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CD 1 65:13 I, 8 Think, 2:19 K. + T.: Aretha Franklin, Ted White Track Buchseite Spielzeit (Aretha Franklin) I, 1 4 Potancu (Istrische Insel Krk) 1:26 eastwest (Josip Čubranić, Ivan Dijanić) I, 9 15 Up above my head (Playback) 1:35 Ocora Radio France (Rainer Kotzian) I, 2 Wisiratu Shaman Curing Duet 2:32 Prod. Klett Music of the Warao of Venezuela I, 10 16 We will rock you 2:08 (Song People of the Rain Forest. Gainesville: University Press of K. + T.: Brian Harold May Florida) © Dr. Dale A. Olsen, Florida State University Tallahassee/ (Queen) Florida 1996. Used by permission. Parlophone I, 3 5 Hy¯oj¯o netori 1:44 I, 11 17 Que sera sera 3:57 Traditionell K. + T.: Raymond B. Evans, Jay Livingston (Gagaku) (Hermes House Band) Lyrichord Polydor I, 4 8 La donna e mobile aus „Rigoletto“ 1:06 K.: Giuseppe Verdi , T.: Francesco Maria Piave I, 12 20/21 Ich gehör nur mir aus dem Musical „Elisabeth“ (Playback) 4:03 (Luciano Pavarotti) K.: Silvester Levay, T.: Michael Kunze Decca (A. Schleese) Prod. Klett I, 5 La Boheme (1. Akt), Duett Mimi/Rodolfo 1:16 K.: Giacomo Puccini, T.: Henri Murger, Giuseppe Giacosa I, 13 26 We shall overcome 2:03 (Anna Netrebko + Rolando Villazon, Staatskapelle Dresden, Nicola K. + T.: Zilphia Horton, Frank Hamilton, Guy Caravan, Pete Seeger Luisotti) (Joan Baez) Deutsche Grammophon Folkways Records I, 6 Don´t be that way 1:06 I, 14 29 Where have all the flowers gone 0:46 K. + T.: Benny Goodman, Edgar Sampson, Mitchell Parish K. + T.: Pete Seeger (Ella Fitzgerald) (Pete Seeger) Verve Records WEA I, 7 Get off my cloud 1:10 I, 15 30 Marseillaise (Orchesterfassung) 1:31 K. + T.: Mick Jagger, Keith Richards Hector Berlioz (The Rolling Stones) (Orchestre de Paris, J.-P. Jacquilat) ABKCO Records EMI Classics I, 16 31 Die beiden Grenadiere, op. 49, Nr. 1 3:40 I, 25 50 Piano Phase 2:22 K. Robert Schumann, T.: Heinrich Heine Steve Reich (Olaf Bär, Bar.; Helmut Deutsch, Klav.) (Nurit Tilles, Edmund Niemann), EMI Classics Elektrola Nonesuch I, 17 Ouvertüre 1812 3:59 I, 26 52 Saint Agnes 2:49 Peter Tschaikowsky K. + T.: Sting (Chicago Symphony Orchestra, D. Barenboim) (Sting) Deutsche Grammophon A&M Records I, 18 36 Lied der Hitler-Jugend 1:32 54 Get Buzy, T.: Baldur von Schirach K. + T.: Sean Paul (hist. Aufnahme) (Sean Paul) Nonesuch I, 19 39 Hymnen, 2. Region, 11‘46‘‘ – ca. 14‘20‘‘ 3:01 I, 27 Intro 0:29 Karlheinz Stockhausen Deutsche Grammophon I, 28 54/55 Teil A (Strophe) 0:19 I, 20 40 Notenwerte (Playback) 1:13 I, 29 56/57 Teil B (Refrain) 0:24 (Rainer Kotzian) Prod Klett I, 30 Girlspart, Teil A (Strophe) + Wiederholungen bis Ende 2:25 I, 21 40 Notenwerte (Playback) 1:13 I, 31 58 Christ Church Bells 2:43 (Rainer Kotzian) Traditional Prod Klett (Playford Consort) Home Production I, 22 Grooves (Playback) 0:53 (Rainer Kotzian) I, 32 59 Rock around the clock 2:16 Prod. Klett K. + T.: M. Freedman, J. de Knight (Bill Haley) I, 23 42 It‘s a long way (Playback) 2:39 Citadel (Rainer Kotzian) Prod Klett I, 33 60 Jovano Jovanke 2:45 Traditionell I, 24 48 Ich träumte 1:29 