DOCSLIB.ORG

ETEP in the Media P

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ETEP in the Media P 2018 WWW.ETEP.NL 1 COVER PHOTO SZIGET FESTIVAL TABLE OF CONTENTS By Allan McGowan Introduction P. 3 ETEP About ETEP P. 6 ETEP in the media P. 12 ETEP 2018 festival map P. 36 SIXTEEN ETEP Partners & co-organisers P. 38 ETEP Results 2017 P. 50 ETEP Results 2016 P. 56 Welcome to the thirty second year of Eurosonic Noorderslag ETEP Results 2015 P. 62 and to the sixteenth edition of the European Talent Exchange ETEP Results 2014 P. 68 Programme – better, and now widely, we might even say ETEP Results 2013 P. 72 universally, known as ETEP. ETEP Results 2012 P. 76 ETEP Results 2011 P. 80 ETEP Results 2010 P. 82 For those few who don’t know, this initiative of Eurosonic Noorderslag, originated ETEP Results 2009 P. 84 by Peter Smidt and Ruud Berends, was introduced to make the “exchange” of ETEP Results 2008 P. 86 European artists across Europe possible on a greater scale than ever before. ETEP Results 2007 P. 88 ETEP then facilitates the bookings of European acts on festivals and generates ETEP Results 2006 P. 90 extensive radio and media exposure for these artists in co-operation with the ETEP Results 2005 P. 92 European Broadcasting Union and local media. The intention was - and still is - to ETEP Results 2004 P. 94 give a boost to the careers of European acts. ETEP Results 2003 P. 96 CEETEP P. 97 There is no doubt that ETEP has been more than successful in achieving its aims, CEETEP Results 2015 P. 98 and the figures speak for themselves: CEETEP Results 2014 P. 99 CEETEP Results 2013 P. 100 In 2003 the first ETEP resulted in 53 shows being played by 23 acts from 8 CEETEP Results 2012 P. 101 countries at 23 festivals in 13 countries. In total since then ETEP has facilitated 3518 shows by 1254 artists in over 30 countries. Last year, the programme’s 15th year, for the third time in a row managed to generate a record number of bookings for upcoming music talent on European festivals. With a total of 424 shows by 164 acts in over 30 countries, ETEP 2017 continued to facilitate the circulation of fresh, bright, young talent across the continent. All involved in ETEP are more than happy that over 100 festivals are giving these European acts a stage to perform to new audiences from the small and intimate such as Haldern Pop, talent-driven The Great Escape and the major and award winning festivals such as Rock am Ring and Roskilde. >> PHO MICUCHOVA MARTINA // POHODA TO 3 On-line journal Record of the Day interviewed British band SHAME topped the ETEP 2017 list Looking to the Future: Shame’s agent, Will Church of ATC Live, asking him with a record-breaking 17 ETEP shows! what made the 2017 edition the right time in the ETEP 2017 Results One thing you can be sure of with ETEP is that, band’s careerto take part in ETEP. He replied, “… although as Peter and Ruud will tell you it’s certainly it had become quite clear to us that this band had Top 10: ETEP ARTIST CHART BY COUNTRY not always been easy, there’s no standing still! 2018 to be seen by as many people as possible and the 1.Shame (gb) 17 shows will see the number of participating festivals rise to ETEP scheme would help us to do that. The next 2.Her (fr) 8 shows 112 with the welcome addition of: Acoustic Lakeside step was Eurosonic 2017 and it was there that 3.Klangstof (nl) 8 shows Festival (AT), BUSH (HU), by:Larm (NO), Immergut the band cemented their status as the best new 4.Rejjie Snow (ie) 8 shows Festival (DE), Metronome Festival (CH), Revolution band in Britain. From there it was great to see our 5.Alma (fi) 7 shows Festival (RO), Rock in Rio (PT), Summer Breeze (DE), colleagues at so many European festivals share 6.J. Bernardt (be) 7 shows Tremor (PT), TRNSMT (GB), Woodstock Festival our passion for the band and we were delighted to 7.Tommy Cash (ee) 6 shows (PL), Zermett Unplugged (CZ) perform at 17 ETEP events in summer 2017.” 8.Fil Bo Riva (it/de) 6 shows 9.Faber (ch) 6 shows Also new showcase opportunities for European artists Record of the Day also asked ATC Live chief Alex 10.Throes + The Shine (pt) 5 shows will become available as the platform expands to Bruford what he thought had made the ETEP 16 members from 15 countries, by welcoming new scheme so successful for 15 years. He responded, For a full overview of all ETEP shows and acts go partners: Why Portugal, Music Estonia, Iceland Music “It’s a great opportunity for a light to be shone on to www.etep.nl Export (IMX) and this month PRS Foundation will the best new artists that are out there. The respect become the first UK member of the ETEP platform. that the