Rock Art of Latin America & the Caribbean

Total Page:16

File Type:pdf, Size:1020Kb

Rock Art of Latin America & the Caribbean World Heritage Convention ROCK ART OF LATIN AMERICA & THE CARIBBEAN Thematic study June 2006 49-51 rue de la Fédération – 75015 Paris Tel +33 (0)1 45 67 67 70 – Fax +33 (0)1 45 66 06 22 www.icomos.org – [email protected] THEMATIC STUDY OF ROCK ART: LATIN AMERICA & THE CARIBBEAN ÉTUDE THÉMATIQUE DE L’ART RUPESTRE : AMÉRIQUE LATINE ET LES CARAÏBES Foreword Avant-propos ICOMOS Regional Thematic Studies on Études thématiques régionales de l’art Rock Art rupestre par l’ICOMOS ICOMOS is preparing a series of Regional L’ICOMOS prépare une série d’études Thematic Studies on Rock Art of which Latin thématiques régionales de l’art rupestre, dont America and the Caribbean is the first. These la première porte sur la région Amérique latine will amass data on regional characteristics in et Caraïbes. Ces études accumuleront des order to begin to link more strongly rock art données sur les caractéristiques régionales de images to social and economic circumstances, manière à préciser les liens qui existent entre and strong regional or local traits, particularly les images de l’art rupestre, les conditions religious or cultural traditions and beliefs. sociales et économiques et les caractéristiques régionales ou locales marquées, en particulier Rock art needs to be anchored as far as les croyances et les traditions religieuses et possible in a geo-cultural context. Its images culturelles. may be outstanding from an aesthetic point of view: more often their full significance is L’art rupestre doit être replacé autant que related to their links with the societies that possible dans son contexte géoculturel. Les produced them and the meanings with which images sont parfois exceptionnelles par leur they were imbued. In order to understand these caractère esthétique ; plus souvent, leur valeur links, further research may be needed on the est liée aux sociétés qui les ont produites et aux context of rock art. It is hoped that the thematic significations dont elles sont imprégnées. Pour studies will help identify where such further comprendre ce rapport, des recherches work could be helpful. approfondies de leur contexte peuvent s’avérer nécessaires. Il est à espérer que les études ICOMOS Pre Nomination Guidance for thématiques contribueront à identifier les sites Rock Art sites où ces recherches seront utiles. In order to provide more general support to Conseils préliminaires à la préparation de State Parties in preparing nominations of rock dossiers de proposition d’inscription d’art art sites identified as having potential rupestre outstanding universal value, ICOMOS is also preparing Pre-Nomination Guidance for Rock Afin d’apporter aux États membres une aide Art Nominations to address the particular plus générale pour la préparation des issues that apply to nominations of these types propositions d’inscription de sites d’art of sites. rupestre identifiés comme ayant une valeur universelle exceptionnelle potentielle, l’ICOMOS prépare des Conseils préliminaires à la préparation de dossiers de proposition d’inscription d’art rupestre afin de traiter les problèmes particuliers qui s’attachent à la proposition des ces types de sites. Acknowledgements Remerciements In preparing this first Regional Rock Art En préparant cette première étude thématique Thematic Study, ICOMOS woud like to régionale de l’art rupestre, l’ICOMOS acknowledge the support and contribution of remercie pour son aide et sa contribution le the ICOMOS International Scientific Comité scientifique international de Committee on Rock Art, a group of whose l’ICOMOS sur l’art rupestre, un groupe dont members wrote the text, and particularly the les membres ont rédigé le texte, en particulier Chair, Ulf Bertilsson, and immediate past son président actuel, Ulf Bertilsson, et son Chair, Jean Clottes, for coordinating this study précédent président, Jean Clottes, pour leur with Susan Denyer, World Heritage Adviser, coordination