Based on a New Kind of Course at Yuelu Academy 1.Education Style General Vs Professional

Total Page：16

File Type：pdf, Size：1020Kb

---based on a new kind of course at Yuelu Academy 1.Education Style General Vs Professional 2.Academy-University How to teach and study ancient Chinese classics in modern university? 3.Classical or Modern? Why should modern students read ancie nt classics? How to attract students’ interest? “Chinese Traditional Culture and Ancient Academy”study tour 23/Dec/2017-1/Jan/2018 The Chinese University of Hong Kong Fudan University Yuelu Academy, Hunan University Shanghai-Changsha 100 students 7 lectures 5 visits 2 discussions The 2nd “Chinese Traditional Culture and Ancient Academy”study tour 23/Nov/2018-1/Jan/2018 Yuelu Academy, Hunan University Fudan University Shanghai-Changsha 60 students 7 lectures 2 visits 2 discussions 1 final presentation The 3rd “Chinese Traditional Culture and Ancient Academy”study tour 31/Aug/2019-7/Sep/2019 Yuelu Academy, Hunan University Fudan University Shanghai-Wuxi-Changsha 60 students 8 lectures 5 visits 2 discussions 1 final presentation Course content Location Topic Teacher Lecture 1 Fudan Ancient Theory Professor Zhang Rulun University (School of Philosophy, Fudan University) Lecture 2 Fudan Jing---Holy cult Professor Guo Xiaodong University (School of Philosophy, Fudan University) Lecture 3 Fudan Legalist: The founder of Professor Bai Tongdong University the "modern" political (School of Philosophy, system? Fudan University) Lecture 4 Fudan The Book of Songs and Professor Luo Yuming University Chinese Cultural Tradition (Department of Chinese Language and Literature, Fudan University) Visit 1 Shanghai Shanghai Museum Museum Lecture 5 Fudan Shiji and Ancient Chinese Professor Han Sheng University Historiography (Department of History, Fudan University) Course content Location Topic Teacher Visit 2 Nanxun Jiangnan Water Town and Ancient Town its culture Visit 3 Chinese Art Chinese Art Palace Palace Discussion 1 Fudan As modern people, how Fudan University General University do we understand Education Center Core traditional ideas? Course Assistant Lecture 6 Yuelu Academy Archaeological Professor Chen Songchang Discoveries and Cultural (Hunan University Yuelu Relics Value of Academy) Mawangdui Han Tomb Visit 4 Hunan Hunan Museum Museum Lecture 7 Yuelu Academy Ancient Chinese Academy Professor Deng Hongbo and Culture (Hunan University Yuelu Academy) Visit 5 Yuelu Academy Yuelu Academy and Chinese Academy Museum Discussion 2 Yuelu Academy The Academy I see Young Teachers from Yuelu Academy Ancie Jing--- Legalist: The Book Shiji and Archaeologi Ancient nt Holy The of Songs Ancient cal Chinese Theor cult founder and Chinese Discoveries Academy y of the Chinese Historio and Cultural and "modern" Cultural graphy Relics Value Culture political Tradition of system? Mawangdui Han Tomb 43.14 43.14% 37.25% 43.14% 29.41% 27.45% 33.33% % Survey of the popularity of each lecture .

Copy Link

Recommended publications

The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
[Show full text]
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people.
[Show full text]
Translating Chu Lacquer Wares
Sumerianz Journal of Education, Linguistics and Literature, 2019, Vol. 2, No. 12, pp. 175-183 ISSN(e): 2617-1201, ISSN(p): 2617-1732 Website: https://www.sumerianz.com © Sumerianz Publication CC BY: Creative Commons Attribution License 4.0 Original Article Open Access Translating Chu Lacquer Wares Shenghua Luo Yangtze University College of Arts and Sciences, Hubei, 434020 P. R. China Yangtze University, Hubei, 434023 P. R. China Abstract As the precious wealth of human civilization, Chu lacquer wares are the carrier that reflects the long history and culture of Chu State or Chu region. The translation of Chu lacquer wares texts in museums plays a very important role in the exchange and demonstration of Chu culture. This paper tries to make it clear about the structural features of Chu lacquer wares texts in museums: the picture of Chu lacquer ware; the name of Chu lacquer ware; the dynasty of the Chu lacquer ware; the unearthed place of Chu lacquer ware; the dimension and background introduction of Chu lacquer ware. Based on the analysis of “texts in museums” rather than “museum as text”, we seek to explore distinct characteristics of the language of Chu lacquer wares texts in museums that are objective, explanatory, communicative and concise. Through investigating the translation of Chu lacquer wares texts in museums, we are able to observe that the main translation methods of each component are transliteration, literal translation, free translation, addition and omission in translation, and a variety of translation methods. It is noted that literal and free translation are popular among various methods. Considering the cultural and historical factors, adopting transliteration mainly by Chinese pinyin is acceptable to handle some special place names, dates, dynasties and so on.
