Artists from Abroad in American Communities
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Program Coordinators LUMS Music Fest'21 Dear Sir/Madam, the Music
To Managers/ Program Coordinators LUMS Music Fest’21 Dear Sir/Madam, The Music Society of Lahore University of Management Sciences (LUMS) is proud to invite your institution’s musicians and non-musicians to the “LUMS Music Fest 2020 (LMF’20),” which will take place from 5th February to 7th February 2021. The Music Society of LUMS Since its inception, in 1999, the Music Society of LUMS has actively been serving as a platform for talented artists across the country to showcase their abilities. Whether it’s the students of LUMS themselves, or those from other educational institutions, we have strived to give everyone an opportunity to not only perform on stage, but also to hone their skills in doing so. We believe that the Pakistani music industry is in a critical stage of its revival, with an ever-growing audience, and a pool of talent that is expanding just as rapidly. In such promising and almost revolutionary times, the Music Society of LUMS is eager to play its part in furthering the endeavors of those before it. What is LUMS Music Fest? Music Fest is the flagship event of the Music Society of LUMS, spanning a total of three days. It is primarily a series of music-based competitions, between students from all over Pakistan, punctuated by social events to take the edge off things and of course to promote music from every genre. Over 1200 people attend Music Fest every year, whether it is the participants from a plethora of educational institutions, or the student body and faculty of LUMS itself, making it, by far the largest college-based Music Festival across the board, in Pakistan. -
Islam, Law, and the State
POLITICAL ISLAM PRESENT AND PAST 508:110 Spring 2018 Monday & Wednesday 2:50pm - 4:10pm Hardenbergh Hall A7 Instructor: Julia Stephens ([email protected]) Office Hours: TBA This course is an introduction to Islamic political thought and practice, which focuses on how history can inform our understanding of contemporary Political Islam. Since the attack on the Twin Towers on September 11, 2001, political debates about the role of Islam in the modern world have arguably been the single defining issue of the twenty-first century. The manifestations of Political Islam are diverse: they range from al-Qaeda and ISIS, to Muslim political parties who participate in electoral politics in Turkey and Indonesia. Nor is Political Islam limited to Muslim- majority countries. Debates about Islam have also emerged as key political questions in the United States and Europe, influencing policies in areas ranging from surveillance to immigration and education. The course traces the longer history of a range of flashpoints in these debates, including the relationship between sharia and the state, the role of new media technologies in shaping Muslim politics, veiling, and censorship of religiously offensive materials. In the process the course surveys the life of the Prophet, the early Caliphates, early-modern Muslim empires, European colonialism, and nationalist movements. But a focus on themes of contemporary relevance provides the guiding thread through this whirl-wind tour of Islamic history. The course assumes no prior knowledge of the subject. Lectures and discussions will guide students through the analysis of a variety of historical and contemporary sources, including Ottoman fatwas on drinking coffee, nineteenth-century debates about the compatibility of Islam and modern science, Sufi rock videos, and Twitter feeds. -
LIST of MEDIA RIGHTS VIOLATIONS by JOURNALIST SAFETY INDICATES (JSIS), MAY 2018 to APRIL 2019 the Media Violations Are Categorised by the Journalist Safety Indicators