de cette étude avec Susan Denyer, Regina Durighello, Director, and conseiller pour le patrimoine mondial, Gwenaëlle Bourdin, assistant World Heritage Regina Durighello, directeur, et Unit. Gwenaëlle Bourdin, assistante de l’Unité du patrimoine mondial. TABLE OF CONTENTS Foreword Table of contents Introduction 1 Susan Denyer Zone 1. Mexico (including Baja California) and Central America - Zone 1. Mexico (including Baja California) 3 William Breen Murray & Carlos Viramontes - Zone 1. Central America 11 Martin Künne Zone 2. The Caribbean, including Venezuela and Colombia - Zone 2. Caribbean Area and north-coastal South America 43 Jay B. Haviser & Matthias Strecker - Zone 2. Venezuela 84 Franz Scaramelli & Kay L. Tarble - Zone 2. Colombia 96 Guillermo Muñoz Zone 3. Brazil - Zone 3. Brésil (État du Piaui et sertão de Serido exceptés) 108 André Prous & Loredana Ribeiro - Zone 3. Brésil – Nordeste – États du Piaui, Pernambuco, 122 Rio Grande do Norte et Paraiba Niède Guidon & Cristiane A. Buco Zone 4. West-north-west South America (north of the Andes, Peru, Bolivia, Paraguay) 138 Matthias Strecker Zone 5. West-south-west and southern South America 151 (Chile, Argentina, Uruguay) María Mercedes Podestá Rock art in Latin America and the Caribbean: an over-view 167 Jean Clottes Annexes I - ICOMOS Brief for Contributors 182 II - Zona 2: Colombia (Original Spanish version) 184 Guillermo Muñoz III - Zona 5: Oeste y suroeste de Sudamérica: 198 Chile, Argentina y Uruguay (Original Spanish version) María Mercedes Podestá IV – Illustrations 215 Introduction Susan Denyer The Scope and Value of Rock Art Le champ et la valeur de l’art rupestre Rock art is the oldest form of art, and has L’art rupestre est la plus ancienne forme d’art experienced the longest and widest et a connu le développement le plus long et le development in terms of time and in space. plus étendu dans le temps et l’espace. Il se Rock art is distinguished from other forms of distingue d’autres formes d’art par le fait qu’il art by the fact that it has been preserved at the a été préservé sur le lieu même de son place where it was carried out and by the fact exécution et que ce lieu a réciproquement très that the place very often determined the scope souvent déterminé le champ et la réalisation de and realisation of the art. In evaluating rock cet art. Dans l’évaluation de cet art, il est art, it is essential to take into account, not only essentiel de prendre en compte non seulement its artistic quality and cultural importance, but sa qualité artistique et son importance also the quality of the place where it is found culturelle, mais aussi la qualité du lieu où il est and particularly its natural environment. découvert et en particulier son environnement naturel. Rock art sites, as a corpus of work, have huge potential for understanding human activity, Les sites d’art rupestre, en tant que réalisations both spiritual and temporal, over many d’ensemble, ont un potentiel énorme pour la millennia. compréhension de l’activité humaine, à la fois spirituelle et temporelle, sur plusieurs The aesthetic value of rock art can be millénaires. appreciated without knowledge of associations. However, the full value of rock art sites, and La valeur esthétique de l’art rupestre peut être their comparisons with other sites, usually only appréciée sans connaissance d’associations. La emerges once images have been documented pleine valeur des sites d’art rupestre et leur and studied, to reveal an understanding of comparaison avec d’autres sites, ne s’apprécie sequences, associated human activity and in habituellement qu’après une étude et des some cases beliefs and traditions. comparaisons approfondies, livrant une compréhension des séquences, des activités Without adequate inventories it is difficult to humaines associées et, dans certains cas, des analyse rock art sequences and make croyances et des traditions. comparative analyses. Many rock art sites have many thousands of images, considerable En l’absence d’un inventaire approprié, il est