17 Hippies Revisited. Wir Träumen Immer Noch
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Best-Nr. Künstler Album Preis Release 0001 100 Kilo Herz Weit Weg Von Zu Hause 17,50 € Mai
Best-Nr. Künstler Album Preis release 0001 100 Kilo Herz Weit weg von zu Hause 17,50 € Mai. 21 0002 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0003 100 Kilo Herz Stadt Land Flucht 19,00 € Jun. 21 0004 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0005 100 Kilo Herz Weit weg von Zuhause 17,50 € Jun. 21 0006 123 minut Les 19,00 € 0007 123 minut Les 19,00 € 0008 17 Hippies Anatomy 23,00 € 0009 187 Straßenbande Sampler 5 26,00 € Mai. 21 0010 187 Straßenbande Sampler 5 26,00 € Mai. 21 0011 A day to remember You're welcome (ltd.) 31,50 € Mrz. 21 0012 A day to remember You're welcome 23,00 € Mrz. 21 0013 Abba The studio albums 138,00 € 0014 Aborted Retrogore 20,00 € 0015 Abwärts V8 21,00 € Mrz. 21 0016 AC/DC Black Ice 20,00 € 0017 AC/DC Live At River Plate 28,50 € 0018 AC/DC Who made who 18,50 € 0019 AC/DC High voltage 19,00 € 0020 AC/DC Back in black 17,50 € 0021 AC/DC Who made who 15,00 € 0022 AC/DC Black ice 20,00 € 0023 AC/DC Power Up 55,00 € Nov. 20 0024 AC/DC Power Up 55,00 € Nov. 20 0025 AC/DC Power Up 55,00 € Nov. 20 0026 AC/DC Power Up Limited red 31,50 € Nov. 20 0027 AC/DC Power Up Limited red 31,50 € Nov. 20 0028 AC/DC Power Up Limited red 31,50 € Nov. 20 0029 AC/DC Power Up 27,50 € Nov. -
December 2020 New Releases
December 2020 New Releases SEE PAGE 15 what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately 59 Music [MUSIC] Vinyl 3 CD 12 FEATURED RELEASES Video WALTER LURE’S L.A.M.F. THE DAVE BRUBECK THE RESIDENTS - 35 FEATURING MICK ROSSI - QUARTET - IN BETWEEN DREAMS: Film LIVE IN TOKYO TIME OUTTAKES LIVE IN SAN FRANCISCO Films & Docs 36 Faith & Family 56 MVD Distribution Independent Releases 57 Order Form 69 Deletions & Price Changes 65 TREMORS MANIAC A NIGHT IN CASABLANCA 800.888.0486 (2-DISC SPECIAL EDITION) 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com WALTER LURE’S L.A.M.F. BERT JANSCH - SUPERSUCKERS - FEATURING MICK ROSSI - BEST OF LIVE MOTHER FUCKERS BE TRIPPIN’ TIME OUT AND TAKE FIVE! LIVE IN TOKYO We could use a breather from what has been a most turbulent year, and with our December releases, we provide a respite with fantastic discoveries in the annals of cool jazz. THE DAVE BRUBECK QUARTET “TIME OUTTAKES” is an alternate version of the masterful TIME OUT 1959 LP, with the seven tracks heard for the first time in crisp, different versions with a bonus track and studio banter. The album’s “Take Five” is the biggest selling jazz single ever, and hearing this in different form is downright thrilling. On LP and CD. Also smooth jazz reigns supreme with a CD release of a newly discovered live performance from sax legend GEORGE COLEMAN. “IN BALTIMORE” is culled from a 1971 performance with detailed liner notes and rare photos. Kick Out the Jazz! Something else we could use is a release from oddball novelty song collector DR. -
Global Pop Und Weltmusik Veröffentlicht
44 Bikutsi: Kameruner Popmusik abseits der Weltmusik Die Autorinnen und Autoren Daniel Bax ist Journalist, Autor und Redakteur bei der taz, die tageszeitung in Berlin. Er hat Künstler wie Cesaria Evora, Tarkan, Khaled, Manu Chao, David Byrne oder Goran Bregović interviewt und viele Beiträge zu Global Pop und Weltmusik veröffentlicht. Außerdem hat er Booklet-Texte für die Compilation Bucovina Club von Shantel (Essay Recordings, 2002) sowie zu den Samplern Beyond Istanbul (Trikont, 2006) von DJ Ipek und Many Lessons. Hiphop & Islam in Westafrica (Piranha, 2008) verfasst. Dr. Susanne Binas-Preisendörfer ist Professorin für Musik und Medien am Institut für Musik der Carl-von-Ossietzy-Universität Oldenburg. Zu Ihren Publikationen zählen Klänge im Zeitalter ihrer medialen Verfügbarkeit. Popmusik auf globalen Märkten und in lokalen Kontexten. Bielefeld 2010 und Mozart, Sting und Marsimoto – Zur Bedeutung klanglicher Repräsentationen des ›Orients‹ in ›westlicher‹ Musik. In: Dies. / Unseld, Melanie (Hg.): Transkulturali tät und Musikvermittlung. Herausforderungen und Möglichkeiten in Forschung, Kul- turpolitik und musikpädagogischer Praxis. Frankfurt a. M. u. a. 2012, 21–41. Dr. Anja Brunner ist Universitätsassistentin für Kulturelle Anthropologie der Musik am Institut für Musikwissenschaft und am Center for Global Studies