[Show full text]
Daoism and Daoist Art
Heilbrunn Timeline of Art History Daoism and Daoist Art Works of Art (19) Essay Indigenous to China, Daoism arose as a secular school of thought with a strong metaphysical foundation around 500 B.C., during a time when fundamental spiritual ideas were emerging in both the East and the West. Two core texts form the basis of Daoism: the Laozi and the Zhuangzi, attributed to the two eponymous masters, whose historical identity, like the circumstances surrounding the compilation of their texts, remains uncertain. The Laozi—also called the Daodejing, or Scripture of the Way and Virtue—has been understood as a set of instructions for virtuous rulership or for self- cultivation. It stresses the concept of nonaction or noninterference with the natural order of things. Dao, usually translated as the Way, may be understood as the path to achieving a state of enlightenment resulting in longevity or even immortality. But Dao, as something ineffable, shapeless, and conceived of as an infinite void, may also be understood as the unfathomable origin of the world and as the progenitor of the dualistic forces yin and yang. Yin, associated with shade, water, west, and the tiger, and yang, associated with light, fire, east, and the dragon, are the two alternating phases of cosmic energy; their dynamic balance brings cosmic harmony. Over time, Daoism developed into an organized religion—largely in response to the institutional structure of Buddhism—with an ever-growing canon of texts and pantheon of gods, and a significant number of schools with often distinctly different ideas and approaches. At times, some of these schools were also politically active.
[Show full text]
A Sanpan Shan Chariot Ornament and the Xiangrui Design in Western Han Art Author(S): Wu Hung Reviewed Work(S): Source: Archives of Asian Art, Vol
A Sanpan Shan Chariot Ornament and the Xiangrui Design in Western Han Art Author(s): Wu Hung Reviewed work(s): Source: Archives of Asian Art, Vol. 37 (1984), pp. 38-59 Published by: University of Hawai'i Press for the Asia Society Stable URL: http://www.jstor.org/stable/20111143 . Accessed: 19/12/2011 18:10 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Hawai'i Press and Asia Society are collaborating with JSTOR to digitize, preserve and extend access to Archives of Asian Art. http://www.jstor.org A Sanpan Shan Chariot Ornament and the Xiangrui Design inWestern Han Art Wu Hung Harvard University THE DATE AND THE OWNER In 1965 the cultural relics team of Hebei province a in the People's Republic of China excavated three This chariot ornament belonged to set of chariot at was a large tombs Sanpan Shan,a Dingxianb county. fittings and used to join the handle of canopy in a With the advance of the Cultural Revolution to carriage.6 From pertinent archaeological evi the following year, however, the unearthed mate dence and relevant historical documents, we can were un a rials along with the relevant records left derive fairly clear idea of the date and place of its a attended in provincial storeroom to gather dust.
[Show full text]
Seen in the Recipes for Fifty-Two Ailments (五十二病方) Written in the Mawangdui (馬王堆) Silk Manuscript †
755 의사학 제28권 제3호(통권 제63호) 2019년 12월 Korean J Med Hist 28ː755-786 December 2019 ⓒ대한의사학회 http://dx.doi.org/10.13081/kjmh.2019.28.755 pISSN 1225-505X, eISSN 2093-5609 A Research on the Shamanistic Medical Activities as Seen in the Recipes for Fifty-two Ailments (五十二病方) Written in the Mawangdui (馬王堆) Silk Manuscript † CHO Yongjun* 1. Introduction 2. A Brief Introduction of the Recipes for Fifty-two Ailments 3. ‘Zhuyou (祝由)’ Activities 4. ‘Zhuyichuxiong (逐疫除凶)’ Activities 5. Curing Maggots Activities 6. Conclusion 1. Introduction As early as the primitive period, in order to survive and reproduce, human beings have made unremitting efforts to prevent and treat diseases that endanger and affect human life and health. Therefore, the ancients had knowledge about the treatment of common traumatic symptoms. Many archaeological results reveal that up until and before the Shang (商) era and Zhou (周) dynasties, the identification of symptoms and causes had reached a fairly high level. On one hand, through the † I would like to express my heartfelt thanks to my two friends, Mr. Guillaume Maisonneuve and Mr. Benjamin Giaimo, for their great English translation of this article. * Assistant Professor, School of History in Renmin University of China, China / E-mail: [email protected]. 755│ 醫史學 제28권 제3호(통권 제63호) 755-786, 2019년 12월 │755 CHO Yongjun : A Research on the Shamanistic Medical Activities as Seen in the Recipes for Fifty- two Ailments (五十二病方) Written in the Mawangdui (馬王堆) Silk Manuscript accumulation of numerous successful or unsuccessful experiences, the methods of medical treatment and the social customs of health care marked, to a certain extent, the civilized development of social life at that time, and at the same time, marked the establishment and improvement of the medical system of later generations in China, laying its foundation (CHO, 2011: 322-325).