74 IFJ PRESS FREEDOM REPORT 2018–2019 LIST OF MEDIA RIGHTS VIOLATIONS BY JOURNALIST SAFETY INDICATES (JSIS), MAY 2018 TO APRIL 2019 The media violations are categorised by the Journalist Safety Indicators. Other notable incidents are media violations recorded by the IFJ in its violation mapping. *Other notable incidents are media violations recorded by the IFJ. These are violations that fall outside the JSIs and are included in IFJ mapping on the South Asia Media Solidarity Network (SAMSN) Hub - samsn.ifj.org Afghanistan, was killed in an attack on the Sayeed Ali ina Zafari, political programs operator police chief of Kandahar, General Abdul Raziq. on Wolesi Jerga TV; and a Wolesi Jerga TV driver AFGHANISTAN The Taliban-claimed attack took place in the were entering the MOFA road for an interview in governor’s compound during a high-level official Zanbaq square when they were confronted by a JOURNALIST KILLINGS: 12 (Journalists: 5, meeting. Angar, along with others, was killed in policeman. Media staff: 7. Male: 12, Female: 0) the cross-fire. THREATS AGAINST THE LIVES OF June 5, 2018: Takhar JOURNALISTS: 8 December 4, 2018: Nangarhar Milli TV Takhar province reporter Merajuddin OTHER THREATS TO JOURNALISTS: Engineer Zalmay, director and owner or Enikass Sharifi was beaten up by the head of the None recorded radio and TV stations was kidnapped at 5pm community after a verbal disagreement. NON-FATAL ATTACKS ON JOURNALISTS: during a shopping trip. He was taken by armed 61 (Journalists: 52; Media staff: 9) men who arrived in an armoured vehicle. His June 11, 2018, Ghor THREATS AGAINST MEDIA INSTITUTIONS: 3 driver was shot and taken to hospital where he Saam Weekly Director, Nadeem Ghori, had his ATTACKS ON MEDIA INSTITUTIONS: 3 later died. -
Fizzy Drinks and Sufi Music: Abida Parveen in Coke Studio Pakistan
Fizzy Drinks and Sufi Music: Abida Parveen in Coke Studio Pakistan By Zainub Beg A Thesis Submitted to Saint Mary’s University, K’jipuktuk/Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Theology and Religious Studies. December 2020, Halifax, Nova Scotia Copyright Zainub Beg, 2020 Approved: Dr. Syed Adnan Hussain Supervisor Approved: Dr. Reem Meshal Examiner Approved: Dr. Sailaja Krishnamurti Reader Date: December 21, 2020 1 Fizzy Drinks and Sufi Music: Abida Parveen in Coke Studio Pakistan by Zainub Beg Abstract Abida Parveen, often referred to as the Queen of Sufi music, is one of the only female qawwals in a male-dominated genre. This thesis will explore her performances for Coke Studio Pakistan through the lens of gender theory. I seek to examine Parveen’s blurring of gender, Sufism’s disruptive nature, and how Coke Studio plays into the two. I think through the categories of Islam, Sufism, Pakistan, and their relationship to each other to lead into my analysis on Parveen’s disruption in each category. I argue that Parveen holds a unique position in Pakistan and Sufism that cannot be explained in binary terms. December 21, 2020 2 Table of Contents Abstract ................................................................................................................... 1 Acknowledgements ................................................................................................ 3 Chapter One: Introduction .................................................................................. -
States of Affect: Trauma in Partition/Post-Partition South Asia
STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English – Doctor of Philosophy 2015 ABSTRACT STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra The Partition of the Indian subcontinent – into India and Pakistan in 1947 – was one of the crucial moments marking the break between the colonial and postcolonial era. My project is invested in exploring the Partition not merely in terms of the events of August 1947, but as an ongoing process that continues to splinter political, cultural, emotional and sexual life-worlds in South Asia. My dissertation seeks to map analytical pathways to locate the Partition and the attendant formations of minoritization and sectarian violence as continuing, unfolding processes that constitute postcolonial nation-building. It examines the far-reaching presence of these formations in current configurations of politics, culture and subjectivity by mobilizing the interdisciplinary scope of affect-mediated Trauma and Memory Studies and Postcolonial Studies, in conjunction with literary analysis. My project draws on a wide range of cultural artifacts such as poetry, cantillatory performance, mourning rituals, testimonials, archaeological ruins, short stories and novels to develop a heuristic and affective re-organization of post-Partition South Asia. It seeks to illuminate through frameworks of memory, melancholia, trauma, affect and postcoloniality how the ongoing effects of the past shape the present, which in turn, offers us ways to reimagine the future. This dissertation reaches out to recent work developing a vernacular framework to analyze violence, trauma and loss in South Asia. -
