Erinumber Teine Kaas.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Erinumber Teine Kaas.Indd www.ssoar.info Risk, Transgression and Substance Use: An Ethnography of Young British Tourists in Ibiza Briggs, Daniel; Turner, Tim Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Briggs, D., & Turner, T. (2011). Risk, Transgression and Substance Use: An Ethnography of Young British Tourists in Ibiza. Studies of Transition States and Societies, 3(2), 14-25. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-363082 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. 14 STSS Vol 3 / Issue 2 Studies of Transition States and Societies Risk, Transgression and Substance Use: An Ethnography of Young British Tourists in Ibiza Daniel Briggs* & Tim Turner Abstract British youth have a notorious reputation for binge drinking, drug use, sex and risk behaviours within most major European holiday resorts. Consequently, there is much concern about their social activities abroad - especially in the Spanish Balearics. While research has documented these behaviours among British youth on these islands, it has tended to rely on survey data and off ered little understanding of why these behaviours might take place. This is the principle aim of our paper. Our research aims were to examine the drinking attitudes among British youth abroad and investigate the reasons that underpin these attitudes. Additional research interests were drug use, sex and risk behaviours. The paper is based on fi ndings from ethnographic research with British youth in San Antonio, Ibiza. We spent one week with British youth and undertook participant observation and 17 focus groups (equating to 97 young people aged 17 to 31). The data suggests that British youth engage in these behaviours because they are exciting; to escape the constraints of work and family in the UK; and because these behaviours are integral to the construction of their life biographies and identities. The data also indicates that these behaviours are aggressively endorsed by various aspects of the social context of Ibiza. Keywords: risk, transgression, substances, youth on holiday, ethnography. Introduction I try and guess who’s on the Ibiza fl ight while I’m sitting at Birmingham airport. There’s a group of three girls sitting opposite me in the departure lounge. They’re all in their early 20s and clearly ready to party. The one on the left dips into her hand luggage and pulls out three spotty plastic cups and an unopened bottle of Malibu. They’re all laughing and the one in the middle gets the camera out as a big gulp is taken directly from the full bottle. The one on the right stretches out a bangled arm and takes her spotty cup of Malibu. She’s already dressed for the sun with long, tanned legs exposed by high-cut denim shorts. She takes a swig, looks at me and winces; ‘Fuck! That’s a strong one!’ I smile back and ask if they’re all Ibiza-bound. All three laugh and give me the nod. (Field notes Tim Turner ‘Birmingham airport’ 25.7.10) Later that day, Tim (Author and Interviewer) arrives at the hotel in San Antonio in Ibiza and wanders over to a local bar: I sit on a tall stool at the outside bar of the Irish pub. Cindy is fi xing the drinks alone until midnight. She’s a friendly 25 year-old from Leeds, with long hair dyed black and blonde. This is her third summer working in Ibiza (as bar staff , promo girl and as a rep for Thompson). She’s previously worked in Majorca and Cyprus but says Ibiza is the craziest of the lot. We chat about the local area and she tells me that the real ‘madness’ is only a fi fteen-minute walk away [in San Antonio]. She doesn’t like the scene there at all: * E-mail address of the corresponding author: [email protected] Risk, Transgression and Substance Use: An Ethnography of Young British Tourists in Ibiza 15 ‘I’m so embarrassed to be British sometimes…the lads are worse than the girls, they just drink as much as they can then end up fi ghting, it’s like they’re in a competition with each other’. We talk about the police and she says they’re much stricter than back in the UK. Tourists are ‘roughed up’ for drunkenness. She says drugs are ‘incredibly easy’ to get and the police turn a blind eye. I take the barfl y role for a good three hours, chatting to Cindy and sometimes the promo duo James and Kerry (both self-confessed pill-heads). A steady stream of good-humoured single sex groups rolls by, usually in fours and fi ves. A group of three young girls lurch up to the bar for cocktails and a shot. They’re all about 18. The one immediately next to me is white blonde and has clearly had a few drinks already. She turns to me, asks if I’m on holiday, and laughs when I tell her what I’m doing. She fi lls in a questionnaire as her friends impatiently hurry her along: ‘C’mon! We’re wasting time!’ Most punters go for €3 cocktails. Sex on the beach seems to be the drink of choice (easy to remember? Risqué double entendre?). Certainly no one bothers looking at the cocktail menu. The off er of a free shot of schnapps isn’t refused in the three hours that I’m camped at the bar. Cindy, like all Ibiza bar crew, free-pours her drinks the European way; two bottles are held upside down in the glass simultaneously, for what seems like an eternity. These are big measures. She’s armed with a string of shots around her neck, like some kind of bandit from a spaghetti western. Although a free shot only follows your fi rst drink, Cindy sneakily hits me with a few extra freebies after each beer. It’s midnight and the bar is starting to fi ll up. The free shots have hit me and I leave to get my head straight for tomorrow. (Field notes Tim Turner ‘The bar’ 25.7.10) This was Tim’s experience after only a few hours of arriving in Ibiza. Indeed, Ibiza is a popular holiday destination choice for British youth (Govern de les Illes de Balears 2007). It is specifi cally marketed (Sellars 1998) because of its international reputation for nightlife (Bellis. Hughes, Bennett & Thomson 2003, IREFREA 2007), ‘wild’ party scene and easy access to illegal substances (Bellis et al. 2003, Hughes, Bellis & Chaudry 2004, Josiam, Hobson, Dietrich & Smeaton 1998, Segev, Paz & Potasman 2005, Smeaton, Josiam & Dietrich. 1998). Historically, the economy of Ibiza relies heavily on the commercial promotion of clubs and DJs (Garratt 1998), as well as the drug market (Armstrong 2004). For British youth, Ibiza is, therefore, indelibly associated with dance music, alcohol, drug use and sex (Bellis et al. 2003, Calafat, Stocco, Mendes, Simon, van de Wijngaart, Sureda, Palmer, Maalste & Zavatti. 1998, Engineer, Phillips, Thompson & Nicholls 2003, Hughes et al. 2004, Hughes, Bellis, Whelan, Calafat, Juan & Blay 2009). However, previous UK research on youth behaviours in Ibiza has tended to rely on surveys (Bellis, Hale, Bennett, Chaudry & Kilfoyle. 2000, Bellis et al. 2003, Department of Health 2005, Hughes et al. 2004, Hughes et al. 2009). Such epidemiological studies tend to portray youth behaviours abroad as dangerous and the young people who engage in them as vulnerable. However, cultural studies researchers argue that these young people are ‘active negotiators of the relationship between structure and agency’ (Ettore & Miles 2002: 173). To date, no ethnographic analysis explores reasons why British youth might engage in these behaviours while on holiday abroad. This issue is the primary aim of the article. While research shows that British youth do this to escape the constraints of work and family, which moderate everyday behaviours (Bellis, Hughes & Lowey 2002, Carter 1997, Carter, Horn, Hart, Dunbar, Scoular, & MacIntyre 1997, Ryan & Kinder 1996), others suggest the thrill of transgression and the seductions of risk are relevant reasons (Hayward 2002). We fi nd in this research that these issues are important to consider but also suggest that British youth are intent on constructing meaning through ‘memorable’ holiday experiences. This conclusion is important to consider because of the fl uidity of late modern identities (Bauman 2004, 2007); with young people increasingly expected to construct their own biographies (Helve & Bynner 2007) in uncertain times (Beck 1992, Giddens 1991); and doing so through the consumption of items such as alcohol, music and drugs (Furlong & Cartmel 1997, Miles 2000).
Recommended publications
  • Global Nomads: Techno and New Age As Transnational Countercultures
    1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism.
    [Show full text]
  • Executive of the Week: Carbon Fiber Music President Franklin
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 27, 2021 Page 1 of 28 INSIDE Executive of the Week: • Roblox’s Music Play: ‘Hundreds’ Carbon Fiber Music President of Daily Concerts, Building a Franklin Martínez Digital Vegas & NMPA Lawsuit BY LEILA COBO • UK Festival Industry Primed for Biggest Farruko’s “Pepas,” an EDM/reggaetón track about Enter “Pepas,” which kicks off with Farruko sing- Weekend Since pill-popping partygoers, hit No.1 this week on Bill- ing gently over simple chords, almost as if it were a Pandemic Began board’s Hot Latin Songs and Hot Dance/Electronic love song, before it pumps up, finessed by a sextet of Songs charts. Equally impressive is the fact that producers: IAmChino, Sharo Towers, Keriel “K4G” • Apple to Make Changes to “Pepas” is not a multi-artist collaboration, but a Far- Quiroz, Victor Cárdenas, White Star and Axel Ra- App Store Rules in ruko solo single, bolstered by an irresistible, anthemic fael Quezada Fulgencio “Ghetto.” Settlement With chorus that sent fans wild at the recent Baja Beach The song was released June 24 on Sony Music Latin U.S. Developers Fest in Rosarito, Mexico despite the fact that the song with little fanfare — there wasn’t even a video ready • Bruno Mars’ is only two months old. — and debuted at No. 28 on the Hot Latin Songs chart Las Vegas Show That’s all sweet news for Farruko (real name Carlos dated July 17. It jumped to the top 10 four weeks later, Grosses More Than Efrén Reyes Rosado), a reggaetón star who’s had eight reaching No.