Anthology Folklore Music of Folkraft Vol. 2 (Bulgaria and Macedonia) K: Wolf Biermann, T: Günter Wallraff © Folkraft Records/Syncoop Records. Used by Permission. (Wolf Biermann) CBS CD 2 77:07 II, 10 70/71 Brandenburgisches Konzert Nr. 3, BWV 1048 , 1. Satz, (Thema), 0:43 (T. 1–15) Track Buchseite Spielzeit Johann Sebastian Bach II, 1 60 Hassaposerviko: Sirtaki 4:19 (Musica Antiqua Köln, R. Goebel) Mikis Theodorakis Archiv Produktion (Mikis Theodorakis) II, 11 Klaviersonate A-Dur, KV 331, 1. Satz, (Thema ), 0:47 Universe Records (T. 1–8 und Wiederholung) Wolfgang Amadeus Mozart II, 2 Diplos Issios 3:13 (Jenö Jandó) Traditionell Naxos II, 3 61 Omal 2:54 II, 12 Klaviersonate c-Moll, op. 10, 1; 1. Satz, (Thema) 0:29 FidulaFon Ludwig van Beethoven II, 4 Livanoi 3:35 (Jenö Jandó) Naxos FidulaFon II, 13 73 Rock-Feeling 1:29 II, 5 Hava nagila 3:01 (M. Hanne, C. Hempel) Traditionell Prod. Klett (Michael Herman´s Folk Orchestra), RCA Records II, 14 Triolen-Feeling 0:49 (M. Hanne) II, 6 62/63 Präludium C-Dur, BWV 939 0:47 Prod. Klett Johann Sebastian Bach (Wolfgang Rübsam) II, 15 Swing-Feeling 0:40 Naxos (M. Hanne) Prod. Klett II, 7 66/67 Chaconne 1:14 II, 16 Schlagzeugpattern (Swing-Feeling, Übergang gerade – swing) 0:44 Georg Friedrich Händel (Rainer Kotzian) (Rainer Kotzian) Prod. Klett Prod. Klett 74 Peer-Gynt-Suite, op. 46: Morgenstimmung 69 Valse sentimentales, op. 50 Edvard Grieg Franz Schubert (Academy of St. Martin-in-the-Fields, N. Marriner) (Thomas Hauschka) Philips Wergo II, 17 Anfang+Mittelteil 2:15 II, 8 Nr. 1 0:53 II, 18 75 Schlussteil 0:31 II, 9 Nr. 2 0:59 II, 19 Schluss – Fortsetzung, Partiturausschnitt 1:31 76 L‘Arlésienne-Suite Nr. 1, Prélude II, 37 87 Lemon Tree 1 2:40 Georges Bizet Bearbeitung Original mit freundl. Genehm. EMI Music Publ. (London Symphony Orchestra, C. Abbado) (Germany), Hamburg © 2001 by H.-J. Maempel, Berlin (Synchron Deutsche Grammophon Publishers, Krottenmühl) II, 20 E (Allegro deciso) 0:31 II, 38 Lemon Tree 2 2:42 II, 21 A 0:34 Bearbeitung Original mit freundl. Genehm. EMI Music Publ. (Germany), Hamburg © 2001 by H.-J. Maempel, Berlin (Synchron II, 22 C 0:26 Publishers, Krottenmühl) II, 23 B 0:44 II, 39 Lemon Tree 4 2:42 II, 24 D 1:03 Bearbeitung Original mit freundl. Genehm. EMI Music Publ. (Germany), Hamburg © 2001 by H.-J. Maempel, Berlin (Synchron II, 25 77 D (Saxophon-Einsatz) 1:51 Publishers, Krottenmühl) 78/79 Boléro (Schnelldurchgang) II, 40 Lemon Tree (Original) 3:17 Maurice Ravel K. + T.: Volker Hinkel/Peter Freudenthaler (Orchestre de Paris, D. Barenboim) (Fool‘s Garden) Deutsche Grammophon Intercord Tonträger II, 26 Ziffer 1 2:03 II, 41 88 Alleluia: Pascha nostrum, Gregorianischer Choral 1:36 II, 27 Ziffer 2,3 1:27 (Joppich) Archiv Produktion II, 28 Ziffer 4 0:56 II, 42 90 Now is the month of Maying 3:29 II, 29 Ziffer 6 0:55 K: Thomas Morley, T: Philip Rosseter II, 30 80/81 Ziffer 8 0:28 (New London Consort, Catherine Bott, Michael George, Philip Pickett) II, 31 Ziffer 9 1:23 Linn Records II, 32 Ziffer 12 0:26 II, 43 91 Kommt, ihr G‘spielen 1:38 II, 33 Ziffer 13 1:21 K. + T.: Melchior Franck (Basler Madrigalisten, Ensemble Galliarda Basel, Fritz Näf) II, 34 82/83 Ziffer 16 1:13 Musicaphon II, 35 Ziffer 18 0:50 II, 44 A che tormi il ben mio 2:27 II, 36 85 Sounddesign 2:29 Claudio Monteverdi (Brüning) (The Consort of Musicke, Athony Rooley) Prod. Klett Virgin Classics II, 45 93 Quis est iste 2:16 CD 3 79:59 Giovanni Gabrieli Track Buchseite Spielzeit (R. Ewerhardt, Org.; Rias Kammerchor; Consortium musicu; G. Arndt) III, 1 94/95 Fuge c-Moll (Cembalo-Fassung) 2:26 His Master‘s Voice Johann Sebastian Bach (H. Dreyfus) II, 46 Sonata pian‘ e forte 4:29 Denon Giovanni Gabrieli (E. H. Tarr (Zink); H. Jopen (Va).; H. Schmidt, H. Farteld, H. Wendland, III, 2 Fuge c-Moll (Klavier-Fassung) 1:30 G. Grätzig, J. Feck, K. Federowitz (Pos).; E. Morneweg, (Kb.)) Johann Sebastian Bach Columbia (G. Gould) CBS 97 Brandenburgisches Konzert Nr. 2, BWV 1047, 1. Satz 4:31 Johann Sebastian Bach (Musica Antiqua Köln, R. Goebel) Archiv Produktion III, 3 T. 1–28 1:02 III, 4 T. 28–40 0:24 III, 5 T. 40–59 0:45 III, 6 T. 60–83 0:53 III, 7 T. 84–102 0:45 III, 8 T. 103–Schluss 0:42 III, 9 98/99 Menuett aus Il Pastor Fido 0:42 Georg Friedrich Händel (Terpsichore, English Baroque Solists, J. E. Gardiner) ERATO 101 Johannespassion, BWV 245 J. S. Bach (H. Gillesberger, Knabensopran; Knabenalt der Wiener Sänger- knaben, K. Equiluz, B. van Hoff, M. Van Egmond, S. Schneeweis, J. Villisech, Wiener Sängerknaben, Chorus Viennensis, Concentus musicus Wien) Teldec Classics III, 10 Nr. 7 Choral: O große Lieb‘ 1:00 III, 11 102 Nr. 1 Chor: Herr, unser Herrscher 4:17 108/109 Streichquartett op. 33, Nr. 5 Joseph Haydn III, 12 Nr. 2 Rezitativ: Verrat des Judas/Nr.3 Chor: Jesum von Nazareth 1:18 (quatuor terpsycordes) III, 13 103 Nr. 9 Arie: Ich folge dir gleichfalls 4:30 Claves Records III, 27 Exposition (Thema 1) 0:44 III, 14 Nr. 18 Rezitativ: Verleugnung Jesu 1:45 III, 28 Exposition (Thema 2) 2:01 III, 15 Nr. 33 Rezitativ/Nr. 34, Chor: Sei gegrüßet 1:36 III, 16 104 Nr. 37 Rezitativ/Nr. 38 Chor: Wir haben ein Gesetz 1:29 III, 29 Durchführung (1) 0:31 III, 17 Nr. 48 Arie mit Chor: Eilt, eilt 1:40 III, 30 Durchführung (2) 0:44 III, 18 Nr. 53 Rezitativ/Nr. 54 Chor: Lasset uns den nicht zerteilen 1:55 III, 31 Reprise (1) 0:48 III, 19 Nr. 58 Arie: Es ist vollbracht/Nr. 59 Rezitativ: Jesu Tod 5:41 III, 32 Reprise (2) 1:10 105 Lukas-Passion 113 Egmont-Ouvertüre op. 84 Krzysztof Penderecki Ludwig van Beethoven (H. Czyz/S. Woytowicz, A. Hiolski, B. Ladysz, R. J. Bartsch/ (Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis) Tölzer Knabenchor, Chor und Sinfonieorchester des WDR, Köln) Sony Masterworks EMI Classics III, 33 T. 1 ff. (Sarabandenrhythmus) 0:28 III, 20 Nr.