festival promoters have for one another But, there are even more wide ranging plans for means that if they say an act is standout, the Top 11: ETEP FESTIVAL CHART dramatic expansion to increase the visibility of community listens. The ETEP programme means 1.The Great Escape (gb) 33 shows European artists outside of Europe. ETEP intends to that one member who has fallen in love with an 2.Reeperbahn Festival (de) 27 shows start inviting music festivals from outside of Europe to artist can highlight this act quickly and effectively 3.Haldern Pop (de) 15 shows join the programme. to a wide range of festival bookers, accelerating the 4.Sziget Festival (hu) 15 shows artists’ chances of having a great summer festival 5.Europavox (fr) 14 shows Having pursued specific aims for fifteen years, a new season. It only works if the act is fantastic in the 6.Glastonbury (gb) 12 shows target is to be added to the the programme. This is to first place though!” 7.c/o pop Festival (de) 11 shows strengthen the capacity of the emerging artist and their As you may have already noticed, Denmark is 8.Lowlands (nl) 11 shows managements to build and sustain an international the focus country for this edition of Eurosonic 9.Dour Festival (be) 10 shows music career. To achieve this a designated educational Noorderslag, following on from Portugal last year, 10.Tallinn Music Week (ee) 10 shows and training programme is to be developed for artists, and 2016’s spotlight on the central and eastern 11.Waves Vienna (at) 10 shows focusing on how the international music industry European (CEE) countries. Showcase booker works, what their chances are, how they can develop a Robert Meijerink commented, “Lots of Danish For a full overview of all ETEP festivals go to career, and attract audiences. As part of this, sessions artists are making great music and are successful www.etep.nl will be hosted in the artist village during this edition of worldwide. The Danish music scene is booming – a Eurosonic Noorderslag. great reason to put the focus on Denmark.” Another good reason is the fact that ETEP already partners So that’s it, in the past this concluding paragraph has with many of Denmark’s leading festivals, including mentioned ETEP supporting projects, such as the Roskilde, NorthSide and Tinderbox. EBBA, and CEETEP which have helped to expand the aspirations and intentions of the thinking behind ETEP, and mentioned that new projects may well be in the planning for the future, but I think we’ve just mentioned those! But, who knows, in the wonderful “Eurosonic is quite simply the showcase festival world of ETEP maybe there’s always room for another where you get to play for the largest possible amount good idea, so if you think of something, please let us of European promoters and festivals at once,” Sarah know! JEAN-PHILLIPE ROBIN LE PRINTEMPS DE BOURGES // Sølvsteen - Birdseye Agency – Copenhagen. Allan McGowan PHO TO 4 5 THE EUROPEAN TALENT EXCHANGE PROGRAMME The European Talent Exchange Programme (ETEP) is an initiative of The Eurosonic Noorderslag Foundation to stimulate the circulation of European repertoire on festivals, radio and media in Europe. As the exchange and support of new European music in Europe is one of the main goals of Eurosonic Noorderslag, ETEP was introduced in 2003. Each year ETEP brings together the leading European festivals, radio and other media and stimulates them to ‘exchange’ a selection of artists. Since the start of the ETEP programme in 2003 a total of 3518 shows by 1254 European 3518 SHOWS / IN 15 YEARS / BY 1254 ARTISTS artists were presented in over 30 countries (2003 - 2017). PHOTO POHODA // MARTINA MICUCHOVA 6 7 PHOTO LE PRINTEMPS DE BOURGES // DENOUAL COATLEVEN A. GENERAL OBJECTIVES The main objective of the ETEP project is to facilitate the circulation of European music, artists and productions and have the music industry and media working together to promote acts and their repertoire. THERE ARE FOUR SPECIFIC OBJECTIVES: • To have as many as possible European acts programmed at as many European festivals as possible; • To promote European acts not only on festivals but in parallel through extensive media coverage; • To stimulate the music industry and media to work on the circulation European music repertoire; • To boost the international careers for European artists. HOW DOES ETEP WORK? WHY ETEP? Each year the most relevant and promising European ETEP was implemented because of the great B. RESULTS artists are selected to play Eurosonic Noorderslag. difficulties that European pop music experiences in The European Talent Exchange Programme international promotion and distribution.