an der Universität Bern. Zu ihren Publikationen zählen Xylophone Music on Electric Guitars: Beti Popular Music in the 1970s, in: Gerd Crupa (Hg.), Ethnomusicology and Popular Music Studies. Aachen 2013, 147–166 sowie mit Andreas Gebesmair und Regina Sperlich: Balkanboom! Eine Geschichte der Balkanmusik in Österreich. Frankfurt a. M. u. a. 2014. Dr. habil. Markus Coester ist Musikethnologe an der Universität Bayreuth mit den Forschungs- und Lehrschwerpunkten Afrika und Karibik. Er beschäftigt sich auch mit der Erhaltung und Digitalisierung von Musik- archiven, in den letzten Jahren vor allem in Ghana, und ist im Kultur- und Veranstaltungsmanagement im Bereich der afrikanischen Musik aktiv. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble -
Berlin Klezmer and the Politics of Place
Ethnomusicology Forum ISSN: 1741-1912 (Print) 1741-1920 (Online) Journal homepage: https://www.tandfonline.com/loi/remf20 ‘Our city of love and of slaughter’: Berlin klezmer and the politics of place Phil Alexander To cite this article: Phil Alexander (2018) ‘Our city of love and of slaughter’: Berlin klezmer and the politics of place, Ethnomusicology Forum, 27:1, 25-47, DOI: 10.1080/17411912.2018.1460616 To link to this article: https://doi.org/10.1080/17411912.2018.1460616 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 09 May 2018. Submit your article to this journal Article views: 338 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=remf20 ETHNOMUSICOLOGY FORUM 2018, VOL. 27, NO. 1, 25–47 https://doi.org/10.1080/17411912.2018.1460616 ‘Our city of love and of slaughter’: Berlin klezmer and the politics of place Phil Alexander Department of Theology and Religious Studies, University of Glasgow, Glasgow, UK ABSTRACT KEYWORDS Although it claims little historical connection to klezmer music or Berlin; klezmer; Yiddish; Yiddish culture, the city of Berlin has hosted one of the most Krims dynamic klezmer scenes of the past 20 years. This article analyses ways that place has been made to function as a meaningful unit in the music and lyrics of several artists living and working in Berlin, localising the transnational klezmer revival discourse by rooting the city in their music. Building on Adam Krims’ theory of ‘urban ethos’, I explore how the contemporary city is emplaced in its klezmer music, arguing that these processes of signification allow us to hear contrasting articulations of Berlin. -
The Influence of Strategies Used to Communicate Sustainable Corporate Responsibility
Walden University ScholarWorks Walden Dissertations and Doctoral Studies Walden Dissertations and Doctoral Studies Collection 11-27-2011 The nflueI nce of Strategies Used to Communicate Sustainable Corporate Responsibility on Reputation of a Major Airport Benno D. Hoffmann Walden University Follow this and additional works at: https://scholarworks.waldenu.edu/dissertations Part of the Advertising and Promotion Management Commons, Environmental Sciences Commons, Ethics and Political Philosophy Commons, Marketing Commons, and the Organizational Behavior and Theory Commons This Dissertation is brought to you for free and open access by the Walden Dissertations and Doctoral Studies Collection at ScholarWorks. It has been accepted for inclusion in Walden Dissertations and Doctoral Studies by an authorized administrator of ScholarWorks. For more information, please contact [email protected]. Walden University COLLEGE OF MANAGEMENT AND TECHNOLOGY This is to certify that the doctoral dissertation by Benno Hoffmann has been found to be complete and satisfactory in all respects, and that any and all revisions required by the review committee have been made. Review Committee Dr. Godwin Igein, Committee Chairperson, Applied Management and Decision Sciences Faculty Dr. Mary Dereshiwsky, Committee Member, Applied Management and Decision Sciences Faculty Dr. Robert Parent, University Reviewer Applied Management and Decision Sciences Faculty Chief Academic Officer David Clinefelter, Ph.D. Walden University 2011 Abstract The Influence of Strategies -
Titel Kino 1/2002
