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Global Nomads: Techno and New Age As Transnational Countercultures
1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism. -
Ib an Mendoza
IBIZA FORMENTERA NIGHT IBAN MENDOZA SINCE 2007 N&D MAGAZINE | NIGHT • AÑO XI • N°2 | JUNIO/JUNE/GIUGNO 2017 ESPAÑOL ENGLISH ITALIANO • • Showde churrasco cooking MÚSICA EN VIVO, 12 CORTES DE LA ESPECTÁCULOS Y MEJOR CARNE DE PARQUE PARA LOS NIÑOS LATINOAMÉRICA SIN CARTA, SIN NORMAS, SIN LÍMITE! • CARRETERA SANTA GERTRUDIS, KM 0,5 (CA NA PALAVA) • RESERVAS: [email protected] | (+34) 971 50 88 80 LUXURY CAR RENTAL - REAL ESTATE - YACHT CHARTER - PRIVATE JETS - VIP SERVICES IBIZA MARBELLA BARCELONA WWW.RENTTOPLUX.COM • [email protected] +34 672 769 911 • +34 674 511 168 10 WEEDITORIAL YEARS THIS ISLAND 10 10 C.E.O. Founder YEARS YEARS Christian Dori ARE Y U NIGHT R DAY? Hola Amigos de Night&Day, Hello Friends of Night&Day, Ciao Amici di Night&Day, El futurólogo Alvin Toffler The recently passed away futurologist, Il recentemente scomparso recientemente fallecido definió elAlvin Toffler, defined change as the futurologo, Alvin Toffler definiva il cambio como el proceso por el cual el process by which the future invades our cambiamento come il processo col futuro invade nuestras vidas. lives. quale il futuro invade le nostre vite. El futuro ha invadido Ibiza y Formentera. The future has invaded Ibiza and Il futuro ha invaso Ibiza e Formentera. Cada año, grandes y pequeñas novedades Formentera. Every year, small or big news Ogni anno piccole o grandi novità si se suman y trasforman las dos islas. adds up and transforms the two islands. sommano e trasformano le due isole. La novedad más impresionante es sin The most impressive news is definitely the La più imponente novità è sicuramente duda la apertura del nuevo local Hï, opening of the new club Hï, which has taken l'apertura del nuovo locale Hï, ubicato situado donde estaba el antiguo Space, over old Space location, and that you're dove era l'antico Space, di cui parleremo del que vamos a hablar en la revista. -
Executive of the Week: Carbon Fiber Music President Franklin
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 27, 2021 Page 1 of 28 INSIDE Executive of the Week: • Roblox’s Music Play: ‘Hundreds’ Carbon Fiber Music President of Daily Concerts, Building a Franklin Martínez Digital Vegas & NMPA Lawsuit BY LEILA COBO • UK Festival Industry Primed for Biggest Farruko’s “Pepas,” an EDM/reggaetón track about Enter “Pepas,” which kicks off with Farruko sing- Weekend Since pill-popping partygoers, hit No.1 this week on Bill- ing gently over simple chords, almost as if it were a Pandemic Began board’s Hot Latin Songs and Hot Dance/Electronic love song, before it pumps up, finessed by a sextet of Songs charts. Equally impressive is the fact that producers: IAmChino, Sharo Towers, Keriel “K4G” • Apple to Make Changes to “Pepas” is not a multi-artist collaboration, but a Far- Quiroz, Victor Cárdenas, White Star and Axel Ra- App Store Rules in ruko solo single, bolstered by an irresistible, anthemic fael Quezada Fulgencio “Ghetto.” Settlement With chorus that sent fans wild at the recent Baja Beach The song was released June 24 on Sony Music Latin U.S. Developers Fest in Rosarito, Mexico despite the fact that the song with little fanfare — there wasn’t even a video ready • Bruno Mars’ is only two months old. — and debuted at No. 28 on the Hot Latin Songs chart Las Vegas Show That’s all sweet news for Farruko (real name Carlos dated July 17. It jumped to the top 10 four weeks later, Grosses More Than Efrén Reyes Rosado), a reggaetón star who’s had eight reaching No. -
Fact Sheet Ushuaia English.Pdf
Hotel: USHUAÏA IBIZA BEACH HOTEL Brand: USHUAÏA HOTELS Address: Carretera Playa d’en Bossa 10 07817 Ibiza, Spain Telephone: The Ushuaïa Club +34 971 396 710 The Ushuaïa Tower: 971396729 FAX: The Ushuaïa Club: +34 971 396 704 The Ushuaïa Tower: 971396703 Email: [email protected] Reservations: [email protected] Local currency: EUR Payement option: Visa, Mastercard, American Express, Paytouch, Cash EUR GPS-Position: 38º53’7.14”N, 1°24'17.44"E Total TAX: 10 % Construction: The Ushuaïa Club: Built in 1986, renovated in 2011, nº building: 5, nº floors: 2, lifts: 0 The Ushuaïa Tower: Built in 1969, renovated in 2012, nº building: 1, nº floors: 9, nº lifts: 2 indoor and 2 outdoor lifts with direct access to the roof top bar Hotel type: Beach Resort. Only for adults. Minimum age: 18 years old, not recommended for those under 22 years old. Updated: May 25, 2015 1. GENERAL INFORMATION Ushuaïa Ibiza Beach Hotel is the ideal choice for those who come to the White Isle looking for the world-famous daytime parties featuring live performances by the world’s top DJs and the most exclusive day and night ambience in a modern setting designed with all kinds of comforts, luxuries, and VIP services. All of this right on one of the island’s most exciting beaches, Playa d’en Bossa. Guests can either stay at The Ushuaïa Club, if they want to enjoy the hotel’s party’s right from their own balcony, or The Ushuaïa Tower, if they prefer more exclusivity and privacy. Ushuaïa Ibiza Beach Hotel, the trendy hotel that changed Ibiza forever, has now become a full complex with a whole new world of exclusive entertainment facilities and services. -