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    WELCOME NOTE Dear Passengers, Welcome aboard Bulgaria Air! There’s something inexplicable in the way even people who are extremely uninterested in sport, start getting excited about the game with the Olympic medals. Янко Георгиев, Изпълнителен директор Yanko Georgiev, Executive Director It seems that even the opening ceremony Уважаеми пътници, of the Olympics – an endless string of strangely dressed athletes – touches a chord within our Добре дошли на борда на България Ер! soul and makes us frantically calculate whether or not we’ll be ahead of Kenya in the overall medal count. But before the Games in Rio de Има нещо необяснимо в начина, по който дори и крайно Janeiro begin and obsess your attention, allow незаинтересованите от спорта хора започват да се вълнуват от me to share some good news from the national играта с олимпийските медали. carrier. Starting June Bulgaria Air renews its direct flights to Budapest – come with us to explore Изглежда, още церемонията по откри- и неустоима жизненост. Или, ако пред- this remarkable city, combining imperial ването на олимпиадите – безкрайна вър- почитате плажовете и спокойствието, grandeur, elegance and irresistible energy. Or волица от странно облечени спортисти позволете да ви отведем до Лас Палмас и else, if you prefer beaches and peace, allow us - закача някаква тънка струна в душата Тенерифе. Или до която и да е от другите to take you to Las Palmas and Tenerife. Or any и ни кара трескаво да пресмятаме дали в ни дестинации. От вас се иска само едно: other of our destinations. You only need to do крайното класиране все пак ще изпреварим да изберете крайната си точка.
  • Bilitis Resource Center Foundation

    Bilitis Resource Center Foundation

    BILITIS RESOURCE CENTER FOUNDATION 15 YEARS OF COMMUNITY EMPOWERMENT www.bilitis.org [email protected] TABLE OF CONTENTS 03 LETTER FROM THE EXECUTIVE DIRECTOR 04 BILITIS IN DEVELOPMENT 06 2019 IN NUMBERS KEY ACHIEVEMENTS IN MAKING THE CHANGE WE WANT TO 08 SEE 10 15 YEARS OF COMMUNITY EMPOWERMENT 13 COMMUNITY MOBILIZING ACTIVITIES 19 KEY VISIBILITY EVENTS 28 RESEARCH AND DOCUMENTATION ACTIVITIES 29 ADVOCACY 32 TRAININGS 34 NETWORKING AND PARTNERSHIPS 41 NEW PROJECTS 59 STAFF DEVELOPMENT 62 FINANCIAL REPORT 2019 Bilitis Annual Report 2019 02 LETTER FROM THE EXECUTIVE DIRECTOR Dear friends, 2019 was a milestone year for the history of the LGBTI movement both worldwide and in Bulgaria, marking the 50th anniversary of the Stonewall Uprising and Bilitis’ 15th anniversary. The Stonewall Riots are a series of violent confrontations that began in the early hours of June 28, 1969, between police and gay rights activists in a gay bar in the Greenwich Village section of New York City - which gave birth to the international gay rights movement. The 50th anniversary of the what we call today LGBTI rights movement made us activists worldwide think about the long way we as a community have come over the past 50 years and how many and great achievements have been made. It is symbolic that the same year we mark this historic anniversary, we at Bilitis also have a major success to celebrate - our 15th anniversary! Fifteen years ago, several gay and bisexual women formed an informal group to interact with people like them, driven by the need for a female community in which to be themselves and to explore sexual and gender identities and the diverse LGBTI culture.