    [Show full text]
  • Fact Sheet Ushuaia English.Pdf
    Hotel: USHUAÏA IBIZA BEACH HOTEL Brand: USHUAÏA HOTELS Address: Carretera Playa d’en Bossa 10 07817 Ibiza, Spain Telephone: The Ushuaïa Club +34 971 396 710 The Ushuaïa Tower: 971396729 FAX: The Ushuaïa Club: +34 971 396 704 The Ushuaïa Tower: 971396703 Email: [email protected] Reservations: [email protected] Local currency: EUR Payement option: Visa, Mastercard, American Express, Paytouch, Cash EUR GPS-Position: 38º53’7.14”N, 1°24'17.44"E Total TAX: 10 % Construction: The Ushuaïa Club: Built in 1986, renovated in 2011, nº building: 5, nº floors: 2, lifts: 0 The Ushuaïa Tower: Built in 1969, renovated in 2012, nº building: 1, nº floors: 9, nº lifts: 2 indoor and 2 outdoor lifts with direct access to the roof top bar Hotel type: Beach Resort. Only for adults. Minimum age: 18 years old, not recommended for those under 22 years old. Updated: May 25, 2015 1. GENERAL INFORMATION Ushuaïa Ibiza Beach Hotel is the ideal choice for those who come to the White Isle looking for the world-famous daytime parties featuring live performances by the world’s top DJs and the most exclusive day and night ambience in a modern setting designed with all kinds of comforts, luxuries, and VIP services. All of this right on one of the island’s most exciting beaches, Playa d’en Bossa. Guests can either stay at The Ushuaïa Club, if they want to enjoy the hotel’s party’s right from their own balcony, or The Ushuaïa Tower, if they prefer more exclusivity and privacy. Ushuaïa Ibiza Beach Hotel, the trendy hotel that changed Ibiza forever, has now become a full complex with a whole new world of exclusive entertainment facilities and services.
    [Show full text]
  • EL CASO DE IBIZA (ESPAÑA) HOLOS, Vol
    HOLOS ISSN: 1518-1634 [email protected] Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Norte Brasil CARDONA, J. R.; AZPELICUETA-CRIADO, M. C.; SÁNCHEZ-FERNÁNDEZ, M. D. UNA CLASIFICACIÓN DE LOS ESTABLECIMIENTOS DE OCIO NOCTURNO: EL CASO DE IBIZA (ESPAÑA) HOLOS, vol. 7, 2016, pp. 418-437 Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Norte Natal, Brasil Disponible en: http://www.redalyc.org/articulo.oa?id=481554871033 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto CARDONA, AZPELICUETA-CRIADO & SÁNCHEZ-FERNÁNDEZ (2016) UNA CLASIFICACIÓN DE LOS ESTABLECIMIENTOS DE OCIO NOCTURNO: EL CASO DE IBIZA (ESPAÑA) J. R. CARDONA1, M. C. AZPELICUETA-CRIADO1* y M. D. SÁNCHEZ-FERNÁNDEZ2 Universitat de les Illes Balears - España Universidad da Coruña - España [email protected]* Artículo presentado en marzo/2016 y aceptado en septiembre/2016 DOI: 10.15628/holos.2016.4301 RESUMEN Ibiza es muy conocida por sus discotecas y fiestas, siendo oferta formada por los Beach Clubs, los Lounge Clubs, los uno de los referentes mundiales del sector. El objetivo de Disco Pubs, los Hotel Clubs, los restaurantes espectáculo este trabajo es realizar una primera propuesta de y los Party Boats. La principal diferencia entre los dos clasificación de los establecimientos con eventos grandes grupos es que las discotecas son musicales en la isla de Ibiza. La metodología se basa en la establecimientos cuya actividad declarada principal es el consulta de bibliografía, prensa local y páginas web ocio nocturno, cobrando entrada, y el segundo grupo son especializadas.