numbers of layers and can be said intuitively to difficile d’analyser les séquences d’art rupestre represent vanished societies. A clearer et de faire des analyses comparatives. De understanding of their specific significances, nombreux sites d’art rupestre possèdent geo-cultural context and relationship to present plusieurs milliers d’images, un nombre day societies is needed to evaluate them fully considérable de couches et l’on peut dire and this usually emerges only after systematic intuitivement qu’ils représentent des sociétés analysis and recording. disparues. Une compréhension plus claire de leur importance spécifique, de leur contexte géoculturel et de leur rapport aux sociétés d’aujourd’hui est nécessaire pour les évaluer pleinement et cela n’est généralement possible qu’après une analyse et une étude systématiques. 1 Rock Art and World Heritage Art rupestre et patrimoine mondial Rock Art is present within several L’art rupestre est présent dans plusieurs zones geographical areas that are currently under- géographiques qui sont actuellement sous represented on the World Heritage list. Rock représentées sur la Liste du patrimoine art sites thus have the potential to fill some of mondial. Les sites d’art rupestre ont par the “gaps”. conséquent le potentiel de remplir certains « manques ». During the past five years a considerable number of rock art sites, or sites containing Au cours des cinq dernières années, un grand rock art have been nominated for inscription nombre de sites d’art rupestre, ou de sites on the World Heritage List. Evaluating these abritant de l’art rupestre, a été proposé pour brought up considerable difficulties as few inscription sur la Liste du patrimoine mondial. sites have adequate inventories and this Leur évaluation a suscité des difficultés inhibits proper assessment of their considérables car peu d’entre eux possédaient significances and value and make formal un inventaire approprié, ce qui empêche une comparative analysis difficult. Several sites évaluation correcte de leur importance et de were put forward for their association with leur valeur et complique l’analyse beliefs and practices, but only a few provided comparative.
Recommended publications
  • National Cultural Policy 2012 (Draft)
    NATIONAL CULTURAL POLICY MONTSERRAT (DRAFT) TABLE OF CONTENTS Pg Executive Summary 1 Philosophical Statement 1 2 Methodology 1 3 Background 2 4 Definition of Culture 4 5 Mapping the Cultural Landscape 5 6 The Cultural Backdrop 6 7 Proposed Policy Positions of the Government of Montserrat 16 8 Aims of the Policy 17 9 Self Worth and National Pride 18 10 The Arts 21 11 Folkways 24 12 Masquerades 27 13 Heritage 29 14 Education 32 15 Tourism 35 16 Economic Development 38 17 Media and Technology 41 18 Infrastructure 44 19 Implementation 47 Appendix 1 Groups & Persons Consulted Appendix 2 Consulting Instruments Select Biography EXECUTIVE SUMMARY This Executive Summary presents a brief philosophical statement, the policy positions of the government and the aims of the policy. It defines culture, outlines the areas of national life considered in the policy and provides a selection of the action to be taken. The policy document emphasizes the importance of the development of a sense of self-worth and national pride, the role of folkways in defining a Montserratian identity and the role of training, research and documentation in cultural development and preservation. Particular emphasis is placed on culture as a means of broadening the frame of economic activity. The co modification of aspects of culture brooks of no debate; it is inevitable in these challenging economic times. The policy is presented against a backdrop of the Montserrat cultural landscape. Philosophical Statement Montserrat’s culture is rooted in its history with all its trials and triumphs. Culture is not only dynamic and subject to influences and changes over time, but it is also dialectical, meaning that while it springs from history and development, culture also impacts and informs development .