Colocated with ACM Recsys 2011 Chicago, IL, USA October 23, 2011 Copyright C
Colocated with ACM RecSys 2011 Chicago, IL, USA October 23, 2011 Copyright c . These are an open-access workshop proceedings distributed under the terms of the Creative Com- mons Attribution License 3.0 Unported1, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. 1http://creativecommons.org/licenses/by/3.0/ Organizing Committee Amelie´ Anglade, SoundCloud Oscar` Celma, Gracenote Ben Fields, Musicmetric Paul Lamere, The Echo Nest Brian Mcfee, Computer Audition Laboratory, University of California, San Diego Program Committee Claudio Baccigalupo, RED Interactive Agency Dominikus Baur, LMU Munich Mathieu Barthet, Queen Mary, University of London Thierry Bertin-Mahieux, Columbia University Sally Jo Cunningham, the University of Waikato Zeno Gantner, University of Hildesheim Fabien Gouyon, INESC Porto Peter Knees, Johannes Kepler University Daniel Lemire, Universite´ du Quebec´ Mark Levy, Last.fm Markus Schedl, Johannes Kepler University Alan Said, Technische Universitat¨ Berlin Doug Turnbull, Ithaca College Preface Welcome to WOMRAD, the Workshop on Music Recommendation and Discovery being held in conjunction with ACM RecSys. WOMRAD 2011 is being held on October 23, 2011, exactly 10 years after Steve Jobs introduced the very first iPod. Since then there has been been an amazing transformation in the world of music. Portable listening devices have advanced from that original iPod that allowed you to carry a thousand songs in your pocket to the latest iPhone that can put millions of songs in your pocket via music subscription services such as Rdio, Spotify or Rhapsody. Ten years ago a typical personal music collection numbered around a thousand songs. -
Roshan Ara Begum
Roshan Ara Begum Performing Classical Music, Gender, and Muslim Nationalism in Pakistan Fawzia Afzal-Khan The performance — or lack thereof — of (North Indian) classical music in Pakistan, and espe- cially the obstacles women performers have faced, cannot only be blamed on Islam’s putative hostility to the musical and performing arts in general and to women performing in public in particular. Rather, the discourse of a religiously inflected nationalism collides with gendered, classed bodies within the performative space of a political imaginary such that the role played by music both constitutes and deconstructs this history. Women singers’ roles are crucial in Fawzia Afzal-Khan is University Distinguished Scholar/Professor of English at Montclair State University and Visiting Professor at NYU Abu Dhabi. She is the author of Cultural Imperialism: Genre and Ideology in the Indo-English Novel (Penn State Press, 1993), A Critical Stage: The Role of Secular Alternative Theatre in Pakistan(Seagull Press, 2005), and Lahore with Love: Growing Up with Girlfriends Pakistani Style (Syracuse University Press, 2010); and editor of The PreOccupation of Postcolonial Studies (Duke University Press, 2000) and Shattering the Stereotypes: Muslim Women Speak Out (Interlink Books, 2005). Siren Song: Pakistani Women Singers is her award-winning NEH- funded short film and forthcoming book from Oxford University Press. She is an Indian classical singer, a playwright, and a poet. [email protected] TDR: The Drama Review 62:4 (T240) Winter 2018. ©2018 8 Fawzia Afzal-Khan Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram_a_00790 by guest on 02 October 2021 both shaping and resisting this politically performative historical space of the Pakistani nation, yet are hardly well understood or appreciated. -
IBA Music Olympiad 10Th April to 12Th April, 2015