Load more

Recommended publications
  • Een Greep Uit De Cd-Releases 2012
    Een greep uit de cd-releases 2012 Artiest/groep Titel 1 Aborted Global flatline 2 Allah -las Allah -las 3 Absynthe Minded As it ever was 4 Accept Stalingrad 5 Adrenaline Mob (Russel Allen & Mike Portnoy) Omerta 6 After All Dawn of the enforcer 7 Aimee Mann Charmer 8 Air La voyage dans la lune 9 Alabama Shakes Boys & girls 10 Alanis Morissette Havoc and bright lights 11 Alberta Cross Songs of Patience 12 Alicia Keys Girl on fire 13 Alt J An AwsoME Wave 14 Amadou & Mariam Folila 15 Amenra Mass V 16 Amos Lee As the crow flies -6 track EP- 17 Amy MacDonald Life in a beautiful light 18 Anathema Weather systems 19 Andrei Lugovski Incanto 20 Andy Burrows (Razorlight) Company 21 Angus Stone Broken brights 22 Animal Collective Centipede Hz 23 Anneke Van Giersbergen Everything is changing 24 Antony & The Johnsons Cut the world 25 Architects Daybreaker 26 Ariel Pink Haunted Graffitti 27 Arjen Anthony Lucassen Lost in the new real (2cd) 28 Arno Future vintage 29 Aroma Di Amore Samizdat 30 As I Lay Dying Awakened 31 Balthazar Rats 32 Band Of Horses Mirage rock 33 Band Of Skulls Sweet sour 34 Baroness Yellow & green 35 Bat For Lashes Haunted man 36 Beach Boys That's why god made the radio 37 Beach House Bloom 38 Believo ! Hard to Find 39 Ben Harper By my side 40 Berlaen De loatste man 41 Billy Talent Dead silence 42 Biohazard Reborn in defiance 43 Black Country Communion Afterglow 44 Blaudzun Heavy Flowers 45 Bloc Party Four 46 Blood Red Shoes In time to voices 47 Bob Dylan Tempest (cd/cd deluxe+book) 48 Bob Mould Silver age 49 Bobby Womack The Bravest
    [Show full text]
  • Relatório E Contas ‘04
    RELATÓRIO E CONTAS ‘04 RELATÓRIO E CONTAS ‘04 01. Carta do Conselho de Administração 02. Relatório de Actividade 03. Síntese de Indicadores 04. Demonstrações Financeiras 05. Anexo às Demonstrações Financeiras 06. Relatório e Parecer do Fiscal Único 07. Certificação Legal das Contas 08. Relatório do Revisor Oficial de Contas 09. Relatório de Auditoria Externa 01. CARTA DO CONSELHO DE ADMINISTRAÇÃO 01. CARTA DO CONSELHO DE ADMINISTRAÇÃO O exercício de 2004 deve ser considerado como o ano da consolidação e aprofundamento do processo de Mudança que consubstancia a reestruturação do sector público do audiovisual português. Neste contexto, o acontecimento com maior visibilidade foi decerto a inauguração do complexo das novas instalações de Lisboa, na Avenida Marechal Gomes da Costa. Desde 31 de Março de 2004 que a RTP e a RDP estão a operar em novas e modernas instalações, dotadas de excelentes condições de trabalho e dos mais modernos dispositivos tecnológicos da era digital. Nas mesmas instalações funcionam também os serviços da Rádio e Televisão de Portugal SGPS, que integram as áreas de gestão partilhadas pelas empresas do Grupo – RTP Serviço Público de Televisão e RDP – Radiodifusão Portuguesa. Quanto à RTP – Meios de Produção, ainda instalada no Lumiar, a sua inclusão no perímetro da Marechal Gomes da Costa deu os primeiros e decisivos passos com a preparação da construção da Fase II das novas instalações, as quais deverão completar-se até finais de 2006. Vertente fundamental do exercício e missão essencial da empresa, foi a extensa renovação e readequação dos con- teúdos dos canais à missão de Serviço Público que está cometida à empresa e que é desempenhada pela RTP e RDP.