    [Show full text]
  • BBI-GUIDE-TO-IBIZA-2017.Pdf
    THE BLACK BOOK IBIZA GUIDE 2017 THE BLACK BOOK IBIZA GUIDE 2017 CONTENTS PAGE WELCOME TO IBIZA …………… 3 Basic information …………… 3 Food shops …………… 4 Important contacts …………… 5 WHAT’S NEW FOR 2017 …………… 6 RESTAURANTS, BARS & NIGHTLIFE …………… 7 Restaurants …………… 8 Bars …………… 10 Map of best restaurants & bars …………… 12 Ibiza best parties …………… 13 BEACHES & BEACH CLUBS …………… 14 Map of Ibiza beaches …………… 15 Beach clubs …………… 17 Formentera …………… 19 IBIZA SHOPPING …………… 20 Hippie markets …………… 21 Best boutiques …………… 22 IBIZA OUTDOOR ACTIVITIES …………… 23 HEALTH & WELLBEING …………… 25 Healthy hangouts …………… 26 Wholefood supermarkets & local produce …………… 26 Yoga / Pilates / Fitness / Sport activities …………… 27 FAMILY FRIENDLY IBIZA …………… 28 Best family beaches & restaurants …………… 29 Kids activities …………… 30 Child care & nannies …………… 30 BBI SERVICES & CONTACTS …………… 31 BLACK BOOK IBIZA’S GUIDE OF THE WHITE ISLE Here at Black Book Ibiza we simply adore the island we live, love and work on, and want to ensure that you feel the same. So, whether you are a seasoned island visitor, or a true Ibiza virgin, we have compiled our very own Black Book for Ibiza to share our insider secrets, tips and suggestions to ensure you have an idyllic Ibiza experience. WELCOME TO IBIZA! Welcome to Ibiza! After all the months of planning, dreaming and preparing, the real adventure is beginning! And, this year, Ibiza is quite simply bigger and better than ever before, and we are ready and waiting to help you discover the magic. But first, let us give you some true insider advice. Without wanting to dampen your spirits, there are a few things to remember when holidaying in Ibiza to make sure your stay is smooth, safe and hassle free.
    [Show full text]
  • Youth Is Absolutely Vital
    Version: 1 2 Source URL: http://www.thesun.co.uk/sol/homepage/clubz/5011879/Ibiza-is-about-to-go-Booom.html Clubz Youth is absolutely vital CLUBZ chat to the man behind the music at Ibiza clubs, Eden and Booom as he looks set to add to the islands clubbing nightscape By MARK GWINNETT 17 Jul 2013 15:06:24 IBIZA clubbing guru and co-founder of the IMS, Danny Whittle’s 13 year run with Pacha and the split with them last year is well documented. Danny’s expertise on the island is now elsewhere as he has teamed up with Eden’s new Dutch owner Michael Van De Kruit to help guide and boost the San Antonio club’s music policy and build Eden as an international brand. He is also due to open the highly anticipated Booom (formally Bomba) club which boasts some seriously exciting line ups for this season. Having been instrumental in shaping Ibiza over the years Clubz caught up with Danny last week in Ibiza to find out more. So, why Eden? As if you didn't have enough on your plate. I am excited to work with Eden. I have always worked on the Ibiza side of the island but I have always been a fan of San Antonio. It’s the entry point for most people to the island so I have always thought it deserved an amazing nightclub and now Michael and his team have delivered one. There is still work to be done to help change the perception of what it used to be to the amazing place that it now is, but we are up for the challenge.
    [Show full text]
  • Felix Andy Sykes
    Science Interview Television Harry Are chimps Hill people too? Fairground Science page 6 page 8 page 26 e student newspaper of Imperial College No. 1,360 • Friday • 20 October 2006 • ffelixelix felixonline.co.uk Massive outrage as More papers nothing happens under threat FUCIT Andy Sykes tions, with the President, Salima Omar was unable to attend to at- Editor-in-Chief Lanquaye, apparently telling the tend, due to prior commitments, other officers that she could han- and the meeting took place without Westminster University Union’s dle the bulk of the arrangements him present. However, the sabbs student newspaper, The Smoke, herself. eventually decided that it was not has faced censorship and possible The UWSU General Manager, the appropriate to discipline Mr Omar removal of the Vice President of head of the union staff, apparently without him being present, and Communications over allegations filed an official complaint against agreed to reconvene in a fortnight’s If something’s happening, they’re damn good at hiding it from us made in the paper about the state Rayhan Rafiq Omar, the VP Com- time. of Westminster University’s Fresh- munications, for allowing the is- Mr Omar, contacted by this re- ers’ Fayre. sue to go to print. It is not clear porter for comment, feels very A huge group of students and staff Governance Report autographed A piece in the second issue of The what the sabbs felt was inaccurate strongly about honouring his word gathered on campus yesterday, by the Union President, John Col- Smoke, titled “Fayre… Or Failure”, about the article, though they is- to the students that he serves.