    [Show full text]
  • Cotsen Institute of Archaeology Press
    UCLA Cotsen Institute of Archaeology Press Title Rock Art of East Mexico and Central America: An Annotated Bibliography Permalink https://escholarship.org/uc/item/68r4t3dq ISBN 978-1-938770-25-8 Publication Date 1979 Data Availability The data associated with this publication are within the manuscript. Peer reviewed eScholarship.org Powered by the California Digital Library University of California Rock Art of East Mexico and Central America: An Annotated Bibliography Second, Revised Edition Matthias Strecker MONOGRAPHX Institute of Archaeology University of California, Los Angeles Rock Art of East Mexico and Central America: An Annotated Bibliography Second, Revised Edition Matthias Strecker MONOGRAPHX Institute of Archaeology University of California, Los Angeles ' eBook ISBN: 978-1-938770-25-8 TABLE OF CONTENTS PREFACE By Brian D. Dillon . 1 ACKNOWLEDGEMENTS . vi INTRODUCTION . 1 PART I: BIBLIOGRAPHY IN GEOGRAPHICAL ORDER 7 Tabasco and Chiapas . 9 Peninsula of Yucatan: C ampeche, Yucatan, Quintana Roo, Belize 11 Guatemala 13 El Salvador 15 Honduras 17 Nicaragua 19 Costa Rica 21 Panama 23 PART II: BIBLIOGRAPHY BY AUTHOR 25 NOTES 81 PREFACE Brian D. Dillon Matthias Strecker's Rock Art of East Mexico and Central America: An Annotated Bibliography originally appeared as a small edition in 1979 and quickly went out of print. Because of the volume of requests for additional copies and the influx of new or overlooked citations received since the first printing, production of a second , revised edition became necessary. More than half a hundred new ref­ erences in Spanish, English, German and French have been incorporated into this new edition and help Strecker's work to maintain its position as the most comprehen­ sive listing of rock art studies undertaken in Central America.
    [Show full text]
  • No. 40. the System of Lunar Craters, Quadrant Ii Alice P
    NO. 40. THE SYSTEM OF LUNAR CRATERS, QUADRANT II by D. W. G. ARTHUR, ALICE P. AGNIERAY, RUTH A. HORVATH ,tl l C.A. WOOD AND C. R. CHAPMAN \_9 (_ /_) March 14, 1964 ABSTRACT The designation, diameter, position, central-peak information, and state of completeness arc listed for each discernible crater in the second lunar quadrant with a diameter exceeding 3.5 km. The catalog contains more than 2,000 items and is illustrated by a map in 11 sections. his Communication is the second part of The However, since we also have suppressed many Greek System of Lunar Craters, which is a catalog in letters used by these authorities, there was need for four parts of all craters recognizable with reasonable some care in the incorporation of new letters to certainty on photographs and having diameters avoid confusion. Accordingly, the Greek letters greater than 3.5 kilometers. Thus it is a continua- added by us are always different from those that tion of Comm. LPL No. 30 of September 1963. The have been suppressed. Observers who wish may use format is the same except for some minor changes the omitted symbols of Blagg and Miiller without to improve clarity and legibility. The information in fear of ambiguity. the text of Comm. LPL No. 30 therefore applies to The photographic coverage of the second quad- this Communication also. rant is by no means uniform in quality, and certain Some of the minor changes mentioned above phases are not well represented. Thus for small cra- have been introduced because of the particular ters in certain longitudes there are no good determi- nature of the second lunar quadrant, most of which nations of the diameters, and our values are little is covered by the dark areas Mare Imbrium and better than rough estimates.
    [Show full text]
  • Theories of Space and Place in Abstract Caribbean Art
    Bowling Green State University ScholarWorks@BGSU 18th Annual Africana Studies Student Research Africana Studies Student Research Conference Conference and Luncheon Feb 12th, 1:30 PM - 2:45 PM Theories of Space and Place in Abstract Caribbean Art Shelby Miller Follow this and additional works at: https://scholarworks.bgsu.edu/africana_studies_conf Part of the African Languages and Societies Commons Miller, Shelby, "Theories of Space and Place in Abstract Caribbean Art" (2017). Africana Studies Student Research Conference. 1. https://scholarworks.bgsu.edu/africana_studies_conf/2016/004/1 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Africana Studies Student Research Conference by an authorized administrator of ScholarWorks@BGSU. Shelby Miller Theories of Space and Place in Abstract Caribbean Art Bibliographic Style: MLA 1 How does one define the concepts of space and place and further translate those theories to the Caribbean region? Through abstract modes of representation, artists from these islands can shed light on these concepts in their work. Involute theories can be discussed in order to illuminate the larger Caribbean space and all of its components in abstract art. The trialectics of space theory deals with three important factors that include the physical, cognitive, and experienced space. All three of these aspects can be displayed in abstract artwork from this region. By analyzing this theory, one can understand why Caribbean artists reverted to the abstract style—as a means of resisting the cultural establishments of the West. To begin, it is important to differentiate the concepts of space and place from the other.