IBA Music Olympiad 10th April to 12th April, 2015 Organized By: IBA Music Society IBA Music Society IBA Music Olympiad Closing report IBA Music Society organized first ever IBA Music Olympiad on 10th – 12th April at IBA Karachi, where more than 400 students from all over Karachi participated in this event as a participants and audiences. There were 7 competitions and the total prize money altogether was up to 150,000 PKR. Our esteemed judges and guests were Ali Noor(From the band Noori), Omran shafique, Ali haider, Hasan rizvi, Zoe viccaji, Natasha baig and also there were many other judges for every individual competitions. The concert by Josh band and Overload was one of our social events, which was fully sponsored by Samsung Galaxy A tour. IMO's Sponsors and Media and FM Radio Partners 1. National Foods at 150,000 PKR (Bronze Sponsor) 2. Dell, 50,000 PKR (Sponsored our Event Voice Of Pakistan) 3. Samsung (Social Event Sponsor) 4. TV One, News One, Hum TV, Samaa TV and Geo TV as Media Partners. 5. Samaa FM and FM 91 as FM Partners 6. Tapal Tea as Tea Sponsor via free sampling on all 3 days. IMO's Academic Partners (Collaboration with Music Societies at other Universities/Colleges) 1. FPS Music Society 2. Aga Khan Dance Arts Music Society 3. Textile Institute of Pakistan Music Society 4. BNU Music Society 5. Industree- IVS Music Society 6. NAQSH Arts Society GIKI 7. Chapter Records at PAF Chapter, City School 8. BSS Music Society 9. Media Affairs and Communications Society, NUST 10. -
Rock Art of Latin America & the Caribbean
World Heritage Convention ROCK ART OF LATIN AMERICA & THE CARIBBEAN Thematic study June 2006 49-51 rue de la Fédération – 75015 Paris Tel +33 (0)1 45 67 67 70 – Fax +33 (0)1 45 66 06 22 www.icomos.org – [email protected] THEMATIC STUDY OF ROCK ART: LATIN AMERICA & THE CARIBBEAN ÉTUDE THÉMATIQUE DE L’ART RUPESTRE : AMÉRIQUE LATINE ET LES CARAÏBES Foreword Avant-propos ICOMOS Regional Thematic Studies on Études thématiques régionales de l’art Rock Art rupestre par l’ICOMOS ICOMOS is preparing a series of Regional L’ICOMOS prépare une série d’études Thematic Studies on Rock Art of which Latin thématiques régionales de l’art rupestre, dont America and the Caribbean is the first. These la première porte sur la région Amérique latine will amass data on regional characteristics in et Caraïbes. Ces études accumuleront des order to begin to link more strongly rock art données sur les caractéristiques régionales de images to social and economic circumstances, manière à préciser les liens qui existent entre and strong regional or local traits, particularly les images de l’art rupestre, les conditions religious or cultural traditions and beliefs. sociales et économiques et les caractéristiques régionales ou locales marquées, en particulier Rock art needs to be anchored as far as les croyances et les traditions religieuses et possible in a geo-cultural context. Its images culturelles. may be outstanding from an aesthetic point of view: more often their full significance is L’art rupestre doit être replacé autant que related to their links with the societies that possible dans son contexte géoculturel. -
The Mars Volta and the Symbolic Boundaries of Progressive Rock
GENRE AND/AS DISTINCTION: THE MARS VOLTA AND THE SYMBOLIC BOUNDARIES OF PROGRESSIVE ROCK R. Justin Frankeny A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in Musicology in the School of Music. Chapel Hill 2020 Approved by: Aaron Harcus Michael A. Figueroa David F. Garcia © 2020 R. Justin Frankeny ALL RIGHTS RESERVED ii ABSTRACT R. Justin Frankeny: Genre and/as Distinction: The Mars Volta and the Symbolic Boundaries of Progressive Rock (Under the direction of Dr. Aaron Harcus) In the early 2000’s, The Mars Volta’s popularity among prog(ressive) rock fandom was, in many ways, a conundrum. Unlike 1970s prog rock that drew heavily on Western classical music, TMV members Omar Rodriguez-Lopez and Cedric Bixler-Zavala routinely insisted on the integral importance of salsa music to their style and asserted an ambivalent relationship to classic prog rock. This thesis builds on existing scholarship on cultural omnivorousness to assert that an increase in omnivorous musical tastes since prog rock’s inception in the 1970s not only explains The Mars Volta’s affiliation with the genre in the early 2000s, but also explains their mixed reception within a divided prog rock fanbase. Contrary to existing scholarship that suggests that the omnivore had largely supplanted the highbrow snob, this study suggests that the snob persisted in the prog rock fanbase during progressive rock’s resurgence (ca. 1997-2012), as distinguished by their assertion of the superiority of prog rock through discourses of musical complexity adapted from classical music. -