    [Show full text]
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • Christopher Häring Director of Photography CHRISTOPHER HAERING * 30.03.1971
    Christopher Häring Director Of Photography CHRISTOPHER HAERING * 30.03.1971 1991 - 1994 2nd AC - TV, Kino, Commercial 1994 - 1999 1st AC - TV, Kino, Commercial 1999 Director of Photography REFERENCES MUSICVIDEOS Rammstein, Madsen, Beatsteaks, Tokio Hotel, Fettes Brot, Cluseo, KIZ, Silbermond, Jupiter Jones, Wir sind Helden, Bloodhood Gang, Sido, Bushido, Blackmail, Alec Empire, Gentelman, Xavier Naidoo, Sascha, Beatsteaks, No Angels, Jennifer Rostock, Jan Delay feat. Udo Lindenberg, Selig, Rea Garvey, Sabrina Setlur, The Killlians, Sportfreunde Stiller, Culcha Candela, Donots, Rosenstolz, Lafee, Kreator, Such A Surge, Patrice, Bosse, Anette Lousian, Deichkind, Glashaus, Moses Pelhalm, Revolerheld, Kennth Bager, BossHoss u.v.m. REFERENCES COMMERCIAL Esprit, ZDF Wetten Dass, Aktion Mensch, SAT1 Station ID´s, ZDFneo, Dacia, Renault, Nickelodeon, Telekom, Becks, Axe, Sparkasse, 1&1, VW, BMW, Audi, Postbank, Premiere, RTL Trailer, Siemens Gigaset, ERGO Direkt, Toshiba, MTV, Casio G-Shock, Medion AWARDS 2007 Comet best Musicvideo, Tokio Hotel „Übers Ende der Welt“ ( Ready Set Go ) Echo best Musicvideo, Tokio Hotel „Übers Ende der Welt“ ( Ready Set Go ) 2008 Comet, best Musicvideo, Tokio Hotel „An Deiner Seite“ 2008 Nominated for the MTV vma‘s Tokio Hotel „Ready Set Go“ ( Übers Ende der Welt ) WORKING AS A PHOTOGRAPHER 2006 Fotoreportage Tokio Hotel in Moskau 2007 Fotoreportage Tokio Hotel European Tour 2007 Fotoreportage Vietnam 2008 Fotoreportage Tokio Hotel USA/Canada Tour 2008 Fotoreportage Fettes Brot Tour 2008 Fotoreportage Beatsteaks Tour 2011 Fotoreportage Seeed Live Festsaal-Kreuzberg 2011 Fotoreportage Becks Art Label, Anton Corbijn, Bloc Party und Boysnoize Becks Art Label, Berlin & NYC Seeed 2011, Festsaal Kreuzberg, Germany Beatsteaks 2008, Germany Tokio Hotel 2008, USA & Canada.