Inside Elrow, the Party Taking Over the World from Confetti Cannons to Inflatable Spaceships, This World-Travelling Carnival Is a Must-See
! " SUBSCRIBE Inside Elrow, The Party Taking Over The World From confetti cannons to inflatable spaceships, this world-travelling carnival is a must-see. BY LOUISE DONOVAN 06/12/2018 # $ % PABLO DASS Little green men sprint past me. A group of apes with toy guns parade onto the stage and start dancing. Moments later, astronauts with oversized bubble helmets rise up and start swinging from the ceiling on circus hoops. Giant confetti cannons explode without warning, while house music reverberates around the 5,000-strong capacity venue. I'm in Ibiza, at Elrow's closing party in superclub Amnesia. Whacky, explosive and filled with lots of balloons, their USP is immersive clubbing. This particular party? It's called RowAttacks and takes place in the year 3135 when all the other planets have disappeared. The galaxy and all space creatures 'died of boredom' after being 'killed off by the evil Planet Sensible.' Luckily, 'the wildest party animals from every planet survived.' % ANDREI OPRESCU Sounds mad, sure, but that's just tonight. Other themed parties included 'Psychedelic Trip' and Brazilian jungle carnivals. You might find yourself dancing next to a stormtrooper, or in front of lots of oversized space ships. What started as a jamboree on the outskirts of Barcelona has now expanded into a world-travelling carnival. In just two years, Elrow have gone from just Spain to hosting parties in Johannesburg, Australia Sao Paulo and Peru. They've expanded to five continents; next year they'll be doing 14 shows in China. In the UK, clubs have been shutting at an alarming rate (the numbers halved between 2005 and 2015). -
Ιnspired by the Purification Rituals Held by the Minoans During the Bronze
Ιnspired by the purification rituals held by the Minoans during the Bronze Age MAGIC MONDAYS at The Beach House The ultimate amalgam of extraordinary experiences packed into one evening – we proudly present Magic Mondays. Starting with a contemporary interpretation of the spiritual ceremony, created and practiced by the Minoans during the Bronze Age. The purifying blessing with laurel and sage calls on the divine goddess of the sun to relinquish her power and give way to the night. The evening unfolds whilst our renowned artists and DJs reveal their talent on The Beach House decks. Join us and be a part of the communal feeling that is Magic Mondays at The Beach House. VISITING ARTISTS BEN BRIDGEWATER MAY 27 / JUN 10 / SEP 2 Ben has been a permanent fixture on the London party scene for 20 years, as well as playing at the world's coolest parties for royals and roughnecks, viscounts and vagabonds. He has held residencies at The Arts Club, The Scotch, The Box, 5 Herford St, The Double Club, The Groucho and The Cuckoo Club, supported Stevie Wonder and The Stones, played at parties in Paris for Stella McCartney as well as at film premieres for James Bond and Star Wars. As co-founder and creative director of Playlister, Daios Cove's in-house music team, Ben understands the sound of The Beach House better than anyone. ALEX NUDE JUN 3 / SEP 9 / OCT 7 Having DJed for over a decade, Alex Nude has been based in Mykonos since 2013. As resident DJ for Scorpios Mykonos for the first three years he became well-known for his branded night 'Blaq Theory' with great tech sounds recorded at the world-class Nightclub Moni, also in Mykonos. -
MINIMAL VIOLENCE Killer Tunes