[Show full text]
Travelling in China Fathi Habashi
Laval University From the SelectedWorks of Fathi Habashi February, 2007 Travelling in China Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/48/ SME Annual Meeting Feb. 25-Feb. 28, 2007, Denver, CO Preprint 07-060 TRAVELLING IN CHINA1 F. Habashi, Laval Univ., Quebec City, Canada ABSTRACT Table 1. Trips to China. The changes that took place in China between 1984 and 2004 are Dates Cities visited Remarks remarkable. Visits were made to universities, research institutes, May 1- 26, Beijing Changsha Short course, seminars, metallurgical industry, and many cultural centers within five trips during 1984 Zhuzhou Shanghai industrial and cultural visits this twenty years period. The impressions of these visits are outlined. May 5 – June Hong Kong Guangzhou Short course, seminars, 7, 1990 Changsha Kunming industrial and cultural visits October 14 -18, Shanghai Seminar and cultural visits 2001 Kunming March 29 – Conference, seminars, Hong Kong Shanghai April 15, 2002 cultural visits Beijing October 16 – Xi’an Beijing Conference, cultural visits 24, 2004 Figure 1. Chinese translation of Principles of Extractive Metallurgy. INTRODUCTION HISTORICAL BACKGROUND In October 1981 I met Dr. Chen Chia-Yung, a distinguished From ancient times China was the master of the Far East and her Chinese hydrometallurgist and Deputy Director of the Institute of civilization was copied by Japan and other countries. The ancient Chemical Metallurgy of the Academia Sinica in Beijing, at the Second Chinese have mastered casting of bronze, produced metallic zinc and World Congress of Chemical Engineering that was held in Montreal. white copper (a copper-nickel alloy), and used coal before the While we were taking lunch together he invited me to give a short Europeans.
[Show full text]
Duke University Dissertation Template
3D Animated Painting: Walking Inside of the Painting of The Goddess of the Luo by Hanyan Li Digital Art History and Computational Media Duke University Date:_______________________ Approved: ___________________________ Victoria Szabo, Advisor ___________________________ Victoria Szabo ___________________________ Maurizio Forte ___________________________ Augustus Wendell Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Digital Art History and Computational Media in the Graduate School of Duke University 2020 i v ABSTRACT 3D Animated Painting: Walking inside of the Painting of The Goddess of the Luo by Hanyan Li Digital Art History and Computational Media Duke University Date:_______________________ Approved: ___________________________ Victoria Szabo, Advisor ___________________________ Victoria Szabo ___________________________ Maurizio Forte ___________________________ Augustus Wendell An abstract of a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Digital Art History and Computational Media in the Graduate School of Duke University 2020 i v Copyright by Hanyan Li 2020 Abstract Increased consumption of virtual museum content today has fueled the development of new ways of improving the ‘museum experience.’ The sophisticated needs and expectations of the modern visitor in the pursuit of education, leisure, and adventure within museums, can be fulfilled through the application of modern-day solutions. The objective of this study is to improve the experience of paintings through providing audiences three-dimensional immersive virtual experiences. In order to achieve this goal, a case study was created to explore in depth the idea that three- dimensional interventions with interactive elements will improve experience and enhance museum engagement. A practice-based methodology was used to develop a three-dimensional virtual environment of the painting of The Goddess of the Luo by Gu Kazhi.
[Show full text]
"The Style and Dating of Yue Ware In
"THE STYLE AND DATING OF YUE WARE IN - THE NINTH AND TENTH CENTURIES ON THE BASIS OF RECENT CHINESE ARCHAEOLOGY _ > > *" ' ■ 'J VOLUME I TEXT LAI SUK YEE Submitted for the Degree of Master of Philosophy in the Faculty of Arts School of Oriental and African Studies University of London June, 1981. ProQuest Number: 10672720 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672720 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The first chapter introduces the background to Yue ware, the green ware produced over the period from the eighth to the eleventh century in Zhejiang province, and describes both the historical situation within the period . '• / and the ceramic tradition of the region. The second chapter discusses the literature relating to Yue ware. On account of the existence of written records, Yue ware survived descriptively and was finally identi fied. These literary works still remain a valuable record of traditional Chinese connois- seurship on Yue ware, and demand serious study notwithstanding the availability of the artefacts.