    [Show full text]
  • UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
    USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc.
    [Show full text]
  • Una Revision Preliminar De La Historia De Abaj Takalik
    Popenoe de Hatch, Marion y Christa Schieber de Lavarreda 2001 Una revisión preliminar de la historia de Tak´alik Ab´aj, departamento de Retalhuleu. En XIV Simposio de Investigaciones Arqueológicas en Guatemala, 2000 (editado por J.P. Laporte, A.C. Suasnávar y B. Arroyo), pp.990-1005. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital). 77 UNA REVISIÓN PRELIMINAR DE LA HISTORIA DE TAK´ALIK AB´AJ, DEPARTAMENTO DE RETALHULEU Marion Popenoe de Hatch Christa Schieber de Lavarreda Nuestras recientes investigaciones en Tak´alik Ab´aj se han dirigido hacia resolver una serie de preguntas que nos han interesado por largo tiempo. Este año hemos dirigido nuestra atención a la pregunta más intrigante de todas. En algún momento durante la historia de Tak´alik Ab´aj ocurrió un incidente violento. Muchos de los monumentos de gran tamaño, especialmente los esculpidos en estilo Maya, fueron tirados y destruidos. ¿Quién fue responsable de la violencia en Tak´alik Ab´aj, destruyendo deliberadamente los monumentos, y cuándo ocurrió este evento? Creemos que tenemos la respuesta a esta pregunta y presentaremos el argumento en breve. Otras preguntas que hemos tenido son las siguientes: ¿Quiénes fueron los primeros habitantes de Tak´alik Ab´aj?; ¿Por qué fundaron el sitio en el lugar donde se encuentra?; ¿Cuál era la función de Tak´alik Ab´aj?; ¿Cuántos complejos cerámicos, que representan distintas poblaciones, pueden identificarse a lo largo de la historia de Tak´alik Ab´aj y qué papel jugaron?; ¿Qué cerámica está asociada con las esculturas Olmecas y cuál corresponde a las esculturas Mayas?; ¿Qué relaciones mantuvo Tak´alik Ab´aj con otras regiones a lo largo del tiempo?; ¿Cómo se manifiestan los periodos Preclásico, Clásico y Postclásico en Tak´alik Ab´aj, y cómo están relacionados? Hace un año en este Simposio (Popenoe de Hatch et al.
    [Show full text]
  • Late Miocene -Quaternary Forearc Uplift In
    Late Miocene - Quaternary forearc uplift in southern Peru: new insights from 10 Be dates and rocky coastal sequences Vincent Regard, Joseph Martinod, Marianne Saillard, Sébastien Carretier, Laëtitia Leanni, Laurence Audin, Kevin Pedoja To cite this version: Vincent Regard, Joseph Martinod, Marianne Saillard, Sébastien Carretier, Laëtitia Leanni, et al.. Late Miocene - Quaternary forearc uplift in southern Peru: new insights from 10 Be dates and rocky coastal sequences. Journal of South American Earth Sciences, Elsevier, 2021, 8th ISAG Special Issue, 109, pp.103261. 10.1016/j.jsames.2021.103261. hal-03162682 HAL Id: hal-03162682 https://hal.archives-ouvertes.fr/hal-03162682 Submitted on 8 Mar 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Late Miocene - Quaternary forearc uplift in southern Peru: new insights from 10Be dates and rocky coastal sequences 5 Vincent Regard1*, Joseph Martinod2, Marianne Saillard3, Sébastien Carretier1, Laetitia Leanni4, Gérard Hérail1, Laurence Audin2, Kevin Pedoja5 1. Géosciences Environnement Toulouse/OMP, Université de Toulouse, CNES, CNRS, IRD, UPS, Toulouse, France 2. Univ. Grenoble Alpes, Univ. Savoie Mont Blanc, CNRS, IRD, IFSTTAR, ISTerre, Grenoble, France. 10 3. Université Côte d'Azur, IRD, CNRS, Observatoire de la Côte d'Azur, Géoazur, 250 rue Albert Einstein, Sophia Antipolis 06560 Valbonne, France.