573 DJMAG.COM LIVING & BREATHING DANCE MUSIC! DJMAG.COM EVERYBODY IN THE PLACE! HOLD TIGHT WITH THE OLD SKOOL ORIGINALS CREDIT TO THE EDIT 50 YEARS OF CUT & PASTE RUNNING * MUSIC BACK WITH TONY HUMPHRIES * CLUBS MIDLAND’S PERFECT MIX * TECHNOLOGY TECHNOLOGY tINI & HER GANG TAKE IBIZA * SHARAM BACK TO THE UNDERGROUND BATTLE OF THE DECKS! INDUSTRY-STANDARD PLAYERS GO HEAD-TO-HEAD Charlotte ALL THE NOMINEES PROFILED! No. 573 de Witte September 2017 techno’s next-gen superstar VOTE NOW! No.573 September 2017 £4.95 £4.95 JULIA GOVOR, MARTIN SOLVEIG, JAY CLARKE, WALKER & ROYCE, DOC DANEEKA, BLONDES PLUS: HOUSEKEEPING, ART OF NOISE, GERD JANSON, HAUSCHKA, NOSAJ THING & MORE cover_1.indd 1 18/08/2017 14:02 THANKS FOR YOUR SUPPORT WWW.AFROJACK.COM Untitled-1 1 16/06/2017 12:40 DJMag2017_UK-1_v1.indd 1 16-06-17 10:17 CONTENTS 026 BORN IDENTITY Since adopting her real name, Charlotte de Witte has become the new face of techno. We head to Brussels to fi nd out what makes her tick... Cover shot: MARIE WYNANTS FEATURES 120 ELECTRIC CASTLE 119 FARR FESTIVAL 032 PART OF THE GANG! We catch up with tINI to get the low- down on all things Ibiza... 036 COOL RUNNINGS Legendary DJ, Tony Humphries, chats about his new Running Back comp... 042 CLOSE TO THE EDIT 50 years deep and the edit scene is bigger than ever, DJ Mag investigates... 049 PITCH PERFECT 036 TONY HUMPHRIES Graded boss Midland chats self- acceptance and living up to the hype... 055 BACK TO THE ROOTS Sharam discusses the ever-changing industry and his own career moves.. -
EL CASO DE IBIZA (ESPAÑA) HOLOS, Vol
HOLOS ISSN: 1518-1634 [email protected] Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Norte Brasil CARDONA, J. R.; AZPELICUETA-CRIADO, M. C.; SÁNCHEZ-FERNÁNDEZ, M. D. UNA CLASIFICACIÓN DE LOS ESTABLECIMIENTOS DE OCIO NOCTURNO: EL CASO DE IBIZA (ESPAÑA) HOLOS, vol. 7, 2016, pp. 418-437 Instituto Federal de Educação, Ciência e Tecnologia do Rio Grande do Norte Natal, Brasil Disponible en: http://www.redalyc.org/articulo.oa?id=481554871033 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto CARDONA, AZPELICUETA-CRIADO & SÁNCHEZ-FERNÁNDEZ (2016) UNA CLASIFICACIÓN DE LOS ESTABLECIMIENTOS DE OCIO NOCTURNO: EL CASO DE IBIZA (ESPAÑA) J. R. CARDONA1, M. C. AZPELICUETA-CRIADO1* y M. D. SÁNCHEZ-FERNÁNDEZ2 Universitat de les Illes Balears - España Universidad da Coruña - España [email protected]* Artículo presentado en marzo/2016 y aceptado en septiembre/2016 DOI: 10.15628/holos.2016.4301 RESUMEN Ibiza es muy conocida por sus discotecas y fiestas, siendo oferta formada por los Beach Clubs, los Lounge Clubs, los uno de los referentes mundiales del sector. El objetivo de Disco Pubs, los Hotel Clubs, los restaurantes espectáculo este trabajo es realizar una primera propuesta de y los Party Boats. La principal diferencia entre los dos clasificación de los establecimientos con eventos grandes grupos es que las discotecas son musicales en la isla de Ibiza. La metodología se basa en la establecimientos cuya actividad declarada principal es el consulta de bibliografía, prensa local y páginas web ocio nocturno, cobrando entrada, y el segundo grupo son especializadas. -
Pleasure-Dome.Pdf
Saturated with sun, sand and sex, Ibiza is renowned as one of the world’s hedonistic hot spots. Journeying there expecting Welcome one helluva party, David Leser pleasureto the is not in any way disappointed. d me here is a mysterious rock oF… Me I’m Famous parties. Such was the throb island off the south-west coast of of their electronic dance music, the gorgeousness Ibiza that is claimed to be one of of the people attending their weekly Thursday- the most magnetic points on night parties and the social barriers that appar- earth. It is called Es Vedrà and, ently came tumbling down behind Pacha’s walls Taccording to legend, this is where the sirens of (aided and abetted by many of the things you can Homer’s epic poems once lured sailors to their and can’t imagine) that everyone wanted to at- doom with songs of seduction. After six nights of tend a F… Me I’m Famous party – including this recent merry abandon, I can safely report that scrupulous chronicler of the human condition. something is definitely happening out here in the (Important caveat: I still can’t fathom two things. blue sweep of the Spanish Mediterranean. First, how is it that David Guetta gets paid €60,000 Call it natural journalistic curiosity (unlikely) to play music at Pacha for just half an hour? or an overdeveloped instinct for harvesting life’s Second, is the title of the party meant seriously or pleasures (far more plausible) but I have decided to be taken with great dollops of irony? Do they that it is only fit and proper – despite the sober- mean F… Me I’m Famous in the sense that I’m so ing realities of middle age – to test Ibiza’s infa- famous you may as well f… me? Or do they mean mous allure once and for all. -
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture
Baby Raves: Youth, Adulthood and Ageing in Contemporary British EDM Culture Feature Article Zoe Armour De Montfort University (UK) Abstract This article begins with a reconsideration of the parameters ofage in translocal EDM sound system and (super)club culture through the conceptualisation of a fluid multigenerationality in which attendees at EDM-events encompass a spectrum of ages from 0–75 years. Since the 1980s, it remains the case that the culture is fuelled through a constant influx of newcomers who are predominantly emerging youth, yet there are post-youth members in middle adulthood and later life that are also a growing body that continues to attend EDM-events. In this context, the baby rave initiative (2004–present) has capitalised on a gap in the family entertainment market and created a new chapter in (super)club and festival culture. I argue that the event is a catalyst for live heritage in which the accompanying children (aged from 0–12 years) temporarily become the beneficiaries of their parent’s attendee heritage and performance of an unauthored heritage. Keywords: fluid multigenerationality, EDM-family, baby rave, live heritage, unauthored heritage Zoe Armour is completing a PhD in electronic dance music culture. Her work is interdisciplinary and draws from the fields of cultural sociology, popular music, memory studies, media and communication and film. She is the author of two book chapters on Ageing Clubbers and the Internet and the British Free Party Counterculture in the late 1990s. She is a member of the Media Discourse Centre, IASPM and follows the group for Subcultures, Popular Music and Social Change. -
Underground Club Spaces and Interactive Performance
Underground Club Spaces and Interactive Performance: How might underground club spaces be read and developed as new environments for democratic/participatory/interactive performance and how are these performative spaces of play created, navigated and utilised by those who inhabit them? Kathleen Alice O‟Grady Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Performance and Cultural Industries December 2009 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Acknowledgements This thesis is dedicated to my parents who have always believed in me and to my daughter, Maisie, who is my source of inspiration and joy. Gratitude goes to my PhD supervisors Professor Mick Wallis and Dr Martin Crick, both of whom have given me continued support and guidance throughout this research. Thanks also to my colleagues and my students at the School of Performance and Cultural Industries who have encouraged me and kept me going with their sense of humour, wise words and loyalty. Thank you to all the club and festival organizers that have allowed me access to their events, particularly those involved with Planet Angel, Synergy, Duckie, Riff Raff, Planet Zogg, Speedqueen, Manumission, Shamania, Beatherder, Nozstock and Solfest. Special gratitude to Fatmoon Psychedelic Playgrounds for allowing me the room to move creatively and to develop this practice in a supportive environment. -
Aristofreeks Is an Ibiza-Based DJ, Producer And
Aristofreeks is an Ibiza-based DJ, producer and remix collaboration between DMC mixing championship finalist Max Martire (Space/Amnesia Ibiza/Warner Music) and Shanti Matkin. Growing up in Ibiza, Max Martire is one of the pioneers of the Ibiza EDM DJ scene, and was instrumental in changing the musical direction of the island in its EDM Superclub infancy. Along with his Italian DJ partner Daniele Poli and their counterparts, British DJ duo Alex P and Brandon Block, they created the legendary Space Terrace phenomenon. By converting this neglected part of the Space discotheque into a sunny paradise, they changed the spirit of the island for all time. Max’s contribution shaped what is today’s Ushuaia. He has also held residencies at Space and Amnesia, as well as being a sought-after DJ for the largest, most exclusive private parties on the island. He has toured extensively throughout Europe, breaking first ground in the EDM global culture. His reputation for flawless mixing and beat-matching precision earned him the nickname “The Surgeon”. Max has been DJ’ing since he was 13 years old, and his life-long unique DJ style has been dedicated to playing 70’s funky, soulful disco house, delving into his collection of 22,000+ vinyls, and he is at the forefront of the “Nu-Disco” trend that is taking off throughout Ibiza and Europe. Shanti Matkin’s phenomenal output is the direct consequence of starting young and producing with a passion. He played his first club in Amsterdam at the age of 13, and with the mentoring of his older brother Riktam (GMS) he shaped his early recordings along with the first wave of trance pioneers resulting in dozens of XXX releases and DJ dates across the globe including regular outings to Europe, Mexico and Japan.