EXPORT-UNION OF GERMAN CINEMA 1/2002 AT BERLIN opening film in competition HEAVEN by Tom Tykwer ACCEPT DIVERSITY Interview with Dieter Kosslick GERMAN BOX OFFICE RECORD Michael ”Bully“ Herbig’s MANITOU’S SHOE SPECIAL REPORT Film Funding in Germany: The Big Six Kino Giovanni Ribisi,Giovanni GmbH) Cate Blanchett Pool (photo © X Filme Creative GERMAN CINEMA Illustration: Angela Hawkins Foto/AD: Werner Schauer Werner Angela Hawkins Foto/AD: Illustration: The Broadway to Business. European Film Market · debis Haus · Mercedes-Benz Showroom phone 0 30-2 53 58-3 72/-3 73 · fax 0 30-2 53 58-3 74 Export-Union des Deutschen Films · Munich · phone: +49-89-5 99 78 70 · Filmförderungsanstalt · Berlin · phone: +49-30-27 57 70 BERLINALE 2002 Willkommen auf der Berlinale 2002 – zu dem Event der Filmbranche. Erleben Sie Stars und Sternchen, tauchen Sie ein in die schillernde Szene und genießen Sie die Faszination Film. KODAK Meeting Point Treffen Sie Kodak im Meyerbeer Coffee-Shop, im Gebäude der Berliner Volksbank, Eichhornstraße 1, direkt neben dem European Film Market. Welcome to the Berlinale 2002 – a very special event for the film industry. Experience stars and starlets. Enjoy the glamorous scene and the fascination of film. KODAK Meeting Point Come join the KODAK team at Meyerbeer- Coffee-Shop, in the Volksbank Berlin building, Eichhornstr. 1, right next to the European Film Market. WELCOME thereʼs more to the story KODAK GMBH · Geschäftsbereich Entertainment Imaging © Eastman Kodak 2002 70324 Stuttgart · www.kodak.de/go/motion KINO 1/2002 32 Das -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
Fall 2008 Alumni Newsletter
Membership Matters. This publication is paid for in part by dues-paying members of the Indiana University Alumni Association. Vol. 16 • Fall 2008 Alumni Newsletter Letter from the chair A word from the editor Ave atque vale A pleasurable past and As you read the Faculty Notes, you’ll promising future be struck, as I was, by how many speak of being or beginning to feel “at One might think that being a chair of a they, the staff members, manage to retain home” here. Some are referring to the small but growing department presents an extraordinary humor and esprit de corps Midwest or Hoosierland as a whole. an onerous chore for a scholar who enjoys that even my outbursts of frustration cannot Others mean the vibrant community teaching and treasures the solitude that hu- extinguish. we have here in Bloomington or the manist research demands. One hears distant Now, put all of this and all of us in the department. Those of us who have and not-so-distant rumors of discontent same space, and one might expect inevitable been here for a while (I’ve been part among the faculty members of Germanic combustion. One might think, in other of this community for 43 years now) studies departments around the country and words, that I would consider being chair need to be reminded once in a while other units nearer to home, one understands a burden, a chore, a mere duty. As I begin how strongly we should treasure our that state governments have abdicated their my sixth and last year as chair of Germanic cultural-intellectual community. -
Nouveau Site Internet !
www.lafabrique24.fr NOUVEAU SITE INTERNET ! www.lafabrique24.fr Centre culturel - Cinéma - La Fabrique Saint-Astier cinema_la_fabrique_st_astier Chères Astériennes, chers Astériens, Cette année encore, la saison culturelle Enfin et au-delà du divertissement, la rime avec nouveauté, originalité et saison 2019-2020 abordera de nom- découverte. breux sujets de fond et provoquera, nous l’espérons, beaucoup d’émotions Côté communication, nous sommes et de réflexions partagées. heureux de vous présenter le nouveau logo de La Fabrique. Plus contem- La saison dernière, la fréquentation porain tout en restant attaché au a atteint un nouveau record avec patrimoine, celui-ci symbolise par 4.987 billets délivrés et 538 abonnés. ses couleurs le foisonnement des 12 des 16 spectacles payants ont activités de l’équipement. Un site affiché complet. Internet très complet voit également le jour et vous permettra de suivre au Confortés par l’engouement des quotidien toute l’actualité du centre publics et le rayonnement grandissant culturel. de La Fabrique, nous maintenons notre politique culturelle ambitieuse, Côté programmation, le nombre de exigeante et porteuse d’émotions spectacles poursuit son évolution pour l’épanouissement personnel de régulière depuis 2015. chacun. Nous maintenons également Cette année, vingt rendez-vous notre politique tarifaire modérée sont programmés parmi lesquels et notre volonté profonde de tou- de nouvelles formes artistiques, cher tous les publics et toutes les des pièces de théâtre à succès, des générations. concerts pour tous les âges et tous les publics et de grands événements Permettez-nous de remercier le comme la venue de TRYO à Saint- directeur de la Fabrique, sa modestie Astier. -