    [Show full text]
  • Sunnyvale Heritage Resources
    CARIBBEAN DR 3RD AV G ST C ST BORDEAUX DR H ST 3RD AV Heritage Trees CARIBBEAN DR CASPIAN CT GENEVA DR ENTERPRISE WY 4TH AV Local Landmarks E ST CASPIAN DR BALTIC WY Heritage Resources 5TH AV JAVA DR 5TH AV MOFFETT PARK DR CROSSMAN AV 300-ft Buffer CHESAPEAKE TR GIBRALTAR CT GIBRALTAR DR ORLEANS DR MOFFETT PARK DR 7TH AV MACON RD ANVILWOOD City Boundary ENTERPRISEWY CT G ST C ST MOFFETT PARK CT 8TH AV HUMBOLDT CT PERSIAN DR FORGEWOODAV SR-237 ANVILWOODAV INNSBRUCK DR ELKO DR 9TH AV E ST FAIR OAKS WY BORREGAS AV D ST P O R P O I S ALDERWOODAV 11TH AV MOFFETT PARK DR E BA Y TR PARIA BIRCHWOODDR MATHILDA AV GLIESSEN JAEGALS RD GLIN SR-237 PLAZA DR PLENTYGLIN LA ROCHELLE TR TASMAN DR ENTERPRISE WY ENTERPRISE MONTEGO VIENNA DR KASSEL INNOVATION WAY BRADFORD DR MOLUCCA MONTEREY LEYTE MORSE AV KIHOLO LEMANS ROSS DR MUNICH LUND TASMAN CT KARLSTAD DR ESSEX AV COLTON AV FULTON AV DUNCAN AV HAMLIN CT SAGINAW FAIR OAKS AV TOYAMA DR SACO LAWRENCEEXPRESSWAY GARNER DR LYON US-101 SALERNO SAN JORGEKOSTANZ TIMOR KIEL CT SIRTE SOLOMON SUEZ LAKEBIRD DR CT DRIFTWOOD DRIFTWOOD CT CHARMWOOD CHARMWOOD CT SKYLAKE VALELAKE CT CT CLYDE AV BREEZEWOOD CT LAKECHIME DR JENNA PECOS WY AHWANEE AV LAKEDALE WY WEDDELL LOTUSLAKE CT GREENLAKE DR HIDDENLAKE DR WEDDELL DR MEADOWLAKE DR ALMANOR AV FAIRWOODAV STONYLAKE SR-237 LAKEFAIR DR CT CT LYRELAKE LYRELAKE HEM BLAZINGWOOD DR REDROCK CT LO CT CK ALTURAS AV SILVERLAKEDR AV CT CANDLEWOOD LAKEHAVEN DR BURNTWOOD CT C B LAKEHAVEN A TR U JADELAKE SAN ALESO AV R N MADRONE AV LAKEKNOLL DR N D T L PALOMAR AV SANTA CHRISTINA W CT
    [Show full text]
  • Mitochondrial DNA Analysis in Aruba: Strong Maternal Ancestry of Closely Related Amerindians and Implications for the Peopling of Northwestern Venezuela
    Caribbean Journal of Science, Vol. 39, No. 1, 11-22, 2003 Copyright 2003 College of Arts and Sciences University of Puerto Rico, Mayagu¨ez Mitochondrial DNA Analysis in Aruba: Strong Maternal Ancestry of Closely Related Amerindians and Implications for the Peopling of Northwestern Venezuela GLADYS TORO-LABRADOR1,OSWALD R. WEVER2, AND JUAN C. MARTI´NEZ-CRUZADO1,3 1Department of Biology, University of Puerto Rico, P.O. Box 9012, Mayagu¨ez, Puerto Rico 00681-9012 2Department of Internal Medicine, Dr. Horacio Oduber Hospital, Oranjestad, Aruba 3Corresponding author: [email protected] ABSTRACT.