    [Show full text]
  • Rádio Em Portugal: Tendências E Grupos De Comunicação Na Actualidade Rogério Santos*
    137 Comunicação e Sociedade, vol. 7, 2005, pp. 137-152. Rádio em Portugal: tendências e grupos de comunicação na actualidade Rogério Santos* Resumo O texto trabalha elementos que ilustram a situação actual da rádio em Portugal. Para além de uma curta história do meio no nosso país, dá informação sobre os grupos de rádio, mercado publicitário, públicos e audiências e políticas de incentivos. No conjunto de tendências e conclusões, o texto destaca o aumento da liberalização, com a consequente formação de grupos de comunicação mais fortes e inovadores, a asso- ciação de partilha de recursos nas estações mais pequenas e os desafios da rádio na Internet. Ao mesmo tempo, salienta as deficiências de serviço público e a precariedade laboral em muitas estações de proximidade. Palavras-chave: rádio, grupos de comunicação, mercado publicitário, audiências, pro- gramas Introdução Este texto trabalha elementos que ilustram a situação actual da rádio em Portugal, situando-a no conjunto dos media. Com ele, começando por traçar uma curta história do meio no nosso país, pretende-se dar informação sobre os grupos de rádio, mercado publicitário, públicos e audiências, políticas de incentivos e novas tendências. E res- ponder a perguntas como: quem ouve a rádio? Que serviço público? Qual o papel das tecnologias? Pequeno percurso pela história antiga e recente da rádio em Portugal A bibliografia existente sobre a rádio portuguesa ainda não é muito volumosa, salien- tando-se a obra pioneira de Matos Maia (1995), que traça o panorama geral da his- * Professor de Públicos e Audiências na Universidade Católica Portuguesa (rogerio. [email protected]) comunicação e sociedade 7.indd 137 02-08-2005, 17:36 138 Comunicação e Sociedade l Vol.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Serbia Turns Blind Eye to Rare Bird Slaughter
    Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime.
    [Show full text]
  • Mapping Social Dialogue in the Commercial Live Performance Sector in Bulgaria, Czechia, Poland, Romania and Serbia
    Annex 3. Country report: Poland Mapping social dialogue in the commercial live performance sector in Bulgaria, Czechia, Poland, Romania and Serbia Agnieszka Paczyńska March 2021 With the financial support of the European Commission Mapping social dialogue in the commercial live performance sector in Bulgaria, Czechia, Poland, Romania and Serbia Table of contents Executive summary 3 Introduction 6 Commercial live performance sector: a brief overview 7 Size 8 Key characteristics 9 Organisations 10 Individual performers 11 Business models 12 Social dialogue in the commercial live performance sector 16 Existing social partners 17 Other forms of self-organisation 19 Social dialogue - state of play 20 Key barriers to dialogue 20 What could stimulate dialogue? 21 The dialogue topics most important to stakeholder 23 The Covid-19 crisis and social dialogue 24 Recommendations: social dialogue for a stronger live performance sector 27 Annexes Country report: Bulgaria 31 Country report: Czech Republic 60 Country report: Poland 75 Country report: Romania 93 Country report: Serbia 113 This publication reflects only the author’s view, and the European Commission is not responsible for any use that may be made of the information it contains. Project number: VS/2019/0014 Executive summary This report maps the social dialogue situation in the commercial live performance sector in five European countries: Bulgaria, Czechia, Poland, Romania and Serbia. The sector covers all music, theatre, dance, circus and similar live performance activities run by private for-profit or not-for- profit entities operationally not fully dependent on the public sector even if partly rely on public subsidies. Precise statistics on the size of the sector in question are not available but existing data point to employment totalling around 100,000 in the five countries, while the number of entities concerned by far exceeds that of public institutions in the sector.
    [Show full text]
  • New Blood’: a Contemporary GIM Programme Svein Fuglestad
    Approaches: An Interdisciplinary Journal of Music Therapy | Special Issue 9 (2) 2017 SPECIAL ISSUE Guided Imagery and Music: Contemporary European perspectives and developments Article ‘New Blood’: A contemporary GIM programme Svein Fuglestad ABSTRACT This article is a presentation of a new contemporary Guided Imagery and Music (GIM) program based on orchestral re-recordings of various tracks by the English pop and rock musician Peter Gabriel. The intention is to share with the GIM community the author’s own experiences and perspectives using this music from the popular music genre with individual clients. The different pieces in the music programme are presented and described using the MIA intensity profile, Hevner’s Mood Wheel and the taxonomy of music. Whether the use of non-classical music is consistent with the individual form of the Bonny Method of GIM will be discussed, together with the potential advantages of repetitions and recognitions due to simplicity in structure, form and harmonies in building safety for clients within a therapeutic setting. KEYWORDS Guided Imagery and Music, new GIM programme, non-classical music in GIM, receptive music therapy, music and imagery, Peter Gabriel Svein Fuglestad is an Associate Professor at Oslo and Akershus University of Applied Sciences, Faculty of Social Sciences, Child Welfare programme. He is an AMI-Fellow/BMGIM therapist (2006) and cand. philol. in musicology (1996), and has been practising GIM with people affected by HIV/AIDS, sexually abused men, and female victims of incest. Fuglestad was GIM therapist in the Norwegian Research Council project Music, Motion, and Emotion. He is a singer and a musician.