    [Show full text]
  • DANCE MUSIC UK and SPAIN 2015 State of Play: DANCE MUSIC UK and SPAIN 2015
    State of Play: DANCE MUSIC UK AND SPAIN 2015 State of Play: DANCE MUSIC UK AND SPAIN 2015 Author Alexandra Penciu Research & Analysis Sophia Rawcliffe & Thomas Rea Editor Tina Mermiri Interviews / Editor Giles Fitzgerald Design Chloe Faram CONTENTS FOREWORD 4 EVOLUTION OF SOUND 8 EXECUTIVE SUMMARY 18 DEMOGRAPHICS & ATTENDANCE 26 PREFERENCES & MOTIVATIONS 46 THE DANCE CULTURE 66 THE LOGISTICS 78 CODE OF CONDUCT 94 BRANDS & SPONSORSHIP 98 CONCLUSION 112 METHODOLOGY 118 3 Foreword 5 FOREW0RD strength. This is actively technology and social FOREWORD: reinforced in this report, marketing. “Thanks to Ticketmas- with fan attendance set to ter, the world’s leading MARK LAWRENCE rise again next year and Dance music is a genre that ticketing agent, we with 80% planning to visit a is constantly pushing back finally have a powerful THE CEO OF THE ASSOCIATION FOR ELECTRONIC MUSIC dance gig in the UK the boundaries that define study of dance music it, and it is this perpetual INTRODUCES THE ‘STATE OF PLAY: DANCE MUSIC’ REPORT and 70% set to flock to culture in the UK and sun kissed beach venues sense of momentum, a Ibiza. The release of in Spain. sense of never standing still, this report is a pivotal of always striving to find Dance music has come a converts to a scene that moment; providing an Mark Lawrence Dance music is no longer the next big sound, that will long way. puts ‘the experience’ on a insight into our com- is Chief Executive simply the underground continue to draw audiences par with the music. With a munity and educating at AFEM, a not- sound of the few; it is a to the clubs, fields and Our beloved genre is now heightened desire among the wider media and for-profit trade global movement, one that beaches for years to come.
    [Show full text]
  • ON the FLOOR the On-The-Pulse Guide to the Deep, Down and Dirty Gyrations of Global Clubland
    ON THE FLOOR The on-the-pulse guide to the deep, down and dirty gyrations of global clubland UK’S LIVE MUSIC INDUSTRY WORTH £4 BILLION New study shows signifi cant contribution from live music sector... LIVE MUSIC accounts for £4 billion of revenue spending on average £850 during their visits. Khan, is due to release his plans to protect the within the UK, a new study by UK Music has “Live music in the UK is a tremendous success city’s night-time culture and boost the night-time revealed. story and makes a massive contribution to our economy, including enacting policies such as The research also found that approximately 30.9 culture and general well-being, as well as our Agent Of Change, which seeks to protect existing million people paid to see a live music event economy,” states UK Music’s chief executive music venues from new developments. during 2016 in the UK, a rise of 12 percent from Michael Dugher. Although the overall fi gures look good for the the previous year. Dugher also touches on evidence that punters UK’s live music industry, travel restrictions Tourism is playing an increasingly important role attending smaller establishments (under imposed upon both visitors and artists post-Brexit within the live music economy; the report cites a 1500-capacity) spend signifi cantly less money could also impact live music revenues within the 20 percent increase in the number of respondents within the room. “UK Music will continue to UK borders. willing to travel to, and around, the UK for live campaign to safeguard smaller music venues,” he As reported during the International Music music.