—The continental origin of human mtDNA can be identified by its haplogroup determination through restriction fragment length polymorphism (RFLP) analysis. Hair root samples from 16 Aruban informed volunteers were analyzed by this method. Thirteen samples had mtDNAs of Amerindian origin and the remainder had their origin in sub-Saharan Africa; thus suggesting a substantial Amerindian maternal ancestry in Arubans, and helping explain the high incidence of health-related conditions common in Am- erindian populations. Nine of the thirteen Amerindian mtDNAs belonged to haplogroup D, suggesting that despite intense Indian population movements through historical times, most of the mtDNAs shared a recent common origin. Our results, combined with the pre- and post-Columbian history of Aruba and northwestern Venezuela, lead us to hypothesize that the frequency of haplogroup D mtDNAs should be high in the Caquetı´o tribe of coastal Falco´n in Venezuela and at least moderate in the Guajiro Indians of eastern Colombia. In addition, if the native Aruban Indians contributed substantially to the current mtDNA pool of Arubans despite the repeated historical deportation events that presumably removed the complete popula- tions from the island, they must also have possessed haplogroup D mtDNAs in high frequency.
    [Show full text]
  • Plains Anthropologist Author Index
    Author Index AUTHOR INDEX Aaberg, Stephen A. (see Shelley, Phillip H. and George A. Agogino) 1983 Plant Gathering as a Settlement Determinant at the Pilgrim Stone Circle Site. In: Memoir 19. Vol. 28, No. (see Smith, Calvin, John Runyon, and George A. Agogino) 102, pp. 279-303. (see Smith, Shirley and George A. Agogino) Abbott, James T. Agogino, George A. and Al Parrish 1988 A Re-Evaluation of Boulderflow as a Relative Dating 1971 The Fowler-Parrish Site: A Folsom Campsite in Eastern Technique for Surficial Boulder Features. Vol. 33, No. Colorado. Vol. 16, No. 52, pp. 111-114. 119, pp. 113-118. Agogino, George A. and Eugene Galloway Abbott, Jane P. 1963 Osteology of the Four Bear Burials. Vol. 8, No. 19, pp. (see Martin, James E., Robert A. Alex, Lynn M. Alex, Jane P. 57-60. Abbott, Rachel C. Benton, and Louise F. Miller) 1965 The Sister’s Hill Site: A Hell Gap Site in North-Central Adams, Gary Wyoming. Vol. 10, No. 29, pp. 190-195. 1983 Tipi Rings at York Factory: An Archaeological- Ethnographic Interface. In: Memoir 19. Vol. 28, No. Agogino, George A. and Sally K. Sachs 102, pp. 7-15. 1960 Criticism of the Museum Orientation of Existing Antiquity Laws. Vol. 5, No. 9, pp. 31-35. Adovasio, James M. (see Frison, George C., James M. Adovasio, and Ronald C. Agogino, George A. and William Sweetland Carlisle) 1985 The Stolle Mammoth: A Possible Clovis Kill-Site. Vol. 30, No. 107, pp. 73-76. Adovasio, James M., R. L. Andrews, and C. S. Fowler 1982 Some Observations on the Putative Fremont Agogino, George A., David K.
