satire og samfunnskritikk ................................................................................ 319 Del V: Analyser: Borgeren ........................................................................................................................ 333 Kapittel 21. Hedersmannen mellom ære og takt ................................................................................. 333 Kapittel 22. Fyrstedømmet og embetsmannen ..................................................................................... 360 Kapittel 23. Oppdragelse til borger ....................................................................................................... 375 Kapittel 24. Mesalliansen: Spill om sosiale roller ................................................................................. 401 Del VI: Konklusjoner ................................................................................................................................ 422 Kapittel 25. Mellom representativ offentlighet og borgerlig representativitet ...................................... 422 Vedlegg ....................................................................................................................................................... 442 Litteraturliste .............................................................................................................................................. 456 Innholdsfortegnelse Forord ........................................................................................................................................................... viii Del I: Forskningsfelt, perspektiver og metode .............................................................................................. 1 Kapittel 1. Teater i Trondhjem 1790–1814 ............................................................................................. 1 1.1. Definisjon og avgrensning .............................................................................................................. 1 1.2. Bakgrunn for avhandlingen ............................................................................................................ 2 1.3. Problemstilling ................................................................................................................................ 5 1.4. Målsetning ....................................................................................................................................... 7 1.5. Oppbygning .................................................................................................................................... 8 Kapittel 2. Tradisjonen: Feltets historiografiske beskrivelse .................................................................. 11 2.1. Johann Hornemann ..................................................................................................................... 11 2.2. Wigum, Bruhn og Bø................................................................................................................... 13 2.3. Ole Øisang .................................................................................................................................... 14 2.4. Øyvind Anker og Liv Jensson ...................................................................................................... 15 2.5. Eli Ansteinsson ............................................................................................................................. 17 2.6. Thoralf Berg ................................................................................................................................. 18 2.7. Svein Gladsø ................................................................................................................................. 20 2.8. Selskapelighet og dilettanteri: – Moro, hvis De liker den slags? ................................................. 21 2.8.1. Private aktører ....................................................................................................................... 22 2.8.2. Dannet selskap ...................................................................................................................... 23 2.8.3. Politiske aktører? ................................................................................................................... 24 2.9. Oppsummering............................................................................................................................. 26 Kapittel 3. Historiografisk ståsted: Ny kulturhistorie.............................................................................. 27 3.1. Representasjoner: Teatret som gestaltet fiksjon .......................................................................... 28 3.1.1. Nyhistorismen ....................................................................................................................... 29 3.2. Praksiser: Produksjon og resepsjon ............................................................................................
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