    [Show full text]
  • Best-Nr. Künstler Album Preis Release 0001 100 Kilo Herz Weit Weg Von Zu Hause 17,50 € Mai
    Best-Nr. Künstler Album Preis release 0001 100 Kilo Herz Weit weg von zu Hause 17,50 € Mai. 21 0002 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0003 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0004 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0005 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0006 123 minut Les 19,00 € 0007 123 minut Les 19,00 € 0008 17 Hippies Anatomy 23,00 € 0009 187 Straßenbande Sampler 5 26,00 € Mai. 21 0010 187 Straßenbande Sampler 5 26,00 € Mai. 21 0011 A day to remember You're welcome (ltd.) 31,50 € Mrz. 21 0012 A day to remember You're welcome 23,00 € Mrz. 21 0013 Abba The studio albums 138,00 € 0014 Aborted Retrogore 20,00 € 0015 Abwärts V8 21,00 € Mrz. 21 0016 AC/DC Black Ice 20,00 € 0017 AC/DC Live At River Plate 28,50 € 0018 AC/DC Who made who 18,50 € 0019 AC/DC High voltage 19,00 € 0020 AC/DC Back in black 17,50 € 0021 AC/DC Who made who 15,00 € 0022 AC/DC Black ice 20,00 € 0023 AC/DC Power Up 55,00 € Nov. 20 0024 AC/DC Power Up 55,00 € Nov. 20 0025 AC/DC Power Up 55,00 € Nov. 20 0026 AC/DC Power Up Limited red 31,50 € Nov. 20 0027 AC/DC Power Up Limited red 31,50 € Nov. 20 0028 AC/DC Power Up Limited red 31,50 € Nov. 20 0029 AC/DC Power Up 27,50 € Nov.
    [Show full text]
  • Università Di Pisa
    UNIVERSITÀ DI PISA Facoltà di Economia Dipartimento di Economia Aziendale Scuola di Dottorato “L. Fibonacci” Corso di Dottorato in Economia Aziendale (SECS-P/08) La ricerca di autenticità nel consumo e nel marketing del settore discografico italiano. Analisi teorica ed empirica nel campo della popular music Relatore Candidato Prof. Daniele DALLI dott. Matteo CORCIOLANI Ciclo XXII Alla mia famiglia Welcome my son… welcome to the machine. What did you dream? It’s all right we told you what to dream. You dreamed of a big star, He played a mean guitar, He always ate in the Steak Bar… He loved to drive in his Jaguar... So welcome to the Machine. Roger Waters Where the agent man won’t let you down Sell your soul to the company Who are waiting there to sell plastic ware And in a week or two If you make the charts The girls’ll tear you apart. Jim McGuinn, Chris Hillman Credi davvero Che sia sincero Quando ti parlo di me… Credi davvero Che mi spoglio Di ogni orgoglio davanti a te… Vasco Rossi And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. Leonard Cohen Sommario Ringraziamenti 1. Introduzione ......................................................................................................................... 13 1.1. Premessa ...................................................................................................................... 13 1.2. Finalità del lavoro........................................................................................................ 17 1.3. Struttura della tesi........................................................................................................ 19 2. La ricerca di autenticità nel consumo di popular music . Rassegna della letteratura ..... 21 2.1. Concetto di autenticità ................................................................................................. 21 2.1.1. L’autenticità dell’individuo ................................................................................ 22 2.1.2.
    [Show full text]
  • Popular Music, Stars and Stardom
    POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .
    [Show full text]