    [Show full text]
  • Geologic Map of the Victoria Quadrangle (H02), Mercury
    H01 - Borealis Geologic Map of the Victoria Quadrangle (H02), Mercury 60° Geologic Units Borea 65° Smooth plains material 1 1 2 3 4 1,5 sp H05 - Hokusai H04 - Raditladi H03 - Shakespeare H02 - Victoria Smooth and sparsely cratered planar surfaces confined to pools found within crater materials. Galluzzi V. , Guzzetta L. , Ferranti L. , Di Achille G. , Rothery D. A. , Palumbo P. 30° Apollonia Liguria Caduceata Aurora Smooth plains material–northern spn Smooth and sparsely cratered planar surfaces confined to the high-northern latitudes. 1 INAF, Istituto di Astrofisica e Planetologia Spaziali, Rome, Italy; 22.5° Intermediate plains material 2 H10 - Derain H09 - Eminescu H08 - Tolstoj H07 - Beethoven H06 - Kuiper imp DiSTAR, Università degli Studi di Napoli "Federico II", Naples, Italy; 0° Pieria Solitudo Criophori Phoethontas Solitudo Lycaonis Tricrena Smooth undulating to planar surfaces, more densely cratered than the smooth plains. 3 INAF, Osservatorio Astronomico di Teramo, Teramo, Italy; -22.5° Intercrater plains material 4 72° 144° 216° 288° icp 2 Department of Physical Sciences, The Open University, Milton Keynes, UK; ° Rough or gently rolling, densely cratered surfaces, encompassing also distal crater materials. 70 60 H14 - Debussy H13 - Neruda H12 - Michelangelo H11 - Discovery ° 5 3 270° 300° 330° 0° 30° spn Dipartimento di Scienze e Tecnologie, Università degli Studi di Napoli "Parthenope", Naples, Italy. Cyllene Solitudo Persephones Solitudo Promethei Solitudo Hermae -30° Trismegisti -65° 90° 270° Crater Materials icp H15 - Bach Australia Crater material–well preserved cfs -60° c3 180° Fresh craters with a sharp rim, textured ejecta blanket and pristine or sparsely cratered floor. 2 1:3,000,000 ° c2 80° 350 Crater material–degraded c2 spn M c3 Degraded craters with a subdued rim and a moderately cratered smooth to hummocky floor.
    [Show full text]
  • Headline News Breeders'cup Bulletin
    HEADLINE THREE CHIMNEYS NEWS The Idea is Excellence. For information about TDN, Mating Recommendations for call 732-747-8060. BIG BROWN by Anne Peters www.thoroughbreddailynews.com WEDNESDAY, OCTOBER 15, 2008 click here MARJU COLT TOPS TATTS TUESDAY BREEDERS’CUP Sheikh Hamdan Al Maktoum's racing manager Angus Gold topped yesterday's trade on the middle session of Book 2 of Tattersalls' October Year- BULLETIN ling Sale in Newmarket. Gold signed the 170,000gns ticket for lot 1041, a IT’S A GO: CURLIN TO BC CLASSIC Marju (Ire) colt consigned from Willie Horse of the Year and reigning GI Breeders= Cup Browne's Meadowlands Stud. Agent Classic hero Curlin (Smart Strike) will be given a chance Larry Stratton was underbidder on the to defend his title in this year=s Championships at Santa colt. Sheikh Hamdan's Shadwell, Anita=s Oak Tree meeting Oct. 25, majority owner Jess Lot 1041 - Marju colt Darley=s John Ferguson and other Jackson announced on a national teleconference Tues- tattersalls.com Maktoum offshoots accounted for day. AAs a native Californian, nothing gives me more 24.2 percent of yesterday's turnover after a combined pleasure than to announce that Curlin will be entered spend of 1,507,500gns. Ferguson's dearest purchase for the 2008 Breeders= Cup was lot 1050, a 160,000gns Refuse to Bend (Ire) half- Classic,@ Jackson com- brother to this season's G2 Norfolk Stakes winner Art mented. AIt=s not about the Connoisseur (Ire) (Lucky Story). The bay was consigned money, it=s about him and from Denis McDonnell's Co Cork-based Parkway Farm.
    [Show full text]