  • Bulgarian Biodiversity Foundation Annual Report 2013

    Bulgarian Biodiversity Foundation Annual Report 2013

    Bulgarian biodiversity foundation Annual report 2013 BULGARIAN BIODIVERSITY FOUNDATION ANNUAL REPORT 2013 – THE YEAR OF TULIPES Sofia, December 2013 1 Bulgarian biodiversity foundation Annual report 2013 REVIEW OF THE WORK OF THE EXECUTIVE BUREAU OF BBF In 2013 the work of the Bureau was not very active. Stefan Avramov also expressed his desire to leave the EB, but it was not accepted by the other members. Three meetings on strategic topics were organized with all the members. Probably it is the natural stage of the organizational development or reflection of relatively calm year for BBF. There is a gap into the inter-organizational communication, meetings and exchange of information between the teams of BBF. There are no new people in the team in 2013, but we parted with our longtime expert – Andriana Andreeva and one other is in longer hospitalization period, but we believe that she will be back soon. REVIEW OF BBF'S REGULAR ACTIVITES Green belt and Natura 2000 European Green Belt In 2013 BBF as an NGO representative from the Balkan Green Belt Section participate in the work of the European Green Belt Coordination group (EGBCG) during a number of meetings held in Riga, Berlin and St.Petersburg. The EGBCG is chaired by the BBF partner organization of Euronatur, Germany. Together with BUND - Friends of the Earth Germany, Euronatur and the support of BfN (the German Federal Agency on Nature Protection) the initiative is operational during the last three years. Joint Declaration of Intent on the European Green Belt was prepared and signed during an official Ceremony held in Berlin, Germany during the Celebration of the 10th Anniversary of the Initiative on 15th of May 2013.
  • Linguistic and Semiotic Features of Music Clubs and Band Names in Bulgaria After 1989

    Linguistic and Semiotic Features of Music Clubs and Band Names in Bulgaria After 1989

    US-China Foreign Language, November 2015, Vol. 13, No. 11, 761-771 doi:10.17265/1539-8080/2015.11.001 D DAVID PUBLISHING Linguistic and Semiotic Features of Music Clubs and Band Names in Bulgaria After 1989 Gergana Angelova Rayzhekova Sofia University “St. Kliment Ohridski”, Sofia, Bulgaria The current club situation in Bulgaria is one that started unfolding in the late 1980s with the gradual fall of communism and the emergence of many alternatives to the official mainstream bands. What followed after the abrupt end of the regime was an emigration wave of musicians followed by the opening of various clubs and bars and the first steps of music business together with the launching of many independent music projects. What the article examines is the way English language has invaded this particular sphere of entertainment influencing band names, bar names, and lyrics. The article is examining the reasons that lie behind this peculiar and persistent Bulgarian identity crisis, the accompanying identity emigration, English language saturation, and how these factors came to shape the current Bulgarian alternative music scene. A semantic and linguistic analysis of the names of the most popular clubs and bands will be provided and a few conclusions as to the reasons behind this overall trend will be offered supported by findings from the science of suggestology, sociology, and anthropology. The methods used are inclusive observation, anthropological interviews, rich ethnographic materials, and other methods. Keywords: Bulgarian alternative music, club suggestion, neo-tribes, identity emigration, cover value Introduction The Bulgarian music scene is one still carrying the trauma and consequences of the communist regime during which there was a prohibition towards most of the Western rock music accompanied by the impregnation of an overall disrespect towards English language.