    [Show full text]
  • Pº Joan De Borbó 27, 1º. 08003 Barcelona, Spain : Office +34 932 214 291
    BIOGRAPHY Andrea Ferlin Andrea Ferlin was born in Cagliari in 1973,and his interest towards dance music and the buying of his first turntables all began when he was fifteen years old. After a few years he started to play a different sound from the ones proposed by all the other disc jockeys in Sardinia. It was a significant year for house music. After a first approach with the house sound he got interested in the electronic side of it: what we all know as "acid". Between 1990 and 1992 his sound changes and develops into techno. He worked in many clubs in Sardinia being one of the few disc jockeys to propose this kind of music. In 1994 he started to collaborate with the "Harder Times", the first organisation in Sardinia which proposed a different type of musical nights and events with a European touch.this was located in a club that became the famous Kilton, later on called Erotomechanics. During the years, his sound has changed and today he plays every saturday in a club called "Global City" in Cagliari with the Harder Times organisation. "Harder Times" has now become the most famous and qualified organisation in Italy for the quality of the style and sound of the disc jockeys who perform in the three consoles of the club and for the collaboration from artists from all around the world. Last year he played in Frankfurt in a club called "Spektrum" with Haicko m/s/o and Phase 2 Currently he is focusing on the production of some records, (minimal/tech) During some events around Sardinia and Europe especially in the last two years, he has played with: Steve Stoll, Roland Casper, Aux 88, David Alvarado, Marco Carola, Gaetano Parisio, Davide Squillace, Dorian Paic, Phase 2 ,Carl Craig, Rino Cerrone, Richie Hawtin, Swayzak, Magda, Ricardo Villalobos, Luciano.
    [Show full text]
  • Cocodrills - Battle Rap EP (/)  Blog ( Login (/Users/Sign In)
    2/12/2019 Cocodrills - Battle Rap EP (/) Blog (http://blog.inyteapp.com) Login (/users/sign_in) ukebox (/lp/lrv3iy) Cocodrills - Battle Rap EP Artist(s):Cocodrills Title: Battle Rap EP Label: Blackag Recordings Catalogue Number: BFR 033 Back for their second release on Blackag, Cocodrills hail from Miami and this duo have been on a tear up in the states for the past 6 years. The rst track Battle Rap gives you a peek on what inuences the boys have been picking up on as of lately. The choppy beat along with scattered hip hop samples keep you coming for more. Spanish DJ Producer Paco Osuna serves up a rolling beat bass remix of Battle Rap with his signature sound that will keep the dance oor moving nonstop. Chemical Reaction has the boys on the techno tip. The clean sparkled percussion programming is rst noticeable in the rst minute of the track, then it carries onto the electric vocal sample along with the synth buildup that's hypnotic. Bringing up the rear is the nal track of the EP called Bad Boy and the old skool 90s bass line sounds as fresh as it did many years ago but its fresh overtones of current and fresh ideas makes it something you don't want to miss. Cocodrills are a new breed of producers that bring a fresh perspective of energy and versatility that's undeniable, and they have a strong loyal fanbase that they have cultivated Press Contact: [email protected] https://inflyteapp.com/r/faq8be 1/4 2/12/2019 Cocodrills - Battle Rap EP Release Date June 25th, 2018 Catalog No BFR 033 Label Blackag Recordings Tweet Like 0 Share track
    [Show full text]
  • Nightlife Sector from a Gender Point of View
    EJTHR 2017; 8(1):51-64 Research Article José Ramón Cardona*, María Dolores Sánchez-Fernández Nightlife sector from a gender point of view: The case of Ibiza https://doi.org/10.1515/ejthr-2017-0005 Keywords: Nightclub; Woman; Tourism; Resident; received 16 April, 2017; accepted 18 July, 2017 Ibiza Abstract: Tourism depends largely on the good will of local inhabitants and over the past decades many studies have been conducted concerning the attitudes of residents towards tourism. There is not much academic literature concerning nightlife, and in most cases the nightclubs are 1 Introduction an element of a context in which another phenomenon is Tourism depends largely on the good will of local resi- analyzed. There is a limited amount of literature analyz- dents and the support of the local community is essential ing the differences between men and women in their role for the appropriate development of the sector (Besculides, as residents of a tourist destination, and there are also no Lee & McCormick, 2002; Gursoy, Jurowski & Uysal, 2002). studies concerning the attitudes of women towards night- It is also widely recognized that destination tourism plan- life. This paper intends to provide a first study of the atti- ners should take into account the views of residents if tudes of women towards the nightclubs, in the case of Ibiza they want to develop a sustainable industry (Allen, Long, Island. The analysis of the attitudes towards nightlife was Perdue & Kieselbach, 1988; Ap & Crompton, 1998). There carried out by means of an array of items integrated into a are many reasons for which the reaction of the residents is broader survey on attitudes of residents towards tourism.
    [Show full text]