Defending Sufism, Defining Islam: Asserting Islamic Identity in India
DEFENDING SUFISM, DEFINING ISLAM: ASSERTING ISLAMIC IDENTITY IN INDIA Rachana Rao Umashankar A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2012 Approved by: Dr. James L. Peacock Dr. Carl W. Ernst Dr. Margaret J. Wiener Dr. Lauren G. Leve Dr. Lorraine V. Aragon Dr. Katherine Pratt Ewing © 2012 Rachana Rao Umashankar ALL RIGHTS RESERVED ii ABSTRACT RACHANA RAO UMASHANKAR: Defending Sufism, Defining Islam: Asserting Islamic identity in India (Under the direction of Dr. James L. Peacock and Dr. Lauren G. Leve) Based on thirteen months of intensive fieldwork at two primary sites in India, this dissertation describes how adherents of shrine-based Sufism assert their identity as Indian Muslims in the contexts of public debates over religion and belonging in India, and of reformist critiques of their Islamic beliefs and practices. Faced with opposition to their mode of Islam from reformist Muslim groups, and the challenges to their sense of national identity as members of a religious minority in India, I argue that adherents of shrine-based Sufism claim the sacred space of the Sufi shrine as a venue where both the core values of Islam and of India are given form and reproduced. For these adherents, contemporary shrine-based Sufism is a dynamic and creative force that manifests essential aspects of Islam that are also fundamental Indian values, and which are critical to the health of the nation today. The dissertation reveals that contested identities and internal religious debates can only be understood and interpreted within the broader framework of national and global debates over Islam and over the place of Islam in the Indian polity that shape them. -
Innovation and Creation...Our New Vision
Vol. XII, Issue III — ISSN 2305-7947 Winter Semester 2012-2013 A Quarterly Newsletter of Innovation and Creation..... Our new vision Greenwich Multidisciplinary Research Conference (GMRC-II) Feature Films are Great Prospect of our Film Industry Wajahat Rauf Greenwich Alumnus Thoughts Too Deep For Tears ‘Work with Passion’ Dr Ruth Pfau Founder of Mary Adelaide Leprosy Centre The city wears black at the tragic death of Shahzeb GREENWICH UNIVERSITY Winter Semester 2012-2013 GREENWICH UNIVERSITY Winter Semester 2012-2013 Editor G-Vision has been an excellent quarterly publication since the last twenty five years, as the magnificent reflection of the distinctive Greeenwichian culture and an evidence of the remarkable capabilities of the students of Greenwich Univ ersity. The added brilliance of Student Ambassadors adds pride to the EDITORIAL BOARD performance. The youth have always been the percussors of change and form, rules and norms. Delving through the pages of history we find numerous instances Patron of young people launching and succeeding in the crusade for economic Ms Seema Mughal independence, equality, justice and freedom. This millennium has dawned upon us with a plethora of hopes and expectations. The youth have the most Vice Chancellor vital role in achieving these goals as young people have tremendous energy, towering ambitions, dedication and devotion. They have the might of extensive Editor thinking, vivid imagination, hard struggle, innovation and advancement. By Farhat Saleem capitalizing on their individual skills and talents, they can modify the course of the world. Coordinators Greenwich University provides an excellent platform and immense opportuni - Ahmed Kamarn ties through state of the art facilities, world class faculty and solid organiza - Ayla Hassan tional structure for the students to hone their skills, implement their ideas, realize themselves in physical and intellectual fields and promote their initia - Iqbal Jamil tives.