  • ETEP in the Media P

    ETEP in the Media P

    2018 WWW.ETEP.NL 1 COVER PHOTO SZIGET FESTIVAL TABLE OF CONTENTS By Allan McGowan Introduction P. 3 ETEP About ETEP P. 6 ETEP in the media P. 12 ETEP 2018 festival map P. 36 SIXTEEN ETEP Partners & co-organisers P. 38 ETEP Results 2017 P. 50 ETEP Results 2016 P. 56 Welcome to the thirty second year of Eurosonic Noorderslag ETEP Results 2015 P. 62 and to the sixteenth edition of the European Talent Exchange ETEP Results 2014 P. 68 Programme – better, and now widely, we might even say ETEP Results 2013 P. 72 universally, known as ETEP. ETEP Results 2012 P. 76 ETEP Results 2011 P. 80 ETEP Results 2010 P. 82 For those few who don’t know, this initiative of Eurosonic Noorderslag, originated ETEP Results 2009 P. 84 by Peter Smidt and Ruud Berends, was introduced to make the “exchange” of ETEP Results 2008 P. 86 European artists across Europe possible on a greater scale than ever before. ETEP Results 2007 P. 88 ETEP then facilitates the bookings of European acts on festivals and generates ETEP Results 2006 P. 90 extensive radio and media exposure for these artists in co-operation with the ETEP Results 2005 P. 92 European Broadcasting Union and local media. The intention was - and still is - to ETEP Results 2004 P. 94 give a boost to the careers of European acts. ETEP Results 2003 P. 96 CEETEP P. 97 There is no doubt that ETEP has been more than successful in achieving its aims, CEETEP Results 2015 P. 98 and the figures speak for themselves: CEETEP Results 2014 P.
  • DJ Robert Soko • Balkan Beats (Berlin, Bosnia)

    DJ Robert Soko • Balkan Beats (Berlin, Bosnia)

    DJ Robert Soko • Balkan Beats (Berlin, Bosnia) BALKANBEATS was established 1993 by Robert Soko in Berlin ******* is a regular “late night dj performance” at the Mudd Club (Berlin), La Java (Paris) and Buffalo Bar (London) ******* goes for tolerance, passion and sexy-ritam ******* Charlie Gillett (BBC) described it as "postmodern disco by way of Abba via the Balkan states" ******* presented live: Darko Rundek, Fejat Sejdic Orkestar, Kultur Shock, Rambo Amadeus, Edo Maajka, Wickeda a.o. Since 1993 Berlin audiences have been regularly seduced into BalkanBeats world of magic rhythms and tribal beats. DJ Soko and his artist team create a thrilling blend of ska, gypsy and urban music which has crowds singing and dancing from Los Angeles to Berlin. His mix of hit covers, cult songs, and modern pop fused with traditional Balkan folk result in a infectious dance atmosphere which goes continuously for eight feverish hours. The best place to catch the so called “culture recycling” fever is at the Mudd Club where DJ Robert Soko performs for sold out crowds twice per month. There is no secret, it’s just about the beauty of musical diversity and BalkanBeats team knows their turntable diplomacy is helping to bridge a cultural divide. Robert Soko and associates at the BalkanBeats club night in Berlin belong to the lineage of Gypsy, Balkan and East European roots revival pioneers who established the current frenzy across Europe and the States among people and venues such as Shantel, the Mehanata Bulgarian Bar, Russian Disko, Gogol Bordello. The story goes like this: In the early 90s a young Bosnian sought refuge in Berlin and like many exiles he wanted to forget the war and the whole shebang.