© 2011 Kathleen Sclafani ALL RIGHTS RESERVED
© 2011 Kathleen Sclafani ALL RIGHTS RESERVED ‘BORDER CONSCIOUSNESS’ AND THE RE‐IMAGINATION OF NATION IN THE FILMS OF AKIN, DRESEN AND PETZOLD by KATHLEEN J. SCLAFANI A Dissertation submitted to the Graduate School‐New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Comparative Literature written under the direction of Fatima Naqvi and approved by _____________________________________________________ _____________________________________________________ _____________________________________________________ _____________________________________________________ New Brunswick, New Jersey JANUARY 2011 ABSTRACT OF THE DISSERTATION ‘Border Consciousness’ and the Re‐imagination of Nation in the Films of Akin, Dresen and Petzold By KATHLEEN J. SCLAFANI Dissertation Director: Fatima Naqvi In my dissertation I explore the role that borders play in the construction of German identity through the films of Fatih Akin, Andreas Dresen and Christian Petzold. Despite the insistence of conservatives that Germany is not an “immigration country,” I argue that the historical fluctuation of borders and the movement of populations into and out of Germany have resulted in a heightened awareness of borders and their significance that contributes to a sense of ambivalence about national identity. This heightened awareness can be seen as a type of “border consciousness,” a term that originated in Chicano/a studies and has been used to analyze exilic and diasporic cinema but which I reconsider in the context of German film. By examining tropes of borders and border crossings, as well as representations of liminality in the work of German filmmakers from various backgrounds, I argue that in these works, border consciousness can be seen as a function of a relationship to national boundaries rooted in histories of displacement, but not necessarily limited to the experiences of migrants and minorities. -
14 August 2009 Page 1 of 21 SATURDAY 08 AUGUST 2009 Audrone Kisieliute (Piano) ERATO ECD88236 Tr 5
Radio 3 Listings for 8 – 14 August 2009 Page 1 of 21 SATURDAY 08 AUGUST 2009 Audrone Kisieliute (piano) ERATO ECD88236 tr 5 SAT 01:00 Through the Night (b00lxvf2) 5.26am 07.52 1.00am Grieg, Edvard Hagerup (1843-1907): Holberg Suite, Op 40 Dvorak, Antonin (1841-1904): From the Bohemian Forest, Op Bergen Philharmonic Orchestra GRIEG 68 Andrew Litton (conductor) Four Psalms Op.74 Konstantin Lifschitz, Diana Ketler (pianos) – God’s Son hath set me free 5.46am David Wilson Johnson (baritone) 1.17am Handel, Georg Frideric (1685-1759): Organ Concerto No 1, Op Polyphony Brahms, Johannes (1833-1897): Quintet in B minor for clarinet 4, No 1 Stephen Layton and strings, Op 115 Concerto Copenhagen HYPERION CDA 66793 tr 10 Reto Bieri (clarinet) Lars Ulrich Mortensen (organ/director) Daishin Kashimoto, Corinne Chapelle (violins) 08.03 Razvan Popovici (viola) 6.02am Bernhard Naoki Hedenborg (cello) Brahms, Johannes (1833-1897): 25 Variations and fugue on a TCHAIKOVSKY theme by GF Handel for piano, Op 24 Piano Concerto No.1 in B Flat minor 1.54am Simon Trpceski (piano) final movt Sibelius, Jean (1865-1957): Hostkvall, Op 38, No 1 Martha Argerich (piano) Soile Isokoski (soprano) 6.27am Berlin Philharmonic Finnish Radio Symphony Orchestra Stanford, Charles Villiers (1852-1924): When Mary thro' the Claudio Abbado Jukka-Pekka Saraste (conductor) garden went, Op 127, No 3 DG 449 816-2 tr 3 BBC Singers 1.59am Bob Chilcott (conductor) 08.10 Schmitt, Matthias (b.1958): Ghanaia for solo percussion Colin Currie (marimba) 6.30am Mikis THEODORAKIS Hartmann, Johann Peter Emilius (1805-1900): Blomstre som en The Train leaves at eight 2.07am rosengard Agnes Baltsa (mezzo) Paganini, Niccolo (1782-1840): Concerto No 1 in D for violin Fionian Chamber Choir Athens Experimental Orchestra, and orchestra, Op 6 Alice Granum (director) Stavros Xarhakos (conductor) Jaap van Zweden (violin) DG 477 7428 tr 5 Netherlands Radio Symphony Orchestra 6.36am Kenneth Montgomery (conductor) Debussy, Claude (1862-1918): La mer 08.15 BBC Scottish Symphony Orchestra 2.34am Ilan Volkov (conductor).