[Show full text]
The Meanings of Qipao As Traditional Dress: Chinese and Taiwanese Perspectives Chui Chu Yang Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2007 The meanings of qipao as traditional dress: Chinese and Taiwanese perspectives Chui Chu Yang Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Social and Cultural Anthropology Commons Recommended Citation Yang, Chui Chu, "The meanings of qipao as traditional dress: Chinese and Taiwanese perspectives" (2007). Retrospective Theses and Dissertations. 15604. https://lib.dr.iastate.edu/rtd/15604 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The meanings of qipao as traditional dress: Chinese and Taiwanese perspectives By Chui Chu Yang A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Textiles and Clothing Program of Study Committee: Susan J. Torntore, Co-major Professor Mary Lynn Damhorst, Co-major Professor Jean Parsons Lorna Michael Butler Shu Min Huang Iowa State University Ames, Iowa 2007 Copyright © Chui Chu Yang, 2007. All rights reserved. UMI Number: 3289410 UMI Microform 3289410 Copyright 2008 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 ii TABLE OF CONTENTS LIST OF TABLES …………………………….……………………………………………v LIST OF FIGURES…………………………….…………………………………………vii ABSTRACT ……………………………………………..…………………………………ix CHAPTER 1: INTRODUCTION.........................................................................................
[Show full text]
Chen Wenbo Born 1969 in Chongqing, China
Chen Wenbo Born 1969 in Chongqing, China. Lives and works in Beijing. EDUCATION 1991 B.A., Sichuan Academy of Fine Arts, Chongqing, China SOLO EXHIBITIONS 2018 Chen Wenbo: Report, The Galaxy Museum of Contemporary Art, Chongqing, China 2016 Chen Wenbo: Day and Night, Tang Contemporary Art, Beijing 2015 Chen Wenbo: The Fat Years, Klein Sun Gallery, New York 2009 Chen Wenbo: ABIO-VIEW, Shanghai Gallery of Art, Shanghai Chen Wenbo: Broken Series, Ullens Center for Contemporary Art, Beijing 2008 Chen Wenbo: Asian Rays, PKM Gallery, Beijing Chen Wenbo: Epidemiology, Michael Schultz Gallery, Berlin 2006 Chen Wenbo: On the Green, Courtyard Gallery, Beijing 2003 Back Door: Chen Wenbo 2003, He Xiangning Art Museum, Shenzhen, China 2000 Chen Wenbo: Vitamines Z, Galerie LOFT, Paris SELECTED GROUP EXHIBITIONS 2019 The Variable and The Generating, MadeIn Gallery, Shanghai 2018 Go Live, Art Museum of Nanjing University of the Arts, Nanjing, China The Contemporary of Figure Art - Round 4, Shanghai Duolun Museum of Modern Art, Shanghai Cooling, Golden Eagle Contemporary Art Center, Nanjing, China The Unscene, Klein Sun Gallery, New York 2017 Interaction: Contemporary Chinese Art in Nuremberg, Konfuzius-Institut Nürnberg-Erlangen, Nuremberg, Germany 398 West Street, New York, NY 10014 | T: +1.212.255.4388 | [email protected] | www.galleryek.com 2016 2016-2017 “Sao Yi Sao” Contemporary Art Exhibition, Riverside Art Museum, Beijing Post-sense Sensibility: Trepidation and Will, Beijing Minsheng Art Museum, Beijing On Drawing: Apperceive of Liberation, Wuhan
[Show full text]
Analytic Essay on the Domestic Statuary of Central Hunan. the Cult to Divinities, Parents and Masters Alain Arrault
Analytic essay on the domestic statuary of central Hunan. The cult to divinities, parents and masters Alain Arrault To cite this version: Alain Arrault. Analytic essay on the domestic statuary of central Hunan. The cult to divinities, parents and masters. Journal of Chinese Religions, Taylor and Francis, 2008, 36, pp.1-53. halshs- 00959723 HAL Id: halshs-00959723 https://halshs.archives-ouvertes.fr/halshs-00959723 Submitted on 15 Mar 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Analytic Essay on the Domestic Statuary of Central Hunan: The Cult to Divinities, Parents, and Masters ALAIN ARRAULT Ecole française d’Extrême-Orient (EFEO) University of Liège (Belgium) Introduction Thanks to the financial support of the CCK Foundation and the Beaufour-Ipsen Tianjin Pharmaceutical Co., the Beijing Centre of the Ecole Française d’Extrême-Orient has been engaged in a research project entitled “Taoism and Local Society,” since 2002. The project was based on the computerized cataloging of three collections of polychrome wood statuettes originating in the Hunan region. Two are private collections and the third belongs to the Hunan Provincial Museum, the same that houses the Mawangdui relics.
[Show full text]